Buildings And Sky Quotes & Sayings

Life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was. — Cecelia Ahern

Have you noticed how nobody ever looks up? Nobody looks at chimneys, or trees against the sky, or the tops of buildings. Everybody just looks down at the pavement or their shoes. The whole world could pass them by and most people wouldn't notice. — Julie Andrews Edwards

And lastly from that period I remember riding in a taxi one afternoon between very tall buildings under a mauve and rosy sky; I began to bawl because I had everything I wanted and knew I would never be so happy again. — F Scott Fitzgerald

Here are the facts. He was standing and he fell. He fell and he kneeled. He kneeled and he bled. He bled and he died. He tell in a heap like any man and his blood spilled out like any blood; red as any blood, wet as any blood and reflecting the sky and the buildings and birds and trees, or your face if you'd looked into its dulling mirror
and it dried in the sun as blood dries. That's all. They spilled his blood and he bled. They cut him down and he died; the blood flowed on the walk in a pool, gleamed a while, and, after awhile, became dull then dusty, then dried. — Ralph Ellison

The limo pulled up to two crescent-shaped gold-plated buildings standing side by side, stretching high into the sky. The farther building said The Diamond Hotel, and the closer one The Diamond Residences. — Michelle Madow

I was transformed by picking up a pair of binoculars and looking up, and that's hard to do for a city kid because when you look up you just see buildings - and really, your first thought is to look in people's windows. So to look out of the space - out of living space - and look up to the sky, binoculars go far, literally and figuratively. — Neil DeGrasse Tyson

[And while people ran about proclaiming such things,] I could only think that everything exists because of loss. From the bricks of our buildings, from cement to human cells, everything exists because of chemical transformation, and every chemical transformation is accompanied by loss. And when I look up at the night sky I think: The astronomers have given every star a number. — Anne Michaels

Summer sky swallowed colour, but the sky of late August made colour ricochet back to earth, and there were sharp edges on all the buildings and curbs and even on the leaves of the trees and on the impatiens in the flowerbeds of all the towns through which Wayne travelled to reach Wally Michelin. — Kathleen Winter

The late-afternoon sky, in Paul's peripheral vision, panoramic and mostly unobstructed, appeared rural or suburban, more indicative of forests and fields and lakes - of nature's vast connections, through the air and the soil, to more of itself - than of outer space, which was mostly what Paul thought of when beneath an urban sky, even in daytime, especially in Manhattan, between certain buildings, framing sunless zones of upper atmosphere, as if inviting space down to deoxygenate a city block. — Tao Lin

The city lay cool and dim beneath a vaulting sky of high-scudding gray clouds. A gray shroud that covered the corpses of buildings, stiff in brick-and-steel rigor mortis, pale in their eternity of sooty death. — Harlan Ellison

The buildings appear to be glued together, mostly small houses and apartment blocks that looked nervous. There is murky snow spread out like carpet. There is concrete, empty hat-stand trees, and gray air. — Markus Zusak

In English and Arabic. Clearly, even personal shoppers had him pegged as a complete geek. The shopper also managed to find some supplies for our magic bags - blocks of wax, twine, even some papyrus and ink - though I doubt Bes explained to her what they were for. After she left, Bes, Carter and I ordered more food from room service. We sat on the deck and watched the afternoon go by. The breeze from the Mediterranean was cool and pleasant. Modern Alexandria stretched out to our left - an odd mix of gleaming high-rises, shabby, crumbling buildings, and ancient ruins. The shoreline highway was dotted with palm trees and crowded with every sort of vehicle from BMWs to donkeys. From our penthouse suite, it all seemed a bit unreal - the raw energy of the city, the bustle and congestion below - while we sat on our veranda in the sky eating fresh fruit and the last melting bits of Lenin's head. — Rick Riordan

So like--imagine each person is a unit, and each unit makes so many decisions in a day, and each decision takes each unit in so many directions, it seems kind of silly to think we'd never run into one another, you know? Especially considering units tend to cluster and linger."

"Consider this. You're flying in the sky, not in a plane, but with your arms and hands. Like a miraculous bird. You're thousands of feet above the earth, drifting through the night. The red lights are in constant motion, blinking, shuffling between buildings and trees and houses. Old ones disappear, new ones are born. Over time, you notice the lights bump into one another occasionally. Are you surprised?"

I shook my head. "No."

