Character That Looks Quotes & Sayings

Man looks in the abyss, there's nothing staring back at him. At that moment, man finds his character. And that is what keeps him out of the abyss. — Hal Holbrook

Disney has a bible for their characters, so that people who draw Disney characters have to make them look correct. — Trina Robbins

In this chapter, we've seen that what looks like a "character problem" is often correctible when you change the environment. The — Chip Heath

The Pixar people continuously amaze me. They come up with something that actually looks as though it takes place in this happy, real-world. Every plot line is not just plausible, but oddly authentic. The stories are full of adventure, humor and love. The characters are written with great human dimension. I don't know how they do it but they astound me. — Tom Hanks

I started reading seriously at seven or eight, books about myths and legends, the Narnia series. By the time I was 11, I had read all the children's books in my local library, so I moved on to 'Jane Eyre.' What I loved about Jane Eyre was that she didn't rely on her looks but her character. She had a spirit nobody could break. — Malorie Blackman

What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character. — Daisy Ridley

Some people wear their scars on the outside. Others wear them on the inside. Same difference. Your character, your heart, your essence, that's what's important, because that's the real you. All the rest, our looks, the material stuff? It's just meaningless bullshit. — Kim Holden

What really ruins our character is the fact that none of us looks back over his life. — Seneca.

A mediocre man copying nature will never produce a work of art, because he really looks without seeing, and though he may have noted each detail minutely, the result will be flat and without character ... the artist on the contrary, sees; that is to say, his eye, grafted on his heart, reads deeply into the bosom of nature. — Auguste Rodin

This is a book that looks at how we can use the challenges, joys, struggles, and celebrations of marriage to draw closer to God and to grow in Christian character. — Gary L. Thomas

Remember this, and remember this well: when someone is telling the TRUTH and exposing information that is meant to be hidden from the masses, the side that is being attacked and accused will use all their resources and associations to try to discredit and discount the professional and moral character of the person revealing the threatening information. They will do everything to make that person look smaller than they really are. — Suzy Kassem

I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that. — Mia Wasikowska

I get to experiment with a lot of looks with my character so that's really fun for me. It's like getting to paint a new canvas everyday. — Sophia Bush

I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between. — Kevin Munroe

The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences. — Jonathan Lethem

Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother. — Charles Perrault

You know how they do that effect in movies, where they make it look like you have a twin, but it's really just the same actor playing both characters in the scene? I knew this would be the best route, but I just wasn't comfortable dressing as a woman, so I had to hire other actors. — Zach Braff

I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person. — Joel Kinnaman

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

He's short, fat and, objectively speaking, not the most obvious choice of pin-up boy. But he's smart, strong and he can probably do whatever's necessary for a life of love. I think he's the most beautiful man I will ever kiss,' said Samy. 'It's strange that magnificent, good-hearted people like him don't receive more love. Do their looks disguise their character so well that nobody notices how open their soul, their being and their principles are to love and kindness? — Nina George

Tears and Smiles <3 Mrs. Randolph
Quite the character!!!
"Here's the thing about life, boy. We meet a lot of people along this journey. Some of them are sonsabitches and some are special. When you find the special ones you don't take a moment for granted, because you never know when your time with them is gonna be up. I got over fifty years with my Fritz. Fifty wonderful years. When he died, I was lost for a few months. I lost my fire. But then I realized that life's short and I had a choice to make. I could keep bein' miserable, or I could go find joy and live again." She's squeezing even harder now. "If you only listen to one thing this crazy old lady tells you, I hope it's this: ain't nobody gonna stoke your fire but you, boy." She looks at me hard with her grey, cloudy eyes. "You go make life happen. — Kim Holden

I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we're going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn't feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It's a proper character and that's my favorite stuff to do. — Miles Teller

When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass. — Ari Graynor

Writing is a solitary existence. Making a movie is controlled chaos - thousands of moving parts and people. Every decision is a compromise. If you're writing and you don't like how your character looks or talks, you just fix it. But in a movie, if there's something you don't like, that's tough. — Dan Brown

While there is nothing wrong with physical desire per se, and wanting a partner who you consider to be physically attractive, you should also understand that if you are serious about finding that special someone and perhaps growing old with them, looks fade but character does not. — Stephen Richards

