Quotes & Sayings About Change In Character

Further, the constitution of our consciousness is the ever present and lasting element in all we do or suffer; our individuality is persistently at work, more or less, at every moment of our life: all other influences are temporal, incidental, fleeting, and subject to every kind of chance and change. This is why Aristotle says: It is not wealth but character that lasts.
And just for the same reason we can more easily bear a misfortune which comes to us entirely from without, than one which we have drawn upon ourselves; for fortune may always change, but not character. Therefore, subjective blessings - a noble nature, a capable head, a joyful temperament, bright spirits, a well-constituted, perfectly sound physique, in a word, mens sana in corpore sano, are the first and most important elements in happiness; so that we should be more intent on promoting and preserving such qualities than on the possession of external wealth and external honor. — Arthur Schopenhauer

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

Both Proust and Joyce record the ways in which human perspectives can be transformed. In Portrait, Stephen Dedalus is constantly undergoing epiphanies, but their effects are transitory: the new synthetic complex quickly falls apart. Proust's characters, by contrast, often achieve lasting changes of perspective. — Philip Kitcher

I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough. — Alejandro Jodorowsky

People adjust their behavior to fit the society they live in. They integrate because they have to. But what they are on the inside doesn't change. — Sandra Brown

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters. — Laurie Foos

The only thing that makes me put down a book is if the characters are boring, or the situations aren't fraught with the potential for some great change or I don't mind if an author torments his protagonist, but I do expect a decent payoff in the end. — Michael Boatman

In this chapter, we've seen that what looks like a "character problem" is often correctible when you change the environment. The — Chip Heath

The fact that so many are willing to accept need-based aid signals a fundamental change in the American character. — Nicholas Eberstadt

The existential attitude is one of involvement in contrast to a merely theoretical or detached attitude. "Existential" in this sense can be defined as participating in a situation, especially a cognitive situation, with the whole of one's existence ... There are realms of reality or - more exactly - of abstraction from reality in which the most complete detachment is the adequate cognitive approach. Everything which can be expressed in terms of quantitative measurement has this character. But it is most inadequate to apply the same approach to reality in its infinite concreteness. A self which has become a matter of calculation and management has ceased to be a self. It has become a thing. You must participate in a self in order to know what it is. But by participating you change it. In all existential knowledge both subject and object are transformed by the very act of knowing. — Paul Tillich

It was easy to be good and kind in times of plenty. The trying times were the moments that defined a man.
And love? Love was something that did much to change a person. It brought joy as it brought suffering, and in turn brought about those moments that defined one's character. Love gave life to the lifeless. It was the greatest of all living powers.
But, as with all things, love had a dark side to it. — Renee Ahdieh

The time which passes over our heads so imperceptibly makes the same gradual change in habits, manners and character, as in personal appearance. At the revolution of every five years we find ourselves another and yet the same;
there is a change of views, and no less of the light in which we regard them; a change of motives as well as of action. — Walter Scott

Changers are characters who alter in significant ways as a result of the events of your story. They learn something or grow into better or worse people, but by the end of the story they are not the same personalities they were in the beginning. Their change, in its various stages, is called the story's emotional arc. — Nancy Kress

Got nothing out of it. They either knew the lessons and were already living them, or, more commonly, they thought they already knew everything and didn't want to learn. They couldn't see why so many others were benefitting from it. "When one of our senior executives, who was having difficulty adapting, said the story was a waste of time, other people kidded him saying they knew which character he was in the story - meaning the one who learned nothing new and did not change." "What's the story?" Angela asked. "It's called, Who Moved My Cheese?" The group laughed. "I think I like it already," Carlos said. "Would you tell us the story? Maybe we can get something from it." "Sure," Michael replied. "I'd be happy to-it doesn't take long." And so he began: — Spencer Johnson

In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope. — James Gunn

One trait in the philosopher's character we can assume is his love of the knowledge that reveals eternal reality, the realm unaffected by change and decay. He is in love with the whole of that reality, and will not willingly be deprived even of the most insignificant fragment of it - just like the lovers and men of ambition we described earlier on. — Plato

There was no crime in unconscious plagiarism; that I committed it everyday, that he committed it everyday, that every man alive on earth who writes or speaks commits it every day and not merely once or twice but every time he open his mouth ... there is nothing of our own in it except some slight change born of our temperament, character, environment, teachings and associations — Mark Twain

Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent. — Dan Gilroy

To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change. — Haile Gerima

The major strategy of Satan is to distort the character of God and the truth of who we are. He can't change God and he can't do anything to change our identity and position in Christ. If, however, he can get us to believe a lie, we will live as though our identity in Christ isn't true. — Neil T. Anderson

A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes ... a show like 'Breaking Bad' is astonishing. — Mike Nichols

Your life isn't some prerecorded movie where, no matter how many times you watch it, the ending remains the same. Your life is a book in progress, and you are the author. So if you don't care for the main character or the gloomy scenery or how the twisted plot is unfolding, then do something to change it. You write your own story. — Richelle E. Goodrich

If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another. — Donald Miller

Scenes change all the time. Scenes will change while you're shooting them, and you just have to roll with it 'cause that's what makes it funny. It's not being stuck in your character and how you're gonna do something, but to react to other people and to really have a real-life conversation. — Yara Shahidi

A real sacrifice involves a radical change in the character of a game which cannot be effected without foresight, fantasy, and the willingness to risk. — Leonid Shamkovich

Those who are quieting a guilty conscience with the thought that they can change a course of evil when they choose, that they can trifle with the invitations of mercy, and yet be again and again impressed, take this course at their peril. They think that after casting all their influence on the side of the great rebel, in a moment of utmost extremity, when danger compasses them about, they will change leaders. But this is not so easily done. The experience, the education, the discipline of a life of sinful indulgence, has so thoroughly molded the character that they cannot then receive the image of Jesus. Had no light shone upon their pathway, the case would have been different. Mercy might interpose, and give them an opportunity to accept her overtures; but after light has been long rejected and despised, it will be finally withdrawn. — Ellen G. White

No one can play a game alone. One cannot be human by oneself. There is no selfhood where there is no community. We do not relate to others as the persons we are; we are who we are in relating to others. Simultaneously the others with whom we are in relation are themselves in relation. We cannot relate to anyone who is not also relating to us. Our social existence has, therefore, an inescapably fluid character ... this ceaseless change does not mean discontinuity; rather change is itself the very basis of our continuity as persons. — James P. Carse

Being a hero was much easier than being a coward. To be a hero, you only had to be brave for a moment - when you took out the gun, threw the bomb, pressed the detonator, did away with the tyrant, and away with yourself as well. But to be a coward was to embark on a career that lasted a lifetime. You couldn't ever relax. You had to anticipate the next occasion when you would have to make excuses for yourself, dither, cringe, reacquaint yourself with the taste of rubber boots and the state of your own fallen, abject character. Being a coward required pertinacity, persistence, a refusal to change - which made it, in a way, a kind of courage. — Julian Barnes

I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters. — John Travolta

In saying no one knew about the ideas implicit in the telegraph, I am not quite accurate. Thoreau knew. Or so one may surmise. It is alleged that upon being told that through the telegraph a man in Maine could instantly send a message to a man in Texas, Thoreau asked, "But what do they have to say to each other?" In asking this question, to which no serious interest was paid, Thoreau was directing attention to the psychological and social meaning of the telegraph, and in particular to its capacity to change the character of information
from the personal and regional to the impersonal and global. — Neil Postman

Any character who goes after a desire and is impeded is forced to struggle (otherwise the story is over.) And that struggle makes him change. So the ultimate goal of the dramatic code, and of the storyteller, is to present a change in a character or to illustrate why that change did not occur. — John Truby

We poetically construct our identity as human beings, together with our values, largely through reciprocal relationships with animals. They provide us with essential points of reference, as well as illustrations of the qualities that we may choose to emulate or avoid in ourselves. Any major change in our relationships with animals, individual or collective, reverberates profoundly in our character as human beings, in ways that go far beyond immediately pragmatic concerns. When a species becomes extinct, something perishes in the human soul as well. — Boria Sax

