Body Sculpture Quotes & Sayings

Stained-glass windows glowed faintly in the moonlight streaming through, illuminating the sculpture of Christ on the cross that hung above the altar.
It was the most beautiful thing he had ever seen.
Then the sculpture seemed to move, and Christ's body twisted on the cross to look directly at him ... Jesus, the son of God and his saviour, seemed be smiling at him. — Phillip W. Simpson

With Gnaw I was thinking about traditional sculpture, about carving. I was also interested in figurative sculpture. I put those two ideas together and decided that rather than describing the body, I would use the body, my body, as a tool for making art. — Janine Antoni

I can actually feel the interior body of a dancer. I have the ability to capture a split second ... I want you to be hit with whatever the essence is of this sculpture. — Richard MacDonald

'6 Times' is an attempt to reinvestigate the social responsibility of sculpture. The body in question is a particular body, but it doesn't really matter whose it is. — Antony Gormley

I like to have the widest part of the car being the wheels and not the body. It gives it a more athletic look and, with the sculpture, helps make a car look sexy. — Henrik Fisker

The greatest masters have only made single statues, groups are always inferior; that is why Carpeaux, big though he was, is less so than Rodin, for he never knew how to make single statues. He did not know how to find his rhythm in the arrangement of the shapes of one body, but obtained it by the disposition of several. The great sculptors are there to prove it. Think of the masterpieces which we like most, all standing or seated, and one at a time, and they are not in the least monotonous. The connoisseur loves one spicy cake, but the glutton requires at least six to stimulate his pleasure. — H.S. Ede

I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place. — Antony Gormley

It wasn't the many slashes and scars marring his chest that caused her sudden gasp, though she felt the pain of each one. It was the unparalleled beauty of his physique that stole her breath. Dorian's body was rendered by some ancient god of war. No Greek sculpture could compare, no artist could re-create the sleek, predatory masculinity rippling through the complex landscape of his torso. — Kerrigan Byrne

I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists.
"I hate fighting with you," he admits huskily.
"I know. Me too."
"I need to hold you."
I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin.
I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being.

("A Veil of Glass and Rain") — Petra F. Bagnardi

Food is exacting. The face is truly a canvas upon which our food choices paint an accurate picture. The body is truly a sculpture, chiseled and polished by our food choices. — David Wolfe

The idea in our culture of body solely as sculpture is wrong. Body is not marble. That is not its purpose. Its purpose is to protect, contain, support and fire the spirit and soul within it, to be a repository for memory, to fill us with feeling - that is the supreme psychic nourishment. It is to lift us and propel us, to fill us with feeling to prove that we exist, that we are here, to give us grounding, heft, weight. It is wrong to think of it as a place we leave in order to soar to the spirit. The body is the launcher of those experiences. Without body there would be no sensations of crossing thresholds, there would be no sense of lifting, no sense of height, weightlessness. All that comes from the body. The body is the rocket launcher. In its nose capsule, the soul looks out the window into the mysterious starry night and is dazzled. — Clarissa Pinkola Estes

For me, sculpture is the body. My body is my sculpture. — Louise Bourgeois

As the figure moved before him he followed the muscles as they wove beneath the skin. he was not only fighting with an assailant who was awaiting for that split second in which to strike him dead, but he was stabbing at a masterpiece
at sculpture that leapt and heaved, at a marvel of inky shadow and silver light. A great wave of nausea surged through him and his knife felt putrid in his hand. His body went on fighting — Mervyn Peake

The most exuberant expression of the body is in dance. Dance theater is wonderful. The dance becomes fluent sculpture. The body shapes the emptiness poignantly and majestically. The — John O'Donohue

I'd always wanted to tell people that when I work on my body I'm thinking about classical sculpture, so I jumped at the chance to show off body building as an art form. — Arnold Schwarzenegger

We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined. — Chris Sharma

Sculpture does not reject resemblance, of which, indeed, it has need. But resemblance is not its first aim.
What it is looking for, in its periods of greatness, is the gesture, the expression, or the empty stare which
will sum up all the gestures and all the stares in the world. Its purpose is not to imitate, but to stylize and
to imprison in one significant expression the fleeting ecstasy of the body or the infinite variety of human
attitudes. Then, and only then, does it erect, on the pediments of teeming cities, the model, the type, the
motionless perfection that will cool, for one moment, the fevered brow of man. The frustrated lover of
love can finally gaze at the Greek caryatides and grasp what it is that triumphs, in the body and face of the
woman, over every degradation — Albert Camus

Dancing is creating a sculpture that is visible only for a moment. — Erol Ozan

It is easy now to communicate with people through abstraction, and particularly so in sculpture. Since the whole body reacts to its presence, people become themselves a living part of the whole. — Barbara Hepworth

Sculpture occupies the same space as your body. — Anish Kapoor

I have been carrying on a dialogue between the landscape and the female body (based on my own silhouette) I am overwhelmed by the feeling of having been cast from the womb (nature). Through my earth/body sculptures I become one with the earth I become an extension of nature and nature becomes an extension of my body — Ana Mendieta

He was slow and methodical in the way he handled her, as if they had all the time in the world for him to explore her body. As if she was a sculpture he'd bought and paid for, something that belonged to him, was his to touch as he pleased. — Stylo Fantome

A woman with a voice like that should have the face of an angel, the body of a Greek sculpture, and the skills of a courtesan. Chances were, she was a haggard old crone.
The hulking workman began to gather his tools. "I hope ye and yer pa know what ye're doin'. Fop or no, no man takes well to losin' his belongings."
"Psht," the woman said airily. "It's not as if we plan on knocking him in the head and peeling his pockets."
That was something,at least, Dougal thought grimly. — Karen Hawkins

With Michelangelo anatomical science is transformed into music. With him the human body is architectonic matter for the construction of dreams. — Umberto Boccioni

We know from accounts of Rilke's life that his stay in Rodin's workshops taught him how modern sculpture had advanced to the genre of the autonomous torso. The poet's view of the mutilated body thus has nothing to do with the previous century's Romanticism of fragments and ruins; it is part of the breakthrough in modern art to the concept of the object that states itself with authority and the body that publicizes itself with authorization. — Peter Sloterdijk

I try to consider each body of work on its own terms, discretely, so terms like 'sculpture' or 'photography', in their broad sense, don't really enter into my thinking. — Walead Beshty