Black Wooden Quotes & Sayings

But Hitler is not tranquil. His right eardrum was ruptured in the bomb blast during the assassination attempt and has only recently stopped bleeding. That same blast hurled him to a concrete floor, bruising his buttocks "as blue as a baboon's behind" and filling his legs with wooden splinters as it ripped his black uniform pants to shreds. However, — Bill O'Reilly

My dad also survived five divorces, and the women he married cleaned his ass out every time. I used to think my dad got divorced because he wanted new furniture. At one point in my life, all we had left was a wooden box, a 12 black-and-white TV, and a four-man rubber raft for a couch. And yet, I was the coolest kid in third grade. Mom, can we have a sleepover in Christopher Titus' house? They have a raft in the living room! We can row to breakfast in the morning. I can actually be Captain Crunch! — Christopher Titus

Aliena was concentrating. Their painted wooden board was shaped like a cross and divided into squares of different colours. The counters appeared to be made of ivory, white and black. The game was obviously a variant of merrels, or nine-men's-morris, and probably a gift brought back from Normandy by Aliena's father. — Ken Follett

He stalked through the narrow streets and wound his way down an alley between two buildings to an old, rotting wooden door. He paused to knock at it, three measured strokes followed by two quick ones, and it opened at once. Her batman, Sark, stood on the other side of it. The fellow reminded Espira of a hunting spider - he was warriorborn, tall, gaunt, with long, slender limbs and hands that seemed a little too large for the rest of him. His hair was black and short, and covered his face, head, neck, and what showed of his hands in a sparse, spidery fuzz. Sark had the feline eyes of his kind, one of them set at a slight angle to the other, so that Espira could never be sure precisely where the man was looking. — Jim Butcher

His great carved wooden head was marked with a black eye that was more yellow than black and from this spectacular bed of bruised flesh the eye itself, sand irritated, bloodshot, as wild as a currawong's, stared out at a landscape in which the tops of fences protruded from windswept sand. — Peter Carey

Go to any Shinto temple in Japan and you'll see it: a simple stand from which hang hundreds of wooden postcard-size plaques with a colorful image on one side and, on the other, densely scribbled Japanese characters in black felt-tip pen, pleas to the gods for help or succor. — Hanya Yanagihara

I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry.
No water. How hard would it have been for them to fill up the bottle? — Suzanne Collins

With widened eyes she stumbled backwards, not able to take her gaze from the flames engulfing the wooden shed right in front of them, wrapping it into their embrace before taking it over. Black parts of smutted wood started to glow, welcoming the tongues of fire that devoured the shed inch by inch. — Jessica Werner

Those boots were almost all he owned in this world. They were his home. An anecdote: One time a recruit was watching him bone and wax those golden boots, and he held one up to the recruit and said, 'If you look in there deeply enough, you'll see Adam and Eve.'
Billy Pilgrim had not heard this anecdote. But, lying on the black ice there, Billy stared into the patina of the corporal's boots, saw Adam and Eve in the golden depths. They were naked. They were so innocent, so vulnerable, so eager to behave decently. Billy Pilgrim loved them.
Next to the golden boots were a pair of feet which were swaddled in rags. They were crisscrossed by canvas straps, were shod with hinged wooden clogs. Billy looked up at the face that went with the clogs. It was the face of a blond angel of fifteen-year-old boy.
The boy was as beautiful as Eve.
Billy was helped to his feet by the lovely boy, by the heavenly androgyne. — Kurt Vonnegut

From behind a wooden crate we saw a long black-muzzled nose poking round at us. We took him out-soft, wobbly, tearful; set him down on his four, as yet not quite simultaneous legs, and regarded him. He wandered a little round our legs, neither wagging his tail nor licking at our hands; then he looked up, and my companion said: "He's an angel!" — John Galsworthy

