Correspondents Movie Quotes & Sayings

The grey of a bitter, starved-looking morning. The town like a mortally wounded creature, torn by shells, gashed open by bombs. Dead streets - streets of death - death in streets and their houses; yet people still able to sleep and still sleeping. — Radclyffe Hall

Sad was such a simple, damaging word. It meant so much more than its elaborate cousins. — Sarah MacLean

Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom. — David Edelstein

I have discovered that we do not hold our sexuality but our sexuality holds us. — Rakesh Satyal

I hated having to go out on the block and scramble - that's the worst job in the world, especially if you ain't making any real money. — Method Man

Life should be an investment in yourself — Sunday Adelaja

At the moment, he is in shock," said Magnus. "He has believed one thing for five years, and now he has realized that all this time he has been looking at the world through a faulty mechanism - that all the things he sacrificed in the name of what he thought was good and noble have been a waste, and that he has only hurt what he he loved."
"Good God," said Woolsey. "Are you quite sure you've helped him? — Cassandra Clare

Do my questions annoy you?"
He glanced at her, his surprise evident. "No. I'm far too vain to object; I am my favorite topic. — Meljean Brook

From childhood my mother had me examining Robert Mapplethorpe's style and Egon Schiele's framing - that's what modelling is about. — Milla Jovovich

The contemporary art world is what Tom Wolfe would call a "statusphere." It's structured around nebulous and often contradictory hierarchies of fame, credibility, imagined historical importance, institutional affliction, perceived intelligence, wealth, and attribution such as the size of one's art collection. — Sarah Thornton

A house from which nobody ever went away without feeling better in some way. A house in which there was always laughter. — L.M. Montgomery

They hadn't read as many stories as Malicia, and were rather more attached to the experience of real life, which is that when someone small and righteous takes on someone big and nasty, he is grilled bread product, very quickly. — Terry Pratchett