Camera Shoot Quotes & Sayings

I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle. — Ridley Scott

You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, ... because in the physical change of position you start seeing a whole different relationship. — Jay Maisel

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world. — Dino De Laurentiis

Because I trained in theater, I always leave a film shoot feeling like I haven't done anything, like I just sat in front of the camera and whispered, essentially. — Hayley Atwell

When I made 'Eight Below,' they wanted me to shoot digital, and I didn't want to do it because that's just what I need, to get a great series of takes and then find out the camera was frozen. — Frank Marshall

Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee. — James Cameron

We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character. — Marguerite Moreau

Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record. — Andreas Feininger

I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot. — Edward Ruscha

When I make a documentary I shoot very little but I hang around with my camera for a long time. I look at the people for a long time through the loop and then when I see something interested then I shoot. I think that I have become very sensitive to these things. — Pirjo Honkasalo

He who writes must master the rules of grammar. He who shoots photographs needs only to follow the instructions as given by the camera ... This leads to the paradox that the more people shoot photographs, the less they are capable of deciphering them. — Vilem Flusser

I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him ... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so. — Nicholas Stoller

'Days of Our Lives' was an insane schedule. You're doing a whole one-hour show in a day. You do a very cursory run-through with the director telling you where you're going to be standing, then you do a quick rehearsal on camera and you shoot it. — Charles Shaughnessy

If you can shoot well, all you need is a disposable, toy camera or a camera phone to create great work. If you're not talented, it doesn't matter if you buy a Nikon D3X or Leica; your work will still be uninspired. — Ken Rockwell

The only thing they'll let you shoot with a camera. — Jodi Picoult

I try and shoot as often as a can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there. — Denis Leary

I've really learned over the years how to control my adrenaline and let it all out when they shoot the gun versus letting the crowd and the lights and the camera get to me. — Tyson Gay

When I saw myself with barely any makeup at, it was such a ... like, I'm so, so attached to my pink lipstick, it's hard. I feel that it's become a part of me. To go in front of the camera, without pink lips or big ol' crazy lashes - you know, nothing - I felt naked. It was scary! So this photo shoot was a real accomplishment in my eyes. — Nicki Minaj

I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels. — Ryan Coogler

I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it. — Guy Berryman

Always carry a camera, it's tough to shoot a picture without one. — Jay Maisel

I never have broken up in comedy, ever. There's something about me that I just don't break on camera - maybe because I'm just so cheap, and I know how expensive it is to shoot - but I broke on 'Sordid Lives,' and I broke on 'The Office.' Those are the only two times in my life. — Beth Grant

The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go. — Brian Lindstrom

Photoshop and Lightroom help me transform my photos into what my heart felt, but my camera couldn't quite capture! — Marius Vieth

I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe. — Susan Sarandon

I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater. — Brian Skerry

We did a 60 page book in one day. She's one of the most photogenic, easy to shoot, inspiring, extraordinary people in front of the camera who I've ever photographed. Yes Taylor Swift has it all. My goodness that girl has it all, what can I say she's extraordinary. — Nigel Barker

Never ever say the word shoot when you are taking a picture with a camera because a camera is not a violent weapon. — Ruth Bernhard

It seemed like a hybrid of Spinal Tap, the British The Office, and something entirely original. Scenes would be blocked and rehearsed almost like a play, with entire scenes performed top to bottom many times. Two or three cameras would find the action and just follow the actors as they moved around. Actors often didn't know when they were on camera or where the cameras were. "Spy shots" lent a sense of intimacy to moments. Actors were allowed to look into the camera to show their reactions to things and spoke directly to the camera with "talking heads," used to further the story or display another side of what a character was feeling.15, 16 Camera operators were very close or very far away but a dynamic part of the action. We would shoot eight or nine pages in a twelve-hour day, which is about double what one shoots on a feature film. — Amy Poehler

Curiosity broke her earlier resolve. "Have you ever been tested?"
"No." He stood behind Sara, holding the camera in front so she could see. "Zoom here," he said, flicking the toggle.
"You could probably-"
"This is macro."
"Will-"
"Super macro." He kept talking over her until she gave up. "Here's where you adjust for color. This is light. Anti-shake. Red-eye." He clicked through the features like a photography instructor.
Sara Finally relented. "Why don't I point and you shoot?"
"All right." His back was stiff, and she could tell that he was irritated.
"I'm sorry I-"
"Please don't apologize."
Sara held his gaze for a few moments longer, wishing she could fix this. There was nothing to say if he wouldn't even let her apologize. — Karin Slaughter

I'm sort of a nervous person with the camera, so I will just shoot arbitrarily until I can focus and compose something, and then I make a shot. So generally, in [the] proof sheets, there are only three or four really concentrated efforts to take a photograph. It's not like a professional kind of person who sets it up so every photograph looks really cool. — Dennis Hopper

I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because, unfortunately, people on the street don't know not to look in the camera or interact with the actors. — Noah Baumbach

Nothing happens when you sit at home. I always make it a point to carry a camera with me at all times ... I just shoot at what interests me at that moment. — Elliott Erwitt

