Quotes & Sayings About Characters In Books

The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them. — J. Michael Straczynski

Getting all emotionally wrapped up in made-up people's lives gives me a chance to take a break from my own life [ ... ]. — Arlaina Tibensky

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction. — Alan Moore

[ ... ]when you read a book, what you see are black squiggles on pulped wood or, increasingly, dark pixels on a pale screen. To transform these icons into characters and events, you must imagine. And when you imagine, you create. It's in reading that a book becomes a book, and in each of a million different readings a book becomes one of a million different books[ ... ] — Mohsin Hamid

My longing was for Russia ... Not Soviet Russia. But nineteenth-century Russia, the Russia of Dostoevsky's saintly prostitutes and Alyosha; of Tolstoy's Pierre; and Aksionov, the sufferer in "God Sees the Truth But Waits." A country where the characters in books were allowed to ask one another the questions: How must I live to be happy? What is goodness? Why does man suffer? What is to be done? — Guy Vanderhaeghe

I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart. — Mary Oliver

He sits at the table and reads novels, old favorites of his, the words and plots and characters comforting and lived-in and unchanged. — Hanya Yanagihara

They were waiting for me in the books and in stories, after all, hiding inside the twenty six characters and a handful of punctuation marks. These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books. — Neil Gaiman

It's unknown to the common human being that most of the characters in fairy tales are real immortals living among us. Some of them know who they are and some of them don't. Living too long can make you forget who you really are and what you were meant to be.They lived before you were born, and will continue to live after you die. That is why they are carved in the inner skeletons of your soul like a birthmark. The fact that you have been introduced to them in books does not mean they didn't exist in your dreams since long ago. — Cameron Jace

The characters that populate my books are global nomads in their own right, keeping multiple homes around the world and constantly jet-setting to new places. — Kevin Kwan

While the TV show 'Rizzoli & Isles' may have been inspired by my books, show runner Janet Tamaro has total control over where the TV characters go from there. As Janet once put it, I'm the birth mother, but she's the mother who adopted them, and now that Jane and Maura are living in her house, they have to do what she tells them to do. — Tess Gerritsen

I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books. — Raymond E. Feist

Most of these wild animals depart in autumn when the sun changes their behavior and they feel the urge to migrate or go off alone. While they are with us, however, they become characters in my books, articles, and stories. — Jean Craighead George

Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters. — Cressida Cowell

A writer is someone who analyses the society, people and the world around him or her. Simply a writer is someone who pays attention to the utmost simple things happening around him or her. I believe the best things about being a writer is, you are going to live forever through your work, in your books, in the hearts of your readers, in your characters. — Ama H. Vanniarachchy

I believe in books. I believe more in 'cross-media' - how characters are adapting across mediums. — Bing Gordon

I have an idea for a story, and if the idea is going to work, then one of the characters steps forward, and I hear her voice telling the story. This is what has happened with all the books I've written in the first person. — Laurie Graham

The worst part of writing is meeting all these great new characters and having no one to talk about (the adventures you share with) them. — Claudia Bakker

I know I've erred in the past putting too much of my social justice sentiments in comics, but hopefully not too much, and I tried to only do that with characters that it made sense with it. These days, with the 'social justice' aspects of the two books I write, 'Catwoman' and 'Katana,' the concerns are more about moral justice. — Ann Nocenti

The unlikely group that resulted from the union of five diverse characters in their late twenties operated with surprising harmony. This cohesiveness could be attributed to two factors: 1) everyone's issues and embarrassing pasts were plainly disclosed prior to the gang's formation and 2) the clan had been expressly conceived as a male support group. — Zack Love

I've tried to be inclusive in my '2B' series. Over the course of three books, I wrote African-American characters, a paraplegic character, gay and lesbian characters, a bisexual, Jewish heroine, a multiracial hero, Korean and Chinese-American characters, and a multiracial supporting character. — Ann Aguirre

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr. — John Green

Books are gems. Books which leaves your spine aching from sitting up all night reading them;
Books whose characters live in the bright corners of your mind.
Books which hold the limits of space and time within them;
Books which teach you all that man knows and all that man wants.
Books are power — Philip Womack