"I call it the inevitability of corresponding units. — David Arnold

Above and about me all was space. The sky was hazy blue, and from this vantage point, I could see all the way down the Via Roma, at the far end of the forum, to the bay. Its waters sparkled invitingly and I slowed, feeling my amictus fluid with my motion and the moving air. Even the cobbled ground seems happy to bounce its sound of hurrying feet to the buildings ringing us, and hear it back again. — Amy Rachel Peterson

Look at us. We build giant highways and murderously fast cars for killing each other and committing suicide. Instead of bomb shelters we construct gigantic frail glass buildings all over Manhattan at Ground Zero, a thousand feet high, open to the sky, life a woman undressing before an intruder and provoking him to rape her. We ring Russia's borders with missile-launching pads, and then scream that she's threatening us. In all history there's never been a more lurid mass example of the sadist-masochist expression of the thanatos instinct than the present conduct of the United States. The Nazis by comparison were Eagle Scouts. — Herman Wouk

I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun - curved over the dip of the horizon like a solid gold archway - lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous - one of the best I've ever seen. — Lauren Oliver

Mumbai is different! It's busy, it's dusty, it's posh, it's different from everything I've ever known. You can barely see the sky, hidden behind the tall buildings, the moon seems so detached, the trees look indifferent and distant. — Debalina Haldar

War is not two great armies meeting in the clash and frenzy of battle. War is a boy being carried on a stretcher, looking up at God's blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorsa for the son she has given. — Mary Roberts Rinehart

The buildings of the farm, a shade darker than the sky, could now be distinguished in the gloom, a little distance on, and as Flora and Adam were slowly approaching them, a door suddenly opened and a beam of light shone out. Adam gave a joyful cry.
'Tes the cowshed! 'Tes our Feckless openin' the door fer me!' And Flora saw that it was indeed; the door of the shed, which was lit by a lantern, was being anxiously pushed open by the nose of a gaunt cow.
This was not promising. — Stella Gibbons

All the buildings lining rue de Conservatoire are constructed of cream marble or limestone. When I went outside today, the sky was pale and fierce, on the very cusp of rain. From the top of the church and the conservatory, the contrast was almost imperceptible, as if marble and air danced cheek to cheek. — Eloisa James

If only i could get that under control then i feel like i could stay here a long time, watching the days leaking into the nights, swilling over the buildings, bleeding back again.
I could lie and not think of anything but ways to describe the sky, the clouds, the light. — Gwendoline Riley

The noise of Manhattan woke me as effectively as a jolt of caffeine. The blaring of horns and the thud of tires over a manhole cover invigorated me. Rapid-moving streams of pedestrians flanked both sides of the clogged street, while buildings stretched ambitiously toward the sky, keeping us in shadow even as the sun climbed. — Sylvia Day

A cool white, wintry light glazed the buildings on the highest hill: Will's memorial, the unsightly chimney from the hospital, the modernist cathedral in Clifton. The jumble of styles and eras lent the city the semblance of a medieval Roman town. Laura drove the long way round, up past the Clifton Suspension Bridge, strung like an a engineer's dream over a river sinking into the mud. Leigh Woods was on the far side, the trees dark, bereft of leaves, clawing at the sky. — Sanjida Kay

The building is as grey as the pavement below and the
sky above, appearing as impermanent as the clouds, as though it could vanish into the air without notice. Nondescript grey stone renders it indistinguishable from the surrounding buildings save for a tarnished sign hanging by the door. Even the headmistress inside is clad in a deep charcoal. Yet the man in the grey suit looks out of place. — Erin Morgenstern

The sky was always full of birdsong and evening smells, piano music from a window, the stone buildings glowing against the blue, like cream poured over something tart and hot. — Olivia Sudjic

Slowly the sky turned from the color of cornflower to that of hyacinth, and the Ferris wheel at Coney Island appeared like a ring of diamonds against the twilight. New York-that city made of canyons between tall buildings, and ornate houses filled with glittering things that might trap a girl forever-was nothing more than a few dots on an infinite landscape. The atmosphere was crystalline and afforded her a perfect view. Only from this place was she able to see how limited the city was, after everything, and how wide open the world could all of a sudden become. — Anna Godbersen

Tell it, Fanny. About the crowds, streets, buildings, lights, about the whirligig of loneliness, about the humpty-dumpty clutter of longings. And then explain about the summer parks and the white snow and the moon window in the sky. Throw in a poignantly ironical dissertation on life, on its uncharted aimlessness, and speak like Sherwood Anderson about the desire that stir in the heart. Speak like Remy de Gourmont and Dostoevsky and Stevie Crane, like Schopenhauer and Dreiser and Isaiah; speak like all the great questioners whose tongues have wagged and whose hearts have burned with questions. He will listen bewilderedly and, perhaps, only perhaps, understand for a moment the dumb pathos of your eyes. — Ben Hecht

Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery. — Yukio Mishima

I can't get over the exciting beauty of New York - the pencil buildings so high and far that the blueness of the sky floats about them; the feeling that one's taxis, and shopping, all go on in the deep canyon-beds of natural erosions rather than in the excrescences of human builders. — Freya Stark

In the street, he turned west and walked against a tide of blank-eyed, gum-chewing faces. A taxi went over a manhole cover, clink-clank. Steam was rising from an excavation at the corner. The world was like a puzzle with half the pieces missing. What was the pont of all these drab buildings, this dirty sky? — Damon Knight

My project could be only to photograph as I felt and desired, to regulate a pleasant form of living, to get up in the morning-free, to feel the trees, the grass, the water, sky or buildings, people-everything that affects us; and to photograph that which I saw and have always felt. — Harry Callahan

Lincoln grinned. "The Academy owns a number of buildings. There are walkways between them." I couldn't take my eyes off the sky folk. "There are people wandering around in the sky, Linc. Explain this to me." He laughed one of his low, secretive laughs. One that echoed through my entire body. One that told me he adored me. One that somehow I knew, out of everyone in the world, was reserved for me. The laugh that broke my heart. Breathe. "I'm glad you find me amusing. Less laughing, more telling!" He laughed again and I was about a second away from either throwing a punch or throwing myself at him when a woman's voice caught our attention. "I — Jessica Shirvington

There was one of those sunsets beginning - the kind we've been having for months. Buildings and telephone poles were punched black against a watercolour sky into which fresh colour kept washing and spreading, higher and higher. We've never seen so high before; every day the colours go up and up to a hectic lilac, and from that, at last, comes the night. People carry their drinks outside not so much to look at the light, as to be in it. It's everywhere, surrounding faces and hair as it does the trees. It comes from a volcanic eruption on the other side of the world, from particles of dust that have risen to the upper atmosphere. Some people think it's from atomic tests; but it's said that, in Africa, we are safe from atomic fallout from the Northern Hemisphere because of the doldrums, an area where the elements lie becalmed and can carry no pollution. — Nadine Gordimer

The sky above the buildings outside their apartment windows is the color of a dusty chalkboard, and the light coming down onto the street is exactly the color of boredom. — Jennifer Egan

I've been good at this world, the one that hits you when you are born and makes you cry right from the start, so that crying is your first language. I've learned what I was supposed to learn, bu now it comes to me that in doing so I've unlearned other things. I've lost my sense; I cannot sense things. Yes, we are a shambles. And maybe Ama found the way; she found it when all the paths were washed away by rivers from the sky, when all the buildings were blown down by the breath of a God. For just one day, that one day, she found a way out of that shambles, a way around it. And it's this I want to find. But now she has no path back, no way to return even if she wanted to be here in this America. She will always live away from this world, in something of a twilight that is not one thing or the other, one time or the next. She lives in a point, a small point, between two weighted things and it is always rocking this scale, back and forth. — Linda Hogan

We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery. — Alain De Botton

It was the kind of pure, undiffused light that can only come from a really hot blue sky, the kind that makes even a concrete highway painful to behold and turns every distant reflective surface into a little glint of flame. Do you know how sometimes on very fine days the sun will shine with a particular intensity that makes the most mundane objects in the landscape glow with an unusual radiance, so that buildings and structures you normally pass without a glance suddenly become arresting, even beautiful? Well, they seem to have that light in Australia nearly all the time. — Bill Bryson

Nevertheless, we react to one a bit differently than we do to Rothko's hovering panels or Barnett Newman's stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. ... The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved. — John Updike

There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in a sky, but they were content to think of the distant street lights as planets and stars. If the lights prevented you from seeing the heavens, then preform a little magic and change reality to fit the need. The street lights were now planets and stars and moon. — Hubert Selby Jr.

