Close Up Face Quotes & Sayings

Hey," a voice cut me off. "I know you!"
I recognised the voice, but more than that I recognised the look on Macey's face as Preston came into view.
"Don't you have a baby to kiss?" Macey said with a sigh.
"Cammie, right?" Preston asked. "Macey didn't tell me you were coming."
"Yeah. It's a great chance to see the political process up close and-"
"Seriously," Macey snapped. "Go. Kiss. A baby. — Ally Carter

I'm very realistic about the challenges we face. OK? I have seen it up close in 2010. It's why I ran for the Senate five years ago. I have only been there five years, but it's been enough time to know the damage Barack Obama has done to this country. — Marco Rubio

What are you terrible at?" I asked, running my hand across his starched shirt. Encouraged by the touch, Maxon drew circles on my shoulder with the hand he had wrapped behind my back.
"Why would you want to know that?" He asked in mock irritation.
"Becaue I still know so little about you. And you seem perfect all the time.It's nice to have proof you aren't.
He propped himself up on an elbow, focusing on my face.
"You know I'm not."
"Pretty close,' I countered. Little flickers of touch ran betwen us. Knees, arms, fingers.
He shook his head, a small smile on his face. "Okay then. I can't plan wars. I'm rotten at it. And I'm guessing I'd be a terrible cook. I've never tried, so-"
"Never?"
"You might have noticed the teams of people keeping you up to your neck in pastries? They happen to feed me as well. — Kierra Cass

You should look at women's eyes most of the time before you approach and whenever you talk to them. It is perfectly okay to look at their breasts for a moment if you wish, and many males instinctively focus on a woman's chest before looking at her face, but make sure to return to her eyes when you talk to her or when she is talking to you. The fact that you admire her entire body is nothing but flattering to her, as long as she does not get the idea that you are inexperienced and have never seen a woman's body up close before or if you talk to her chest instead of her face. — W. Anton

I felt Alec's glare so I turned to look at him and smiled when I found him all but drilling holes into me with his eyes.
"If looks could kill, I'd be dead," I joked.
"My pretty eyes won't harm you, don't worry."
Conceited much?
"Did you just call your own eyes pretty?"
Alec devilishly grinned then and it made me slightly uneasy.
"No, you said I have pretty eyes."
Was he high?
"Are you in your right mind? I have never said you have pretty eyes-"
"Yes, you have. Right before you fell asleep. You said I have pretty eyes."
I felt my face heat up.
It was the shite he gave me to knock me out that said that, not me!
"Did I say anythin' else?" I murmured.
Alec leaned in close to me and whispered is a slow, seductive voice, "You said you like my voice, my abs, and my ass."
I audibly gasped. "I did not!"
Alec snickered. "You did."
I was mortified, absolutely mortified!
"I hate you right now. — L.A. Casey

Blake waited for her to look at him with a smile, but her shoes were still too captivating. He held a hand up to stop Cole from beginning the ceremony. He knelt on one knee, close to the hem of her dress, and looked up at her. She watched him as he kissed her hand.
"Beautiful, enchanting Livia, will you marry me today?"
Livia's disobedient tears emerged, gravity bathing his smiling face with their small, splashy wishes. She took her hand from his and covered her mouth. She nodded over and over as she cried.
Blake stood and gathered her. Livia dissolved into him, leaving the guests alternately tearing up or looking in other directions.
Blake tried to stroke her hair through the veil, but he was afraid he would pull it out. "Shhh. It's okay. I'm not that terrible, am I?"
Livia shook her head.
"I'm making you my wife right now, even if you cry through the whole damn thing." Blake switched to wiping her tears. — Debra Anastasia

I looked over at the dresser and saw a new issue of Zoobooks sitting there.

On the cover was an owl. I love owls. Owls are beautiful and fierce. There was an owl right there on the front. A close-up of its face. Two big black eyes, bulbous, shiny, and empty. A brown-and-black feathered face. And its beak. I didn't see its beak. What were those two things coming out of its neck?

I stepped closer.

And in the lower corner of the cover, in white all-caps sans-serif font: "SPIDERS." I looked back into that face, brown and black fur, two big black eyes, and more eyes, and pincers. And oh god.

I screamed. I screamed and I ran. I am still screaming and running from this, only on the inside now. — Joseph Fink

He looked like a kid caught making an angel in the snow, except his glasses had been blown off and one of his hands was bleeding. He breathed heavily; his belly rose and fell.
I knelt close. 'George?'
A groan, a cough. 'It's too late. Leave me ... Let me sleep ... '
I shook him firmly, slapped the side of his face. 'George, you've got to wake up! George, *please.* Are you okay?'
An eye opened. 'Ow. That cheek was the one part of me that *wasn't* sore.'
'Here, look - your glasses.' I scooped them out of the ash, put them on his chest. — Jonathan Stroud

Have we the courage and the will to face up to the immorality and discrimination of the progressive tax, and demand a return to traditional proportionate taxation? ... Today in our country the tax collector's share is 37 cents of every dollar earned. Freedom has never been so fragile, so close to slipping from our grasp. — Ronald Reagan

Exemplar, n.
It's always something we have to negotiate- the face that my parents are happy, and yours have never been. I have something to live up to, and if I fail, I still have a family to welcome me home. You have a storyline to rewrite, and a lack of faith that it can ever be done.
You love my parents, I know. But you never get too close. You never truly believe there aren't bad secrets underneath. — David Levithan