In real life, people are integrated into society. That's what happens in my books as well. Minor characters don't just walk in and spout lines, they interact and have an effect on the events. It's not an isolated universe. — Stieg Larsson

Tip 7. Read good books until the characters in each story run from you in terror. — James W. Lewis

We're not going to make it, I said.
The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, Adam.' She'd been right. If this were a novel my heroes would have arrived just in the nick of time and saved the day. But real life didn't work like that. Real life had no happy endings. Despite our best efforts, despite my love for Tara [his wife] and my determination to protect her, and after everything we'd been through at the LeHorn house, fate conspired against us. We were still nine or ten miles from home, and night was almost upon us. By the time we got there it would already be too late. I fought back tears. I had the urge just to lie down in the middle of the road and let the next car run over me. — Brian Keene

Aquaman has the ability to be a huge character, and I think we really brought him to a new level in comic books, and I'm hoping that new level continues to everything that is DC Entertainment. Certainly, that's the goal. He's one of our most recognizable and most important characters, and it's going to continue to stay that way. — Geoff Johns

But some characters in books are really real
Jane Austen's are; and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage. — Dodie Smith

In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen. — Dean Koontz

In a book, even the real bastards can't hurt you. And you can never loose a friend you make in a book. When you get to a sad part, no one's there to see you cry. Or wonder why you don't cry when you should. — Dean Koontz

I've set the vast majority of my books in New England because that's where I live. I love this part of the country the gentle hills, the lush forests, the cycles of the seasons, the ocean, the quiet lakes and rivers that spread across the region. And, then of course, there's that Yankee spirit, which is a combination of optimism and responsibility, rugged individualism and a strong sense of community. I consider myself and my characters very lucky to live in New England. — Judith Arnold

Realisation danced across his face; she saw the hurt in his eyes. And a twisted, darker piece of her almost enjoyed it. The air in the room, stale with blood and sweat, and pure horror, hummed in the aftermath of her words. And finally, Ella knew what had to be done. — Shona Moyce

1. "Mistress Jamieson" tells Mary when they meet: "My mother likes to say some people choose the path of danger on their own, for it is how the Lord did make them, and they never will be changed." Do you agree? Was it more true in the past than today? Did Mary purposely choose a path of danger? Who else? 2. The author has people in her own life with Asperger's syndrome who helped her with Sara's character. What was it like to be in the point of view of a person with Asperger's syndrome? Did you have any preconceived ideas about Asperger's? Did they change? 3. Journeys (physical and otherwise) are a prevalent theme in many of Susanna Kearsley's books. What journeys can you identify in this book, past and present? How do they differ for female and male characters? 4. Mary takes "Mistress Jamieson" as a role model. "She — Susanna Kearsley

The books my mother read and reread provided a broader, more adventurous world, and escape from the confines of her chronic illness. Her interior life was enriched even as her physical life contracted. If she couldn't change the reality of her situation, she could change her perception of it. She could enter into the lives of the characters in her books, sharing their journeys while she remained seated in her chair. — Doris Kearns Goodwin

Few of us make any serious effort to remember what we read. When I read a book, what do I hope will stay with me a year later? If it's a work of nonfiction, the thesis, maybe, if the book has one. A few savory details, perhaps. If it's fiction, the broadest outline of the plot, something about the main characters (at least their names), and an overall critical judgment about the book. Even these are likely to fade. Looking up at my shelves, at the books that have drained so many of my waking hours, is always a dispiriting experience. One Hundred Years of Solitude: I remember magical realism and that I enjoyed it. But that's about it. I don't even recall when I read it. About Wuthering Heights I remember exactly two things: that I read it in a high school English class and that there was a character named Heathcliff. I couldn't say whether I liked the book or not. — Joshua Foer

Nowadays I'm really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody's like "I can reverse the polarity of your ions!" Like in one big flash everybody's Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don't understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it's true. — Joss Whedon

They were ... no ordinary group, gathering together to kill an evening, to seek refuge from critical husbands and demanding children while idly discussing their new best-seller. They met because literature was their shared passion. Books were as important to them as breath itself. They shared the ability to immerse themselves in the lives of fictional characters, to argue passionately about the development of plots, about decisions taken, dilemmas resolved. — Gloria Goldreich

