Composition Book Quotes & Sayings

The interval, then, between the dates of original composition and the earliest extant evidence becomes so small as to be in fact, negligible, and the last foundation for any doubt that the Scriptures have come down to us substantially as they were written has now been removed. Both the authenticity and the general integrity of the books of the New Testament may be regarded as finally established. — Frederic G. Kenyon

The way you
said "I love you"
said "I'll never sleep with you"
said "I will always"
kept a list of all your favorite moments in a composition book and would underline the ones involving me with blue ink — David Levithan

I often don't have a clear idea of what I am going to be drawing when I start, unless it is for a very specific purpose. Most of the time, I just sit down and draw a line, and it isn't really related to anything other than this vague feeling of movement or atmosphere. That line will lead to another, and then forms will start to appear, and figures will start to appear. I usually start things very intuitively, and sort of watch the process, almost as a spectator ... and then at some point I have to think about what I'm creating, and consciously shape it. If I am doing something for a film or book illustration, then I'm also thinking about a lot of other factors, such as composition and story-telling. — Alan Lee

But if, on the other hand, our theory should allow that a book may well be a revelation in spite of errors and passions and deliberate human composition, if only it be a true record of the inner experiences of great-souled persons wrestling with the crises of their fate, then the verdict would be much more favorable. — William James

Everybody has a right to like or dislike anything or anyone. From a flower to a flavor to a book or a composition but it is very sad that in our country we actually fight over such things in an unseemly manner. — Ravi Shankar

William Ferris has long reigned as the unimpeachable source of the entire southern experience. His work on southern folklore and the composition of the Encyclopedia of Southern Culture have made him both legendary and necessary. His book, The Storied South , is a love song to the South Bill helped illuminate. It's a crowning achievement of his own storied career. — Pat Conroy

Whoever will take the trouble of reading the book ascribed to Isaiah, will find it one of the most wild and disorderly compositions ever put together; it has neither beginning, middle, nor end; and, except a short historical part, and a few sketches of history in the first two or three chapters, is one continued incoherent, bombastical rant, full of extravagant metaphor, without application, and destitute of meaning; a school-boy would scarcely have been excusable for writing such stuff; it is (at least in translation) that kind of composition and false taste that is properly called prose run mad. — Thomas Paine

There are books of the same chemical composition as dynamite. The only difference is that a piece of dynamite explodes once, whereas a book explodes a thousand times. — Yevgeny Zamyatin

In the visitor's book at Crome Ivor had left, according to his invariable custom in these cases, a poem. He had improvised it magisterially in the ten minutes preceding his departure. Denis and Mr. Scogan strolled back together from the gates of the courtyard, whence they had bidden their last farewells; on the writing-table in the hall they found the visitor's book, open, and Ivor's composition scarcely dry. Mr. Scogan read it aloud: — Aldous Huxley

There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you. — Paul Auster

Composition is as natural as jumping and running to children who have been allowed due use of books. — Charlotte Mason

If children haven't been read to, they don't love books. They need to love books, for books are the basis of literature, composition, history, world events, vocabulary, and everything else. — Edith Schaeffer

He had a peculiar facility in seizing at once what was valuable in any book, without submitting to the labour of perusing it from beginning to end. He had, from the irritability of his constitution, at all times, an impatience and hurry when he either read or wrote. A certain apprehension, arising from novelty, made him write his first exercise at College twice over; but he never took that trouble with any other composition; and we shall see that his most excellent works were struck off at a heat, with rapid exertion. — Samuel Johnson

On growing peonies:
The fact that a flower as gentle and delightful as the peony should be so exacting and dictate such harsh terms hits me with the force of a cold shower. It's just like my girlfriends when I was a teenager, it was always the loveliest and most yielding ones who ran everything...[and] According to the English gardening book, peonies are so fussy that you might as well not bother. You'd need to go back generations to discover the composition of the soil, you'd have to go right back to the Big Bang to find out how the elements are distributed in your garden. — Bodil Malmsten

An invisible, yet active current of mental energy, underscores any book as well as any other form of artistic creation. A creative burst of psychological energy ignites any creative project. The emotional energy that underlies the artistic work propels it forward endowing it with articulation, texture, rhythm, and movement. When the expressive energy of the artist flags, the work comes to a stopping point and it takes on its final composition. — Kilroy J. Oldster

Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book. — Edward Gibbon

Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake. — E.L. Doctorow

In the morning I bathe my intellect in the stupendous and cosmogonal philosophy of the Bhagvat Geeta, since whose composition years of the gods have elapsed, and in comparison with which our modern world and its literature seem puny and trivial; and I doubt if that philosophy is not to be referred to a previous state of existence, so remote is its sublimity from our conceptions. I lay down the book and go to my well for water, and lo! there I meet the servant of the Bramin, priest of Brahma and Vishnu and Indra, who still sits in his temple on the Ganges reading the Vedas, or dwells at the root of a tree with his crust and water jug. I meet his servant come to draw water for his master, and our buckets as it were grate together in the same well. The pure Walden water is mingled with the sacred water of the Ganges. — Henry David Thoreau

A bad composition carries its own punishment - contempt and ridicule; a good one excites envy and entails upon its author a thousand mortifications; he finds himself assailed by partial and ill-humored criticism; one man finds fault with the plan, another with the style, a third with the precept which strives to inculcate; and they who cannot succeed in finding fault with the book, employ themselves in stigmatizing its author: they maliciously rake out from obscurity every little circumstance which may throw ridicule upon his private character or conduct and aim at wounding the man since they cannot hurt the writer. — Matthew Gregory Lewis

Picasso's superhuman gift for draftsmanship might have made him lazy about pursuing the full potential of color. It was not unusual for him to build a composition by first outlining figures and objects in black and then filling the interstices in a perfunctory manner that can put one in mind of a museum-shop coloring book. — Martin Filler

I am interested in the literature and religion of ancient Israel. I focus on biblical law in its ancient Near Eastern context and on the way that biblical law was later reinterpreted in the Dead Sea Scrolls and other Second Temple literature. I have also explored the relation of the Bible to later western intellectual history. In my latest book, A More Perfect Torah: At the Intersection of Philology and Hermeneutics in Deuteronomy and the Temple Scroll, I explore the relationship between biblical composition history and its reception history at Qumran and in rabbinic literature.

At the University of Minnesota, I have department affiliations with the Center for Jewish Studies and the Program in Religious Studies and am also an affiliated faculty member of the Law School. — Bernard M. Levinson

From the beginning. I was a poem-writing child. I wrote little novels in my composition book when I was eight, nine years old. — Joan Larkin

Within a couple of weeks of starting the Ph.D. program, though, she discovered that she'd booked passage on a sinking ship. There aren't any jobs, the other students informed her; the profession's glutted with tenured old men who won't step aside for the next generation. While the university's busy exploiting you for cheap labor, you somehow have to produce a boring thesis that no one will read, and find someone willing to publish it as a book. And then, if you're unsually talented and extraordinarily lucky, you just might be able to secure a one-year, nonrenewable appointment teaching remedial composition to football players in Oklahoma. Meanwhile, the Internet's booming, and the kids we gave C pluses to are waltzing out of college and getting rich on stock options while we bust our asses for a pathetic stipend that doesn't even cover the rent. — Tom Perrotta

Not long ago, I reread Marguerite Yourcenar's Memoirs of Hadrian. I was amazed to discover what she had written in her note about the difficult composition of the book
which had taken her many decades:
Another thing virtually impossible, to take a feminine character as a central figure ... Women's lives are much too limited or else too secret. If a woman does recount her own life she is promptly reproached for no longer being truly feminine.
We all struggle with this
still. The woman who chooses to write disguised as a male character is hoping to avoid the problem. But you cannot avoid the problem of being a woman. — Erica Jong

I sent letters of enquiry to all persons whose names were given, and received not one reply. There are several ways of explaining. One is that it is probable that persons who have experiences such as those told of in this book, receive so many "crank letters" that they answer none. Dear me - once upon a time, I enjoyed a sense of amusement and superiority toward "cranks". And now here am I, a "crank", myself. Like most writers, I have the moralist somewhere in my composition, and here I warn - take care, oh, reader, with whom you are amused, unless you enjoy laughing at yourself. — Charles Fort

Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world. — Virginia Woolf

This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in a brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript. — William Strunk Jr.