Camera And Girl Quotes & Sayings

I want Sam to stop liking Craig.
Now I guess maybe you think that's because I am jealous of him. I'm not. Honest. It's just that Craig doesn't really listen to her when she talks. I don't mean that he's a bad guy because he's not. It's just that he always looks distracted.
It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam.
I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better than the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because an older boy sees her that way. — Stephen Chbosky

The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form. — Francis Ford Coppola

I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it. — Kathleen Hanna

He leaned forward to inspect her closer. "Is that all hair?"
... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her - the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around.
"Wha - where'd she go?" Thorne's voice came to her through the screen.
"Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?"
"What? What did I say?"
" 'Is that all hair?' "
"Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah."
A beat. Then, "A cheetah?"
"It was the first big cat that came to mind. — Marissa Meyer

Amber was designed for life. She was designed for color and movement. She was not a girl born for the click of the camera's lens. No device could capture her, the way she was, the way she was meant to be. She was not born to be still or stationary. Without her color she was broken, a faulty image that could never be fixed. Without her voice she was nothing. Amber was gone. At that moment it was all clear to me. Everything to come was just a formality. — Matthew Crow

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden

Jim Pagliaroni joined the club tonight and is going to be a welcome addition. He was describing a girl that one of the ballplayers had been out with and said, "It's hard to say exactly what she looked like. She was kind of Joe Torre with tits." This joke can only be explained with a picture of Joe Torre. But I'm not sure any exist. He dissolves camera lenses. — Jim Bouton

Hardy's poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes it involves creating a picture, as in 'Snow in the Suburbs', which allows the eye to follow the cascading snow set off by a sparrow alighting on a tree; or it employs the camera effect, as in 'On the Departure Platform', which tracks the gradually diminishing form and disappearance of a muslin-gowned girl among those boarding the train. However, Hardy is also a poet of social observation. His humanistic sympathies emerge in a variety of poems drawing upon his experience of both Dorset and London. — Geoffrey Harvey

I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid. — Lady Gaga

The camera does a close-up on the girl who can miraculously see again. It cuts to the mother-in-law, then to the clueless husband. All at once, the credits run.
"Maldito sea!" Lila shoves the coffee table with her foot. "We have to wait to see that hussy get what's coming?"
"Please. You know what's coming." I rub perfume on my wrists and sniff. It's better than sour milk, and it reminds me of fancy department stores where I can only browse. I stuff a few samples in my pocket. "It's going to end the way all the novelas end. Everybody happy."
She shoos away my idea like it's a bad smell. "So what? Nobody gets happy the same way. That's what's interesting. — Meg Medina

American movies, English books - remember how they all end?" Gamini asked that night. "The American or the Englishman gets on a plane and leaves. That's it. The camera leaves with him. He looks out of the window at Mombasa or Vietnam or Jakarta, someplace now he can look at through the clouds. The tired hero. A couple of words to the girl beside him. He's going home. So the war, to all purposes, is over. That's enough reality for the West. It's probably the history of the last two hundred years of Western political writing. Go home. Write a book. Hit the circuit. — Michael Ondaatje

We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party. — David Gordon Green

The act is in itself a lie. You're faking something. The girl is lying there, she's pretending that she doesn't know the camera's on, she's getting banged, and "accidentally" it leaks out? Everyone leaks their own sex tapes! That's a ploy to get famous - that's not about the sex. It's not like when Madonna did her Sex book, and it was an artistic endeavor where she acknowledged it and spoke about it and was so upfront about it. It's different. It's not upfront. It's not honest. It's a ploy to get famous. — Kristen Stewart

I get so worried about girls with body image stuff And I feel like I have been able to have a fun career and be an on-camera talent and be someone who has boyfriends and love interests and wears nice clothes and those kinds of things without having to be an emaciated stick. And it is possible to do it. In life, you don't have to be that way and you can have a great life, a fun life, and a fulfilling love life. — Mindy Kaling

I'm more of a short-hair girl; short hair is a lot more low-maintenance than long hair. And when you're in front of camera every day and your hair is being flatironed and blow-dried it's easier to have a weave so you don't damage your own hair. — Nia Long

PERCIVAL: Now, who is telling the story?
SEVERIN: The camera is telling the story. It's watching everything, and you can't lie to it, or it will know.
PERCIVAL: My girl is so clever! No, the camera witnesses the story and records it, but it is outside the story. Like a very tiny god with one big, dark eye ... Which of [the characters] is the authority? Who controls how the story is told? And who is the audience, for whom all these wonderful things are meant?
SEVERIN: They are all telling the story to me. — Catherynne M Valente

