Quotes & Sayings About Coriolanus

I shall not want Honor in Heaven For I shall meet Sir Philip Sidney And have talk with Coriolanus And other heroes of that kidney. — T. S. Eliot

No, take more! What may be sworn by, both divine and human, Seal what I end withal! This double worship, Where [one] part does disdain with cause, the other Insult without all reason; where gentry, title, wisdom, Cannot conclude but by the yea and no Of general ignorance - it must omit Real necessities, and give way the while To unstable slightness. Purpose so barr'd, it follows Nothing is done to purpose. Therefore beseech you - You that will be less fearful than discreet; That love the fundamental part of state More than you doubt the change on't; that prefer A noble life before a long, and wish To jump a body with a dangerous physic That's sure of death without it - at once pluck out The multitudinous tongue; let them not lick The sweet which is their poison. Your dishonor Mangles true judgment, and bereaves the state Of that integrity which should become't; Not having the power to do the good it would, For th' ill which doth control't. — William Shakespeare

When I was a boy, my grandfather taught me the list of kings: Romulus, Numa Pompilius, Tullus Hostilius, Ancus Marcius, Tarquinius the Elder, Servius Tullius. Tarquinius the Proud was to be the last, the very last, cast out and replaced forever by something called a republic. A mockery! A mistake! An experiment that failed! Today is the republic's final day. Tomorrow, men will shout in the Forum, 'All hail King Coriolanus! — Steven Saylor

Well, I must do't. Away, my disposition, and possess me Some harlot's spirit! My throat of war be turn'd, Which quier'd with my drum, into a pipe Small as an eunuch, or the virgin voice That babies lull asleep! The smiles of knaves Tent in my cheeks, and schoolboys' tears take up The glasses of my sight! A beggar's tongue Make motion through my lips, and my arm'd knees, Who bow'd but in my stirrup, bend like his That hath receiv'd an alms! I will not do't, Lest I surcease to honor mine own truth, And by my body's action teach my mind A most inherent baseness. — William Shakespeare

The mouse ne'er shunn'd the cat as they did budge
From rascals worse than they.
(from, Coriolanus) — William Shakespeare

It may take a decade or two before the extent of Shakespeare's collaboration passes from the graduate seminar to the undergraduate lecture, and finally to popular biography, by which time it will be one of those things about Shakespeare that we thought we knew all along. Right now, though, for those who teach the plays and write about his life, it hasn't been easy abandoning old habits of mind. I know that I am not alone in struggling to come to terms with how profoundly it alters one's sense of how Shakespeare wrote, especially toward the end of his career when he coauthored half of his last ten plays. For intermixed with five that he wrote alone, Antony and Cleopatra, Coriolanus, The Winter's Tale, Cymbeline, and The Tempest, are Timon of Athens (written with Thomas Middleton), Pericles (written with George Wilkins), and Henry the Eighth, the lost Cardenio, and The Two Noble Kinsmen (all written with John Fletcher). — James Shapiro

Back at home, days later, feel cranky and tired. Sit on the couch and tell him he's stupid. That you bet he doesn't know who Coriolanus is. That since you moved in you've noticed he rarely reads. He will give you a hurt, hungry-to-learn look, with his James Cagney eyes. He will try to kiss you. Turn your head. Feel suffocated. (from "How") — Lorrie Moore

I've played Hamlet and Coriolanus, Orlando in 'As You like It' and Ariel in 'Tempest,' among others. — Christian Camargo

Anger's my meat; I sup upon myself, And so shall starve with feeding. Volumnia says this in Shakespeare's Coriolanus. She - steely, controlling - is far more interesting than Coriolanus. Alas, nobody would go to see a play called Volumnia. — Lauren Groff

If we divide human attributes into "masculine" and "feminine" and strengthen only those attributes that "belong" to that sex, we cut off half of ourselves from ourselves as human beings, condemned forever to search for our other half. The world is in desperate need of multilayered human beings with the voices, stamina, and insight to break through our current calcified ways of doing things, (...) The patriarchal structures of honor, shame, violence, and might is right, do as much harm to Hamlet, Edgar, Lear, and Coriolanus as they do to Ophelia, Desdemona, Lady Macduff (...)
(...) To have feelings, intuitive flights of understanding, a desire to have knowledge of what is happening below the surface, to serve. These are often called "feminine" attributes, and it is true that many women in the plays possess them. But they also belong to Kent, Ferdinand, Florizel, Camillo, as well as the women. So they are not "feminine" attributes: they are human attributes. — Tina Packer

My wife comes foremost; then the honour'd mould
Wherein this trunk was framed, and in her hand
The grandchild to her blood. But, out, affection!
All bond and privilege of nature, break!
Let it be virtuous to be obstinate.
What is that curt'sy worth? or those doves' eyes,
Which can make gods forsworn? I melt, and am not
Of stronger earth than others. My mother bows;
As if Olympus to a molehill should
In supplication nod: and my young boy
Hath an aspect of intercession, which
Great nature cries 'Deny not.' let the Volsces
Plough Rome and harrow Italy: I'll never
Be such a gosling to obey instinct, but stand,
As if a man were author of himself
And knew no other kin. — William Shakespeare

'Coriolanus' deals with the birth of democracy. And that has been fascinating because I've been talking about politics so much because of 'Borgen.' It's a nice bridge. — Birgitte Hjort Sorensen

Let me have war, say I: it exceeds peace as far as day does night; it's spritely, waking, audible, and full of vent. Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible; a getter of more bastard children than war's a destroyer of men. — William Shakespeare

These are the ushers of Martius: before him
He carries noise, and behind him he leaves tears.
Death, that dark spirit, in's nervy arm doth lie,
Which being advanc'd, declines, and then men die. — William Shakespeare

I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that. — Ralph Fiennes

O mother, mother!
What have you done? Behold, the heavens do ope,
The gods look down, and this unnatural scene
They laugh at. O my mother, mother! O!
You have won a happy victory to Rome;
But, for your son,--believe it, O, believe it,
Most dangerously you have with him prevail'd,
If not most mortal to him. — William Shakespeare

Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play. — John Logan

According to Shakespeare, the Roman populace had made no advance in cleanliness in the centuries between Coriolanus and Caesar. Casca gives a vivid picture of the offer of the crown to Julius, and his rejection of it: And still as he refused it the rabblement shouted, and clapped their chapped hands, and threw up their sweaty night-caps, and uttered such a deal of stinking breath, because Caesar refused the crown, that it had almost choked Caesar, for he swooned and fell down at it. — William Shakespeare

'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does. — John Logan