Character Reference Quotes & Sayings

I'm sorry, but anyone who thinks the use of an angelic (or seemingly angelic character), whose likes have been written about for, oh, about 4,000 years, is ripping off Star Trek, has his head so thoroughly up his ass as to have blipped into an entirely new intestinally-based reality and desperately needs to get a wider frame of reference. — J. Michael Straczynski

A personal mission statement is based on Habit Two of The 7 Habits of Highly Effective People called "Begin with the End in Mind." In one's life, the most effective way to begin with the end in mind is to develop a mission statement, one that focuses on what you want to be in terms of character and what you want to do in reference to contributions and achievements. It is based upon self-chosen values and principles. Victor Hugo once said, "There is nothing as powerful as an idea whose time has come." A mission statement is that idea. You may call it a credo or a philosophy; or you may call it a purpose statement. It's not important what it is called. What is important is that vision, purpose, and values are more powerful, more significant, and more influential than the baggage of the past or the accumulated noise of the present. — Stephen R. Covey

Character - We describe the character of a person in reference to moral judgments about the worthiness of a person. Thus, to have a strong, great or honorable character is to be a person of merit, worthy of admiration and honor. — Michael Josephson

Of course one's sense of identification with the nation is inflected by all kinds of particulars, including one's class, race, gender, and sexual identification. ... But [regarding] national character ... , aside from references to a national aesthetic - literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both - the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the "trashy, profane and obscene" poems of Whitman and Ginsberg, [and] Martha Graham's expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. — Barbara Browning

I'm not doing a Mulder, there was no character reference-point. I think Mark Buchman shot it very David Fincher, but we did not know what the [X-Files] show was going to be. — David Giuntoli

I think it's essential for writers to be involved in the recording process as things can often go wrong in this area. Voice actors are all too often presented with a wad of XL sheets, no proper character notes, context or reference and are just expected to perform. — Rhianna Pratchett

It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them. — Johnny Depp

We poetically construct our identity as human beings, together with our values, largely through reciprocal relationships with animals. They provide us with essential points of reference, as well as illustrations of the qualities that we may choose to emulate or avoid in ourselves. Any major change in our relationships with animals, individual or collective, reverberates profoundly in our character as human beings, in ways that go far beyond immediately pragmatic concerns. When a species becomes extinct, something perishes in the human soul as well. — Boria Sax

As all curves have reference to their centres or foci, so all beauty of character has reference to the soul, and is a graceful gesture of recognition or waving of the body toward it. — Henry David Thoreau

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

The full measure of a culture embraces both the actions of a people and the quality of their aspirations, the nature of the metaphors that propel their lives. And no description of a people can be complete without reference to the character of their homeland, the ecological and geographical matrix in which they have determined to live out their destiny. Just as a landscape defines character, culture springs from a spirit of place. — Wade Davis

When our Lord said to the disciples, "Follow me, and I will make you fishers of men" (Matthew 4:19), His reference was not to the skilled angler, but to those who use the drag-net
something which requires practically no skill; the point being that you do not have to watch your "fish," but you have to do the simple thing and God will do the rest. The pseudo-evangelical line is that you must be on the watch all the time and lose no oportunity of speaking to people, and this attitude is apt to produce the superior person. It may be a noble enough point of view, but it produces the wrong kind of character. It does not produce a disciple of Jesus, but too often it produces the kind of person who smells of gunpowder and people are afraid of meeting him. According to Jesus Christ, what we have to do is to watch the source and He will look after the outflow: "He that believeth on me, ... out of his belly shall flow rivers of living water" (John 7:38). — Oswald Chambers

Character issues such as drug abuse are not exclusive to Detroit Public Schools. My reference to substance abuse, not intended to focus on any particular school district, was simply used to illustrate this position. — Kwame Kilpatrick

Once upon a time, our problem was guilt: the feeling that you have made a mistake, with reference to something forbidden. This was felt as a stain on one's character. Ehrenberg suggests the dichotomy of the forbidden and the allowed has been replaced with an axis of the possible and the impossible. The question that hovers over your character is no longer that of how good you are, but of how capable you are, where capacity is measured in something like kilowatt hours - the raw capacity to make things happen. With this shift comes a new pathology. The affliction of guilt has given way to weariness - weariness with the vague and unending project of having to become one's fullest self. We call this depression. — Matthew B. Crawford

