Book Character Quotes & Sayings

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

When you adapt a book to a film, you take all the best parts and put them into an hour and 15 minutes and have to compromise on the characters. — Channing Tatum

The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon. — Donald Ray Pollock

The readers are very similar. The books they know, the questions they ask, the characters they like. That is similar. — Gabriel Ba

We must also remember some of the key lessons of Scripture. In our weakness he is strong. He can use suffering to strengthen our character. He can use evil to accomplish good (precisely the nature of the discussion in the book of Habakkuk). God's sovereignty is demonstrated in that whatever personal or nonpersonal agents do, God takes it and turns it to his purpose. — John H. Walton

It is obvious that the aspects of mystery which gather round the word "election" are not confined to it alone. An important class of words, such as "calling," "predestination" "foreknowledge," "purpose," "gift," bears this same character; asserting or connoting, in appropriate contexts, the element of the inscrutable and sovereign in the action of the Divine will upon man, and particularly upon man's will and affection toward God. And it will be felt by careful students of the Bible in its larger and more general teachings that one deep characteristic of the Book, which with all its boundless multiplicity is yet one, is to emphasize on the side of man everything that can humble, convict, reduce to worshipping silence (see for typical passages Job 40:3, 1; Ro 3:19), and on the side of God everything which can bring home to man the transcendence and sovereign claims of his almighty Maker. — James Orr

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

The Blood She Betrayed is unique, and Shahkara, the character, is one of the most engaging strong female role models I've seen in a long time. This girl can handle herself! The plot is full of ingenious twists, turns and surprises, and I look forward to reading the next book in the series. — L.J.Smith

DISC is based on concepts created in 1928 by a psychologist named William Marston, who also created the comic book character Wonder Woman. That tells you pretty much all you need to know about DISC. Other — Dan Lyons

I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures. — Ang Lee

I'd say that what I do is like a crack in the mirror. If you go back over the books from Carrie on up, what you see is an observation of ordinary middle-class American life as it's lived at the time that particular book was written. In every life you get to a point where you have to deal with something that's inexplicable to you, whether it's the doctor saying you have cancer or a prank phone call. So whether you talk about ghosts or vampires or Nazi war criminals living down the block, we're still talking about the same thing, which is an intrusion of the extraordinary into ordinary life and how we deal with it. What that shows about our character and our interactions with others and the society we live in interests me a lot more than monsters and vampires and ghouls and ghosts. — Stephen King

The legal system doesn't always serve as a good guide for your conscience. You can step way over the ethical line and still be inside the law. The same thing goes for rules, policies and procedures - you know, the organization's "internal laws." You can "go by the book" and still behave unethically. Still not move beyond mediocrity. High standards-the ethics of excellence-come to life through your basic values, your character, integrity and honesty. Obeying the law is the bare minimum. — Price Pritchett

Can we really put Ben (hereby representing all men) on such a pedestal? Having tamed those beasts set aside for him, is it not like Ben to seek out that which has historically (regardless of how brief a history) been set aside for women? Woolf criticizes the masculine in her work with the repetition of the phrases uttered by that inconsiderate individual who makes the claim that women cannot paint or write. Is Ben not committing the same crime as that unfortunate character?
In stating "[b]etter like this, bitch," Ben employs a word that I would consider to be demasculinizing, rather than feminine. In using the word bitch, he seizes this scholarly investigation and, if you will, pisses on it, claiming it as his own. His statement is an outright challenge. This is a book I stole from women, and I urinated on it. You'd better appreciate my conquest or I will also urinate on you. — Caris O'Malley

Making 'Birdsong,' on the one hand you have how prestigious it is and the reputation of the book, which is something that's an extraordinary piece of work. Sebastian Faulkes is a genius. So you feel that responsibility when you're portraying that character that he's imagined and millions of readers have pictured. — Eddie Redmayne

Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders. — William Golding

The Bible was penned by men. The Epistles of Paul were penned by that evangelist salesman and his students, desperate to bring mystery and excitement into a quiet philosophy, turning it into a religion promising the secret of an afterlife, answers to questions that previously no one could answer. Always remember, words written by men have an agenda. Sometimes their agenda is for the better, but it's usually for the self, and that almost always leads down a dangerous path."