Seen from an aeroplane high in the air, even the most gigantic skyscraper is only a tall stone black, a mere sculptural form, not a real building in which people can live. But as the plane descends from the great heights there will be one moment when the buildings change character completely. Suddenly, they take on human scale, become houses for human beings like ourselves, not the tiny dolls observed from the heights. This strange tranformation takes place at the instant when the contours of the buildings begin to rise above the horizon so that we get a side view of them instead of looking down on them. The buildings pass into a new stage of existence, become architecture in place of neat toys
for architecture means shapes formed around man, formed to be lived in, not merely to be seen from outside. — Steen Eiler Rasmussen

He was a compact, clearcut man, with precise features, a lot of very soft black hair, and thoughtful dark brown eyes. He had a look of wariness, which could change when he felt relaxed or happy, which was not often in these difficult days, into a smile of amused friendliness and pleasure which aroused feelings of warmth, and something more, in many women. — A.S. Byatt

In recovery, we try to take the opposite of our character defects/shortcomings and turn them into principles. For example, we work to change fear into faith, hate into love, egoism into humility, anxiety and worry into serenity, complacency into action, denial into acceptance, jealousy into trust, fantasizing into reality, selfishness into service, resentment into forgiveness, judgmentalism into tolerance, despair into hope, self-hate into self-respect, and loneliness into fellowship. Through this work we learn to understand the principles of our program. — Anonymous

The character of a woman rapidly develops after marriage, and sometimes seems to change, when in fact it is only complete. — Benjamin Disraeli

Perfection, then, is not a change in the essential character but the completion of a course. This is precisely what Jesus must have meant when he admonished his disciples and us to 'be perfect,' as our Heavenly Father is perfect. — Ravi Zacharias

You can't cure people of their character,' she read.
After this he had crossed something out then gone on, 'You can't even change yourself. Experiments in that direction soon deteriorate into bitter, infuriated struggles. You haul yourself over the wall and glimpse new country. Good! You can never again be what you were! But even as you are congratulating yourself you discover tied to one leg the string of Christmas cards, gas bills, air letters and family snaps which will never allow you to be anyone else. A forty-year-old woman holds up a doll she has kept in a cardboard box under a bed since she was a child. She touches its clothes, which are falling to pieces; works tenderly its loose arm. The expression that trembles on the edge of realizing itself in the slackening muscles of her lips and jaw is indescribably sad. How are you to explain to her that she has lost nothing by living the intervening years of her life? How is she to explain that to you? — M. John Harrison

The life of any one can by no means be changed after death; an evil life can in no wise be converted into a good life, or an infernal into an angelic life: because every spirit, from head to foot, is of the character of his love, and therefore, of his life; and to convert this life into its opposite, would be to destroy the spirit utterly. — Emanuel Swedenborg

The development of an image is a mysterious thing: once a public figure has been cast in a public role, it is almost impossible for him to change the character. It is as if someone has assembled personality traits into a convenient pattern, no writer ever re-examines it: it is easier to use the accepted pattern. — Theodore H. White

From Eden is spoken from the Devil's point of view. I always loved in blues music how the Devil can be a character who walks and talks. So awful is your state that it seems to be a presence around you. I don't really spend time thinking about the nature of God but I'm interested in what people say about God, how it is used to control people and change policies in the physical realm. — Hozier

It begins with the kind of story the writers want to tell. We never sit around in those retreats and say, 'We really need to make a change. Let's change this character.' Or throw a dart at the wall and see what hits. It all begins with story. — Jason Aaron

People who are driven by their values will overcome hurdles, difficulties, and obstacles in ways that people driven only by profit will never be able to — Simon S. Tam

All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them ... They might get mad. — Meg Cabot

In dramatic writing, the very essence is character change. The character at the end is not the same as he was at the beginning. He's changed-psychologically, maybe even physically. — Robert Towne

What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements. — Anais Nin

In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation. — Ken Follett

If it be admitted that a man, possessing absolute power, may misuse that power by wronging his adversaries, why should a majority not be liable to the same reproach? Men are not apt to change their character by agglomeration; nor does their patience in the presence of obstacles increase with the consciousness of their strength. And for these reasons I can never willingly invest any number of my fellow creatures with that unlimited authority which I should refuse to any one of them. — Alexis De Tocqueville

I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy. — Ty Burrell

For every generation, there is a destiny. For some, history decides. For this generation, the choice must be our own. [ ... ] Our destiny in the midst of change will rest on the unchanged
character of our people, and on their faith. — Lyndon B. Johnson

