Cultural Criticism Quotes & Sayings

Psychotherapy is the art of finding the angel of hope in the midst of terror, despair and madness. — Cloe Madanes

Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after the holocaust is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation. — Theodor Adorno

After illuminating the work of Rembrandt, Caravaggio, Louise Bourgeois, Balthus, and other modern artists, Mieke Bal again demonstrates her extraordinary flair for cultural criticism in taking on the work of Doris Salcedo, exploring the philosophical and aesthetic stakes of this committed political art and the relation between beauty, violence, and memory. A tour de force. — Jonathan Culler

I cannot emphasize enough how wrongheaded this is. Withholding criticism and ignoring differences are racism in its purest form. Yet these cultural experts fail to notice that, through their anxious avoidance of criticizing non-Western countries, they trap the people who represent these cultures in a state of backwardness. The experts may have the best of intentions, but as we all know, the road to hell is paved with good intentions. — Ayaan Hirsi Ali

I avoided one-on-one situations, eye contact, and healthy relationships. Instead I took refuge in drinking too much, cheap sex, and sarcasm. — Jason Najum

Sadly, at a time when so much sophisticated cultural criticism by hip intellectuals from diverse locations extols a vision of cultural hybridity, border crossing, subjectivity constructed out of plurality, the vast majority of folks in this society still believe in a notion of identity that is rooted in a sense of essential traits and characteristics that are fixed and static. — Bell Hooks

One difference with the political writings, whether about feminism or class, is that the intent is to change how people think of a certain political reality; whereas with cultural criticism, the goal is to illuminate something that is already there. — Bell Hooks

Digital forms are best illuminated by cultural criticism, which uses the tools of art and literary theory to make sense of the Internet's glorious illusion: that the Internet is life. Because — Virginia Heffernan

Chaucer's world in The Canterbury Tales brings together, for the first time, a diversity of characters, social levels, attitudes, and ways of life. The tales themselves make use of a similarly wide range of forms and styles, which show the diversity of cultural influences which the author had at his disposal. Literature, with Chaucer, has taken on a new role: as well as affirming a developing language, it is a mirror of its times - but a mirror which teases as it reveals, which questions while it narrates, and which opens up a range of issues and questions, instead of providing simple, easy answers. — Ronald Carter

When I write provocative social and cultural criticism that causes readers to stretch their minds, to think beyond set paradigms, I think of that work as love in action. While it may challenge, disturb and at times even frighten or enrage readers, love is always the place where I begin and end. — Bell Hooks

In Europe, on the other hand, Muslims find themselves in the opposite position: they are the minority, but they are offered the equality of citizens. The acceptance of reason-based knowledge by Muslims would for them smooth the way to secular democracy, human rights, peace among democratic nations and above all cultural-religious pluralism. If Muslim migrants embrace these values and the related rules, it matters little whether Muslims constitute a minority or a majority. Some leaders of the Islamic diaspora are not favorable to this embracing and make the accusation of Islamophobia every time the shari'a is rejected. This accusation becomes an instrument for deterring any call for change and for incriminating any rational criticism. A call for an embracing of cultural modernity as a platform of peace between civilizations becomes in this perception an expression of Islamophobia. — Bassam Tibi

Business people - Your business - is your greatest prejudice: it ties you to your locality, to the company you keep, to the inclinations you feel. Diligent in business - but indolent in spirit, content with your inadequacy, and with the cloak of duty hung over this contentment: that is how you live, that is how you want your children to live! — Friedrich Nietzsche

Norman Rockwell saved my life. — Jane Allen Petrick

I've written 18 books, mostly dealing with issues of social justice, ending racism, feminism, and cultural criticism. — Bell Hooks

This is not for the purpose of personal criticism. The point is much larger and more fundamental: Mr. Obama is descriptive of an almost perfect example of a man who embodies the sum game result, the cumulative effect of America's slow but sure march to cultural impoverishment and political collectivism. Actions of his that unfailingly advance the agendas of previous activists and presidents will be highlighted as proof that the original, seminal, "transformational" objectives are still operative in the present. — Alexandra York

A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself. — Northrop Frye

The traveler from Europe edges into it like a tiny Jonah entering an inconceivably large whale, slipping past the straits of Belle Isle into the Gulf of St. Lawrence, where five Canadian provinces surround him, for the most part invisible. Then he goes up the St. Lawrence and the inhabited country comes into view, mainly a French-speaking country with its own cultural traditions. To enter the United States is a matter of crossing an ocean; to enter Canada is a matter of being silently swallowed by an alien continent. — Northrop Frye

All great art is praise. — John Ruskin

DeFrantz's study ... is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape. — Alvin Ailey

I think cultural criticism and long-form critique have their place and their purpose. But for a creator, it's so easy for the discussion surrounding a phenomenon to usurp the phenomenon itself. It's worse, of course, with comment sections on websites and blogs, particularly anonymous comments, or the incessant chatter and opinions on social media. Everyone gets to write a headline, and when you or the thing you do is being talked about, you get to feel like a headline - an addicting feeling for sure, but also a pernicious one. The discourse builds its own body, and it's usually a monster. — Carrie Brownstein

It's exemplification of our moment in American culture and American cultural journalism. It is an accurate document of the discourse of "takes." This movie, that book, this poem, that painting, this record, that show: Make a smart remark and move on. A take is an opinion that has no aspiration to a belief, an impression taht never hardens into a position. Its lightness is its appeal. It is provisional, evanescent, a move in a game, an accredited shallowness, a bulwark against a pause in the conversation. A take is expected not to be true but to be interesting, and even when it is interesting it makes no troublesome claim upon anybody's attention. Another take will quickly follow, and the silence that is a mark of perplexity, of research and reflection, will be mercifully kept at bay. A take asks for no affiliation. It requires no commitment. — Leon Wieseltier

The range and variety of Chaucer's English did much to establish English as a national language. Chaucer also contributed much to the formation of a standard English based on the dialect of the East Midlands region which was basically the dialect of London which Chaucer himself spoke. Indeed, by the end of the fourteenth century the educated language of London, bolstered by the economic power of London itself, was beginning to become the standard form of written language throughout the country, although the process was not to be completed for several centuries. The cultural, commercial, administrative and intellectual importance of the East Midlands (one of the two main universities, Cambridge, was also in this region), the agricultural richness of the region and the presence of major cities, Norwich and London, contributed much to the increasing standardisation of the dialect. — Ronald Carter

Americans abroad have long been accused of such blinging arrogance and display. I find the charge generally unfair. Arrogance is incorrectly ascribed to what is really the cultural clumsiness of an insular (if continental) people less exposed to foreign ways and languages than most other people on Earth.
True, America as a nation is not very good at humility. But it would be completely unnatural for the dominant military, cultural and technological power on the plant to adopt the demeanor or, say, Liechtenstein. The ensuing criticism is particularly grating when it comes from the likes of the French, British, Spanish, Dutch (there are many others) who just yesterday claimed dominion over every land and people their Captain Cooks ever stumbled upon. — Charles Krauthammer

There's a fine line between cultural criticism and bitterness. — Marc Maron

I just wanted to do something important. — Norman Rockwell

Have I mentioned the Loma Prieta earthquake of 1989, and the collapse of a section of the Bay Bridge, or the Oakland 'firestorm' of 1991? No need. There are already there, in my narratives that fail to mention them, in my dreams that fail to represent them. — Robert Appelbaum

A lifelong movie I already knew the ending to — Jason Najum

There is an odd assumption that compassion and care are finite or that critics can be everything to everyone - commenting on everything simply because they can. That's not what cultural criticism is. — Roxane Gay