I'm the drummer for Stage Dive." Mat set the crazily expensive camera on the seat beside him. "You can't order me around, child bride."
"It's so cute that you think that's still funny, calling me child bride." From her back jean pocket, Ev pulled out her cell. "Am I calling Anne to tattle on you for refusing to give Jimmy and Lena some privacy or not?"
"You wouldn't dare."
Her fingers moved across the screen. "Oh, I think I would."
David and Ben chuckled in ther manly way, but did as told and went back into the recording studio. They clearly weren't messing with the girl.
A second later, Mal followed. "I do not like you women all being friends. This is not okay."
"And you should tell your grilfriend all about it when you see her tonight. I'd love to know what she says." With a final wave, Ev followed him back inside the mixing room or whatever it was called. — Kylie Scott

Despite what film and music would have women believe, the guys are all hopeless when it comes to the female orgasm. They learn sex from watching porn, where giving the camera a good view is the goal and no one really cares if it works for the girl, because she'll pretend it's awesome regardless. Sex happens up close, and inside, not at camera's length. Guys seem to forget that. — Christina Lauren

What some highbrows call rapport is nothing more than a mild flirtation between photographer and the girl on the other side of the camera. Some models get so professional they can send hours flirting with the camera itself while the poor photographer is reduced to the role of spectator. — Sam Haskins

I preferred that option, where my camera (and by proxy, me) could look them straight in the eye. The way they reacted to me was always interesting. Sometimes hard young men would reveal vulnerability and a softer side. In the case of teenage girls, I often got a fascinating glimpse of the woman inside. — Derek Ridgers

Right now she looks calculating, staring at me like this. I want to grab my camera and take a picture of her. Something twirls in my stomach like ribbons, and I'm not sure if it's nerves or hunger or my reaction to the girl standing next to me. — Colleen Hoover

Here's the thing - Making out with a girl on camera - they're beautiful and soft, and I get why you guys are into it. — Laura Prepon

It was hard for me to do the show (All American Girl) because a lot of people didn't even understand the concept of Asian-American. I was on a morning show, and the host said, 'Awright, Margaret, we're changing over to an ABC affiliate! So why don't you tell our viewers in your native language that we're making that transition?' So I looked at the camera and said, 'Um, they're changing over to an ABC affiliate'. — Margaret Cho

These days, the selfie and its main outlet, Instagram, generally come in for much adult loathing. But consider this: The selfie is a tiny pulse of girl pride - a shout-out to the self. ... The selfie suggests something in picture form - I think I look [beautiful] [happy] [funny] [sexy]. Do you? - that a girl could never get away with saying. It puts the gaze of the camera squarely in a girl's hands, and along with it, the power to influence the photo's interpretation. — Rachel Simmons

I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun. — Pauly Shore

There are sexual things that I do that aren't for a man. I feel empowered sometimes by being sexy and being comfortable enough to be sexy on camera - a lot of woman [sic] struggle with that. But, there are some days that I don't want anyone to see me. I'm just a regular girl. Some days, I'm super-strong; some days, I'm super-insecure. But, I don't really identify with any particular label. I just speak my truth, and if people like it, they like it, and if they bash it, they bash it. — Nicki Minaj

I've got to get Brittany alone if I'm gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn't hate me? I've never seen that girl do anything not scripted or 100 percent intentional. She's a robot. Or so I thought. She's always looked and acted like a princess on camera every time I've seen her. Who knew it'd be my bloody arm that would crack her.
I look over at Brittany. She's focused on my arm and Miss Koto's ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me.
I'm sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where's a large chem book when you need one? — Simone Elkeles

Q What makes a question "beautiful"? A beautiful question reframes an issue and forces you to look at it in a different way. It challenges assumptions and is really ambitious. Often, these questions begin with the phrase "How might we..." They have a magnetic quality that makes people want to answer them, to talk about them, to work on them. They make the imagination race. The Polaroid camera came out of a 3-year-old girl's asking, "Why do we have to wait for the picture?" That's a beautiful question. — Anonymous

I've been in front of a camera since I was a little girl, and that's the medium I understand. — Samantha Morton

In my childhood I was obsessed with cameras but could not afford one. After much persuasion my father Harivansh Rai Bachchan bought me a box camera which I treasured for years. Initially I clicked trees and nature and as I grew up started noticing prettier things-motorbike, sleek cars and cool girls. But the hamartia of life is when you desire something you cannot afford it and when you are able to afford it you are too old to use it. Now I don't need all gadgets but it's satisfying to know that at least I can afford them. — Amitabh Bachchan

She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in. — Thomas Pynchon

I just think it's bad when a boy looks at a girl and thinks that the way he sees her is better than she actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. — Stephen Chbosky

I didn't react visually. This girl came up and knelt over the body and let out a God-awful scream that made me click the camera. (On photographing Mary Vecchio with slain student Jeffery Miller during the shootings of students at Kent State, April, 1970.) — John Filo

Why you like photography so much? Because it's just the camera and me showing everyone else what we can see. It's telling stories. — Lindsey Kelk