Car Write Off Quotes & Sayings
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Top Car Write Off Quotes

(Authors Publish asked WHY DO YOU WRITE?) "Voices...won't...stop...talking. When I drive the car, walk the dog, stir the soup--voices make me write down what they say and shape a world to catch the words. — Delaney Green

Depression is like pushing a car up a hill. It takes all my energy to push the car up the hill. I don't have any energy left to write. — Tony Earley

Maybe John will come with me wherever it is I go, but whenever I picture the open highway, my only companion is a box of mix tapes. I decide to write a new story for Monday, one that looks to the future rather then the past, about a woman who starts a new life by making off with a stolen sports car, an Alfa Romeo spider convertible, and she drives west from Jersey to California, robbing banks and evading the law and breaking stereotypes and hearts. — Michael Kardos

He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman.
This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story. — Christopher Moore

I write about how in Midland, the mayor instituted water conservation measures like restrictions on car washing. He made a point though that they were only "suggestions" and not government telling people what to do. But then his constituents got very ticked off at the sight of their neighbors breaking the rules and demanded that they be made into actual laws with penalties. — Gail Collins

The reason I'm here today, the reason I own a brand new Harley-Davidson motorcycle and the reason I have a big log cabin and I got cars and all kinds of stuff is because I'm a writer and writers own everything. So you learn how to write. — Dan Aykroyd

The next time something happens to your car, make a note as to what you feel the broken part represents and see if you can connect it to how you are feeling at that particular moment. You may be surprised at the results. One day I will write a little book and call it Heal Your Automobile. — Louise L. Hay

It didn't take long to write up our reports, since they mostly consisted of variations on "Rapunzel confirmed downtown, field team dispatched to resolve the incursion; incursion resolved when Agent Winters shouted at it until it agreed to go away. Resolution mechanism not recommended for future incursions." Demi's was even shorter: "Barely made it out of the car. — Seanan McGuire

I set the vodka glasses on the table, and we become gently drunk in the foetal warmth. The Australian woman doesn't quite get the picture. We have a brief exchange in English. 'Do you have a car?' she asks. 'No,' I reply. 'A TV?' 'No.' 'What if you have a problem?' 'I walk.' 'Do you go to the village for food?' 'There is no village.' 'Do you wait for a car on the road?' 'There is no road.' 'Are those your books?' 'Yes.' 'Did you write all of them?' I prefer people whose character resembles a frozen lake to those who are more like marshes. — Sylvain Tesson

On the paparazzi: If I have my daughter in the car and they are making me nervous, I'll do whatever I have to do. I keep a whole log. I take pictures of their cars, write down license plate numbers, everything. If they do it again, I can go to the police. I know my rights and, believe me, I will have them arrested. I will stop at nothing. — Gwyneth Paltrow

If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen. — Floyd Skloot

I'm in my father's car at age 9 or 10 crying to Leonard Cohen's 'Famous Blue Raincoat,' thinking that you could write nearly a love letter to a man who betrayed you by having an affair with your wife. I was thinking how wonderful and pure music can be for explaining situations. — Lou Doillon

This is another thing I think of, turning it over, try to put together two pictures of it, but this time it's about me, it's myself I'm trying to figure. Because one sounds so disgusting, not even able to tell Al about it, win the big game, take the virgin to her first bonfire, feed her a beer or two, and then the two of us in someone's car with your hand between my legs, unbuttoned and hiked down and the noises I made, before I finally, gasping, stopped you. It sounds terrible and it's probably the truth, the real picture, gross when I write it down and shamed about it. But it's the real, whole truth I'm trying to get down, how it happened, and honestly it felt different then, different from that bad picture. I can see it, so gentle the way you moved, the thrill that was there with us as no one knew where we were or what we were doing. — Daniel Handler

There were definitely scenes I struggled with more than others: the car accident and the thunderstorm are two that come to mind. It's difficult to write about a thunderstorm. There are only so many ways to describe it and our vocabulary is so limited. And the car accident scene required a tense, manic quality that had to be conveyed in the language, as well as the character's dialogue and actions. I was editing these scenes long after I thought I was finished with them. — Mary J. Miller

I have a car business and if I had to do an estimate on my face, I would probably write it off. — Jim Watt

When it seemed like I was going to really have to be there at Todd's [Willingham] execution, I don't think I could have done it. I think I began to distance myself. I didn't visit as often; I didn't write as often. This was kind of after my conversation with [fire science expert] Gerald Hurst. And the [car] accident made sure that I didn't have to go up there. But I think he and I both shared that. — Elizabeth Gilbert

All I had was the will and the love for music. I couldn't read music or write it. No connections, no car, no money, no bankroll, no clothes, no nothing. — Barry White

Strangely, some songs you really don't want to write. I didn't like writing 'Heathen'. There was something so ominous and final about it. It was early in the morning, the sun was rising and through the windows I could see two deer grazing down below in the field. In the distance a car was driving slowly past the reservoir and these words were just streaming out and there were tears running down my face. But I couldn't stop, they just flew out. It's an odd feeling, like something else is guiding you, although forcing your hand is more like it. — David Bowie