~Character Mark from The Awakening, book one of The Judas Curse series. — Angella Graff

Why can't God just defeat the devil and get rid of evil? It's the same reason the comic book character can't get rid of his nemesis; then there's no story. — Bill Maher

If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think. — Miranda Otto

The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone. — Tom Hiddleston

No one will be alive by the last book. In fact, they all die in the fifth. The sixth book will be just a thousand-page description of snow blowing across the graves ... — George R R Martin

All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words. — Ralph Waldo Emerson

With thought, patience, and discrimination, book passion becomes the signature of a person's character. — Nicholas A. Basbanes

For several thousand years man has been in contact with animals whose character and habits have been deformed by domestication. He has ended by believing that he understands them. All he means by this is that he is able to rely on certain reflex actions which he himself has implanted in them. He will flatter himself at times on the grasp of animal psychology which has brought him the love of the dog and the purr of the cat; and on the strength of such assumptions he approaches the beasts of the jungle. The old tag about nature being an open book is just not true. What nature offers on a first examination may appear to be simple but it is never as simple as it appears. — Hans Brick

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life. — Dan Alatorre

If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation. — James Franco

With a few sentences, the authors attempt to counteract the unscrupulous messages endemic to the title, content, and imagery of their book. This attempt fails, but speaks strongly to the character of our culture that even a book that earnestly wants to be about saving animals must resort to destroying women. — Kim Socha

I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it? — George R R Martin

We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters. — Matt Fraction

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out. — Nick Earls

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that. — Melissa Rosenberg

After everything I'd lived through, I was not going to be reduced to a one-sentence definition. — Maggie Stiefvater

I love this book! Cathy Malkasian's Percy Gloom swirls with echoes of cartoon landscapes from the past and present. You can almost hear Percy Gloom's meek, docile little voice. Her writing is so full of wit and charm that we, like the title character, walk dutifully to the edge and fall in. And like Percy, we are rewarded equally with night terrors and secret treasures. — Jeff Smith

literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition. — Bret Lott

Life is a book that someone else is reading - and you, a key character - hence the need for continual conflict and resolution. We can't have any boring books. — Richelle E. Goodrich

Every man is an original and solitary character. None can either understand or feel the book of his own life like himself. — Richard Cecil

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

I believe being a 'gentleman' goes well beyond holding the door for a girl and letting her go before you. It's about being vulnerable for her. I think that when it comes to the way we treat women, it's a good idea to look to the way Jesus treated women.

He laid His life down for His bride,

He sacrificed for her,

He lowered Himself for her,

He was vulnerable for her.

We must love women vulnerably in the same way that Jesus loved His bride vulnerably. Being a gentleman is far more than being caring and thoughtful, it's about possessing sacrificial and vulnerable Christ-like characteristics. I don't know if it's possible to be a gentleman without knowing and representing the character of Jesus. — Cole Ryan

It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character. — Alissa Nutting

All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another. Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes
characters even
caught in the fibers of your clothes, and when you open the new book, they are still with you. — Diane Setterfield

I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. — Fernando Pessoa

I'm going to be super successful one day, and I'm going to write a book. It's going to be a kickass autobiography. And this is how it always happens in the book. This is just that part of the book where the character is going through hard times. This is that sucky part of the story. Just get through a few more pages, and it's going to have an amazing ending. — Ronda Rousey

Spiderman was my favorite comic book character growing up. I'm a geek, so I love the fact Peter Parker is into science. And I gravitate towards short guys. I'm 5' 9" now, but in junior high, I got picked on because I was 4' 8". — Josh Keaton

I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters. — Oren Moverman

Make sure your characters are worth spending ten hours with. That's how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you've created? Your characters can be loveable, or they can be evil, but they'd better be compelling. If not, your reader will be bored and leave. — Po Bronson

Books can change your life. Some of the most influential people in our lives are characters we meet in books. — David McCullough

The character I play has all these revolutionary ideas. I think the classic thing is that majority people who are criticising it probably have never read the books, and need to. And I'm sure that the Catholic Church, which is being directed as you know, can handle it. — Daniel Craig

She felt like a fictional character who'd escaped the book in which her creator had carefully and kindly trapped her, taken a pair of scissors to her outline and leaped, free ... — Kate Morton

Isn't breaking a supervillian out of jail a little ... much? — Kirstin Van Dyke

It is a work of psychogeography, albeit in a less explicit sense than Iain Sinclair's or Will Self's. It had to be fiction though, because I needed that freedom of including whatever belonged, and cutting out whatever didn't. The main fiction in it was matching Julius' generous and self-concealing character to New York's generous and self-concealing character. I think this also adds to my answer about New York's personality in the book. — Teju Cole

The life of reality is confused, disorderly, almost always without apparent purpose, where in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form - to make it true and real to the theme, not to life ...
I myself remember with what a shock I heard people say that one of my own books, Winesburg, Ohio, was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not. — Sherwood Anderson

I write a book of poems and then the characters won't go away so I write a play from that. — Grace Cavalieri

I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other people, or the characters, or a character from a book. — Penelope Cruz