I'm over a thousand years old. I've seen it all. You, sweetcheeks, are nothing new." At what must have been an outraged expression on her face, he laughed again. "Come on. Surely you can't think you are the only female out there who's had a rough life, had her heart walked on, been kept in a dungeon for three centuries, blah, blah, pick your trauma, and are now stomping around with all this pent-up anger you spill like acid on everyone who gets to know you." He narrowed his gaze at her. "How close am I?"
Sin's mouth worked, but nothing came out. She finally snapped it shut to avoid looking like a fish gasping on the bank of a river.
"That's what I thought." He made a shooing gesture with his hand. "No, run along and go be caustic with someone who cares. Oh, wait, no one cares, do they? Because you won't let them
— Larissa Ione

All I can see when I look at him is a belt swinging toward Tobias, and the butt of a gun slamming into Caleb's jaw. I don't care that he hurt Caleb
I would have done it, too
but that he is simultaneously a man who knows how to hurt people and a man who parades around as the self-effacing leader of Abnegation, suddenly makes me so angry I can't see straight.
Especially because I chose him. I chose him over Tobias.
"Your brother is a traitor," says Marcus as we turn a corner. "He deserved worse. There's no need to look at me that way."
"Shut up!" I shout, shoving him hard into the wall. He is too surprised to push back. "I hate you, you know that! I hate you for what you did to him, and I am not talking about Caleb." I lean close to his face and whisper, "And while I may not shoot you myself, I will definitely not help you if someone tries to kill you, so you'd better hope to God we don't get into that situation. — Veronica Roth

I try to keep in mind" I recite dryly as I run the front sight of my pistol over his face, "that my life is only as significant, as I am to the lives of others."
He's sobbing and won't look up from the floor so I lean close to his ear and ask softly, "Would you say that I'm significant to your life? — Dennis Sharpe

I didn't even think, just went with instinct. Opening my arms, I felt the tiny life placed there. Wrapping him close and tight to my chest, I felt my heart swelling with love. So small, so delicate. Using the tip of my finger, I traced his face, his little lips, his chin and cheeks, his eyes. "You're right, Tea, he is beautiful."

"He has your eyes," she whispered. "We still need to name him."

"Christian Simon Doyle. After your dad and your idiot friend."

Her voice sounded raw when she spoke again. "That's perfect."

"You're perfect. Thank you, Tea, thank you for my son, for our life, thank you for not giving up on me. — L.A. Fiore

Day watched God close his eyes and push with enough force to breach him with just his head. "Ugh!" Day's mouth flew open. Dammit, God's cock head was bigger than he thought. God pressed his body into his and tilted his hips forward. Day brought his legs up higher to open himself up more to quench the fierce burning in his ass. Fuck, fuck, fuck. Breathe. God's face was buried in the crook of his neck and his body shook against him. "Jesus, Leo," God hissed. "Cash," Day said, his moans like a cry. "Almost there, sweetheart." God pushed in deeper and Day grabbed at his hips to stop him. "Ugh. Fuck, you're fucking big," Day groaned. — A.E. Via

Cool wind soothed her. She could breathe sweet air. The only heat she felt was the warm, familiar heat from the mage's body. Opening her eyes, she saw that she stood close to him. Raising her head, she gazed up into his face ... and felt a swift, sharp ache in her heart.
Raistlin's thin face glistened with sweat, his eyes reflected the pure, white flame of the burning bodies, his breath came fast and shallow. He seemed lost, unaware of his surroundings. And there was a look of ecstasy on his face, a look of exultation, of triumph.
"I understand," Crysania said to herself, holding onto his hands. "I understand. This is why he cannot love me. He has only one love in this life and that is his magic. To this love he will give everything, for this love he will risk everything! — Margaret Weis

The door is in front of you," he said. She turned her head slightly so that she could keep an eye on him even as she observed the basement door. "Any tricks up your sleeve? A secret password?" "Turning the knob will do it." "How very mundane." Alexandria reached for the door-knob at the same time he did. His arm curved around her, bringing their bodies close so that she smelled his clean, masculine scent and felt the heat of him right through their clothes. Hastily she dropped her hand. As he opened the door, she could have sworn she heard soft, taunting laughter in her ear. When she turned to glare at him, his face was all innocence. Alexandria refrained from kicking his shins and with great dignity walked into the brightly lit kitchen, proud of her self-control. Aidan — Christine Feehan

Holly clambered after him, struggling up the human-size steps.
"Wait! Just wait," she called, overtaking Artemis and looking him in the eye from one step up. "I know you, Artemis. You like to play your genius card close to your chest until the big reveal. And that's worked out for us so far. But this time you need to let me in. I can help. So, tell me the truth, do you have a plan?"
Artemis met his friend's gaze and lied to her face.
"No," he said. "No plan. — Eoin Colfer

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

Together, on his back porch, his cigarette smoke rising like incense to the heavens, we spoke to the God of grace we both are so grateful to know up close and personal. It may be the most beautiful prayer I've ever heard. Jesus, for some reason you've given us another day, and you've set us in Narnia. There are people who still think it's frozen, and there are people who are longing to be thawed but don't know it. God, I pray that what you've called us to do would be the subversive work of the kingdom, that we would help participate in the melting of Narnia, and that people would come alive and would drink and dance and sing and just celebrate life in ways that are so marvelous that the world would press its face against the glass and see the redeemed celebrate life. Amen. — Cathleen Falsani

I reach for my bag, pulling out gum, but he quickly moves to me, sliding his hands up my neck to cup my face. "Don't." He leans close, sucking on my mouth the way he seems to like so much. "You taste like me. I taste like you." He bends, licking my tongue, my lips, my teeth. "I like this so much. Let it stay, just for a bit. — Christina Lauren