So we have that, where there are moments where it's just Nic Cage and Amber Heard and you're in the car with them and it's not stuff flying at your face but you're literally sitting in the backseat. You're sitting there and it's just sort of interesting. At the same time we're going to throw cars and guns and bullets and frogs and naked people at your face because it's fun and that's the roller coaster. We do write some things for 3-D. — Todd Farmer

Here was a man who'd learned to write before he could think, a man who threw out logical fallacies like tacks behind a getaway car, and he always always always got away. — Helen DeWitt

I like the idea of becoming [fairly] good at lots of things rather than very good at just one thing. So it would be nice to be okay at the guitar or at the piano, a reasonable cook, perhaps able to fix your car or do some basic carpentry, and be able to write the odd article. Rather than being super good at one tiny thing, to be kind of average at lots of things. It might mean that you have a more kind of enjoyable, complete life. — Tom Hodgkinson

The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire ... That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing. — Robin Hobb

Isn't post-modernism really one big cover-up for the failure of the French to write a truly interesting novel ever since a sports car ate Albert Camus? — John Leonard

I guess what attracted me about the philosophy aspect was that it was realistic. It didn't go off into the realm of imagination land, which I find a lot of religious teachings, actually almost every religious teaching does. I keep meaning to write this up as a blog post, but lately, while driving in my car I've been listening to a religious station that comes on out of Cleveland from the Moody Bible Institute. — Brad Warner

I love Lady Antebellum and Miranda Lambert - they write from the heart. But it's hard to find a country music lover in L.A. None of my friends really listen to it, and they hate getting in the car with me because I just blast Taylor Swift. — Lucy Hale

Someone made the mistake of telling me the safest place in a lightning storm was in a car because of the grounding of the rubber tires. After that, at the first sound of thunder, I caterwauled until my parents would take me in the car until the storm subsided. I then proceeded to write about cars for the rest of my life. — Bruce Springsteen

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else. — Robert Harris

Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling. — Stanley Kubrick

How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers.
I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was. — Laurie Colwin

Thomas Merton to write: The modern child may early in his or her existence have natural inclinations toward spirituality. The child may have imagination, originality, a simple and individual response to reality, and even a tendency to moments of thoughtful silence and absorption. All these tendencies, however, are soon destroyed by the dominant culture. The child becomes a yelling, brash, false little monster, brandishing a toy gun or dressed up like some character he has seen on television. His head is filled with inane slogans, songs, noises, explosions, statistics, brand names, menaces, ribaldries, and cliches. Then, when the child gets to school, he learns to verbalize, rationalize, to pace, to make faces like an advertisement, to need a car and in short, to go through life with an empty head conforming to others, like himself, in togetherness.3 — Brennan Manning

I'm a situational writer. You give me a situation, like a writer gets in a car crash, breaks his leg, is kidnapped by his number-one fan, and is kept in a cabin and forced to write a book
everything else springs from there. You really don't have to work once you've had the idea. All you have to do is kind of take dictation from something inside. (from Parade Magazine interview, 5/26/13) — Stephen King

One of the reasons why I agreed to do commercials is that they gave me complete freedom. I just had to have the car in it and write a story around it. I wanted to do something serious set in a Latin American country, but again, it was an exercise in style for me. — Alejandro Gonzalez Inarritu

It's more like you write what comes to you ... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave ... — Eddie Vedder

I lost my brother in a car wreck when I was 14 years old. When I decided I wanted to be a country singer, my dad always told me, 'Son, you should write a song about your brother.' — Blake Shelton

I like when they say a movie is inspired by a true story. That's kind of silly. "Hey, Mitch, did you hear that story about that lady who drove her car into the lake with her kids and they all drowned?" "Yeah, I did, and you know what - that inspires me to write a movie about a gorilla!" — Mitch Hedberg

I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think. — Mindy Kaling

My dad died, I write. almost a year ago. Car accident. My hand is shaking; my eyes sting and fill. I add Not his fault before pushing the notebook and pen back across the table, wiping a hand across my cheeks.
As he reads, my impulse is to reach out, grab the notebook, run outside, dump it in the trash, bury it in the snow, throw it under the wheels of a passing car - something, something, so I can go back fifteen seconds when this part ofme was still shut away and private. Then I look at Ravi's face again, and the normally white white whites of his eyes are pink. This causes major disruption to my ability to control the flow of my own tears. I see myself when I look at him right now: he's reflecting my sadness, my broken heart, back to me.
He takes the pe, writes, and slides it over. You'd think it's something epic from the way it levels my heart. It isn't.
I'm really sorry, Jill.
Four little words. — Sara Zarr

When you're spending that much time by yourself in your car looking at landscapes, it's desolate. Most of the other people around you are invisible in their own cars. You're driving past houses where maybe once in a while somebody is out, but that's about it. So I was interested in that aesthetic and I decided I wanted to write an apocalyptic narrative, but the more I thought of it, it seemed bizarre and untenable to me to pick one, so I just didn't. — Lucy Corin

Heartbreak was the impetus to me writing poems and music in the first place. Over the years, I had my heart broken so badly that if I didn't find a way to get all the pain out, I was going to lose my mind. I was crazy! Like, wanting to slash tires and smash car windows. Crazy! I was so hurt that I had to write. — Jill Scott

I saw a street car conductor today with one brown eye and one blue. Wouldn't he make a nice villain for a detective story? — Jean Webster

Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about. — Maya Angelou

Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly. — Sergio Aragones