For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change. — John Hawkes

Ultimately, you change the culture in Washington only one way, and it's one election at a time, with the character of the people you send. — Paul Sadler

There was one fledgling PUA, in particular, whom Papa bonded with: a twenty-two-year-old Canadian who had discovered the pickup scene when his mother stumbled across a seduction website. He called himself Tyler Durden, after the seditious character in Fight Club. And like a virus or a demagogue (choose your simile), he would eventually change the course of the community and everyone in it. He — Neil Strauss

Daily contact with boys who had not been brought up as gently as I worked an immediate and, in some respects, a beneficial change in my character. — Thomas Bailey Aldrich

I do believe that General Washington had not a firm confidence in the durability of our government. He was naturally distrustful of men, and inclined to gloomy apprehensions; and I was ever persuaded that a belief that we must at length end in something like a British constitution, had some weight in his adoption of the ceremonies of levees, birthdays, pompous meetings with Congress, and other forms of the same character, calculated to prepare us gradually for a change which he believed possible, and to let it come on with as little shock as might be to the public mind. — Thomas Jefferson

I thought I would keep the first name Susan and change the last name but I picked up this book and as I opened it the lead character in it was called Morgan Brittany. — Morgan Brittany

When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking. — August Wilson

Dwight L. Moody, a great evangelist and Christian educator of the late nineteenth century, used to say, "The Bible was not given to increase our knowledge, but to change our lives." It was given to change our character and bring it more into conformity with Jesus Christ. All of our efforts in Bible study are valueless if in the final analysis we do not change and become more like Jesus. We must "not merely listen to the word," but we are to "do what it says" (James 1:22). — Rick Warren

I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want. — Robert Carlyle

Plot is certainly a part of constructing a story. It's a factor in outlining. But believe it or not, it's the least important factor. If you focus your efforts on the Three Legs - character arc, pacing, and theme - you can change the specifics of the plot a hundred different times, and you'll still have essentially the same story. — Libbie Hawker

For the first time I was beginning to discern a God whom I actually wanted to live for. I was beginning to discover the motivation of Paul when he proclaimed, "Christ's love compels us" (2 Cor. 5: 14). All my life I'd tried to be good to avoid hell, or the ugly-stick flogging, or my stepmother's beatings with a two-by-four. But while most people would undoubtedly be better at behaving well with these frightful motivations than I ever was, no one could ever be transformed by these sorts of motivations. Threatening motivations address behavior, but they can never transform our identity. They motivate people to change as a means of protecting themselves, but for this reason they can never move us beyond ourselves to become someone fundamentally different from who we currently are. And threatening motivations can certainly never transform us into people with an other-oriented, self-sacrificial, loving character. Only a motivation that is anchored in love can do this. — Gregory A. Boyd

Books can change your life. Some of the most influential people in our lives are characters we meet in books. — David McCullough

Never crave to be known for someone you are not. Be who you are in the day and when the lights are off, remain true! — Israelmore Ayivor

While there remains such an idea as the right of each State to control its own local affairs, - an idea, by the way, more deeply rooted in the minds of men of all sections of the country than perhaps any one other political idea, - no general assertion of human rights can be of any practical value. To change the character of the government at this point is neither possible nor desirable. All that is necessary to be done is to make the government consistent with itself, and render the rights of the States compatible with the sacred rights of human nature. — Frederick Douglass

He restrained himself from another wisecrack, infinitesimally but with great effort attempting to close down his nightclub approach to education; every positive change in his life, every minute increment in character, acquired more or less through shame. — Richard Price

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that. — Melissa Rosenberg

I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama. — Miranda Richardson

We have to be bold in our national ambitions. First, we must win the fight against poverty within the next decade. Second, we must improve moral standards in government and society to provide a strong foundation for good governance. Third, we must change the character of our politics to promote fertile ground for reforms. — Gloria Macapagal-Arroyo

We should strive to welcome change and challenges, because they are what help us grow. With out them we grow weak like the Eloi in comfort and security. We need to constantly be challenging ourselves in order to strengthen our character and increase our intelligence. — H.G.Wells

You are always working towards the moments in which characters experience reckonings or insight or change. I like to track them past those moments. — Dana Spiotta