I realized a school doesn't need a School Committee or Trustees or Governors or lumber or approved textbooks. All a school needs is a mind that sends and minds that receive. I shall teach my own students how to teach themselves. My own school. No buildings. Break out of the classroom prison. All I need is SKY. The Universe can be my classroom - the great vast world of the Concord countryside. — Henry David Thoreau

I needed real help in New York and I had no friends. I looked up at those buildings, I couldn't see the sky or nothing, and I said, 'Well, there ain't no mountain high enough,' and I just started - the words just fell out of my mouth, really. — Nickolas Ashford

Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye. — Ralph Ellison

I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pesthole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body. — Ayn Rand

He had a mighty urge to pull out his pistol and let loose in every directon, right into the coffeehouse, smack through it's glass windows, till there was nothing but crashing and tinkling, right into the middle of the ruck of cars or simply into the middle of one of the gigantic buildings across the way, those ugly, tall, menacing buildings, or into the air, straight up, into the heavens, yes, into the hot sky, into the horrible, oppressive, vaporous, pigeon blue-grey sky, bursting it, sending the leaden lid crashing with one shot, smashing down and pulverizing everything and burying it all, all of it, the whole miserable, dreary, loud, stinking world ... — Patrick Suskind

She quietly stretched out a hand, and Tengo took it. The two of them stood there, side by side, as one, wordlessly watching the moon over the buildings. Until the newly risen sun shone upon it, robbing it of its nighttime brilliance. Until it was nothing more than a gray paper moon, hanging in the sky. — Haruki Murakami

I grew up in a big sky country. Then I lived in Manhattan, where you can only see the sky between buildings, and then I went into a building where you couldn't see the sky at all. I didn't like that so much. — Linda Ronstadt

Pilgrims from all over the world were making their way to the place deemed the pearl of the Middle East. The city was reminiscent of a modern-day Persepolis. Its buildings, like towering pillars, tested the sky's limit. The evenly paved roads belched with the smell of new tarmac, as if a million masons woke up every morning and by hand lay asphalt one grain at a time. People of all colors, ethnicities, creed and social statuses came bearing money, knowledge or experience in order to build their legacies in the new kingdom, sprouting out of the desert.
Dubai had arrived. — Soroosh Shahrivar

The light bounced off the water and shimmered against the buildings on the other side of the river. Joseph walked, listening to the sound of what was beneath his feet, and soon he noticed he was alone. He turned and saw Frankie had stopped beside Albert and filled her jacket pockets. Looking at the two of them, Joseph wondered for a moment if Leo had ever come down here to go mudlarking, his red hair shining in the sun. the vision seemed so vivid, but then Joseph remembered that Leo wasn't real, and the boy dissolved like smoke into the winter sky. — Brian Selznick

I was thankful that nobody was there to meet me at the airport.
We reached Paris just as the light was fading. It had been a soft, gray March day, with the smell of spring in the air. The wet tarmac glistened underfoot; over the airfield the sky looked very high, rinsed by the afternoon's rain to a pale clear blue. Little trails of soft cloud drifted in the wet wind, and a late sunbeam touched them with a fleeting underglow. Away beyond the airport buildings the telegraph wires swooped gleaming above the road where passing vehicles showed lights already. — Mary Stewart

How could anarchy be any worse for the general welfare than this? I say let the city go bankrupt, the buildings fall, let grass take over Fifth Avenue. Let birds nest in storefronts, whales swim up the Hudson. We can spend mornings hunting for food, and afternoons fornicating, and at night we'll dance on the rooftops and chant shantih shantih at the sky. — Garth Risk Hallberg

The faint metallic smell of the falling snow surrounds her. calm yourself. Listen. Cars splash along streets, and snowmelt drums through runnels; she can hear snowflakes tick and patter through the trees. She can smell the cedars in the Jarin des Plantes a quarter mile away. Here the Metro hurdles beneath the sidewalk; that's the Quai Saint-Bernard. Here the sky opens up, and she hears the clacking of branches: that's the narrow stripe of gardens behind the Gallery of Paleontology. This, she realizes, must be the corner of the quay and rue Cuvier. '
Six blocks, forty buildings, ten tiny trees in a square. This street intersects this street intersects this street. One centimeter at a time.
Her father stirs the keys in his packets. Ahead loom the tall, grand houses that flanked the gardens, reflecting sound.
She says, we go left — Anthony Doerr

And soon all the people who had accompanied me through life would be gone, too, and then even the people who had known us, and no one would remain on earth who had ever seen us, and those descended from us perhaps would know stories about us, perhaps once in a while they would pass by buildings where where we had lived and they would mention that we had lived there. And then the stories would fade, and our graves would go untended, and no one would guess what it had been like to wake before dawn in our breath-warmed bedrooms as the radiators clanked and our wives and husbands and children slept. And we would move from the nearer regions of the dead who are remembered into the farther regions of he forgotten, an on past those, into a space as while and big as the sky replicated forever. — Ian Frazier

