Quotes & Sayings About Critical Writing

When I began writing, I did not realize that the Holocaust would become a critical part of the story. During and after WWII, neither the survivors of the Holocaust nor the combat solders were diagnosed or treated for what is now known as PTSD (Post-traumatic Stress Disorder). Many of the characters in this book were victims of this now well-known disorder. — Helene Uhlfelder

One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries. — Robert Greene

Lies of omission do not exist. The concept is a very human one. It is the product of your story writing again. You have written a story about the truth, making emotional demands of it, and in particular, of those in possession of it. Your demands are based on a feeling of entitlement to the facts, which is very childish. You can never know all of the facts. Only I can. And since it's impossible for me to reveal all facts to you, it is my discretion alone that decides which facts will be revealed in the finite time we have. If I do not volunteer information you deem critical to your fate, it possibly means that I am a scoundrel, but it does not mean that I am a liar. And it certainly means you did not ask the right questions.
One can make either true statements or false statements about reality. All of the statements I make are true. — Scratch

Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after the holocaust is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation. — Theodor Adorno

I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads. — Carlos Ruiz Zafon

I have no interest whatsoever in pursuing acting or becoming a mogul. I love writing and directing; I see those two jobs as the most critical in the making of a film. — James Gray

If we are ever to construct a feminist movement that is not based on the premise that men and women are always at war with one another, then we must be willing to acknowledge the appropriateness of complex critical responses to writing by men even if it is sexist. Clearly women can learn from writers whose work is sexist, even be inspired by it, because sexism may be simply one dimension of that work. Concurrently fiercely critiquing the sexism does not mean that one does not value the work. — Bell Hooks

If you write something in the evening or at night, look back over it the next morning. I tend to be less self-critical at night; sometimes, I've looked back at things I wrote the night before, and realized they were no good at all. — Mark-Anthony Turnage

I don't know if the books are making the world a much better place. I don't write with that objective. What I know is that I see my readers creating a critical mass so we can at least understand this world in a different way. — Paulo Coelho

What I am best at is reading a book and then writing a critical essay. — Rivers Cuomo

I think distance also helps me gain an certain critical perspective that's essential for good writing. It makes it possible to be more truthful in my writing, to speak some harsh truths. And being an immigrant in America, always having this outsider-rinsider thing going on, is such great training for being a writer. Because that's what writers are - outsiders wanting to get on the inside and insiders longing to burst out. — Thrity Umrigar

An author who rewrites his own work must essentially be two people. One is the free flowing uncritical writer who creates the bulk of the material - the other is the extremely critical editor whose aim it is to make the book as good as it can become. — Gudjon Bergmann

Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes. — Michael Cisco

Because my graduate academic training at law school was not one that included most of the intellectual traditions I find useful for understanding the conditions and problems that most concern me - anti-colonial theories, Foucault, critical disability studies, prison studies and the like are rarely seen in standard US Law School curricula, where students are still fighting on many campuses to get a single class on race or poverty offered - I developed most of my thinking about these topics through activist reading groups and collaborative writing projects with other activist scholars. — Dean Spade

Paul and Elder remind us: Critical thinkers are clear as to the purpose at hand and the question at issue. They question information, conclusions and point of view. They strive to be clear, accurate, precise, and relevant. They seek to think beneath the surface, to be logical and fair. They apply these skills to their reading and writing as well as to their speaking and listening. Critical thinking — Bell Hooks

The premise of Nossiter in 'Mondovino' would have been a lot more accurate when I started writing about wine in 1978 than when the movie was made in 2003. When I started, I was enormously critical of California wines, and I thought the entire wine industry was on a real slippery slope. — Robert M. Parker Jr.

Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility. — Camille Paglia

As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty. — Will Self

Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed. — Alex Garland

Inside Critics
The critical voices in our own heads are far more vicious than what we might hear from the outside. Our "inside critics" have intimate knowledge of us and can zero in on our weakest spots.
You might be told by the critics that you're too fat, too old, too young, not intelligent enough, a quitter, not logical, prone to try too many things ...
It's all balderdash!
Some elements of these may be true, and it's completely up to you how they affect you. Inside critics are really just trying to protect you. You can:
Learn to dialogue with them.
Give them new jobs.
Turn them into allies.
You can also dismantle/exterminate them. — SARK

There is no royal path to good writing; and such paths as exist do not lead through neat critical gardens, various as they are, but through the jungles of self, the world, and of craft. — Jessamyn West

