Character Was Of Feelings Quotes & Sayings

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel. — Chevy Stevens

It was near evening when he approached the village of Tully-Veolan, with feelings and sentiments how different from those which attended his first entrance. Then life was so new to him that a dull or disagreeable day was one of the greatest misfortunes which his imagination anticipated, and it seemed to him that his time ought only to be consecrated to elegant or amusing study, and relieved by lively society or youthful frolic. Now, how changed, how saddened, yet how elevated was his character, within the course of a very few months! Danger and misfortune are rapid, though severe teachers. 'A sadder and a wiser man,' he felt, in internal confidence and mental dignity, a compensation for the gay dreams which in his case experience had so rapidly dissolved. — Walter Scott

A quick and sound judgment, good common sense, kind feeling, and an instinctive perception of character, in these are the elements of what is called tact, which has so much to do with acceptability and success in life. — Charles Simmons

Every time people give me presents, it just makes trouble."
He thought of his Naming Day party, and the gift from his Uncle Alfrin that had actually started all this. "Especially if it's books. Someone gave me a book as a present once."
"Then you'll know exactly what to do with these. Come on. Don't be shy. You'll hurt my feelings. — Mercedes Lackey

Irritability is immaturity of character. If you are subject to being cross and unpleasant with others for no apparent reason, you need to come face-to-face with the fact that you are thinking too much of yourself. After all, your feelings are not the most important thing in this world. — Lawrence G. Lovasik

It takes extraordinary mental discipline to transmit human experience without perversion. Truth telling is unnatural. Lying is an important aspect of humanity. We lie to other people to prevent hurt feelings and we deceive ourselves in order to protect our noble sense of being a good person. Dishonesty and inaccuracy preserves our quest seeking uninterrupted personal pleasure. I shall eschew pleasure seeking and cultivate precision of mind and moral character that precious truth telling necessitates. Reading and writing, along with observing nature and studious reflection on vivid personal experiences is the process methodology that will bring me closest to discovering inviolate verity of existence and becoming a doyen for all the immaculate truth, beauty, and goodness in this world. — Kilroy J. Oldster

I think the tragic feeling is invoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing
his sense of personal dignity. — Arthur Miller

Whatever it is that I feel, I express it! I am free with my joy, my laughter, my pleasure, my pain, and I am blessed in that way as an actress that I can access those feelings within myself and not be ashamed to show whatever that is that's appropriate for the character. — Kimberly Elise

The German deli was run by a distant cousin of Kaiser Wilhelm and the Great Neck Jews loved the place; they flocked to Kuch's. They said to one another, What a character he is, Otto, strictly old country, I'm telling you. Gus didn't think that Negroes would rush to shop in a store run by some retired slave owner, eager to share memories of fun times on the plantation, praising Massa's old-fashioned Mississippi charm. Jews were still chasing that absurd, wishful feather. Eventually, Jews would become like everybody else. They'd elevate small grievances; they'd cherish hurt feelings and ill treatment like they were signs of virtue. — Amy Bloom

Our attitude towards evil must be freed from hatred, and has itself need to be enlightened in character ... Satan rejoices when he succeeds in inspiring us with diabolical feelings to himself. It is he who wins when his own methods are used against himself ... A continual denunciation of evil and its agents merely encourages its growth in the world a truth sufficiently revealed in the Gospels, but to which we are persistently blind. — Nikolai Berdyaev

Thus, when we plead for the gift of charity, we aren't asking for lovely feelings toward someone who bugs us or someone who has injured or wounded us. We are actually pleading for our very natures to be changed, for our character and disposition to become more and more like the Savior's, so that we literally feel as He would feel and thus do what He would do. — Sheri Dew

At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky. — Ralph Steadman

I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know. — Adam Beach

...I've been ripped off, lied to, slandered, gossiped about slapped, falsely accused, and had my truths not believed. I've had my heart broken, had my pride stomped on, witnessed unforgivable acts, and heard words that hurt so much I withed that they would not replay in my head, but they did. In all these moments--some tear-soaked, some life-defining, but all character-building moments--I have felt vulnerable.
And I believe these feelings of vulnerability--when a person feels scared and alone and overwhelmed and pissed off, wen the sting of unfairness bites deep--while miserable to live through, are the basis for writing compelling fiction. — Jessica Page Morrell

