Quotes & Sayings About Color Artists

But nobody listens to artists any more. Paint cannot stop progress, only color it. — Michael Walterich

We have to remember examples of many artists of conscious rap who have been coopted by the Department of State of the United States to be cultural ambassadors in different parts of the world, like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world. — Bocafloja

Color, like everything else concerning visual expression, usually boils down to a gift, an innate sensibility and sensitivity. Ultimately, artists develop their own palette and color sense. — Scott Kahn

Lots of people like rainbows. Children make wishes on them, artists paint them, dreamers chase them, but the Aquarian is ahead of everybody. He lives on one. What's more, he's taken it apart and examined it, piece by piece, color by color, and he still believes in it. It isn't easy to believe in something after you know what it's really like, but the Aquarian is essentially a realist, even though his address is tomorrow, with a wild-blue-yonder zip code. — Linda Goodman

Color is not a trivial subject but one that has compelled, for hundreds of years, a passionate curiosity in the greatest artists, philosophers, and natural scientists. The young Spinoza wrote his first treatise on the rainbow; the young Newton's most joyous discovery was the composition of white light; Goethe's great color work, like Newton's, started with a prism; Schopenhauer, Young, Helmholtz, and Maxwell, in the last century, were all tantalized by the problem of color; and Wittgenstein's last work was his Remarks on Colour. And yet most of us, most of the time, overlook its great mystery. — Oliver Sacks

Matthew's story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter. — N. T. Wright

You know, it's no accident that the great painters came from areas like Europe where there is a lot of clouds and rain, which begets color and subtle washes of tone. Most great graphic artists come from areas with prevalent sun, where line and shadow are paramount. — Al Hirschfeld

Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid. — Jules Feiffer

All the best artists have shown that the greatest achievement in the production of fine color is the concealment of pigments, and not the parade of them; and we may say the same of execution. — Asher Brown Durand

The best work of artists in any age is the work of innocence liberated by technical knowledge. The laboratory experiments that led to the theory of pure color equipped the impressionists to paint nature as if it had only just been created. — Nancy Hale

Art becomes so specialized as to be comprehensible only to artists, and they complain bitterly of public indifference to their work.
Competition arises. The wild battle for success becomes more and more material. Small groups who have fought their way to the top of the chaotic world of art and picture-making entrench themselves in the territory they have won. The public, left far behind, looks on bewildered, loses interest and turns away. — Wassily Kandinsky

Water and stones. Those are the unpromising ingredients of two very different endeavors ... painting, because artists' pigments are made from fluids ... mixed together with powdered stones to give color ... and the other is alchemy, the stone the ultimate goal. — James Elkins

I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page. — Terry Tempest Williams

I used to think there were two kinds of Crayola artists: Ones who color inside the lines and ones who don't stay within the rigid boundaries set by thick black perimeters that make up a cuddly koala. But it seems that inside and outside the lines is just the main basis for comparison. You also have those who color lightly inside and fill each space according to the chosen and appropriate shade. Then you have those who scribble and slap any color anywhere. And sometimes these people have purple turkeys and shit that drives me absofreakinglutely crazy because, seriously — Amber L. Johnson

I believe that who we are, and consequently the work that we make, whether we're visual artists or writers or journalists or filmmakers, is a projection of where we were born, what's been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context. — Barbara Kruger

Music itself was color-blind but the media and the radio stations segregate it based on their perceptions of the artists. — Anthony Kiedis

If artists do see fields blue they are deranged, and should go to an asylum. If they only pretend to see them blue, they are criminals and should go to prison. — Adolf Hitler

When we digital artists talk about painting on the computer, that is exactly what we do. The paints we use are pixels, the brush we use is a pressure sensitive pen. The colors are the same as painters use, and how we get to the final image is the same gut wrenching way. — Donald Lambert

The painter knew that color was not something you controlled but something you set free. He believed that color knew its way home. — Thomas Lloyd Qualls

It's not possible to present an accurate picture of our culture without all the voices of the people in the culture. So at the emerging level, you can't have a good survey art show without women and artists of color. — Frida Kahlo

Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right. — Anthony Heald

I once heard some idiot on the radio saying that all great art has suffering as its dominant theme, and that the greatest artists are only able to create because they suffer immensely in their own lives. What a bunch of bullshit. Look at Van Gogh's paintings: there's as much joy in them as there is pain. Suffering is only a single color, and by itself it's boring. — Bart Yates

It's the only dish I serve my craziness for color in. — Josef Albers

But should a sensation from the distant past-like those musical instruments that record and preserve the sound and style of the various artists who played them-enable our memory to make us hear that name with the particular tone it then had for our ears, even if the name seems not to have changed, we can still feel the distance between the various dreams which its unchanging syllables evoked for us in turn. For a second, rehearing the warbling from some distant springtime, we can extract from it, as from the little tubes of color used in painting, the precise tint-forgotten, mysterious, and fresh-of the days we thought we remembered when, like bad painters, we were in fact spreading our whole past on a single canvas and painting it with the conventional monochrome of voluntary memory. — Marcel Proust

But artists aren't the only marginalized folks controlling real estate. Think about the colonizing role that wealthy white gay men have played in communities of color; they're often the first group to gentrify poor and working-class neighborhoods. Harlem is a good example. Gays have moved in and driven up rents, as have renegade young white students, who want to be cool and hip. This is colonization, post-colonial-style. After all, the people who are "sent back" to recover the territory are always those who don't mind associating with the colored people! And it's a double bind, because some of these people could be allies. Some gay white men are proactive about racism, even while being entrepreneurial. But in the end, they take spaces, redo them, sell them for a certain amount of money, while the people who have been there are displaced. And in some cases, the people of color who are there are perceived as enemies by white newcomers. — Bell Hooks

The overscaled compositions being produced by so many abstract painters, which are full of movement and use of color, are ideal example, ideal transformations of an entire wall and entire room ... There is no denying that one of the major attractions of these successful large compositions is their structural decorative use in the contemporary scene ... That these large canvases can be superbly decorative may not be considered complimentary by some of the artists involved ... — Van Day Truex