Can I Publish Quotes & Sayings

You know what I noticed when I was with Jacob? In your world, people can reach each other in an instant. There's the telephone, and the fax - and on the computer you can talk to someone all the way around the world. You've got people telling their secrets on TV talk shows, and magazines that publish pictures of movie stars trying to hide their homes. All those connections, but everyone there seems so lonely. — Jodi Picoult

I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way. — Kevin Sampsell

I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way. — Paul Madonna

I think I write or publish as much as I do because I can bear being without a book to work on. — Philip Roth

Within a week, "The Opposite of Loneliness," an essay that had appeared in the graduation issue of the Yale Daily News, had been read by more than a million people. "We're so young. We're so young," Marina had written. "We're twenty-two years old. We have so much time." When a young person dies, much of the tragedy lies in her promise: what she would have done. But Marina left what she had already done: an entire body of writing, far more than could fit between these covers. As her parents and friends and I gathered her work, trying to find the most recent version of every story and essay, we knew that none of it was in exactly the form she would have wanted to publish. She was a demon reviser, rewriting and rewriting and rewriting even when everyone else thought something was done. (THERE CAN ALWAYS BE A BETTER THING.) We knew we couldn't rewrite her work; only she could have done that. — Marina Keegan

Just because everyone CAN publish a book these days, doesn't mean everyone SHOULD. The world doesn't need 1000 knock-offs of 50 Shades of Grey. I'm not so sure the world even needed ONE 50 Shades of Grey. — Oliver Gaspirtz

Tell me some true things about fighting.'Tell me you love me.'I love you,' the girl said. 'You can publish it in the Gazzettino if you like. I love your hard, flat body and your strange eyes that frighten me when they become wicked. I love your hand and all your other wounded places. — Ernest Hemingway,

I always say that you could publish trading rules in the newspaper and no one would follow them. The key is consistency and discipline. Almost anybody can make up a list of rules that are 80 percent as good as what we taught people. What they couldn't do is give them the confidence to stick to those rules even when things are going bad. — Richard Dennis

The parts that embarrass you the most are usually the most interesting poetically, are usually the most naked of all, the rawest, the goofiest, the strangest and most eccentric and at the same time, most representative, most universal ... That was something I earned from Kerouac, which was that spontaneous writing could be embarrassing ... The cure for that is to write the thing down which you will not publish and which you won't show people. To write secretly ... so you can actually be free to say anything you want. — Allen Ginsberg

I certainly have opportunities many can only dream of - but in most ways I'm a typical girl in her 20s trying to forge a career and represent herself in what can sometimes seem rather strange circumstances. One of the most attractive has been the chance to publish 'Celebrate.' — Pippa Middleton

Listen, my day job is also Chief Creative Officer for Marvel, and it's a very painful job because we publish a lot of books, and there are things I see where I can punch people out. Therefore, we have some new people now, and the kids are going to read our books. — Avi Arad

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I have been writing now for 3 years, managed to publish 12 books, it's coming along. I can really use you guys support. A great amount of being a writer is having the ability to persist and along the way each book sale with its additional review comments is a win and a reminder that I can make it. Pick up one of my books today and if you like it, tell a friend and maybe will do the same thing. It would be much appreciated. You'll find them on Amazon and Kobo.

Claire — Claire Hamelin Manning

I think about the reader. I care about the reader. Not "audience." Not "readership." Just the reader. That one person, alone in a room, whose time I'm asking for. I want my books to be worth the reader's time, and that's why I don't publish the books I've written that don't meet this criterion, and why I don't publish the books I do until they're ready. The novels I love are novels I live for. They make me feel smarter, more alive, more tender toward the world. I hope, with my own books, to transmit that same experience, to pass it on as best I can. — Jeffrey Eugenides

The dirty little secret about comics is that the wall to getting published is actually not that high. You can publish your own comic. You can have your comic printed by the same people that print Marvel and DC and Image's comics for, I think, it's about $2,000 for a print run. So you can Kickstart it and get your own comic made. It depends on what is considered success to you. So if you need to be published by the Big Two to feel that you've made it, well, you should start working very hard. — Kelly Sue DeConnick

I don't know why the publishers in New York don't take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas. — Gary Reilly

If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it
I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did. — Tanith Lee

I was told by journalists who can't publish it that there are in Mexico, close to the U.S. border, big areas that used to be devoted to agriculture that are now devoted to poppies. They say you can't get in there because they're guarded, first by the cartels, but also by the army, which goes hand in hand with the cartels. — Noam Chomsky

Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know." — Daniel Quinn

I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems. — Robert Morgan

Dear Mia,
What can I say? I don't know all that much about romance novels, but I think you must be the Stephen King of the genre. Your book is hot. Thanks for letting me read it. Anyone who doesn't want to publish it is a fool.
Anyway, since I know it's your birthday, and I also know you never remember to back anything up, here's a little something I made for you. It would be a shame if Ransom My Heart got lost before it ever saw the light of day because your hard drive crashed. See you tonight.
Love,
Michael — Meg Cabot

The whole notion of exemplary violence seemed to fire Lenin's imagination. On August 11, 1918 he wrote a letter to Bolshevik leaders in Penza that speaks volumes: Comrades! The kulak uprising must be crushed without pity ... An example must be made. 1) Hang (and I mean hang so that the people can see) not less than 100 known bloodsuckers. 2) Publish their names. 3) Take all their grain away from them ... Do this so that for hundreds of miles around the people can see, tremble, know and cry: they are killing and will go on killing the bloodsucking kulaks ... P.S. Find tougher people. — Niall Ferguson

My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works. — Joseph Campbell

I set up a system for myself where I work on a lot of pieces at once. I'll switch between them and keep working on a piece until it comes together, and then I'll publish it. This way some pieces can take a year if they need to. The trick is to just make sure one is ready every week. — Paul Madonna

Whenever people ask me, "How are your books doing?" or, "How is your book doing?" I just say, "It's okay." I mean, what am I supposed to say? I'm a writer; that means I write because I need to write, because that's how I breathe and that's how I bleed. I'm not an author; I'm a writer. Even when I don't want to write; I can't stop! So, how are my books doing? The hell I know! The moment after I publish one book, I'm writing another one! I don't know how my books are doing! I just know that I'm writing them! I'm a writer, I'm a writer. I'm not an author. — C. JoyBell C.