[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty ... he was switched on, definitely. — Jim Sturgess

Aside from John Grisham, there isn't really anybody besides Tess that I've truly gotten into. But, I do like them. When I have more time to read, I will absolutely look for some more authors. It's just about finding a world and a character that you're intrigued by. — Sasha Alexander

Be calm, patient, and frank. Tell her that women in magazines aren't the best role models, that people who judge everyone on their looks probably have terrible self-esteem issues. Tell her that what matters is not how thin someone is, but what her character is. And tell her what is great about her, what you like about her, what you hope for her. — Meg Meeker

He's wearing a T-shirt for the first time, answering thatquestion I had when we met. It's not muscle filling out Max's clothes; he's just chubby. It looks good on him either way. The thought feels bizarrely out of place after everything that happened today.
I've rehearsed what to tell him. Last year, a friend of my aunt's died, and Iris and Dad coached me on what to say. I copy it almost word for word. "Max, I didn't know your sister well. But she was nice to me. I'm very sorry for your loss." I hold his gaze for a second. — Corinne Duyvis

I love character roles. I'm happier in them. I look for roles that have some kind of complexity. — Emily Blunt

I was always a character actor, basically, that sometimes looks like a leading man. — John Travolta

To be the leading man it's about the celebrity and the looks, and it's tough to do that. People who do it great are people like Tom Cruise and Will Smith - they're built for that. I ain't. I'm more of a character guy. — Jamie Foxx

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me. — Matt Bomer

The theater of the mind is impossible to compete with, and I like the idea that with a few suggestions, each reader forms in his or her own mind what a character or a place looks like. — Jerry B. Jenkins

I have a deep-down belief that there are folks in the world who are good through and through, and others who came in mean and will go out mean. It's like coffee. Once it's roasted, it all looks brown. Until you pour hot water on it and see what comes out. Folks get into hot water, you see what comes out. — Nancy E. Turner

Instead of focusing on my looks I focus on the character that I am playing. — Anil Kapoor

There is beauty in truth, even if it's painful. Those who lie, twist life so that it looks tasty to the lazy, brilliant to the ignorant, and powerful to the weak. But lies only strengthen our defects. They don't teach anything, help anything, fix anything or cure anything. Nor do they develop one's character, one's mind, one's heart or one's soul. — Jose N. Harris

You're color blind, Jean Louise," he said. "You always have been, you always will be. The only differences you see between one human and another are differences in looks and intelligence and character and the like. You've never been prodded to look at people as a race, and now that race is the burning issue of the day, you're still unable to think racially. You see only people. — Harper Lee

When you look at a character and you're like, "Wow, that's really unexplored terrain for me and there's a lot happening here and different angles to him," and you're not sure what his motives are, you've got a good shot at working towards something interesting. — Hoon Lee

Ever two seconds, somewhere in the world, a child dies of starvation. That means every two seconds there is a story where the main character dies. That's a lot of horrible stories. So if my death looks like a sad story to someone else, I hope those people will use their imagination to think of all the children who don't get special deaths. — Mohiro Kitoh

The ignorant mass looks upon the man who makes a violent protest against our social and economic iniquities as upon a wild beast, a cruel, heartless monster, whose joy it is to destroy life and bathe in blood; or at best, as upon an irresponsible lunatic. Yet nothing is further from the truth. As a matter of fact, those who have studied the character and personality of these men, or who have come in close contact with them, are agreed that it is their super-sensitiveness to the wrong and injustice surrounding them which compels them to pay the toll of our social crimes. The most noted writers and poets, discussing the psychology of political offenders, have paid them the highest tribute. Could anyone assume that these men had advised violence, or even approved of the acts? Certainly not. Theirs was the attitude of the social student, of the man who knows that beyond every violent act there is a vital cause. — Emma Goldman

She would be quiet at first. Then she would say a word about something small, something she had noticed, and then another word, and another, each one flung out like a little piece of sand, one from this direction, another form behind, more and more, until his looks, his character, his soul would have eroded away ... I was afraid that some unseen speck of truth would fly into my eye, blur what I was seeing and transform him from the divine man I thought he was into someone quite mundane, mortally wounded with tiresome habits and irritating imperfections. — Amy Tan

