Quotes & Sayings About Close Up Shots

I love staging action and wide-shots, not necessarily going to close-ups. — Alan Taylor

Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever ... slowly sneaking up on what I wanted rather than having to predetermine what it was. — Chuck Close

Stars are good, too. I wish I could get some to put in my hair. But I suppose I never can. You would be surprised to find how far off they are, for they do not look it. When they first showed, last night, I tried to knock some down with a pole, but it didn't reach, which astonished me; then I tried clods till I was all tired out, but I never got one. It was because I am left-handed and cannot throw good. Even when I aimed at the one I wasn't after I couldn't hit the other one, though I did make some close shots, for I saw the black blot of the clod sail right into the midst of the golden clusters forty or fifty times, just barely missing them, and if I could have held out a little longer maybe I could have got one. — Mark Twain

I should be exhausted, but I'm not. I'm much too keyed up to sleep. Probably it's myour imagination, but when I close my eyes and sit very still, I swear I can feel the baby inside me. Not moving, nothing like that, it's far too early. Just a kind of warm and hopeful presence, this new soul my body carries, waiting to be born into the world. I feel ... what's the word?
Happy. I feel happy.
Shots outside. I am going to look.
*****END OF DOCUMENT*****
Recovered at Roswell Site ("Roswell Massacre") — Justin Cronin

Sometimes, I'd take shots without aiming, just to see what happened. I'd rush into crowds - bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there's an opening, and bang! Right on the button. It's a fantastic feeling. — William Klein

I don't like, and I've never been very good at, close-up shots. As soon as you have the camera right there in front of you, it feels like you're in a different reality from the person you are acting with; you lose any real connection with them. — Eve Best

A saucer flew right over (us), put down three landing gears, and landed out on the dry lakebed. (The cameramen) went out there with their cameras toward the UFO ... I had chance to hold (the film) up to the window. Good close-up shots. There was no doubt in my mind that it was made someplace other than on this earth. — Gordon Cooper

It seemed like a hybrid of Spinal Tap, the British The Office, and something entirely original. Scenes would be blocked and rehearsed almost like a play, with entire scenes performed top to bottom many times. Two or three cameras would find the action and just follow the actors as they moved around. Actors often didn't know when they were on camera or where the cameras were. "Spy shots" lent a sense of intimacy to moments. Actors were allowed to look into the camera to show their reactions to things and spoke directly to the camera with "talking heads," used to further the story or display another side of what a character was feeling.15, 16 Camera operators were very close or very far away but a dynamic part of the action. We would shoot eight or nine pages in a twelve-hour day, which is about double what one shoots on a feature film. — Amy Poehler

That first pregnancy is a long sea journey to a country where you don't know the language, where land is in sight for such a long time that after a while it's just the horizon - and then one day birds wheel over that dark shape and it's suddenly close, and all you can do is hope like hell that you've had the right shots. — Emily Perkins

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there. — Alice Eve

I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that. — Justin Simien

In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else. — Kaui Hart Hemmings

As soon as she was close, she whispered, "you've got to get out of here."
"No, you've got to get out of here," he told her. "Go downstairs. Go now."
"No," she countered. "You go."
"Why?" he asked.
"You tell me first."
But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow.
And then Hale and Macey whispered in unison, "Because of that. — Ally Carter

That is my most comfortable place: close-up beauty shots! I also love to stand and speak in front of people. I can get a bit nervous while I'm speaking, but I love to touch others with my message. TV hosting with a teleprompter is also a comfort zone. I love to nail the copy quickly with the right expression and facial expression. Delivery is key! — Kim Alexis

Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know. They're just coming out. — Jaume Collet-Serra

For the next few minutes, I made great shots until a creepy biker guy stood too close and I missed. Cooper took the stick and studied the remaining balls.
"Don't cry when I beat your ass."
"Hell yeah," the biker said, laughing. "Some girls just love it rough."
Giving me a quick glance, Cooper glared at the guy. "Who the fuck are you?"
"I know your pop."
"Good for you, but if you don't back off and stop skeeving out my girl, my pop and I will be attending your funeral. — Bijou Hunter

Ethan chuckled and pulled his child close. "However, it might be nice if you gave your Uncle Satan blue skin tomorrow. He would love that."
The gasps in the room were hilarious. My Vampyre was evil to the core ... I bit my lip to keep from screaming or laughing. Satan would look awesome as a Smurf. I needed to make sure my phone was charged so I could get some good blackmail shots. — Robyn Peterman