It gets too easy to write from the point of view of a male character of my age, with the same cultural frame of reference. — Steven Heighton

The "little theme" from Vinteuil, heard by Swann as emblematic of his love for Odette, remains a point of reference for him, as the character of that love changes and as the love eventually fades. — Philip Kitcher

Blurryface is a fictional character and a reference to insecurities, which I think all people have. — Josh Dun

Sorry, I didn't know that you had a vagina, I'll refrain from using vulgar words for now on. How about it smells like pee pee and poo poo, with a little bit of spew, is that better?"
"You're a real character, you know that?"
"Thanks, I try," she says. "Now, let's get the shi-stuff and get out of here."
"Fine," I say. "But for future reference, I like it better when you curse. It's pretty funny to see a pissed off Tinkerbell." I run from the baseball mitt being hurled at my head, laughing all the way . — Katelin LaMontagne

In his classic
account of the life of the Nuer of the Sudan, British anthropologist E. E. Evans-Pritchard
(1940:103) noted that
the Nuer have no expression equivalent to "time" in our language, and they cannot,
therefore, as we can, speak of time as though it were something actual, which passes,
can be wasted, can be saved, and so forth. I don't think they ever experience the
same feeling of fighting against time because their points of reference are mainly
the activities themselves, which are generally of a leisurely character. Events follow
a logical order, but they are not controlled by an abstract system, there being no
autonomous points of reference to which activities have to conform with precision.
Nuer are fortunate. — Richard H. Robbins

During my long and intimate acquaintance with Mr. Sherlock Holmes I had never heard him refer to his relations, and hardly ever to his own early life. This reticence upon his part had increased the somewhat inhuman effect which he produced upon me, until sometimes I found myself regarding him as an isolated phenomenon, a brain without a heart, as deficient in human sympathy as he was pre-eminent in intelligence. His aversion to women and his disinclination to form new friendships were both typical of his unemotional character, but not more so than his complete suppression of every reference to his own people. I had come to believe that he was an orphan with no relatives living, but one day, to my very great surprise, he began to talk to me about his brother. — Arthur Conan Doyle

I really don't know what happened in reference to 'The Butler.' Mr. Daniels and I had a conversation. I had the script, the email that goes along with it in reference to the character, read the script, loved it. Then I never heard from Mr. Daniels again, and the next I saw was that Oprah Winfrey is now playing the part. — Mo'Nique

I especially object to having my character assassinated by reference to events from my past which bear absolutely no relationship to the question of who the anthrax killer is. — Steven Hatfill

If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul. — Auguste Rodin

The truths which are represented in England and Western countries generally, are those which refer to force of character, earnestness of purpose, conscientious strictness, noble charity, practical duty, whilst the truths which I find peculiarly developed in India - developed to a greater extent than anywhere else, - and in the Eastern countries generally, are those which have reference to sweetness of communion, sweetness of temper, meekness and resignation unto God. — Keshub Chandra Sen

Every family has in fact a sacred character belonging to it, which may indeed be forgotten or disdained; but the family is constituted, and ought therefore to be conducted, with the prospect of the rising generation following that which precedes it, not only to the grave, but to eternity"(Christopher Anderson). Every member of every household is an immortal creature; every one that leaves the circle by death, goes into an eternity of torment or bliss. And, since all the ordinances of God look to another world as their chief and ultimate reference, surely, surely, that institute which is the most powerful of all in the formation of character, must be considered as set up with a special intention to prepare the subjects of it for "glory, honour, immortality, and eternal life. — John Angell James

Teenage girls, please don't worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I've noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it's so wonderfully fair. — Mindy Kaling

The sea has been called deceitful and treacherous, but there lies in this trait only the character of a great natural power, which, to speak according to our own feelings, renews its strength, and, without reference to joy or sorrow, follows eternal laws which are imposed by a higher Power. — Wilhelm Von Humboldt

There is no way to understand the character of the taboo rules, except as a survival from some previous more elaborate cultural background. We know also and as a consequence that any theory which makes the taboo rules ... intelligible just as they are without any reference to their history is necessarily a false theory ... why should we think about [the theories of] analytic moral philosophers such as Moore, Ross, Prichard, Stevenson, Hare and the rest in any different way? ... Why should we think about our modern use of good, right and obligatory in any different way from that in which we think about late eighteenth-century Polynesian uses of taboo? — Alasdair MacIntyre

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing. — John Hodgman