I kept a picture of us in my pillowcase like an absolute nutjob. She'd had it in her pocket the day of the accident. I wanted it as close to my face as possible when I slept every night. Because every night I went to bed hoping it was all a bad dream, and every morning I woke up to the terrifying reality that it was not. You'd think I would — Rachel Van Dyken

Today is one of the days when Ma is Gone.
She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head.
Silly Penis is standing up, I squish him down.
I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's -
I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back.
I don't have a bath on my own, I just get dressed.
There's hours and hours, hundreds of them.
Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet. — Emma Donoghue

Steady, steady, we move at half-speed, and when I look up, a cape petrel is just above me, flying with us. Little turns, little wings. I reach my arm up, my fingers stretch. I reach and for a second time the bird comes so close I can almost touch him. I can see his eyes, his tiny face. He looks at me, then rises up with the thermals. Up and up at full speed until I lose him in the light.

My eyes are full. — Favel Parrett

He reached out a long arm and drew me in, holding me close against him. I put my arms around him and felt the quiver of his muscles, exhausted, and the sheer hard strength still in him, that would hold him up, no matter how tired he might be. We stood quite still for some time, my cheek against his chest and his face against my hair, drawing strength from each other for whatever might come next. Being married. — Diana Gabaldon

I know what's coming next. I look at Giulianna's expertly made-up face, sink into her catlike beauty, and then close my eyes and I'm kissing Kate. I don't even try to stop it anymore-this happens every time. With every girl. — Amy Plum

I think they call that parallas: being able to know the distance of something because you're seeing it from two separate points - and the farther apart those two points are, the more accurate you can be. Put one eye here and one eye fourteen feet away, and you know a whole lot more about the world you're seeing.
The thing is, if you go through life with just your own point of view, you're like that kid with glass eye. If there's something that's right up in your face, it looks really big - overwhelming even. But if you've got that parallax - if you've got that other point of view - you realize that there are bigger, much more important things that are far off toward the horizon. Once you focus on those things rather than the way up close, that close-up stuff becomes nothing more than a nuisance blocking the view. — Neal Shusterman

It used to be that when I made mistakes like this or came close to losing my life, I would just call Miguel. He'd drop it all to come to me - his movies, media engagements no matter how big they were, and even his criminal activities went on hold for me. It made me think he cared.
Miguel canceled an appearance on the Dave Letterman show just because he called me and thought my voice sounded like something was wrong.
He directed his gaze to the bruises decorating my face. "You said you weren't hurt."
With those big arms, he picked me up and slammed the door behind us. "When I ask you if you're okay, you tell me the truth. — Kenya Wright

Watch a good movie sometime without reference to what's happening but only with attention to how it was photographed; you'll see the change of focus - zoom in, pan out, close-up on face, fade to black, open from above - easily. You want to do that in what you write; it's one of the things that keep people's eyes on the page, though they're almost never conscious of it. — Diana Gabaldon

Racing cars which have been converted for road use never really work. It's like making a hard core adult film, and then editing it so that it can be shown in British hotels. You'd just end up with a sort of half hour close up of some bloke's sweaty face. — Jeremy Clarkson

Both the children were looking up into the Lion's face as he spoke these words. And all at once (they never knew exactly how it happened) the face seemed to be a sea of tossing gold in which they were floating, and such a sweetness and power rolled about them and over them and entered into them that they felt they had never really been happy or wise or good, or even alive and awake, before. And the memory of that moment stayed with them always, so that as long as they both lived, if ever they were sad or afraid or angry, the thought of all that golden goodness, and the feeling that it was still there, quite close, just round some corner or just behind some door, would come back and make them sure, deep down inside, that all was well. — C.S. Lewis

For, or so they whispered, she would take the camp-stool and draw it up close below the face of the man or woman that hung down over the edge of the interrogation table. Then she would squat down on the stool and and look into the face and quietly say 'No. 1' or 'No. 10' or 'No. 25' and the inquisitors would know what she meant and they would begin. And she would watch the eyes in the face a few inches away from hers and breathe in the screams as if they were perfume. — Ian Fleming

In a dark layer of Esme's memory there was a kiss. Vividly she recalled Mihai in the snow, naked and fanged. That kiss had conjured ancient passions a god had tried to erase, and Esme remembered the pressure of it and even knew the flavor of that black river. But it belonged to someone else. Tom's kiss, by contrast, wasn't passionate.Esme didn't even have time to close her eyes and tilt her face up to meet it, and it landed crooked and only half on her lips. It was clumsy and it ended quickly. And it was hers. — Laini Taylor

Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression
his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake. — Maggie Stiefvater

In the act of watching the television news, audiences cross the globe, one moment viewing a scene in a wide aerial shot, the next moment seeing an emotional close up of a victim's face. By extending the physical senses to impossible dimensions, media provide audiences a near metaphysical adventure. — James Houran

He gripped her hips, and standing up, slowly pushed volumes of silk with him. Blue fabric puffed and pillowed between them. His hand traced a slow caress the length of her from knee to hip. Edward's nostrils flared, as did his eyes, when his roving hand slipped behind her, grappling bare skin. She quivered from tantalizing male touch exploring forbidden flesh. Lydia read Edward's face, the flush of tanned skin and mouth unable to close, as knowledge seeped into his brain: she'd said her vows, eaten dinner with the utmost decorum, and chattered politely with all and sundry in this secret state of undress. Edward groaned and jammed her body hard against his. "You're naked under your skirt. — Gina Conkle