I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot. — Taylor Kitsch

When you shoot a movie, the camera is always taking, taking, taking and not giving anything back. — Rodrigo Santoro

I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop. — Anurag Kashyap

Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day. — Finn Wittrock

Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen. — Stephen Moyer

It's so easy to pick up a camera, white balance, and shoot people having sex, but I don't think there's anything very interesting about it. You might get off, but that's it. — Sasha Grey

We changed our rules. If a player does not have some sot of altercation on or off the court once each month, we fine him ... The guys that are our top four scorers, each of them will be required once every two months to appear on MTV. The guys who shoot the worst free throws over a one-month period, next time we have a TV game they're required to look into the camera and beat their chests after they make a good play. — Gregg Popovich

I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go. — Jonathan Demme

I get very close to people when I'm shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob. Then I would go shoot a scene with Rob and tell him all about Lucy. Eventually they wanted to know each other. These are two people who would never have overlapped in any other way or context. We brought to the garden at Rob's office and just sat and watched what unfolded. I remember weeping behind the camera, because I was so moved by the way they connected. — Abigail Disney

The best visual effects are when you shoot as much of what you can in camera. And it's really good for the actor's performance to have something real. — Rob Letterman

I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed. — Ava DuVernay

I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films. — Michel Gondry

I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff. — Spike Lee

Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life. — Leonard Nimoy

What's really important is storytelling. None of it matters if it doesn't support the story. I thought The Avengers was an appalling film. They'd shoot from some odd angle and I'd think, why is the camera there? Oh, I see, because they spent half a million on the set and they have to show it off. It took me completely out of the movie. I was driven bonkers by that illogical form of storytelling. — Wally Pfister

I have literally no idea what it's like to shoot a 2D movie. I'd only shot things that were 7 minutes long with a video camera in my apartment with friends. — Todd Strauss-Schulson

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job. — Leonard Nimoy

I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture - the threat, the interrogation. But it didn't happen. The man just pulled a pistol out of his holster, raised it to the VC's head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.) — Eddie Adams

Do not be afraid of mistakes. They will be with you always,every time you put a camera to your eye. [If you] shoot safe, and don't at least occasionally court disaster, you are not trying. Time to hang up the camera. — Joe McNally

I waited a long time, an hour or two, to make that picture perfect. But I wasn't totally satisfied. Then, when I'd finished the shoot, they were about to leave and they suddenly hugged in front of a radiator. I took my camera and that was the picture that ran everywhere - it was spontaneous emotion you could see they were completely in love. — Mario Testino

Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along; it changed everything, because now you could shoot from the perspective of a person riding in the backseat of a car. — Vilmos Zsigmond

Something that I consider 'my invention', since I haven't seen it done anywhere before is 'Super-speed photography'. Now normal high-speed photography involves either a very fast camera at a high frame rate or the act of 'freezing' the motion using flash, while the actual exposure is actually quite long. For much of my high-speed photography with flash I was using shutter speeds of two seconds to give me time to break or shoot whatever my subject was and trigger the flash with a sound activated device. But then I started playing with the idea of using the flash trigger of the camera to actually cause the event. — Desmond Downs

I never had a "project." I would go out and shoot, follow my eyes ... I tried to capture with my camera, for others to see. — Helen Levitt

If you are walking down the street, camera in your hand, loaded and ready to shoot. You see a person falling from a high building, either having fallen or jumped. That person is falling through space. You don't shoot that photograph unless the theme you are working on has to do with the effects of space on the human figure. If you simply photograph that event because it is an event that is happening, you're doing photojournalism. — Leonard Nimoy

There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room. — Ethan Hawke

I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film. — Tamra Davis

When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play. — Graciela Iturbide

Just as a fisherman cannot catch fish unless his line is in the water, a wildlife photographer cannot shoot great wildlife images unless he or she is out there with camera in hand and the knowledge of what to do then the 'magnificent moment' occurs. — George H. Harrison

I always considered, with every shoot, I was on trial; every time I pick up my camera and start out on the relationship, I am at degree zero. There is no coasting. — Douglas Kirkland

Photography is an investigation of both the outer and the inner worlds. The first experiences with the camera involve looking at the world beyond the lens, trusting the instrument will 'capture' something 'seen.' The terms shoot and take are not accidental; they represent an attitude of conquest and appropriation. Only when the photographer grows into perception and creative impulse does the term make define a condition of empathy between the external and the internal events. — Ansel Adams

I shoot with a few different camera's. A Sony A6000 with several lenses and a Lumix LX100 with a beautiful Leica lens. I like to travel light so I can have it with me most of the time. I really try and document all the places we travel to. — Eliot Lewis

I was able to shoot a movie like 'Tree of Life' because I had done 'Y Tu Mama Tambien.' The camera needed to capture that sense of freedom and joy and life you have when you're young. — Emmanuel Lubezki

With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing. — Kelly Hu

The learning curve on soaps is through the roof because it's a three-camera setup. There's a master and then there's two singles. And the great thing about soaps, and soap actors will tell you, is that when you get your line wrong, they don't re-shoot it. They just cut to the person listening. — John C. McGinley