Such is professional jealousy; a scientist will never show any kindness for a theory which he did not start himself. There is no feeling of brotherhood among these people. Indeed, they always resent it when I call them brother. To show how far their ungenerosity can carry them, I will state that I offered to let Prof. H
y publish my great theory as his own discovery; I even begged him to do it; I even proposed to print it myself as his theory. Instead of thanking me, he said that if I tried to fasten that theory on him he would sue me for slander. — Mark Twain

The standard heroes and heroines of novels, are personages in whom I could never, from childhood upwards, take an interest, believe to be natural, or wish to imitate: were I obliged to copy these characters, I would simply
not write at all. Were I obliged to copy any former novelist, even the greatest, even Scott, in anything , I would not write
Unless I have something of my own to say, and a way of my own to say it in, I have no business to publish; unless I can look beyond the greatest Masters, and study Nature herself, I have no right to paint; unless I can have the courage to use the language of Truth in preference to the jargon of Conventionality, I ought to be silent. — Charlotte Bronte

Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise. — Caroline Kepnes

I think it's sad that we live in a world where men can steal and distribute and publish photos of women without their permission all over the Internet and even in print and make a lot of money doing so, but half naked photos that I took of myself are deemed "obscene." — Marie Calloway

And I can't think of a reason I'd ever use a pseudonym, as I wouldn't want to publish something that I didn't like enough to put my name on it. — Poppy Z. Brite

On having a backup plan: Always a good plan anytime you want to follow your dream - I love writing, acting, and psychiatry - there are crazy people everywhere which means I can take my career anywhere my dream needs to go. — Samantha Steele

I'd written my first novel for adults, which was called Basic Eight and was set in a high school, and we were having a devil of a time selling it. It ended up in the hands of an editor of a children's publishing house, for which it was entirely inappropriate. She said, "Well, we can't publish this, but I think you should write something for children," which I thought was a really terrible idea. — Daniel Handler

Soon after you confront the matter of preserving your identity, another question will occur to you: "Who am I writing for?" It's a fundamental question, and it has a fundamental answer: You are writing for yourself. Don't try to visualize the great mass audience. There is no such audience - every reader is a different person. Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don't know what they want to read until they read it. Besides, they're always looking for something new. Don't worry about whether the reader will "get it" if you indulge a sudden impulse for humor. If it amuses you in the act of writing, put it in. (It can always be taken out, but only you can put it in.) You are writing primarily to please yourself, and if you go about it with enjoyment you will also entertain the readers who are worth writing for. If you lose the dullards back in the dust, you don't want them anyway. This — William Zinsser

I have Mikhail Gorbachev and Boris Yeltsin to thank that a Russian writer can not only write anything he wants, but also publish it. — Vladimir Sorokin

I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later ... or I don't want to admit that they are. — Matthea Harvey

I have to declare in all candor that no one interested in being published in our time can afford to be so naive as to believe that a book will make it merely because it's good. — Richard Curtis

When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory. — Jorge Luis Borges

And I see a lot of us, the producers, who write the books and make the books, accepting this
letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren't just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable
but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. — Ursula K. Le Guin

If you want to be a poet, there is no greater mistake you could make than to publish whatever work you have as soon as you can. Why? Well because your debut is the only shot you have. It should be made of dynamite. There is nothing worse - believe me - than to have an oeuvre with a mediocre debut, and likely you wont get that far at all, and you will wait for reviews that wont come, just a horrible idea really. I don't need tell this to the rare and extreme talents - they are like a force of nature - but i am talking to the rest of you. People who love their youth don't make it easy on them - making it easy for them is a way to destroy them, But the representatives of my generation have no clue,or idea about Bildung at all, which is why I am at odds with most of them. — Martijn Benders

What I can tell you is DO IT. Publish book one and get book two out as soon as possible. There are very few Harper Lee's. Most of us are going to have to write a few books to get good at it. — Dan Alatorre

For what I have publish'd, I can only hope to be pardon'd; but for what I have burned, I deserve to be prais'd. — Alexander Pope

The fact is that in any open society people constantly say things that other people don't like. It's completely normal that should happen. And in any confident, free society you just shrug it off and you proceed. There is no way of creating a free society where nobody says anything that others don't like. If offendness is the point at which you have to limit your thoughts then nothing can be said. There might be people who might be offended by various kinds of literature. I myself, I am not very fond of, let me not mention Chetan Bhagat, I wasn't going to say that, so I have not. And yet, I believe such writer have a right to publish, and of course to live. The point is behind these ideas of offendness and respect there is always the threat of violence. Always the threat is if you do that which disrespect or offends me I will be violent to you and so the real subject is not religion, its violence. — Salman Rushdie

Even with protection, even with death threats, I can publish, I can travel and I can live the life that I want and not the one my parents want or some imam somewhere thinks I should live. — Ayaan Hirsi Ali