When students learn to wrestle with questions about purpose, audience, and genre, they develop a conceptual view of writing that has lifelong usefulness in any communicative context. — John C. Bean

Do you know what the worst thing about literature is? . What? I said. That you end up being friends with writers. And friendship, treasure though it may be, destroys your critical sense. Once, said Don Pancracio, Monteforte Toledo dropped this riddle in my lap: a poet is lost in a city on the verge of collapse, with no money, or friends, or anyone to turn to. And of course, he neither wants nor plans to turn to anyone. For several days he roams the city and the country, eating nothing, or eating scraps. He's even stopped writing. Or he writes in his head: in other words, he hallucinates. All signs point to an imminent death. His drastic disappearance foreshadows it. And yet the poet doesn't die. — Roberto Bolano

For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes. — Charles Stross

When you develop software, the people who write the software, the developers are the key group but the testers also play an absolutely critical role. They're the ones who ah, write thousands and thousands of examples and make sure that it's going to work on all the different computers and printers and the different amounts of memory or networks that the software'11 be used in. That's a very hard job. — Bill Gates

The bricoleur, says Levi-Strauss, is someone who uses 'the means at hand,' that is, the instruments he finds at his disposition around him, those which are already there, which had not been especially conceived with an eye to the operation for which they are to be used and to which one tries by trial and error to adapt them, not hesitating to change them whenever it appears necessary, or to try several of them at once, even if their form and their origin are heterogenous - and so forth. There is therefore a critique of language in the form of bricolage, and it has even been said that bricolage is critical language itself ... If one calls bricolage the necessity of borrowing one's concepts from the text of a heritage which is more or less coherent or ruined, it must be said that every discourse is bricoleur. — Jacques Derrida

My focus has always been on the work - that work being critical thinking and writing. I am always doing that. That's where I am, wherever I am. Critical thinking and writing as my heartbeat. — Bell Hooks

I grew up in the midst of poverty but every black kid that I knew could read and write. We have to talk about the fact that we cannot educate for critical consciousness if we have a group of people who cannot access Fanon, Cabral, or Audre Lorde because they can't read or write. How did Malcolm X radicalize his consciousness? He did it through books. If you deprive working-class and poor black people of access to reading and writing, you are making them that much farther removed from being a class that can engage in revolutionary resistance. — Bell Hooks

So, at a minimum, our educational systems must be retooled to maximize these needed skills and attributes: strong fundamentals in writing, reading, coding, and math; creativity, critical thinking, communication, and collaboration; grit, self-motivation, and lifelong learning habits; and entrepreneurship and improvisation - at every level. The — Thomas L. Friedman

There is a lot of catarsis that passes itself off as art or comedy and I'm kind of critical of that. I think that just because you bare your soul or underwear or private moments it doesn't , or necessarily make for entertainment, or good writing, or funny writing. — Mindy Kaling

Fairness forces you - even when you're writing a piece highly critical of, say, genetically modified food, as I have done - to make sure you represent the other side as extensively and as accurately as you possibly can. — Michael Pollan

Writing by myself, I spread that out more. I'll spend more time on a song then. I'm more critical about it, because there's no one else in the room to tell me, 'That's really not translating. I'm not getting what you're saying.' So, I'm constantly rewriting it, thinking, 'No, that's fine,' and going back. — Hunter Hayes

I don't think I'm an exceptionally bad reader. I suspect that many people, maybe even most, are like me. We read and read and read,
and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the
sixteenth century: "I leaf through books, I do not study them," he wrote. "What I retain of them is something I no longer recognize as anyone else's.
It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued;
the author, the place, the words, and other circumstances, I immediately forget." He goes on to explain how "to compensate a
little for the treachery and weakness of my memory," he adopted the habit of writing in the back of every book a short critical
judgment, so as to have at least some general idea of what the tome was about and what he thought of it. — Joshua Foer

Energy seems to be the more critical of those two variables, because if I'm really feeling the push/pull to write, then I'll make the time. — Kevin Keck

Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic. — Raymond Chandler

Obviously all writers, all artists, have their own internal critics; as they write they are being self-critical. — Edna Longley

Increasingly, those who used to teach and write critical or theoretical texts are writing fiction, poetry and so on; and kinds of texts are being produced that call for budding readers rather different from those who studied literature in the past. — Nicholas Royle