Reason is overrated. Many pundits have argued that a good heart and steadfast moral clarity are superior to triangulations of overeducated policy wonks, like the best and brightest and that dragged us into the quagmire of Vietnam. And wasn't it reason that gave us the means to despoil the planet and threaten our species with weapons of mass destruction? In this way of thinking, it's character and conscience, not cold-hearted calculation, that will save us. Besides, a human being is not a brain on a stick. My fellow psychologists have shown that we're led by our bodies and our emotions and use our puny powers of reason merely to rationalize our gut feelings after the fact — Steven Pinker

Patriotism depends as much on mutual suffering as on mutual success; and it is by that experience of all fortunes and all feelings that a great national character is created. — Benjamin Disraeli

The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends. — Martin Landau

Imitation is for the most part so unconscious that its effects are almost unheeded, but its influence is not the less permanent on that account. It is only when an impressive nature is placed in contact with an impressionable one that the alteration in the character becomes recognizable. Yet even the weakest natures exercise some influence upon those about them. The approximation of feeling, thought, and habit is constant, and the action of example unceasing. — Samuel Smiles

Sometimes one has the feeling of an almost supernatural character to the shifts and changes in our national mood. They appear beyond the prose of cause and effect ... — Elizabeth Hardwick

Turgenev saw human beings as individuals always endowed with consciousness, character, feelings, and moral strengths and weaknesses; Marx saw them always as snowflakes in an avalanche, as instances of general forces, as not yet fully human because utterly conditioned by their circumstances. Where Turgenev saw men, Marx saw classes of men; where Turgenev saw people, Marx saw the People. These two ways of looking at the world persist into our own time and profoundly affect, for better or for worse, the solutions we propose to our social problems. — Theodore Dalrymple

Good writers may "tell" about almost anything in fiction except the characters' feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters' feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events - action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction. — John Gardner

God wants us to lament. Complaint doesn't see the goodness of the character of God. Lament is authentic about the feelings but knows the goodness and benevolence of God. — Ann Voskamp

The Holy Ghost causes out feelings to be more tender. We feel more charitable and compassionate. We are calmer. We have a greater capacity to love. People want to be around us because our very countenances radiate the influence of the Spirit. We are more godly in character. As a result, we are more sensitive to the promptings of the Holy Ghost and thus able to comprehend spiritual things. — Ezra Taft Benson

Everybody's going to approach a character differently, depending upon what they bring to it on their own intellectual level or their feelings from their heart and soul. — Peter Cullen

A man who takes into consideration the feelings of others even when arranging the manner of his own death shows a nobility of character which compels the admiration of all classes. — Flann O'Brien

To carry feelings of childhood into the powers of adulthood, to combine the child's sense of wonder and novelty with the appearances which every day for years has rendered familiar, this is the character and privilege of genius, and one of the marks which distinguish it from talent. — Samuel Taylor Coleridge

The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said: "And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you - had they been indifferent, or had they even been favourable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps for ever, the happiness of a most beloved sister? — Jane Austen

Perhaps too much is said in universities about how "exciting" it is to think. Thinking undoubtedly has its excitements and satisfactions, but these feelings do not disclose its general character, and there is something very much wrong with the idea they should. We do not think in order to have fun but because life is troubling and problematic. We think because we are compelled to. And while thinking occasionally brings exciting discoveries, the periods in between these discoveries are likely to place heavy demands not only on the thinker's energies but on his patience as well. When thinking, we should not need to tell ourselves that it is an exhilarating experience; it should be enough to realize that we are behaving with the seriousness, the rationality, and the self-discipline that the human situation requires of us. — Glenn Tinder

Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety. — William Carlos Williams

He was a compact, clearcut man, with precise features, a lot of very soft black hair, and thoughtful dark brown eyes. He had a look of wariness, which could change when he felt relaxed or happy, which was not often in these difficult days, into a smile of amused friendliness and pleasure which aroused feelings of warmth, and something more, in many women. — A.S. Byatt

I would say about myself that I was a true gentleman with a mind more male than female, but, together with this, I was anything but masculine and, combined with the mind and character of a man, I possessed the attractions of a loveable woman. May I be pardoned for offering this candid expression of my feelings instead of trying to cover them a veil of false modesty. This — Robert K. Massie