Will!"
He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind - she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him.
His own heart leaped up at the sight of her. "Tess," he called. But she was still such a distance away - she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest.
At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her - — Cassandra Clare

Pretty soon three sleeping bags formed a triangle in the master bedroom. The father was the hypotenuse. The girl asked him to brush out her hair, which he did while the boy ate a tangerine, peeling it up close to his face, inhaling the mist. Then he held each segment to the light to find seeds. In his lap, cat paws fluttered like dreaming eyes. What — Amy Hempel

I backed us up against the wall. "How I feel? You want to know?" I ran my hands over his face and tangled them into his messy hair. "This is unlike anything else. I've bungeed off buildings, I've skateboarded off roofs. I've even gone train surfing. Nothing comes close to the high I feel when I'm with you. You've been through horrible things, and yet you're one of the kindest, truest people I've ever met. At first I thought it was because you were
safe. I could feel something for you because you couldn't hurt me. Not the way Alex did. But it's more than that. It's you. Who you are. The way you are. Everything from your smile to the way you always say exactly what's on your mind. Your soul, Kale. — Jus Accardo

A flicker of someone else's memory came to Simon and he picked up Excalibur from where he had dropped it. Carefully, he laid Excalibur on Arthur's chest. A smile crossed the king's pasty face as he closed his grazed hands around the sword's hilt. The touch of something so familiar seemed to give Arthur cause to close his eyes and after a final, relieved breath left his lips, he died. — Sam Whitehouse

Her body didn't give a damn that he was all wrong for her, it wanted him anyway. Badly. Either oblivious of or not wanting to encourage the attraction between them, Wade looked down at his mug as though he wasn't comfortable holding her gaze at such close range, and took a sip. As he swallowed, one side of his mouth curved up and he let out an appreciative groan that seemed to reverberate right through her, heating her blood. Startled, she drank in the almost dreamy expression on his angular face and imagined that same look right after he'd enjoyed an intensely satisfying orgasm. Erin couldn't be positive, but if his reaction to a simple cup of coffee made him groan like that, she was pretty sure it had been a while since he'd had one of those, too. And man, the idea of being the one to end his dry spell was way too freaking hot for her own good. — Kaylea Cross

You're my girl, Tessa Crimson. You'll always be my girl." He brought me close to him and wrapped me up in his arms, staring down into my face. "And even if we aren't together, that won't change. — Suzanne Young

Taylen," Glate whispered, wrapping his arm around my waist. "Are you okay?"
Was I okay? No. I was a complete and utter wreck, but there was no way in hell I was going to show him that. "I'm dandy."
"You're a terrible liar." He propped himself up on his elbow, and leaned in closer, resting his chin on my shoulder. My body was well aware of how close he was, and it took everything in me to fight the urge to turn and face him. Teenage hormones were the absolute worst. "You know how I can tell?" he asked, running a single finger down my arm.
"How?" the word barely escaped my lips.
"Your voice trembles," he whispered. Glate moved his hand to my hips and pulled me back towards him. "Whenever you lie, you get this slight tremble in your voice. It's almost as if you're scared to admit the truth, so you try to conjure up a lie, but the fear engulfs your words on the way out, calling your bluff. — Nicole Sobon

My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat. — Neil Gaiman

Well, well. If it isn't the princess."
My body tensed and I frowned when I saw him approaching. Narrowing my eyes, I plastered on a fake smile. "I almost didn't recognize you without a tramp attached to you."
Drew and the other guy snickered.
Leaning into my ear he harshly whispered, "Would you like to change that? I'm not up to my limit tonight yet."
Gah, why did he have to be so hot? My body was practically humming with how close he was. I leaned away and replied with the most innocent expression on my face, "Oh I'm sorry, but I don't have any STDs, I'm not your type. — Molly McAdams

He turns around, all impatient. Now what? I wanna say something to you. I wanna say ... I dunno ... more. I could bust apart with all I'm feelin inside of me right now. What with fightin off the hellwurms an gittin my shoulder tore open, an how I felt when I woke up an seen you an, now, here I am, being so close to findin Lugh an I dunno what's gonna happen an
Jack's lookin at me, frowning. What's the matter with you, Saba? he says. I grab his face an kiss him on the lips. — Moira Young

And what, you think you can fix me?" she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, "Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?"
There's a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled 'fuck you' before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I'm about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, "On the contrary, Scarlet, I don't think you need to be fixed at all."
"No?"
"No," I say. "I think you're perfect the way you are. — J.M. Darhower

Feel free to check out the hotel and talk to the staff," he said slipping out of bed. "And I'm happy to give you an up-close look at what we're doing." When she didn't answer, he glanced over his shoulder. Then cleared his throat.
Her attention jumped from his ass to his face. "Sorry, what did you say/"
"I said
"
She sat up, letting the sheet fall to her waist. And damn if she wasn't the most gorgeous thing with her creamy skin, pert breasts, and mussed hair.
He moaned like a guy totally whipped and stalked back to the bed where he climbed on top of her.
"Connor." She giggled and wiggled beneath him. Her arms went around his neck. "What are you doing?"
"Forgetting the time." He kissed her and didn't leave until they'd both had their fill. — Robin Bielman

I like to do a face steam, so, heat up a flannel, press it onto your face and then press a cold one on afterwards to close the pores. It's inexpensive! — Georgia Jagger

She gave me a conspiratorial wink. "He's cute."
Gross.
Whitney discussing my friends was straight-up creepy.
Though he is cute. No denying that.
"I dunno. Maybe."
"Would you like me to speak to his mother?" Whitney leaned close. "If you're uncomfortable inviting a boy, we could arrange for him to ask you."
I wanted to punch her face.
He already offered, you dolt. Everything's not as simple as you are. — Kathy Reichs

The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow. — Charles Dickens

He spared a glance at her distressed face and knew it to be a mistake instantly.