In the open sky above the hushed streets, the moon was a porcelain plate on a black table as I walked home. A breeze raised the collar of my jeans jacket as I sliced through the silvery silence, past unlit buildings and quivering trees and cars idle by the curb. The air felt like glass. I crossed empty corners under the mauve light of overhead lamps. — Andrew Cotto

If you could go anywhere, just holding onto the tail of that kite, where would it be?" I asked Millie, my eyes on the sky, thinking about the places I'd been. "Or is traveling kind of a scary thought?"
"No. It's not scary. Just unrealistic. There are lots of places I'd like to go even though I wouldn't be able to see them. I could still press my hands against the walls and soak them in. Buildings soak up history, you know. Rocks do too. Anything that's been around a while." Amelie paused as if waiting for me to snicker or argue. But my best friend can see dead people. I have no doubt that there is a lot we don't understand. And I can accept that. It's easier than trying to figure it all out.
"It's true!" Millie added, even though I hadn't argued at all. — Amy Harmon

Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high. — Tim Burton

VII
From my village I see as much of the universe as can be seen
from the earth,
And so my village is as large as any town,
For I am the size of what I see
And not the size of my height ...
In the cities life is smaller
Than here in my house on top of this hill.
The big buildings of cities lock up the view,
They hide the horizon, pulling our gaze far away from the
open sky.
They make us small, for they take away all the vastness our
eyes can see,
And they make us poor, for our only wealth is seeing. — Fernando Pessoa

I have so much love for you, I could fill rooms with it. Buildings. You're surrounded by it wherever you go, you walk through it, breathe it ... it's in your lungs, and under your tongue, and between your fingers and toes ... His mouth moved passionately over hers, urging her lips apart. It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep ... a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis. Or at least that was how Poppy felt about it. — Lisa Kleypas

In New York the sky is bluer, and the grass is greener, and the girls are prettier, and the steaks are thicker, and the buildings are higher, and the streets are wider, and the air is finer, than the sky, or the grass, or the girls, or the steaks, or the air of any place else in the world. — Edna Ferber

They say you never forget your first glimpse of Gehenna. Over the tall buildings the sky swirls with orange and red, true titian, a feature of the unique atmosphere. Of course that same air would kill human beings; hence they built the entire city inside a dome. Eternal sunset, that's why the place is so wild. You know the feeling you get, just before full dark? Sundown makes you feel like the world burgeons with possibility, and that's Gehenna for you.
Like any other romantic notion, it's based on bullshit, of course. Gehenna isn't the land of eternal sunset and infinite potential. The gas in the atmosphere just makes it impossible to see the sun. — Ann Aguirre

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die. — W. H. Auden

No longer just "a dull bunch of grey buildings with grey people who worked with slide rules and wrote long equations on blackboards," NASA, the public now believed, was all that stood between them and a Red sky. — Margot Lee Shetterly

Andras went through the Sortie doors and walked out into a city that no longer contained his brother. He walked on benumbed feet in the new black Oxfords his brother had brought him from Hungary. He didn't care who passed him on the street or where he was going. If he had stepped off the curb into the air instead of down into the gutter, if he had climbed the void above the cars and between the buildings until he was looking down at the rooftops with their red-clay chimney pots, their irregular curving grid, and if he had then kept climbing until he was wading through the slough of low-lying clouds in the winter sky, he would have felt no shock or joy, no wonder or surprise, just the same leaden dampness in his limbs. — Julie Orringer

When night falls over Washington, D.C., memorials, public buildings, and broad avenues become ethereal shapes in soft light and shadow. Floodlights, piercing the darkness, etch familiar landmarks in silver against a velvet sky. Unsuspected definition of form and contour is revealed. — Volkmar Wentzel

Sitting here on the steps of the Supreme Court smoking weed, under the "Equal Justice Under Law" motto, staring into the stars, I've finally figured out what's wrong with Washington, D.C. It's that all the buildings are more or less the same height and there's absolutely no skyline, save for the Washington Monument touching the night sky like a giant middle finger to the world. — Paul Beatty

Geometry ... is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics ... the light in buildings can be drawn from fixed quarters of the sky ... Difficult questions involving symmetry are solved by means of geometrical theories and methods. — Marcus Vitruvius Pollio

There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It's fairyland thought Richard. — Neil Gaiman