What is the root of the sin of sexual identity? Being a lesbian was not just a description of the kind of sex I liked to have. Being a lesbian encompassed a whole range of feelings and perception, character qualities, and sensibilities. It reflected the depth of my nonsexual friendships and the integrated community I wanted to build with women. Being a lesbian also reflected the kind of professor I was, the classes I taught, the books I read, and the dissertations I directed. I was all in. And, I was a jumble of emotions, because according to the Bible, what I called community, God called idolatry. — Rosaria Champagne Butterfield

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors. — Chris Tucker

I just love that feeling of being in another world, of creating characters and watching where they go. — Caroline Leavitt

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after. — Alix Kates Shulman

What I mean is, I didn't fall in love with you all as a whole. I fell in love with each of you because of who you are. I don't care about you because you come with Mara. I care about you because you're a good kid. You're smart. You're loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren't feelings I have to have in order to have Mara. They're feelings you earned. Now, you with me? — Kristen Ashley

I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years. — Penelope Cruz

I'm an actor; I have made my living by acting, and I almost think I owe it to the public to express my feelings and not as a character on a screen but as myself. — Kirk Douglas

While I was writing 'The Spare Room,' I thought, 'I'm going to look really bad in this book - there's no redeeming this kind of awful, ugly emotion', and I thought, 'I'm not going to change it. I'll call the character 'Helen' and admit to those feelings.' I think this is a reason why people write. — Helen Garner

In fact, I always assumed that most everything I read was true, to one degree or another. I couldn't articulate this fact until after I read Tim O'Brien's The Things They Carried and he discussed Happening Truth, Story Truth, and Emotional Truth. I always understood that the facts of The Sun Also Rises or On the Road were the facts as dictated by a certain narrative structure, but because the experiences of those characters echoed my own feelings about the world. I knew there was a Happening Truth behind them. — Kevin Keck

Ian was a good man - honest, trustworthy, loyal, and of honorable character. His desire to keep his promise to Angelle and to be a respectable servant of Harrowbeth would always take president over any personal feelings, no matter how intense or gratifying they might be. He would never betray Harrowbeth. He would never cheat Derian or Angelle. He would never deceive his queen, even if in so doing he would find a love and happiness they both longed to share. His commitment to what he saw as right meant more. — Richelle E. Goodrich

I think I was born with a sense of instantaneous connection between the things I perceived in the world and my feelings about those things my character has served me well it has made me. well, an eighteenth -century man of letters, though one who happens to be female and lives in twentieth-century Berkeley. — Wendy Lesser

Strength of character does not consist solely in having powerful feelings, but in maintaining one's balance in spite of them. — Carl Von Clausewitz

I call education, not that which smothers a woman with accomplishments, but that which tends to consolidate a firm and regular system of character; that which tends to form a friend, a companion, and a wife. I call education not that which is made up of the shreds and patches of useless arts, but that which inculcates principles, polishes taste, regulates temper, cultivates reason, subdues the passions, directs the feelings, habituates to reflection, trains to self-denial, and, more especially, that which refers all actions, feelings, sentiments, tastes, and passions, to the love and fear of God. — Hannah More

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

It hurts that, you know, the media's made me into sort of this like punching bag or cartoon character-they think that I don't have any feelings, and, you know, it hurts like anyone else. — Paris Hilton

Robert Creeley has forged a signature style in American poetry, an idiosyncratic, highly elliptical, syntactical compression by which the character of his mind's concentrated and stumbling proposals might be expressed ... Reading his poems, we experience the gnash of arriving through feeling at thought and word. — Forrest Gander

But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement. — Marcel Proust

Sometimes you can just step into the character, and you get all your feelings and emotions just from sympathizing with her and being her. But then, other times, you just have to resort back to anything that you've been through in your own life and try to play that. — Charity Shea

I have faults enough, but they are not, I hope, of understanding. My temper I dare not vouch for. It is, I believe, too little yielding - certainly too little for the convenience of the world. I cannot forget the follies and vices of other so soon as I ought, nor their offenses against myself. My feelings are not puffed about with every attempt to move them. My temper would perhaps be called resentful. My good opinion once lost, is lost forever. — Jane Austen

It can sometimes make people fold into themselves and kind of run away, but I think in this case these characters are being forced to face issues and emotions, feelings, that they have. So it kind of forces them to face it head on, which I think is a really interesting dynamic. And I think it should be interesting and probably a good thing for the relationship. — Emily Deschanel

