Brown Skin Girl Quotes & Sayings

I remember I went through a period where I didn't embrace my 'chocolatiness.' I don't know if that's a word, but I didn't embrace my chocolate lifestyle. Just being a chocolate, lovely brown skin girl and being proud of that. — Kelly Rowland

And then there she was, a girl of elegant height, perhaps eighteen or nineteen years of age - gawky and coltish, all long legs and arms, but with the promise of stunning beauty to add graceful curves to the lean lines of her body. She was dressed in a pair of my blue jeans, cut off at the tops of her muscled thighs, and my own T-shirt, tied off over her abdomen. A pentacle amulet, identical to my own, if less battered, lay over her heart, between the curves of her modest breasts. Her skin was pale, almost luminous, her hair a shade of brown-gold, like ripe wheat, her eyes a startling, storm-cloud grey in contrast. Her smile lit up her face, — Jim Butcher

She had a woman's swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body
of no interest to me at the time
was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn't laugh; the girl filled that silly one-piece ensemble as if it were couture. — Jake Vander Ark

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

You see, when we met I thought, "There's a brown mouse of a girl with a sharp tongue," and then before I knew what was happening I was in love with you. Oh, I did my best to ignore it, and I thought that if I ignored you too I'd be safely back in my bachelor state in no time - only it didn't work out like that. You were under my skin, in my bones, my very heartbeat. And I'd gone out of my way to make you dislike me so that it would be easier for me to get over you. Only I haven't done that, my darling. — Betty Neels

Wouldn't it be cool to be single in a bygone area? I take a girl to a drive-in movie, we go have a cheeseburger and a malt at the diner, and then we make out under the stars in my old-timey convertible. Granted, this might have been tough in the fifties given my brown skin tone and racial tensions at the time, but in my fantasy, racial harmony is also part of the deal. — Aziz Ansari

I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb. — Sister Souljah

But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble - hard, but smooth and supple at the same time.
He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist.
Given the angle, I couldn't tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better. — Jennifer Estep

I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean. — William Hjortsberg

Surely such a pure, perfect sound could not be coming from the skinny little girl in the dreadful pink dress? But as he watched Rosanna, he no longer saw her sallow skin, or the way she seemed to be all arms and legs. Instead, he saw her huge, expressive brown eyes and noticed a hint of colour appear in her cheeks as her exquisite voice soared to a crescendo. — Lucinda Riley

And girl-women, women, curved like instruments or fruit, skin burnished brown-bright, suit tops held by delicate knots of fragile colored string against the pull of mysterious weights, suit bottoms riding low over the gentle juts of hips totally unlike your own, immoderate swells and swivels that melt in light into a surrounding space that cups and accommodates the soft curves as things precious. You almost understand. — David Foster Wallace

The marquess lifted his palm to her, a man held in wind-tousled grace, waiting; still as the eye of a tempest was still, inexorable force only momentarily at bay. The heels of his shoes rested at the very, very edge of the rooftop. If the wind changed, if he lost his balance-
Beyond him were only trees and sky, the dark-misted storm sweeping emerald hills up to heaven.
"You are mad," Rue said again, but she found herself moving toward him. His fingers closed over hers; he raised her hand to his mouth and held it there, warming her skin with his.
"I prefer the word dashing.'
She huffed a breath, almost a laugh.
"Oh, and one more thing." Above their locked fingers he granted her a new smile, this one slow and blazingly sensual. "Little brown-haired girl ... I did notice you."
He Turned to smoke.
-Rue & Kit — Shana Abe

It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer
large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it.
"Who are you?" Meera Reed was asking.
Bran knew. "She's a child. A child of the forest. — George R R Martin

He stopped, gazing at the girl who stood before it. The man guessed the child to be ten years old. She had dark brown hair to her neck with ends that showed curls, ivory skin and large eyes of sapphire blue. Thin and barefooted, with soot on her face she wore an old, tattered white dress. As the child turned to look at him, the man thought she must be an orphan beggar and he was unable to tear his face away from her eyes. Those bright blue eyes filled with an incomprehensible sadness. What pain did she carry? — Suilyaniz Cintron

Autumn comes
like a buyer of cloth,
her long fingers
touching,
turning orange,
yellow, brown.

taking what she wants,
stretching
the bone taut air.

Her skin crackles beneath
our feet.

I didn't think anyone wanted me,

bruises pulled
like a sweater around
my neck.

We talk
in the pore tightening air,
branches bare,
about the girl buried in the chill
of prewinter.

We show each other
our mutilated children
in the guise of women
as autumn plucks
at our lips.

Each color,
blue, black, ochre
popping like kisses
on the rib lined flesh,
the puberty soft things.

And we muse
how women
keep bruises
hidden
beneath dead
leaves. — Janice Mirikitani