In my books my characters experience things as they are. My books allow youth an honest look at important issues affecting them. As adults we want to believe things like sex abuse or drug use are not happening anymore, or happening less and less, but that's not the case and we need to acknowledge that. We can't make life prettier for youth, but we can arm them. — Ellen Hopkins

In many Muslim countries, witchcraft is not only on the books as a crime, but is commonly prosecuted. In 2009, for example, Saudi Arabia convicted a man for carrying a phone booklet with characters in an alphabet from his native Eritrea, which the police interpreted as occult symbols. He was lashed three hundred times and imprisoned for more than three years. — Steven Pinker

Of course I consider myself a Jewish writer - I am one! All of the protagonists in my five books have been Jewish, and I wouldn't be surprised if all my future main characters were as well. — Lauren Weisberger

Ending a book with a sequel in such a way that the reader still has faith in the characters and in the writer. That's finesse. — Shandy L. Kurth

...I do write books that are female oriented. In my books, the female characters are always searching for something and they often find it, and what they find is themselves and their own strength. I want girls to understand there has been a long history of strong women... Women have always been oppressed but managed to see their own way, and there is a long tradition of females doing what they want to do, and that's what girls can do. They can have selves of their own, a definition of themselves.'" ~Virginia Hamilton in Shireen Dodson's the Mother-Daughter Book Club — Shireen Dodson

When I first started writing the books in the 1980s, all of the female detectives were flawed in some way because they were based on noir characters. — Kerry Greenwood

From "Six Degrees of Scandal".
My favorite quotes from this book are by Joan and Abigail speaking to Penelope. If you read, you will understand their comments.
J-"Don't tell me you don't feel a true connection to the characters in your favorite books". A-"That is true, Pen. Just because they aren't real people doesn't make characters less ... real". — Caroline Linden

As you write your novel, you gradually start thinking like some of your characters in it. And at times the writer may lose himself completely in some character. — Avijeet Das

It's funny, when I lived in Ohio, I would read about extraordinary, eccentric characters in books and plays, but I couldn't imagine them in real life. Then I came to New York. — Fiona Davis

Nora Roberts, Stephen King, Lee Child and George R. R. Martin write wildly different books. Their writing, plotting and styles have little or nothing in common. But they all write books and characters that readers find appealing. — M.J. Rose

Oddly, I think if you look at comic books, you look at the shelves in the store, it's predominantly male characters, historically. But if you look outside the window it's 52-percent female, and something odd is going on there. So I do think it's your responsibility as a writer, really, to create stuff that little girls can get into too. I want my daughters to have role models that are female. — Mark Millar

A writing teacher once told me that the most successful movies and books were simple plots about complex characters. You should be able to articulate your concept in a couple of lines. — James Scott Bell

I tried to imagine myself as an old lady, grey and wrinkled, with my life behind me. And suddenly I knew what I wanted. Not in the details, but the broad sweep of things. I wanted my life to be like one of my favourite books: a big, fat novel, each page filled with smallwritten words as though the only way to cram so much life in was to make the writing really small. I wanted to be brave, take risks, make a difference, fall in love. The characters would be colourful, the landscapes exotic. I wanted my life to be a page-turner. — Helen Douglas

And thus it happens that the reader, the closer he comes to the novel's end, the more he wishes he were back in the summer with which it begins, and finally, instead of following the hero onto the cliffs of suicide, joyfully turns back to that summer, content to stay there forever. — Franz Kafka

What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture. — Salman Rushdie

I always think that it's wrong to put images of my protagonists on the cover of my novels because readers can identify with characters only if they are given the chance to imagine them independently. — Orhan Pamuk

I read obsessively to escape my own world. To live the dreams of others when, for so long, the reoccurrence of my nightmares has been my reality. I read to fall in love and find a happily ever after, even if it is purely imagined. With each story I read, I'm able to live and love vicariously through the characters in my books. It's the only plausible way for me to survive. — L.B. Simmons

In the books, I meet characters which I really like and I think that they are like me... but so far I haven't met them in real life! — Deyth Banger

