Quotes & Sayings About Broken Chairs

Are broken windows a new decorating theme around here?" Archer asked, coming up behind Jenna and me and poking his head into the parlor.
"So it would seem," I said. I was still looking outside when a faint light appeared in the gloom. It took me a minute to realize that it was from Cal's cabin. Was someone out there? Was Cal out there?
But just as quickly as it had appeared, the light went out again. Frowning, I turned from the doorway, and I went to slip my arm through Archer's. Then I remembered what Nausicaa had said earlier. Now wasn't exactly the best time for PDA, probably.
The three of us trailed behind everyone else into the ballroom. Here, at least, things looked more or less the same. Of course, the ballroom had always been one of the more bizarre rooms at Hex Hall, so that didn't say much. Still, I was relieved to see the familiar jumble of tables and chairs and not, like, tree stumps or whatever. — Rachel Hawkins

Thus it is that four strangers sit in the red chairs, strip off their socks, plunge their feet into the ink-baths, and hold hands under an amphibian stare. This is the first act of anyone entering Palimpsest: Orlande will take your coats, sit you down, and make you family. She will fold you four together like Quartos. She will draw you each a card - look, for you it is the Broken Ship reversed, which signifies Perversion, a Long Journey without Enlightenment, Gout - and tie your hands together with red yarn. Wherever you go in Palimpsest, you are bound to these strangers who happened onto Orlande's salon just when you did, and you will go nowhere, eat no capon or dormouse, drink no oversweet port that they do not also taste, and they will visit no whore that you do not also feel beneath you, and until that ink washes from your feet - which, given that Orlande is a creature of the marsh and no stranger to mud, will be some time - you cannot breathe but that they breathe also. — Catherynne M Valente

It's an old song that's been played on all the jukeboxes in America. The song has been around so long that it's been recorded on the very dust of America and it has settled on everything and changed chairs and cars and toys and lamps and windows into billions of phonographs to play that song back into the ear of our broken heart. — Richard Brautigan

GOVERNOR. And then I must call your attention to the history teacher. He has a lot of learning in his head and a store of facts. That's evident. But he lectures with such ardor that he quite forgets himself. Once I listened to him. As long as he was talking about the Assyrians and Babylonians, it was not so bad. But when he reached Alexander of Macedon, I can't describe what came over him. Upon my word, I thought a fire had broken out. He jumped down from the platform, picked up a chair and dashed it to the floor. Alexander of Macedon was a hero, it is true. But that's no reason for breaking chairs. The state must bear the cost. — Nikolai Gogol

She could feel the coolness, a whole childhood of it, falling through her. Rain on the coral beach in Galway. White tennis balls on the broken court. Her brother at his shortwave radio. A nest of wires and voices. Her father's cattle huddled on a laneway. The broken church bell. A grass verge of green in the laneway. High windows. Too tall for the school chairs. The milk came in small silver cans. She would not cry or whimper. She had always refused him that. — Colum McCann

Satin occupied a couple of rooms which a chemist had furnished for her in order to rescue her from the clutches of the police; but in little over a year she had broken the furniture, knocked in the chairs and dirtied the curtains in such a frenzy of filth and disorder that the two rooms looked as if they were inhabited by a pack of mad cats. — Emile Zola

Holes BY LOUIS SACHAR
"Nearly everything in the room was broken; the TV, the pinball machine, the furniture. Even the people looked broken, with their worn out bodies sprawled over the various chairs and sofas." (p.43)
This is Stanley's view of the "wreck room" at Camp Green Lake. It is the one place the boys are allowed to relax somewhat and they have trashed it. The inhumanity of the camp has possessed the boys. Stanley sees this room as a reminder that the boys have the capacity for violence, and he does not want to mess with the other campers. — Louis Sachar