Couple Mood Quotes & Sayings

Now see here, Guy," said the voice, "you're not dealing with any dumb two-bit trigger pumping morons with low hair-lines, little piggy eyes and no conversation, we're a couple of intelligent caring guys that you'd probably quite like if you met us socially! I don't go around gratuitously shooting people and then bragging about it afterward in seedy space-rangers bars, like some cops I could mention! I go around shooting people gratuitously and then I agonize about it afterward for hours to my girlfriend!"
"And I write novels!" chimed in the other cop. "Though I haven't had any of them published yet, so I better warn you, I'm in a meeeean mood! — Douglas Adams

Jamie Randall: Let's just say in some alternate universe, there's a couple just like us, okay? Only she's healthy and he's perfect. And their world is about how much they're going to spend on vacation or who's in a bad mood that day, or whether they feel guilty about having a cleaning lady. I don't want to be those people. I want us. You. This. — Margaret Watson

You in the mood for a movie tonight?" Kate asked him a couple days later. Matt was working, and she was sitting on her customary bucket taking a break, drinking bottled water, and surreptitiously admiring him from every angle.
"I could pick something up on my way over tonight."
"Sure."
"How about Pride and Prejudice?"
"What's that?" he asked warily. It's not one of those movies where they all wear old-fashioned clothes and walk around talking in British accents, is it?"
"That's exactly what it is."
Matt groaned.
"It's romantic! Maybe one of the most romantic stories ever. — Becky Wade

The crowd was getting hysterical, so I reached into my back pocket and flippe open my wallet to reveal my badge. "Official business," I announced. "Please leave the area." This had the desired effect; it deescalated the mood and prompted most of the crowd to disperse. It's funny what a plastic badge and a meaningless phrase can do. The authority of the police is anothe mass delusion that can be useful at times. I hadn't even needed to claim I was a cop; all it took was a couple of simple cues to invoke the delusion. — Robert Kroese

Normally if I met a guy who was unemployed and illiterate who hadn't bathed in a couple of weeks, I'd be standing in a puddle with excitement, but I'm sort of in a bad mood tonight, so take this bag and give me the fu**ing paper before I pop your head like a zit.
He said, you're a lesbian, aren't you? — Christopher Moore

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia
a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. — Elizabeth Hardwick

cross my mind," Marshall replies with a tone, still cold toward him. Mom tries to salvage the mood. "I think it's wonderful! You make a charming couple. I wish you both the best." My dad gives her a side-glance, which she ignores. Olivia stands there, an angry expression on her usually pretty face. She's glaring at me with such rage and gives Hunt a confused, wounded — Lena Black

I like the idea all memory is fiction, that we have queued a couple of things in the back of our minds and when we call forth those memories, we are essentially filling in the blanks. We're basically telling ourselves a story, but that story changes based on how old we are, and what mood we're in, and if we've seen photographs recently. We trust other people to tell us the story of our lives before we can remember it, and usually that's our parents and usually it works, but obviously not always. And everybody's interpretation is going to be different. — Steven Tyler

When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images-things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit. — China Mieville

And I think that's a lot of the reason why when you start to fragment your audience, you start to think about what you're looking for, you'll go to different spaces, and it parallels what we do as adults. You go to different bars when you're in the mood for different things. You see different people when you want to go listen to music or when you just want to have a quiet drink with a couple of friends. — Danah Boyd