That's stupid," Luke says sharply, totally out of character, and shoots Laura a look that makes her flush red. "First of all, she's not ugly-pretty, she's just normal pretty. What a dumb thing to say. And second, she's different from the average girl 'cause she doesn't even need makeup."
Silence. Luke looks down at his arm and twirls the leather strap around his wrist. I nudge him, and when he looks up at me, I mouth Thank you, not trusting my voice since an unexpected lump has found its way to my throat. — Alecia Whitaker

I look up at the sky, wondering if I'll catch a glimpse of kindness there, but I don't. All I see are indifferent summer clouds drifting over the Pacific. And they have nothing to say to me. Clouds are always taciturn. I probably shouldn't be looking up at them. What I should be looking at is inside of me. Like staring down into a deep well. Can I see kindness there? No, all I see is my own nature. My own individual, stubborn, uncooperative often self-centered nature that still doubts itself
that, when troubles occur, tries to find something funny, or something nearly funny, about the situation. I've carried this character around like an old suitcase, down a long, dusty path. I'm not carrying it because I like it. The contents are too heavy, and it looks crummy, fraying in spots. I've carried it with me because there was nothing else I was supposed to carry. Still, I guess I have grown attached to it. As you might expect. — Haruki Murakami

There is not a single soul that jealousy looks good on. Nobody! It looks ugly on everybody and it makes us act ugly - it makes us act out of character. — Beth Moore

The cool thing about my character was that it's not that digital. I get to put hours of prosthetic makeup on and see a different creature altogether. I've seen how he looks and it's really cool. — Joseph Gordon-Levitt

I just always look for stuff that has a character-driven thing. — Jay Roach

There is a curious thing that happens with the passage of time: a calcification of character ... Change isn't always for the worst; the shell that forms around a piece of sand looks to some people like an irritation, and to others, like a pearl. — Jodi Picoult

I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character-the author will do well to entrust the reader with this part of the work. — Jose Saramago

Remember ...
Keystrokes are hammer taps. Get words on paper. Don't worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don't make up your mind or your heart ahead of time. Understand you don't know what you're doing. That's why you're here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don't stop. Don't question. Don't quit. Don't stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer's block is merely the cold marble waiting for the chisel to heat up. — Bob Thurber

God isn't interested in watching you enact some performance of personality in order to comply with some crackpot notion you have about how a spiritual person looks or behaves. We all seem to get this idea that, in order to be sacred, we have to make some massive, dramatic change of character, that we have to renounce our individuality. — Elizabeth Gilbert

When you look back at your own life, you see ... the sufferings you went through, each time you would have avoided it if you possibly could. And yet, when you look at the depth of your character now, isn't a part of that a product of those experiences? Weren't those experiences part of what created the depth of your inner being? — Ram Dass

What everyone is always afraid of is the unknown, or the unfamiliar. You got to have a look for a character that is mysterious and menacing, and doesn't quite look like what we've seen before. — Scott Derrickson

What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like. — Sigourney Weaver

I wrote three mysteries and then a contemporary spy novel that was unbelievably derivative - completely based on 'The Conversation,' the movie with Gene Hackman. Amazingly, the character in the book looks exactly like ... Gene Hackman. — Alan Furst

This world looks to us the natural and simple one, and so it is--absolutely fitted to our need and education. But there is that in us which is not at home in this world, which I believe holds secret relations with every star, or perhaps rather, with that in the heart of God whence issued every star, diverse in kind and character as in colour and place and motion and light. To that in us, this world is so far strange and unnatural and unfitting, and we need a yet homelier home. Yea, no home at last will do, but the home of God's heart. — George MacDonald

You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at. — Tom Cruise

I can't deceive myself out of the bare stark realization that no matter how enthusiastic you are, no matter how sure that character is fate, nothing is real, past or future, when you are alone in your room with the clock ticking loudly into the false cheerful brilliance of the electric light. And if you have no past or future which, after all, is all that the present is made of, why then you may as well dispose of the empty shell of present and commit suicide. But the cold reasoning mass of gray entrail in my cranium which parrots "I think, therefore I am," whispers that there is always the turning, the upgrade, the new slant. And so I wait. What avail are good looks? To grab temporary security? What avail are brains? Merely to say "I have seen; I have comprehended? — Sylvia Plath