You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished. — Will Self

My three years at the NIH were critical in my scientific education. I learned an immense amount about the research process: developing assays, purifying macromolecules, documenting a discovery by many approaches, and writing clear manuscripts describing what is known and what remains to be investigated. — Stanley B. Prusiner

Most critical writing is drivel and half of it is dishonest. It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations. — Raymond Chandler

There's a hormone secreted into the bloodstream of most writers that makes them hate their own work while they are doing it, or immediately after. This, coupled with the chorus of critical reaction from those privileged to take a first look, is almost enough to discourage further work entirely. — Francis Ford Coppola

Writers who get written about become self-conscious. They develop a regrettable habit of looking at themselves through the eyes of other people. They are no longer alone, they have an investment in critical praise, and they think they must protect it. This leads to a diffusion of effort. The writer watches himself as he works. He grows more subtle and he pays for it by loss of organic dash. — Raymond Chandler

I always have done work on mythic relations since I started writing. I really want to be a novelist, or at least a writer of imaginative work ... I do try to make my critical studies imaginative and try to write them in ways that are more like literature than philosophy, but I have disappointed myself because I am still so wedded to criticism. — Marina Warner

I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing. — Albert Goldbarth

"There is no analysis here," the most brutal of them wrote. Now I wonder if my papers lacked critical thought, or if it was really more about my inability/refusal to write in the convoluted style that they wanted me to. I remember the initial shock upon reading my peers' papers. I seriously could not understand them, and I couldn't understand why the writing had to be so unclear in order to be considered smart. — Mary J. Miller

This afternoon, burn down the house. Tomorrow, pour critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today-explode-fly-apart-disintegrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, by reading your story, will catch fire, too? — Ray Bradbury

First, I'd become an avid reader of blogs, especially music blogs, and they seemed to be where the critical-thinking action was at, to have the kind of energy that I associate with rock writing of the 1970s or Internet e-mail discussion lists a decade ago. — Carl Wilson

Some very eminent critics writing in the decades immediately after the novel's publication felt that Eliot failed to maintain sufficient critical distance in her depiction of Ladislaw
that she fell in love with her own creation in a way that shows a lack of artistic control and is even unseemly, like a hoary movie director whose lens lingers too long on the young flesh of a favored actress. Lord David Cecil calls Ladislaw 'a schoolgirl's dream, and a vulgar one at that,' while Leslie Stephen complained 'Ladislaw is almost obtrusively a favorite with his creator,' and depreciated him as 'an amiable Bohemian. — Rebecca Mead

After graduate school, I stumbled into teaching mostly by chance. I was lucky and picked up new fields as I taught, expanding from creative writing to composition to graphic novels to editing and publishing to, inevitably, game studies. I devoured the work of Ian Bogost, Janet Murray, and Nathan Altice and slowly began weaving those texts into my courses, beginning with the more mainstream Tom Bissell and working up to MIT's platform studies or dense compendiums like The Video Game Theory Reader and articles collected on Critical Distance, my favorite aggregator of online game theory. After — Salvatore Pane

For so long considered a second-rate category to other writing genres, Science Fiction should be allotted its true place in literature. The reason Science Fiction is so important is because SF authors create the future. They bring through ideas, technology, and new thought, put it all down in written and spoken word, and then send it out into mass consciousness. When enough people (a critical mass) think about and truly consider the plausibility of a concept, it becomes reality. Think William Gibson, who in 1982's "Burning Chrome" coined "cyberspace". Few grasped the concept at the time, but as the internet took hold in the 1990's, we not only had a word to describe our experience, we had a definition and an understanding, as well. Coincidence? — Joseph Duda

Active critical reflection is necessary in every aspect of our teaching, not only in front of a class. We must try to reevaluate our own values and experiences as they relate to our teaching. Our assumptions and theories about teaching composition must remain open to inspection, evaluation, and revision, a condition that requires an active inquiry paralleling the inquiry in which we engage our students. — George Hillocks

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate. — Stephen Burt

I hope for what I always hope for as a writer: a critical but kind reader. I think that is what we all hope for. — Christos Tsiolkas

Novels for me are how I find out what's going on in my own head. And so that's a really useful and indeed critical thing to do when you do as many of these other things as I do. — Cory Doctorow

As you know, I have over the years written critically about the U.N. I have consistently stressed in my writings that American leadership is critical to the success of the U.N., an effective U.N., one that is true to the original intent of its charter's framers. — John Bolton

Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop. — Ben Hecht

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review. — John Sutherland

Anyone who says that writing for children or teens is easier than writing for adults has never tried it, because they are so much more critical than adults. You cannot get anything past them. — Margaret Stohl