The principal object of your reading should be for the acquisition of useful knowledge , and the strengthening, refining, and ennobling of your character. — Grenville Kleiser

I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not? — T.C. Boyle

In the initial season of a show, you're figuring out your character and their life and their background and you're putting together all the chapters of the book. — Sophia Bush

Thousands and thousands of books are thrown on the market every year
presenting some new variant of the personal romance, some tale of the vacillations
of the melancholic or the career of the ambitious. The heroine of Proust requires
several finely-wrought pages in order to feel that she does not feel anything. It
would seem that one might, at least with equal justice, demand attention to a
series of collective historic dramas which lifted hundreds of millions of human
beings out of nonexistence, transforming the character of nations and intruding
forever into the life of all mankind. — Leon Trotsky

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

So this is supposed to be the how, and when, and why, and what or reading - about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time. "We talked about books," says a character in Charles Baxter's wonderful Feast of Love, "how boring they were to read, but how you loved them anyway. Anyone who hasn't felt like that isn't owning up. — Nick Hornby

An expense of ends to means is fate;Morganization tyrannizing over character. The menagerie, or forms and powers of the spine, is a book of fate: the bill of the bird, the skull of the snake, determines tyrannically its limits. — Ralph Waldo Emerson

If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before. — Dwayne McDuffie

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara

I've got to get my body back. While I like wearing you, I'd rather wear you as a blanket on top of me and not the skin I'm walking around in. It has this whole Hannibal Lecter aspect that's really creeping me out."Jo
"Hannibal Lecter?" Cadegan
"It's a TV show and book character. Not really important. Like a wombat in a blender." Jo
"I'm not sure what this blender is, but I think I should be feeling bad for that poor wombat." Cadegan — Sherrilyn Kenyon

Crime isn't pretty, only fashionably dressed. — S.W. Frank

[My characters are] conglomerations of past and present stages of civilization, bits from books and newspapers, scraps of humanity, rags and tatters of fine clothing, patched together as is the human soul — August Strindberg

The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across. — Alex Pettyfer

I was about to be attacked by a Doberman pinscher. He was a leading character in an earlier version of this book. *** — Kurt Vonnegut Jr.

When I was developing the [Daredevil] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love. — Melissa Rosenberg

So what do you think?' He asked, holding up the book.
'I think Salinger is a closet paedophile,' I replied placidly and was surprised and comforted by this minuscule, acidic, bitter Sylvia Plath like mocking, sniping tone that had crept into my voice. 'The main character Seymour is a fully grown man and a pervert who befriends young girls with his storytelling and swimming, just to get close enough to groom them in preparation for the inevitable sexual assault he lusts after. You might have noticed for example in A Perfect Day For Bananafish he grabs the young girls-'
'Sybil.'
'He grabs Sybil's ankles while lying on the beach and again when he pushes her in the water,' I continued. 'He goes too far when he kisses the bottom of her foot which makes even a four-year-old yell out in fear, knowing a line had been crossed. Frustrated Seymour walks away and goes back to his hotel where he kills himself in shame. — J.D. Gallagher

It is not for nothing that Skaldin in one part of his book quotes Adam Smith: we have seen that both his views and the character of his arguments in many respects repeat the theses of that
great ideologist of the progressive bourgeoisie. — Vladimir Lenin

Character, that subtle art, disappeared among them during those days and nights, existed only in a book or on a painted wall. — Michael Ondaatje

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

As hardly anything can accidentally touch the soft clay without stamping its mark on it, so hardly any reading can interest a child, without contributing in some degree, though the book itself be afterwards totally forgotten, to form the character. — Richard Whately

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim. — Lynn Flewelling

As an actor, you're constantly searching for that great character. Also, being a history buff and learning about people in our past and amazing things that they've done, I came across a book about Howard Hughes and he was set up as basically, the most multi-dimensional character I could ever come across. Often, people have tried to define him in biographies, but no one seems to be able to categorize him. — Leonardo DiCaprio

Unfortunately, there's still a market for rubbish. I picked up a recently written fantasy book at the weekend, and one character said of another: "He will grow wroth." Oh, my God. And the phrase was in a page of similar jaw-breaking, mock-archaic narrative. Belike, i'faith ... this is the language we use to turn high fantasy into third-rate romantic literature. "Yonder lies the palace of my fodder, the king." That's not fantasy - that's just Tolkien reheated until the magic boils away. — Terry Pratchett

She was too wonderful a character to be allowed to die and I realize now that I should have allowed her to appear at hte end of my book. [Ray writes about the character Clarisse] — Ray Bradbury

Oftentimes
when I read a book,
I want to savor
each word,
each phrase,
each page,
loving the prose
so much,
I don't want it
to end.