He was momentarily arrested because...man, six feet away she was pretty.

Up close like this? Total gut-shot.

Of course, having just seen all of her unmentionables didn't help matters. Unmentionables?

Whoever came up with that ridiculous term? Underwear that fantastic deserved to be mentioned on a regular basis.

Shit, he wasn't going to think about her underwear. which, of course, only made him wonder what color she had on under those tight, distressed jeans and that thin T-shirt. Pink? Her outfit was pink. Women often matched their underwear to their outfits. At least that's been his experience. So...probably pink.

Holy shit! He was not going to think about her underwear! — Julie Ann Walker

As he started making a pot of coffee he glanced out his kitchen window and into his neighbor's window and froze. He had the perfect view of his new neighbor. She was beautiful. Scratch that. The word didn't even come close to describing her.

She didn't seem very tall, though it was hard to measure. Her dark wavy hair cascaded down over her shoulders, reaching just below her breasts. Very full breasts. Definitely enough to fill his palms. And the tight tank top she was wearing left very little to the imagination. It was obvious she'd just woken up as she rubbed a hand over her face and reached for the coffee pot. Look away, he ordered himself.

But he was rooted to the spot. — Katie Reus

Ninety-seven. Ninety-eight. Two more and I've won. I hear the same girl - she must be standing close by - whisper, "Come on."
On the ninety-ninth push-up, Reznik shoves me down with his heel. I fall hard on my chest, roll my cheek against the asphalt, and there's his puffy face and tiny pale eyes an inch from mine.
Ninety-nine; one short. The bastard. — Rick Yancey

Do your worst, Pidge. I'm tired of your shit."
I released his skin and jerked my arms, struggling against his grip. "My shit? Let me out of this fucking car!"
He pulled my wrists close to his face. "I love you, dammit! You're not going anywhere until you sober up and we figure this out! — Jamie McGuire

With charm you've got to get up close to see it; style slaps you in the face. — John Cooper Clarke

You almost had me convinced, you know."
A small shiver ran through me as I searched his face, so unbearably close I could see the tiny flecks of gold in his eyes. Our breaths panted, mingling between us. Even though a whisper inside me warned that I should just let the subject drop, I demanded, "Convinced of what?"
"That I should quit. That I should give up on you. That's what you wanted me to do." He paused, letting the words sink in the thick air between us. "But now I've seen your painting and I know better. — Sophie Jordan

That was some first kiss," she said with a tired, contented expression.
I scanned her face and smiled. "Your last first kiss."
Abby blinked, and then I fell onto the mattress beside her, reaching across her bare middle. Suddenly the morning was something to look forward to. It would be our first day together, and instead of packing in poorly concealed misery, we could sleep in, spend a ridiculous amount of the morning in bed, and then just enjoy the day as a couple. That sounded pretty damn close to heaven to me. Three months ago, no one could have convinced me that I would feel that way. Now, there was nothing else I wanted more.
A big, relaxing breath moved my chest up and down, relaxing slowly as I fell asleep next to the second woman I'd ever loved. — Jamie McGuire

Do you know anything about hearts, Jona? The Senta know hearts. Hearts are not one organ. Inside a mother's womb, two pulsing bags of blood seek their eternal mate."
Her hand reached out to his. She opened his palm, and traced a finger down his lifeline, then his loveline. She lifted it up to her own face. She placed it on her cheek.
"Lungs are fine apart," she said, "Hands do not need another but to clap. Brains gnarl like roots in the nothing of soul, and guts spin in knots around the nothing of hunger. But hearts are made by two complete parts merging together. Once the two pieces sense each other in the blood flow, they cross every bloody cliff inside of us. The arteries bind the halves close. The veins make love to each other in the life pulse that makes all life from love entwined. — J.M. McDermott

The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same. — Italo Calvino

He doesn't move.

Please, I beg him inwardly.

Please go up to bed.

It's hard enough to look at his face each day and not feel heartbreak. I can't be close to him right now. I'm afraid I'll give in and kiss him again. The way his hard body had aligned so perfectly with mine is burned in my consciousness. I'll be trying not to remember that for weeks.

I wait, and I ache.

Finally the door clicks open. I hear him exit the car. When the door slams shut, I feel it like a sledgehammer to the heart.

Don't look, I coach myself.

But my self-control isn't infinite. His fair hair glints under the streetlight as his long legs eat up the walkway in just a few paces. Seeing him walk away from me splinters something inside me. — Sarina Bowen

Raven stared up at his face, drinking in the strong lines and the way he looked at her with something close to adoration. She smiled at him. "I think you've managed to put some kind of spell on me."
"If I did," he whispered, "it backfired, and I managed to ensnare myself as well. — Christine Feehan

As soon as he was half-awake he slipped his knickers off. Holding them close to his face, he handled them loosely for a moment with an absent expression, then suddenly buried his nose in them, his dark eyes huge, his face monstrous with the wisdom of evil. As well as the blood and the seepage from last night's ejaculation he had shit himself lavishly in his sleep, a sloppy, yellow liquid. Having spent a while burying his face in them, he folded the knickers up and put them carefully to one side on top of a stack of others. He would never wash them; he would never wear them again. Every secretion that had occurred in his underclothes, before, during, or sometimes just after a moment of action was a souvenir to be preciously kept and safeguarded. — Derek Raymond

Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. — Erich Maria Remarque

She looks up. I've caught her by surprise. Her face opens up and all of a sudden it's like that paper mask is transparent. I'm looking right through it, and I get a flash of some kind of life we could've had - barbecues, dogs, kids flopping over us in bed - it rolls through me fast but strong and clear, like one of those cooking smells that blows in the window so sharp you can pick out the ingredients. And then it's gone. It's gone, and Holly's holding my hand. Finally, after that long long wait, her hand is back on mine. Dry cool fingers, slim. The rings loose. I close my eyes. My hand is so hot, I feel my pulse in every finger. I'm afraid she'll let go but she doesn't let go. She keeps her hand around mine and it's like she's holding all of me in her cool sweetness, calming my fever back down. — Jennifer Egan

What are you looking at, Matthias?" The low thrum of her voice vibrated straight through him.
He kept his eyes on the ceiling, whispering softly. "Nothing."
"Matthias, are you praying?"
"Possibly."
"For restraint?" she said sweetly.
"You really are a witch."
"I'm not proper, Matthias."
"I am aware of this." Miserably, keenly, hungrily aware.
"And I'm sorry to inform you, but you're not proper either."
His gaze dropped to her now. "I - "
"How many rules have you broken since you met me? How many laws? They won't be the last. Nothing about us will ever be proper," she said. She tilted her face up to his. So close now it was as if they were already touching. "Not the way we met. Not the life we lead. And not the way we kiss. — Leigh Bardugo

It is time to put up a love-swing!
Tie the body and then tie the mind so that they
swing between the arms of the Secret One you love,
Bring the water that falls from the clouds to your eyes,
and cover yourself inside entirely with the shadow of night.
Bring your face up close to his ear,
and then talk only about what you want deeply to happen. — Kabir

Instead of scaring him, that threat set fire to his temper. No one threatened Nick Gautier.
"I'm not afraid of you. You want to fight ... bring it."
Something struck the wall by his face. Hard. It was so close to him that whatever it was grazed his nose.
In spite of his bravado, that actually scared him blind. Hard to fight something when you couldn't see it ... Jack-rabbiting up the stairs, he went into Kyrian's training room instead of his office.
Nick slammed the door and threw himself against it, arms wide to keep it shut. — Sherrilyn Kenyon

In the morning, when she wishes me to wake, she crouches on my chest, and pats my face with her paw. Or, if I am on my side, she crouches looking into my face. Soft, soft touches of her paw. I open my eyes, say I don't want to wake. I close my eyes. Cat gently pats my eyelids. Cat licks my nose. Cat starts purring, two inches from my face. Cat, then, as I lie pretending to be asleep, delicately bites my nose. I laugh and sit up. At which she bounds off my bed and streaks downstairs
to have the back door opened if it is winter, to be fed, if it is summer. — Doris Lessing

He stepped close to her; she could feel his breath on her neck. "Eve, you make me not want to die."
She turned to see his face. "I didn't want to be this, and now it's all I am."
He put his hands on her cheeks. The look on his face did her in. He was kind, caring, and mourning her losses. Tears wet his cheeks. Eve felt a very deep sob choke her. If he was mourning, so could she.
He pulled her into his arms. "Cry. It's okay. Cry."
Eve felt her knees give. He caught her and carried her to his couch. He petted her hair and let her empty her pain and guilt onto his chest. He kissed the top of her head. For the first time, his actions toward her seemed to have no sexual intent whatsoever.
Eve let go of a rope she'd clung to for too long. And she fell. She fell right into him. Wrong or right, she gave up judging. Her lips found his, and he kissed her gently, not demanding any more than she was willing to offer. — Debra Anastasia

You think my feelings toward you apathetic? You think you bore me?"
"Don't I?"
He shook his head slowly, continuing toward her, stalking her in the small space.
"No.God knows you are infuriating . And impulsive ... " Her back came up against the wall, and she gave a little squeak, even as he advanced. "And altogether maddening ... " He placed one hand to her jaw, carefully lifting her face to his, feeling the leap of her pulse under his fingertips. "And thoroughly intoxicating ... " The last came out on a low growl, and her lips parted, soft and pink and perfect.
He leaned close, his lips a fraction from hers.
"No ... you are not boring. — Sarah MacLean

The dead man's face was pale and bloodless. The fierce white lights in the morgue showed up every detail mercilessly and every last pore and pock-mark was revealed, the history of a life, now reduced to a mere handful of scars.
'Always nice to see you Mark, but what brings you in so late on Friday afternoon?' Lambert said nothing, staring at Petrie's corpse, before turning to the coroner. John Humby was older and getting close to retirement and the two had been friends for a very long time. Humby resembled a large blood-hound, the more so the older he got and he was smiling over at Lambert, who was still thinking about the murder. — Stevie O'Connor

Day leans in toward me. He reaches up to touch my face. I can tell it still hurts him to use his fingers, and his nails are dark with dried blood. "You're brilliant," he says. "But you're a fool to stay wish someone like me."
I close my eyes at the touch of his hand. "Then we're both fools. — Marie Lu