The sea has been called deceitful and treacherous, but there lies in this trait only the character of a great natural power, which, to speak according to our own feelings, renews its strength, and, without reference to joy or sorrow, follows eternal laws which are imposed by a higher Power. — Wilhelm Von Humboldt

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra. — E. M. Forster

I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character-the author will do well to entrust the reader with this part of the work. — Jose Saramago

I wanted to show how humans can have ugly feelings that they might prefer not to acknowledge; how we're all caught up in our own problems and limited by our own life experience," she says. "To judge somebody else, to declare them substandard, to conclude that their misfortunes are due to inherent character flaws, can be a way of boosting our own self-esteem, because it must follow that our comparative success or happiness is not mere luck or chance, but the reward for superior morals or talent. — J.K. Rowling

It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer. — Roger Ebert

The whole crazy business seemed to pull out of my guts the very worst in me - my worst fears - the worst aspects of my character - my worst insecurities and feelings of shame and guilt. I didn't know it at the time, but that was exactly what was supposed to be happening. That's what Solomonic magick is all about. The worst in me was my problem. The worst in me was the demon. When it finally dawned on me that I had successfully evoked the demon, and I had the worst of me trapped in that magick Triangle, I had no alternative but to harness and redirect its monstrous power and give it new marching orders. From then on, that particular demon would be working for me rather than against me. — Lon Milo DuQuette

The two states - envious and grateful - have little to do with what a person actually receives. They have more to do with the character of the person. If you give something to entitled, envious people, it profits them or you nothing. They just feel that you have finally paid your debt to them. If you give to grateful people, they feel overwhelmed with how fortunate they are and how good you are. Parents need to help children work through their feelings of entitlement and envy and move to a position of gratitude. — Henry Cloud

He [Wilhelm Reich] believed that the individual's walk, stance, and breath patterns revealed a specific character type. Reich thought chronic muscular tension indicated repression and blocked the expression of affect. An example is the tight holding of the chest area as a sign of repressed feelings of need and longing. — Judith Lynne Hanna

Strength of character means the ability to overcome resentment against others, to hide hurt feelings, and to forgive quickly. — Lawrence G. Lovasik

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there. — Christian Bale

Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character. — Andrew Coyle Bradley

First, we think all truth is beautiful, no matter how hideous its face may seem. We accept all of nature, without any repudiation. We believe there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris. We think pain is good because it is the most profound of all human feelings. We think sex is beautiful even when portrayed by a harlot and a pimp. We put character above ugliness, pain above prettiness and hard, crude reality above all the wealth in France. We accept life in its entirety without making moral judgments. We think the prostitute is as good as the countess, the concierge as good as the general, the peasant as good as the cabinet minister, for they all fit into the pattern of nature and are woven into the design of life! — Irving Stone

This is ridiculous," she said, then changed her mind. The last time she had confessed her real feelings to this man, it hadn't gone well. "Our lines, I mean, in this play. But I hope you will choose to enjoy it a little."
"Of course. It would be uncivil to say I will not enjoy making love to you tonight."
Jane's mouth was dry. "Wh-what?"
"Tonight as we perform the play," he said, completely composed. "My character professes love to your character, and to say that such a task is odious would be an insult to you."
"Ah," she said with a little laugh. "All right then." She had forgotten for a moment that "making love" did not mean to Austen what it meant today. Of course, Mr. Nobley the twenty-first-century actor knew that, and she squinted at him to see if he had been playing with her. — Shannon Hale

The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations. — Lee Yoon-ki

When push comes to shove we can afford to lose an arm or a leg, but I am operating on peoples thoughts and feelings... and if something goes wrong I can destroy that persons character... forever. — Henry Marsh

It was a part of me that I was taking, this magical part of me that he somehow sparked into being. I wasn't waiting for Santa; I wasn't waiting like some heroine in a romance novel for the tall, dark stranger to make a gift of these feelings he evoked in me, I was taking it, I was claiming this for my own. — Chris Dee

A great and frequent error in our judgment of human nature is to suppose that those sentiments and feelings have no existence, which may be only for a time concealed. The precious metals are not found at the surface of the earth, except in sandy places. — Arthur Helps

I'm a satirist, so I've got boxing gloves on if the person is worthy of satire. But I'm not an assassin. If that ever happens, it's only because something happened during the interview that got me going, and then I had to translate my feelings to the mouth of the character. — Stephen Colbert