He's quite a bit of a snob, you know, and when he hears I'm going to marry the daughter of an earl - "
"I say, old man," I couldn't help saying, "aren't you looking ahead rather far?"
"Oh, that's all right. It's true nothing's actually settled yet, but she practically told me the other day she was fond of me."
"What!"
"Well, she said that the sort of man she liked was the self-reliant, manly man with strength, good looks, character, ambition, and initiative."
"Leave me, laddie," I said. "Leave me to my fried egg. — P.G. Wodehouse

The wonderful thing about digital process is that I can be cast in films that I would never be cast in. If I have it in my soul to play the character it doesn't matter what my face looks like, or my age. It's really liberating. — Jim Carrey

I pretty much always choose characters. That's what I do. That's what I look for. I look for dynamics in a script and potential. — Grant Bowler

It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me. — Brittany Murphy

In addition to what has been already said of Catherine Morland's personal and mental endowments, when about to be launched into all the difficulties and dangers of a six weeks' residence in Bath, it may be stated, for the reader's more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be; that her heart was affectionate, her disposition cheerful and open, without conceit or affectation of any kind - her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty - and her mind about as ignorant and uninformed as the female mind at seventeen usually is. — Jane Austen

If I can look at each character that I am given and create them in a different way from the last role, I'm happy. — Giancarlo Esposito

Of all sorts of flattery, that which comes from a solemn character and stands before a sermon is the worst-complexioned. Such commendation is a satire upon the author, makes the text look mercenary, and disables the discourse from doing service. — Jeremy Collier

It is quite edifying to hear women speculate upon the worthlessness and the duration of beauty. But though virtue is a much finer thing, and those hapless creatures who suffer under the misfortune of good looks ought to be continually put in mind of the fate which awaits them; and though, very likely, the heroic female character which ladies admire is a more glorious and beautiful object than the kind, fresh, smiling, artless, tender little domestic goddess, whom men are inclined to worship - yet the latter and inferior sort of women must have this consolation - that the men do admire them after all; and that, in spite of all our kind friends' warnings and protests, we go on in our desperate error and folly, — William Makepeace Thackeray

Your character, your heart, your essence, that's what's important, because that's the real you. All the rest, our looks, the material stuff? It's — Kim Holden

A northerner, insensitive in some ways and full of self-righteousness could gravely offend a southerner in a second. The northerner would be giving his general opinion, more than likely unasked for, and all unknowing challenging the southerner's every deeply held belief, not to mention, with sundry looks and expressions, suggesting that the southerner was possessed of numerous flaws of character and person. The southerner was bound to see offense in every suggestion, insult in every difference of opinion, and to act upon his stung pride. — Jane Smiley

In every soap, at the end of the season, relationships end and people leave the show. You look at characters and evaluate whether they're great characters or not, and whether they have a future in the show. And we did all of that. — Robert Greenblatt

The idea of devoting two years of my life to making a corporate product that looks and smells and tastes like a lot of other things out there with just a different trademark character is a bore. — James Mangold

Then there's Isabel Leonard, as the male character, Sesto. Her voice has the rich, fragrant depth of sandalwood and she looks so sublimely boyish yet fulsomely feminine that she combines the best of both genders. I adored her. — Richard Ouzounian

We walked the length of Jackson Square, stopping to look at the work of a couple of artists who'd set up their sidewalk shops for the day.
"Look." Eugenie stopped in front of an acrylic painting of a mustached man with curly dark hair, hooded eyes, and a big hooked nose. He looked like he'd steal the hubcaps off your grandmother's Cadillac.
"It's Jean Lafitte, our most famous pirate," the artist said. "He was quite a character."
She had no idea. She also had badly missed the mark on his looks. His hair wasn't that curly, he'd been clean-shaven the whole time I'd known him, his nose was straight and in perfect proportion to the rest of his features, and he didn't have hooded black eyes. Still, he might find it entertaining. "How much?" I asked. — Suzanne Johnson