Love was something that did much to change a person. It brought joy as it brought suffering, and in turn brought about those moments that defined one's character. — Renee Ahdieh

The habit of doubt; of distrusting his own judgment and of totally rejecting the judgment of the world; the tendency to regard every question as open; the hesitation to act except as a choice of evils; the shirking of responsibility; the love of line, form, quality; the horror of ennui; the passion for companionship and the antipathy to society
all these are well-known qualities of New England character in no way peculiar to individuals but in this instance they seemed to be stimulated by the fever, and Henry Adams could never make up his mind whether, on the whole, the change of character was morbid or healthy, good or bad for his purpose. — Henry Adams

Any experienced player knows how a change in the character of the play influences your psychological mood. — Garry Kasparov

Love is a form of energy, and similar to all forms of energy, it is both essential for life and dangerous. Love can enrich a person's life or destroy a person's world. Love is a catalytic agent of change because it makes us dare to become the best person that we can be. Falling in love for the first time drives a person to the cusp of madness, while the bitter aftermath of a love lost irrevocably alters the positive and negative aspects of a person's character. Withstanding rejection by a lover, we discover within us those ingredients that we will need in order to find our life mate and complete ourselves as man and woman. — Kilroy J. Oldster

I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan. — Nathan Lane

What changed at the end of the eighteenth century, therefore, was not so much the discovery of a fundamentally new concept in human relations but the emergence of a political movement universalizing what until then had been largely a local and territorial impulse. This insight helps to explain the speed of change. What is notable for our purposes is the dualistic or two-sided character of the free-air principle. On the one hand, it reflected views about what was proper in human relationships, a sense of the wrongness of enslavement. But on the other hand, it had an exclusivist side, a statement of pride in national identity, coupled with a determination to prevent established relationships from being disrupted by the — Gavin Wright

I felt like a character in a science fiction story, trapped in someone else's body, articulating someone else's words. To be frank, I bored even myself. And by the time I was thirty-six, my course was set, my die stamped, I knew I would never change. — Philip Palmer

I'm very interested in buildings that adapt to changes in climatic conditions according to the seasons, buildings capable of responding to our physical and psychological needs in the way that clothing does. We don't turn on the air-conditioning as we walk through the streets in high summer. Instead, we change the character of the clothing by which we are protected. Layering and changeability: this is the key ... — Glenn Murcutt

To fit in with the change of events, words, too, had to change their usual meanings. What used to be described as a thoughtless act of aggression was now regarded as the courage one would expect to find in a party member; to think of the future and wait was merely another way of saying one was a coward; any idea of moderation was just an attempt to disguise one's unmanly character; ability to understand a question from all sides meant that one was totally unfitted for action. Fanatical enthusiasm was the mark of a real man, and to plot against an enemy behind his back was perfectly legitimate self-defence. Anyone who held violent opinions could always be trusted, and anyone who objected to them became a suspect. — Thucydides

I don't think I have ever been as inspired by any character that I have played. I was deeply moved by Temple's courage and her resourcefulness.. She is really pioneering in both the world of autism and animal rights. She has encouraged an incredibly positive change in the world. — Claire Danes

We're all on a journey. The average American switches professions four times. I'm lucky to be in a business where I can change the character I am playing every couple of months. — Josh Hartnett

When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay. — Adele Von Rust McCormick

Character, like porcelain-ware, must be painted before it is glazed. There can be no change of color after it is burned in. — Henry Ward Beecher

The success of those doctrines would also subvert the Federal Constitution, change the character of the Federal Government, and destroy our rights in respect to slavery. — John H. Reagan

Victory smiles upon those who anticipate the change in the character of war, not upon those who wait to adapt themselves after the changes occur. — Giulio Douhet

But I knew a lot more than that; I knew exactly what sort of man he was in his old age, so it wasn't hard to guess what he must have been like as a young man--for a man's character doesn't change after he's thirty. It only becomes more firmly set, and is more deeply marked in his features. — Ralph Moody

I always think change is important in a character. The most dynamic choices that you can make for a character are always the best ones. — Peter Sarsgaard

I guess what I like in my movies is where you see a character change by maybe two degrees as opposed to the traditional movie change of ninety degrees. I guess that always feels false to me in movies because that doesn't truly happen. Around me, at least in the life I live, I guess I don't see people change ninety or a hundred degrees. I see them change in very small increments. I think it's just a monitor I might have on myself as a writer to not make any false scenes. — Paul Thomas Anderson

The characters are not allowed to change if you write a sitcom; they're not allowed to learn anything. There's all these sorts of rules, and you go, 'I just want to be able to write one character and then leave that behind.' Also, as a performer, and I may regret saying this, but it would be my own personal hell to be trapped in the sitcom. — Alice Lowe

Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that if my quill displays no other properties of its mother-goose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no occasion for discontent. From — Walter Scott

So don't be troubled by trouble. Circumstances cannot change the character of God. God's grace is still in full force; he is still for you, even when you don't feel it. In — Rick Warren

1. "Mistress Jamieson" tells Mary when they meet: "My mother likes to say some people choose the path of danger on their own, for it is how the Lord did make them, and they never will be changed." Do you agree? Was it more true in the past than today? Did Mary purposely choose a path of danger? Who else? 2. The author has people in her own life with Asperger's syndrome who helped her with Sara's character. What was it like to be in the point of view of a person with Asperger's syndrome? Did you have any preconceived ideas about Asperger's? Did they change? 3. Journeys (physical and otherwise) are a prevalent theme in many of Susanna Kearsley's books. What journeys can you identify in this book, past and present? How do they differ for female and male characters? 4. Mary takes "Mistress Jamieson" as a role model. "She — Susanna Kearsley

Be patient and gentle with yourself as you continue to learn new ways of eating and living. There is no need for hard-and-fast rules or white-knuckle determination. Keep leaning forward into the positive changes you are making, and then apply that same gentleness to your family and community. There is no need to promote your ideals, but rather attract interest by being informed and interesting, healthy and robust-looking, and most of all, kind. After all, if we want to create change in the world, we have to embody the quality and character we'd like to see more of! — Kathy Freston

God isn't interested in watching you enact some performance of personality in order to comply with some crackpot notion you have about how a spiritual person looks or behaves. We all seem to get this idea that, in order to be sacred, we have to make some massive, dramatic change of character, that we have to renounce our individuality. — Elizabeth Gilbert

A circular plot structure, often seen in adventure novels and quest fantasies, is a narrative devise involving setting, character, and theme. Typically a protagonist ventures from home (or the starting place of the story), goes on a journey, often a dangerous one in which many challenges are overcome, and then returns home a changed person. The plot is usually chronological, with the events occurring in a setting that becomes a circle. By returning the character to the place where he started, the author can emphasize the character's growth or change while also highlighting the theme of the story. — Carl M. Tomlinson

If there is anything in writing that comes easy for me it's making up metaphors. They just appear. I can't move two lines without all kinds of images. Then the problem is how to make the best of them. In its geological character, language is almost invariably metaphorical. That's how meanings tend to change. Words become metaphors for other things, then slowly disappear into the new image. I have a hunch, too, that the core of creativity is located in metaphor, in model making, really. A novel is a large metaphor for the world. — William Gass

It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths. — Frank Miller

The functionaries of public power rarely strengthen in their dispositions to abridge it, and an unorganized call for timely amendment is not likely to prevail against an organized opposition to it. We are always told that things are going on well; Why change them? 'Chi sta bene, no si mueve,' said the Italian, 'let him who stands well, stand still.' This is true; and I verily believe they would go on well with us under an absolute monarch, while our present character remains, of order, industry and love of peace, and restrained as he would be, by the proper spirit of the people. — Thomas Jefferson

The ear participates, and helps arrange marriages;
the eye has already made love with what it sees.
The eye knows pleasure, delights in the body's shape:
the ear hears words that talk about all this.
When hearing takes place, character areas change;
but when you see, inner areas change.
If all you know about fire is what you have heard
see if the fire will agree to cook you!
Certain energies come only when you burn.
If you long for belief, sit down in the fire!
When the ear receives subtly; it turns into an eye.
But if words do not reach the ear in the chest, nothing happens. — Rumi

As in the universe every atom has an effect, however miniscule, on every other atom, so that to pinch the fabric of Time and Space at any point is to shake the whole length and breadth of it, so that to change a character's name from Jane to Cynthia is to make the fictional ground shudder under her feet. — John Gardner