Other times
the story pulls me in,
and I can hardly
read fast enough,
the details flying by,
some of them lost
because all that matters
is making sure
the character
is all right
when it's over. — Lisa Schroeder

A library represents the mind of its collector, his fancies and foibles, his strength and weakness, his prejudices and preferences. Particularly is this the case if, to the character of a collector, he adds - or tries to add - the qualities of a student who wishes to know the books and the lives of the men who wrote them. The friendships of his life, the phases of his growth, the vagaries of his mind, all are represented. — William Osler

I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen. — Jerry Bruckheimer

I wasn't sure I wanted a love interest for Alexander. The thought of being jealous of a character in a book was silly, but I couldn't help it. Alexander Banks was the closest to perfection
that any guy could ever be. — Allison Van Diepen

A lot of times, identifying with a character in a book or a movie makes me feel really vulnerable. Especially in books, it's like being able to see an amplified version of yourself, and it's very surreal. — Haley Pullos

Interference is a terrific page-turner, but it's also a haunting, powerful look at the way families and friendships entangle us all. Berry is a sharp-eyed, engaging writer, and she deftly captures the terrors, ruptures and intimacies of one seemingly ordinary neighborhood, always finding a precarious beauty in her characters' lives. This is a book that is terrifying, startling, and very hard to put down. — Rebecca Godfrey

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there. — Christian Bale

Any character that can't be kept straight, to me, isn't a character who should be in the book - you know, anyone not vivid enough to have a claim on my attention. — Garth Risk Hallberg

Hey, GreenHollyWood ruin my vision. I don't want to be gay... because what's shown in Mr.Robot it's geysish, mother fucker! — Deyth Banger

Humility and level-headedness are traits, which have accrued upon me over the years, during the rites of my passage through time. They were thrust down my throat by the hands of Destiny and the Almighty, both of who are far greater, far grander, and far more mysterious and mystic, than all that we ordinary mortals can ever humanly conceive or comprehend.
- Bhakti Vedanta Anandamurthy Thiruvadiar. ( A Character in the book) — Biju Vasudevan

I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books. — Michael Scott

My hips bristle with totems and talismans, proof that I am not simply a character in a fixed book or film. I am no single narrative. As neither Rebecca de Winter nor Jane Eyre, I am free to revise my story, to reinvent myself, my world, at any given moment. Advancing beside Archer, I am resplendent in my savage finery of seized power. In my service charge the collected blackguards of a dozen tyrants now dispatched to a lesser oblivion. My fingers, stained crimson with the blood of despots, are not the fingers which paged through the paper lives of helpless romantic heroines. No more am I a passive damsel who waits for circumstance to decide her fate; now have I become the scalawag, the swashbuckler, the Heathcliff of my dreams bent on rescuing myself. For now do I embody all the traits I had so hoped to find in Goran. Meaning: No longer am I limited. — Chuck Palahniuk

In book two of his Rhetoric,2 Aristotle identified and explained three means of persuasion that a speaker may use: logos, pathos, and ethos. Logos is the logical argumentation and patterns of reasoning used to effect persuasion. Pathos includes the emotional involvement of both the speaker and the audience as they achieve persuasion. Ethos refers to the character of the speaker — R. Larry Overstreet

The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe. — Glen Mazzara

I can tell by my own reaction to it that this book is harmful. But let him only wait and perhaps one day he will admit to himself that this same book has done him a great service by bringing out the hidden sickness of his heart and making it visible. - Altered opinions do not alter a man's character (or do so very little); but they do illuminate individual aspects of the constellation of his personality which with a different constellation of opinions had hitherto remained dark and unrecognizable. — Friedrich Nietzsche

So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday. — Willa Cather

Someone should write a book where the main character slowly falls in love with the reader. — Unknown

The Mirror Empire is the most original fantasy I've read in a long time, set in a world full of new ideas, expanding the horizons of the genre. A complex and intricate book full of elegant ideas and finely-drawn characters. — Adrian Tchaikovsky

Well,the fun part of being a writer is that it's like making a wonderful film, with no limit on my budget. I can design the sets, the costume, the lightings, I write the script, and then I get to perform all the roles as I step into each character's skin, zip up, and adopt that point of view. So, to me, they are all compelling and fascinating. — Robin Hobb

All of the disparate books on my list contain characters, scenes or voices that linger long past the last page of their stories. — Maureen Corrigan

Insider can be more ludicrous. How did I ever end up [as one]? Carsick [Waters's book on hitchhiking] was on the New York Times best-seller list for five weeks. [One of the characters was] a singing asshole that does a duet with Connie Francis! Times have changed. That's mainstream, in a weird way. — John Waters

Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene. — Michael J. Sullivan