Quotes & Sayings About Bold Personality

As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming. And in the personality of a man, it is ... how does one say it? Authority without domination? Something like that. — Trevanian

Being bold and adventurous and being sad and cautious seem like opposite personality types. However, these two paths to addiction are actually not mutually exclusive. The third way involves having both kinds of traits, where people alternatively fear and desire novelty and behavior swings from being impulsive and rash to being compulsive, fear driven, and stuck in rigid patterns. This is where some of the contradictions that have long confounded the study of addiction come into play - namely, some aspects seem precisely planned out, while others are obviously related to lack of restraint. My own story spirals around this paradoxical situation: I was driven enough to excel academically and fundamentally scared of change and of other people - yet I was also reckless enough to sell cocaine and shoot heroin. — Maia Szalavitz

But observe that [Peter] never ceases to be a bold man; he does not become nervous and diffident. No, he does not change in that way. The essential personality remains; and yet he is 'poor in spirit' at the same time. — D. Martyn Lloyd-Jones

Yet today we make room for a remarkably narrow range of personality styles. We're told that to be great is to be bold, to be happy is to be sociable. — Anonymous

From time to time you'll see documentaries about low-ranked wolves who somehow rise to the top of the pack - an omega that earns a position as an alpha. Frankly, I don't buy it. I think that, in actuality, those documentary makers have misidentified the wolf in the first place. For example, an alpha personality, to the man on the street, is usually considered bold and take-charge and forceful. In the wolf world, though that describes the beta rank. Likewise, an omega wolf - a bottom-ranking, timid, nervous animal - can often be confused with a wolf who hangs behind the others, wary, protecting himself, trying to figure out the Big Picture.
Or in other words: There are no fairy tales in the wild, no Cinderella stories. The lowly wolf that seems to rise to the top of the pack was really an alpha all along. — Jodi Picoult

In the Culture of Character, the ideal self was serious, disciplined, and honorable. What counted was not so much the impression one made in public as how one behaved in private. The word personality didn't exist in English until the eighteenth century, and the idea of "having a good personality" was not widespread until the twentieth. But when they embraced the Culture of Personality, Americans started to focus on how others perceived them. They became captivated by people who were bold and entertaining. "The social role demanded of all in the new Culture of Personality was that of a performer," Susman famously wrote. "Every American was to become a performing self. — Susan Cain

Moreover, they tell us that the Extrovert Ideal is not as sacrosanct as we may have thought. So if, deep down, you've been thinking that it's only natural for the bold and sociable to dominate the reserved and sensitive, and that the Extrovert Ideal is innate to humanity, Robert McCrae's personality map suggests a different truth: that each way of being - quiet and talkative, careful and audacious, inhibited and unrestrained - is characteristic of its own mighty civilization. — Susan Cain

The dual ends of Arca's personality - he is both a press-shy introvert and, in his visual work, a bold exhibitionist - come through in the breadth of his compositions. — The New Yorker