Outside Styx's apartment was not the first time Rochester and I had met, or would it be the last. We first encountered each other at Haworth House in Yorkshire when my mind was young and the barrier between reality and make-believe had not yet hardened into the shell that cocoons us in adult life. The barrier was soft, pliable and, for a moment, thanks to the kindness of a stranger and the power of a good storytelling voice, I made the short journey
and returned. — Jasper Fforde

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there. — Christian Bale

Of all the characters I've played, I relate the most to Isabel in Hugo. She's so adventurous and fun. She just loves reading books and those are her adventures. Isabel is a heightened version of my personality. — Chloe Grace Moretz

I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books. — Michael Scott

Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you've ever thought that books are boring, it's because you don't know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries. — Brandon Sanderson

My most important goal as a romance writer is to satisfy readers by creating memorable characters, offering insights on life, and, most of all, touching hearts.
I derive the greatest satisfaction when I hear from readers who have been genuinely moved by my books and/or who identify with the characters or situation. I also confess to reveling in the feeling I get when I type "The End" on a manuscript. — Laura Abbot

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

The characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone. — Jean Genet

The art of reading, it occupies your mind no matter at any situation or mood you're in..bringing you to completely different world, the enchanting world of the characters..giving you the best feeling after reading it..the art of writing, it shows who you are, what are your real passions, what you've been through..inviting other people to see and experience your own world..hoping they have the best feeling that you have when writing it. As much as the feeling you always have when you read the books you've read before.. — Asrie Budiasriati

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

I just wish life was more like my books," Fern complained [ ... ] "Main characters never die in books. If they did, the story would be ruined, or over."
"Everybody is a main character to someone," Bailey theorized, winding his way through the busy hall and out the nearest exit into the November afternoon. "There are no minor characters. — Amy Harmon

Advice to a new writer: There are no rules in this profession. Do what is good for you. Read books and watch films that stimulate your writing. In your writing, go where the pain is; go where the pleasure is; go where the excitement is. Believe in your own original approach, voice, characters, story. Ignore critics. Have nerve. Be stubborn. — Anne Rice

I hope that when the characters in my novels dream beyond their current circumstance, it inspires the reader to do the same. — Kristine Scarrow

Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job. — Carl Hiaasen

My needs were simple I didn't bother much with themes or felicitous phrases and skipped fine descriptions of weather, landscapes and interiors. I wanted characters I could believe in, and I wanted to be made curious about what was to happen to them. Generally, I preferred people to be falling in and out of love, but I didn't mind so much if they tried their hand at something else. It was vulgar to want it, but I liked someone to say 'Marry me' by the end. — Ian McEwan

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

Main characters never die in books. If they did, the story would be ruined, or over."
"Everybody is a main character to someone. There are no minor characters. — Amy Harmon

I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim. — Lynn Flewelling

There were two books I remember changing my life as a introverted, bookish 14 year old. The Fountainhead by Ayn Rand and The Lord of the Rings by JRR Tolkien. One was set in a fantastic world, populated by outlandish characters,tired prose, foul monsters, evil incarnate and a message about losing one's humanity. The other book was about hobbits. — Christopher Odell Homsley

I think, honestly, the film industry is eating up comics characters at such a fast pace, and spewing them out as so much unspeakable, stench-y, crap. I mean, I think people are going to get pretty sick of the comics product of superhero, per se. Super-heroism seems to be so visceral for these times. Nobody needs a big clunky guy to throw cars about. You know, we've got drunks in town here that can do that. We don't need that kind of superhero. What we need is a super-sage. We need a genuine group of wise people. We need to become wise. That's the job of tomorrow; becoming wise, and integrated, and understanding. — Melinda Gebbie

My books often involve characters who began in some form of mental isolation, with a feeling of having died to the world. Then they become involved in some kind of action where by necessity they're forced to reengage, to get back into the game of life, as it were. You could say that about 'Chance.' — Kem Nunn

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters. — Khaled Hosseini

Good fiction often gives us characters in extremity, which ironically gives us a clearer mirror in which to see ourselves. — Sarah Van Arsdale