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening. — Chang-rae Lee

That's one of the nice things about writing, or any art; if the thing's real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection - none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it's not much help to Truffaut. — Woody Allen

I have always felt a special affinity with V. S. Pritchett. He worked from the ear, primarily, as I do, and he was an all-rounder, writing short stories, novels, memoir, travelogue, critical biography. He lived to be almost 100, and he never stopped, and his work is unified by a great generosity of spirit. — Kevin Barry

Where do you think my new novel is? In the waste basket. I can see myself that it's no good on earth, and when a loving author realizes this, what would be the judgment of a critical public? — Jean Webster

Writers quite often starve. And I'm mainly just writing critical prose and poetry, that's a formula for starvation. — Clive James

Many times, what people call 'writer's block' is the confusion that happens when a writer has a great idea, but their writing skill is not up to the task of putting that idea down on paper. I think that learning the craft of writing is critical. — Pearl Cleage

When you write a book, you spend day after day scanning and identifying the trees. When you're done, you have to step back and look at the forest. — Stephen King

Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.
Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.
The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.
speech at the Nobel Banquet at the City Hall in Stockholm, December 10, 1962 — John Steinbeck

For a really long time [before writing the novel], I was watching a lot of serial killer movies and I started to wonder if this was a trend and if other people were doing the same thing. That's what happens when you suddenly have a critical perspective on your own behavior. — Lucy Corin

James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. He had a mind so fine that no idea could violate it. [ ... ] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [ ... ] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation.
(Little Review, 1918) — T. S. Eliot

The most remarkable discovery made by scientists is science itself. The discovery must be compared in importance with the invention of cave-painting and of writing. Like these earlier human creations, science is an attempt to control our surroundings by entering into them and understanding them from inside. And like them, science has surely made a critical step in human development which cannot be reversed. We cannot conceive a future society without science. — Jacob Bronowski

I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect. — Kate Zambreno

Writing doesn't get any easier with time or talent. If writing is easy for you, you're probably still learning the craft. You haven't perfected your style or landed upon your "voice." You haven't learned to analyze your writing with a critical eye, to rip it apart and figure out why it isn't doing exactly what you want. — Darynda Jones

Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers. — Michael Kosser

Be critical of but not brutal with your writing. If something isn't essential, get rid of it. Remember that good dialogue can serve a whole passel of purposes in your novel, and to overlook one of them is to overlook one of the tools of the craft. Like hitting a nail with a screwdriver, if you know what I mean. — Elizabeth George

Rule #1: Writing is for the creative brain. Editing is for the critical brain. Separate them appropriately. — James D. Beers

You must make a clear distinction between your creative mode and your critical mode. The two are like water and oil, they do not mix. — Gudjon Bergmann

Michael Jackson is an extremely productive ethnographer, a serious reader of phenomenological and existential philosophy, and a remarkable writer at a level that one rarely sees in anthropology. Lifeworlds, unsurprisingly, is no exception. The several essays included here fit into an impressive whole that set out a compelling case for a type of ethnography of which Jackson is one of the masters. The writing is strong and the critical reflections impressive. This book defines an approach to anthropology that is resonant enough to challenge the leading models of our time. — Arthur Kleinman

As I wrote more I became more critical of myself and I think that you have to be your harshest judge. I don't ever believe that what I write is my best work. I always think that I can hone it. I can always think that I can make it a little bit better. — Homer Hickam

In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now. — Aaron Lazar

Reading, writing, and personal introspection will not protect us from hardship and suffering, but they might introduce us to critical thinking and expose us to what is good in humankind and beautiful in the world that we share with all of nature. Contemplative thought, especially that supplemented with reading literature and attempting to write our own replies to the echoing voices of writers whom preceded us provide us with the potentiality for change, the possibility of personal illumination that enables us to experience a heighted quality of life. — Kilroy J. Oldster

Even if we grant that digital natives think and learn somewhat differently than older generations, we may be doing them a disservice to de-emphasize 'legacy' content such as reading, writing, and logical thinking, or to say that the methodologies we have used in the past are no longer relevant ... Digital immigrants and natives alike are bombarded with vast volumes of information in today's electronic society, which ... calls for an even greater emphasis on critical thinking and research skills
the very sort of 'legacy' content that teachers have focused on since classical times — Timothy VanSlyke

The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination. — J. Michael Straczynski