He looked up as the party emerged and nickered a soft hello to his master, who was dressed in an unfamiliar green cloak and had dirt plastered on his face. Halt glanced at him, brow furrowed, and silently mouthed the words 'shut up'. Abelardshook his mane, which was as close as a horse could come to shruging, and turned away.
'My horse recognized me,' Halt said accusingly out of the side of his mouth to Horace.
Horace glanced at the small shagging horse, standing beside his own massive battlehorse.
'Mine didn't,' he replied. 'So that's a fifty-fifty result.'
'I think I'd like odds better than that,' Halt replied.
Horace suppressed a grin. 'Don't worry. He can probably smell you.'
'I can smell myself,' Halt replied acerbically. 'I smell of tea and soot.'
Horace thought it was wiser not to reply to that. — John Flanagan

One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her. — Courtney Allison Moulton

If it makes you feel any better, he's been all sad doll lately too."
"What are you talking about, Chels?"
Chelsea stopped walking and stared at Violet.
"Jay. I'm talking about Jay, Vi. I thought you might want to know that you're not the only one who's hurting. He's been moping around school, making it hard to even look at him. He's messed up ... bad." Just like the other night in Violet's bedroom, something close to ... sympathy crossed Chelsea's face.
Violet wasn't sure how to respond.
Fortunately sympathetic Chelsea didn't stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: "I swear, every time I see him, I'm halfway afraid he's gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it's disgusting. Really. Only you can make it stop. Please make it stop. — Kimberly Derting

Wilhelm glanced up just in time to see Rose walk in. His jaw fell. Her hair, her dress, her face ... She made everyone else in the room look pale and lifeless. He'd better close his mouth before someone saw him staring. — Melanie Dickerson

Shall I bring you some beer, while you take care of the horse?" "A good wife is prized above rubies," he said, smiling. "Come to me, mo nighean donn." He reached out a long arm and drew me in, holding me close against him. I put my arms around him and felt the quiver of his muscles, exhausted, and the sheer hard strength still in him, that would hold him up, no matter how tired he might be. We stood quite still for some time, my cheek against his chest and his face against my hair, drawing strength from each other for whatever might come. Being married. — Diana Gabaldon

I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here.
I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire.
Liv held up her face to be kissed.
She wanted me. — Kami Garcia

One day you'll hear that song you both liked on the radio and it won't make you cry. You'll wake up one morning and they won't be the first thing you think about, or the last thing you think about when you're falling asleep at night. Their face won't be the one you see any more when you close your eyes, or in a crowd when you're walking down a street. And when something makes you laugh, or cry, they won't be the person you want to share it with. — Alexandra Potter

God is not needed to create guilt or to punish. Our fellow men suffice, aided by ourselves. You were speaking of the Last Judgement. Allow me to laugh respectfully. I shall wait for it resolutely, for I have known what is worse, the judgement of men. For them, no extenuating circumstances; even the good intention is ascribed to crime. Have you at least heard of the spitting cell, which a nation recently thought up to prove itself the greatest on earth? A walled-up box in which the prisoner can stand without moving. The solid door that locks him in the cement shell stops at chin level. Hence only his face is visible, and every passing jailer spits copiously on it. The prisoner, wedged into his cell, cannot wipe his face, though he is allowed, it is true. to close his eyes. Well, that, mon cher, is a human invention. They didn't need God for that little masterpiece. — Albert Camus

From "Lady In Waiting" in the anthology The Morgue :

Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin' one up 'stead of engagin' myself in any small talk that's goin' to be so one-sided anyways. But Cindy Flowers' corpse weren't no ordinary body when it walked upright, and it sure weren't ordinary just because it was lyin' before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed 'cause Pa had already sewed her lids shut. — Kenneth C. Goldman

I brought the newspaper close up to my eyes to get a better view of George Pollucci's face, spotlighted like a three-quarter moon against a vague background of brick and black sky. I felt he had something important to tell me, and that whatever it was might just be written on his face.
But the smudgy crags of George Pollucci's features melted away as I peered at them, and resolved themselves into a regular pattern of dark and light and medium gray dots.
The inky black newspaper paragraph didn't tell why Mr Pollucci was on the ledge, or what Sgt Kilmartin did to him when he finally got him in through the window. — Sylvia Plath

Close up gave me a nice view of Mychael, and as always, he was damned good to look at. His eyes were that mix of blue and pale green found only in warm, tropical seas. His hair was short and auburn. His handsome features were strong, and his face scruffy with stubble. Very nice. Sexy nice. I guess having demons on your island didn't give you time to shave. Mychael was an elf, and the tips of his ears were elegantly pointed. I'd felt the urge to nibble those tips on more than one occasion, but I didn't think now was the time or place. — Lisa Shearin

Now that's worth the trip right there." He chuckled, pink starting to sparkle in his eyes. "How goes it, Gregor? Forgot your manners, did you? If I'd known you were balanced in such a precarious state, I might have taken even ... longer."
I'd yanked a sheet between us and made Gregor pick up his hips, but the rest of him stayed where it was so I could keept that knife close to his heart. It left Gregor with his ass sticking up in the air while his face stayed level with mine. I wasn't trying to be funny. Only practical. — Jeaniene Frost

I know I might look like a ball of fluff," she said, "but I'm not. Not even close. And the fact that I get up each morning and put a damn smile on my face is the same as ... Batman putting on his cape."
"I
"
"I'm not done. It's ... protection. It's my shield. It's me waving my middle finger to the world because I choose to be happy. The bottom line, Luke, is that I know what matters and what doesn't. — Jill Shalvis

You could kiss me, we've hardly kissed since you've come back. You didn't meet another woman while you were gone did you?" I traced around the outline of his lips with my index finger.
"There are other women out there?" The look on his face was one of genuine surprise.
"Oh, you're good." I kissed his cheek. "Did you come up with that all by yourself, or is it a line from one of your old movies?"
"All by myself." Seth put his arms around my waist and drew me close. — Sherry Gammon

Zane Hollander stood in profile a few feet away. Sophie's breath caught. Up close, he looked like he'd been carved from the most glorious, most gorgeous stone on the planet. His blond hair was straight, on the longer side and sticking up in GQ messiness. Square jaw, high cheekbones, perfect nose. Then he turned and pierced her with ice-blue eyes that knocked her off-balance.
Literally.
She tripped over her own feet and face-planted right into the sand. — Robin Bielman

I remember something."
"Yes?"
"You told me once that you were going to break my heart."
He rolls over to face her. "Yes," he says. "I may once have said something like that."
"What happened?"
His beautiful eyes are even more hypnotic up close.
"You broke mine. — Nenia Campbell

I know when I get real with myself, and I actually look at the world I'm growing up in, I want a savior. I'm sure of that. On most days I could not tell you what coffee I want, what train I want to take, or the jacket I want to wear, but I've always ached for a savior. The kind who gets right up close to your face and says, "Babycakes, this ain't your battle. Stand back, I'm here now. — Hannah Brencher

I don't understand how I could have believed you were a warm, affectionate, and tenderhearted person! You're obviously as prickly as a porcupine and any man who comes close to you will end up with a face full of quills! — Colleen Houck

For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his. The river roars and I feel its spray on my ankles. He grins and presses his mouth to mine. I tense up at first, unsure of myself, so when he pulls away, I'm sure I did something wrong, or badly. But he takes my face in his hands, his fingers strong against my skin, and kisses me again, firmer this time, more certain. I wrap an arm around him, sliding my hand up his neck and into his short hair. — Veronica Roth

I study my daughter's sleeping face. She curves her body the way I do when I sleep and draws her knees up close to her chest. She stretches her legs and her eyes flutter open as if to look at me, but then she closes them again. I hope she dreams in colour. — Wame Molefhe

Gray stood up and came round the desk. "Think of the words on that memorial, Wraysford. Think of those stinking towns and foul bloody villages whose names will be turned into some bogus glory by fat-arsed historians who have sat in London. We were there. As our punishment for God knows what, we were there, and our men died in each of those disgusting places. I hate their names. I hate the sound of them and the thought of them, which is why I will not bring myself to remind you. But listen." He put his face close to Stephen's. "There are four words they will chisel beneath them at the bottom. Four words that people will look at one day. When they read the other words they will want to vomit. When they read these, they will bow their heads, just a little. 'Final advance and pursuit.' Don't tell me you don't want to put your name to those words. — Sebastian Faulks

Wonderful art can spring from misery,I'm the last person to deny that.I'd go even further:the best works of art of all time are probably stemmed from the deep human sorrow or hellish frustration,the death of a loved one or a divorce and yes:jealousy.Heartache and impotence as the man-spring for making the unverifiable verifiable and for giving it face.How romantic,beautiful and especially useful pain and misery can be. — Esther Verhoef

We drove slowly, neither of us speaking, and worked our way out of the Marina, up through Venice, and along the beach. It was automatic driving, going through the motions without conscious thought or direction, movement without destination or design. Pike hunkered low in the passenger's seat, his face dark in the bright sun, his dark lenses somehow molten and angry. It is not good to see Joe Pike angry. Better to see a male lion charge at close quarters. Better to hear someone scream, Incoming! — Robert Crais

I hate it, all of this," I screamed, my voice breaking. "I even hate him, even him." A huge sob came up from my chest.
And I did, right then. I hated you for everything; for making me feel so helpless everywhere I went, for making me lose control. I hated you for all the emotions in my head, for the confusion ... for the way I was suddenly doubting everything. I hated you for turning my life upside down and then smashing it into shards. I hated you for making me stand with a whirring fan in my hand, screaming at my mum.
But I hated you for something else, too. Right then, and at every moment since you'd left me, all I could think about was you. I wanted you in that apartment. I wanted your arms around me, your face close to mine. I wanted your smell. And I knew I couldn't-shouldn't-have it. That's what I hated most. The uncertainty of you. You'd kidnapped me, put my life in danger ... but I loved you, too. Or thought I did. None of it made sense. — Lucy Christopher

You know that part in An Imperial Affliction when Anna's walking across the football field to go to PE or whatever and she falls and goes face first into the grass and that's when she knows that the cancer is back and in her nervous system and she can't get up and her face is like an inch from the football -field grass and she's just stuck there looking at this grass up close, noticing the way the light hits it and ... I don't remember the line but it's something like Anna having the Whitmanesque revelation that the definition of humannness is the opportunity to marvel at the majesty of creation or whatever. You know that part? — John Green

As I opened the door, Abel turned toward the shower and zipped up his pants. "Jesus! Shit! I'm so sorry." I yanked the door to close it, but he grabbed hold and pulled it wide open.
"Wow. Was it that disappointing?" He laughed, and my face burned with embarrassment.
"I didn't see anything." I was mortified.
"You really know how to hurt a man's ego. — Teresa Mummert

It turned out to be a young Dasypus novemcinctus, a nine-banded armadillo, about the size of a small loaf of bread. Although they were becoming more common in Texas, I'd never seen one up close before. Anatomically speaking, it resembled the unhappy melding of an anteater (the face), a mule (the ears), and a tortoise (the carapace). I thought it overall an unlucky creature in the looks department, but Granddaddy once said that to apply a human definition of beauty to an animal that had managed to thrive for millions of years was both unscientific and foolish. — Jacqueline Kelly