Some general principles in the holy books of all religions that teach love, charity, liberty, justice and equality for all the human family, there are many grand and beautiful passages, the golden rule has been echoed and re-echoed around the world. There are lofty examples of good and true men and women, all worthy our acceptance and imitation whose lustre cannot be dimmed by the false sentiments and vicious characters bound up in the same volume. The Bible cannot be accepted or rejected as a whole, its teachings are varied and its lessons differ widely from each other. In criticising the peccadilloes of Sarah, Rebecca and Rachel, we would not shadow the virtues of Deborah, Huldah and Vashti. In criticising the Mosaic code, we would not question — Elizabeth Cady Stanton

was remembering the illustrations from Morally Instructive Tales for the Nursery, which was one of the books in the schoolroom. The two little boys who owned the boat in the original story fought about who got to sail it first, which obviously meant that one of them drowned in the fountain. Most of the books in the schoolroom had endings like that. Rose quite enjoyed working out the exact point when the characters were beyond hope. It was usually when they lied to get more jam. — Holly Webb

Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn't know, that wasn't taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement - you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she'd probably know), it was still a fantasy of mine. Like, what's more romantic than a quiet place full of books? But I shouldn't have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library. — Kody Keplinger

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them. — Sarah Waters

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to the ease of self-publishing; 2013 could see even more titles grace our virtual bookstores! That means we are going to be awash in covers and titles, plot descriptions and characters. — M.J. Rose

The pleasures of being a novelist are many. But the greatest by far is the manner in which I live through my characters; experiencing every detail of their story as it unfolds gradually and personally within my own creative psyche. I'm like a cat with untold lives, because each new book is my rebirth. — Richelle E. Goodrich

All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes
characters even
caught in the fibers of your clothes, and when you open the new book, they are still with you. — Diane Setterfield

it would be fairer to say I have traveled widely, without ever leaving my own native soil, I've traveled, one might say, through literature, each time I've opened a book the pages echoed with a noise like the dip of a paddle in midstream, and throughout my odyssey I never crossed a single border, and so never had to produce a passport, I'd just pick a destination at random, setting my prejudices firmly to one side, and be welcomed with open arms in places swarming with weird and wonderful characters — Alain Mabanckou

I don't like to read books where I feel as though I've stepped into the middle of things and don't know what's going on. I like to see characters I've met before, but I don't want to feel left out because I haven't read other books in the series. — Jude Deveraux

A novel is not an allegory ... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing. — Azar Nafisi

I care more about the people in books than the people I see every day. — Jo Walton

All my best stuff is stolen by characters in my books, especially Phil
Crawford. — Den Warren

My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about. — Jeffery Deaver

Books can change your life. Some of the most influential people in our lives are characters we meet in books. — David McCullough

Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes. — Ann Leckie

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

Heart is what drives us and determines our fate. That is what I need for my characters in my books: a passionate heart. I need mavericks, dissidents, adventurers, outsiders and rebels, who ask questions, bend the rules and take risks. — Isabel Allende

I care a great deal about LGBT U.S. servicemen and women being able to serve openly and honestly. Since early in my career, I've included realistic LGBT characters in my books. The idea that a gay Navy SEAL had to hide who he was in order to serve was a terrible one - and I made sure my readers knew that! — Suzanne Brockmann

I always love writing the third book in a series because you get to tie up all the threads that you put out in the first two books. You finally let people know what really happens and reveal all the secrets and bring certain characters together. — Trudi Canavan

Star Wars was a total piece of shit that had spawned billions of dollars in merchandise and sequels and books and games and pajama bottoms. It was an infinite reservoir, it was an endless void. It was responsible for a cornucopia of made up words like Jedi, the Force and lightsaber.

A lightsaber was a sword made of light. A sword was a weapon used to murder people.

A Jedi was a knight who believed in an idea of relative good and performed supernatural feats using the Force. A Jedi used supernatural feats and his lightsaber to murder people with opposing ideas of relative good.

The Force was an ill-explained mystical energy which ran throughout the fictional universe of Star Wars. It was a device which allowed characters to perform supernatural feats whenever a lull was created by poor writing in the screenplay.

As might be imagined, the Force was used with great frequency. — Jarett Kobek

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo