Caolan Lavery Quotes & Sayings

Everybody is talented because everybody who is human has something to express. — Brenda Ueland

To the untutored sage, the concentration of population was the prolific mother of all evils, moral no less than physical. He argued that food is good, while surfeit kills; that love is good, but lust destroys; and not less dreaded than the pestilence following upon crowded and unsanitary dwellings was the loss of spiritual power inseparable from too close contact with one's fellow-men. — Charles Alexander Eastman

Let the attitude of your life be a continual willingness to "go out" in dependence upon God, and your life will have a sacred and inexpressible charm about it that is very satisfying to Jesus. You must learn to "go out" through your convictions, creeds, or experiences until you come to the point in your faith where there is nothing between yourself and God. — Oswald Chambers

Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities. — Benito Mussolini

Fine," Jack said. "Kyrin's yours."
Those words affected me on a deep, primal level. Mine, I thought. All mine. — Gena Showalter

In America we tell our parents to bring their child home and put him or her in a crib; as they get older, children sleep in they own room not in Mom and Dad's room. What are we training them for? It's independence, because that's what being empowered is all about. — Sheena Iyengar

A free people ought ... to be armed — George Washington

I had forgotten about the sword in all of the excitement of almost burning alive. — Courtney Cole

Michael half-smiled. "The Lord will never give you a burden bigger than your shoulders can bear, Harry. All we can do is face what comes and have faith."
I gave him a sour glance. "I need to get myself some bigger shoulders, then. Someone in accounting must have made a mistake. — Jim Butcher

Advice is offensive, not because it lays us open to unexpected regret, or convicts us of any fault which had escaped our notice, but because it shows us that we are known to others as well as to ourselves; and the officious monitor is persecuted with hatred, not because his accusation is false, but because he assumes that superiority which we are not willing to grant him, and has dared to detect what we desired to conceal. — Samuel Johnson

Nevertheless, we react to one a bit differently than we do to Rothko's hovering panels or Barnett Newman's stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. ... The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved. — John Updike