Faint traces of other black churches are tucked away in handwritten ledgers at the state archives at Morrow; in the collections at the University of Georgia in Athens; even in the basement of the Forsyth courthouse, where a cardboard box atop a metal filing cabinet still holds deeds for the land on which black residents once founded Mt. Fair, Shakerag, and Stoney Point - about which nothing is known but names and approximate locations. All that can be said for certain is that, again and again in the fall of 1912, white men sloshed gasoline and kerosene onto the benches and wooden floors of such rooms, then backed out into the dark, tossing lit matches as they went. All over the county, beneath the ground on which black churches stood, the soil is rich with ashes. — Patrick Phillips

A black telephone
receiver was stuffed in the small space between his ear and his
shoulder; he motioned for them to sit in the stiff wooden armchairs in
front of his desk. Moments later he hung up the phone, the base
ringing lightly from the impact.
"So you're still in a mess, aren't you?" he said. — M.L. Terese

The basement smelled damp, like mold and minerals, as she started down the creaking, wooden stairs. Her mother had stopped screaming the moment the door opened. Everything was very quiet as Tana descended, the scratch of her shoes on the wood loud in her ears. Her foot hesitated on the last step. Then something knocked her down. — Holly Black

Echoing streets melt into dark autumn rooms - melt to black plastic bags inflated by the wind and spinning on playground blacktop like free-floating punctuation ... the horizon is just a line and past it there's only black dark ... that rolls toward her as she walks in its direction ... smooth-worn wooden chairs at the bakery where ella sits tea on the table in front of her, it's getting dark but the girl behind the counter hasn't turned on a single light yet ... Ella animal staring into the street: Did I ever touch him? — Michael Cisco

And to Rhaego son of Drogo, the stallion who will mount the world, to him I also pledge a gift. To him I will give this iron chair his mother's father sat in. I will give him Seven Kingdoms. I, Drogo, khal, will do this thing.' His voice rose, and he lifted his fist in the sky. 'I will take my khalasar west to where the world ends, and ride the wooden horses across the black salt water as no khal has done before. I will kill the men in the iron suits and tear down their stone houses. I will rape their women, take their children as slaves, and bring their broken gods back to Vaes Dothrak to bow down beneath the Mother of Mountains. This I vow, I, Drogo son of Bharbo. This I swear before the Mother of Mountains, as the stars look down in witness. — George R R Martin

This is why the terrorists hate us. And it's not the glitter and it's not the pomp and circumstance. We've got black and white, we've got Hispanic and Asian, we got gay, straight, and Guttenberg, all working together for one common goal: to get the mirror ball. And the mirror ball doesn't care what color you are, and it doesn't care how rich your parents are, and it doesn't care what God you pray to. It's an even wooden floor, and may the best man or woman win. And I say God bless Dancing with the Stars, and God bless the USA. — Adam Carolla

A huge fireplace and Dutch oven of fieldstone filled one wall. Over them hung a long muzzle-loading rifle, powder horn, and bullet pouch. On the mantel were candle molds, a coffee mill, an iron and trivet, and a rusty kettle. An iron cauldron, big enough to boil a missionary in, swung at the end of a long arm in the fireplace, and below it, like so many black offspring, were a cluster of small pots. A wooden butter churn held the door open, and clusters of Indian corn hung from the molding at aesthetic intervals. A colonial scythe stood in one corner, and two Boston rockers on a hooked rug faced the cold fireplace, where the unwatched pot never boiled. Paul — Kurt Vonnegut Jr.

Wooden stakes could render a vampire weak and useless, until the heart began to heal. Sunlight charred their flesh to a flaky, black tissue, but rarely did it kill them completely. But dead blood... one lethal dose of that stuff and it was good riddance. Sayonara, bloodsucker. — Lindsey Beth Goddard

Black vomit came gushing out Samantha's mouth, adding to the puddle already on the floor. Samantha was covered in a sheen of sweat, crouched on all fours on the wooden hallway floor, like an animal. Her thick yellow fingernails made deep scratches in the wood as her body convulsed with each new expulsion of the black vomit. Her hair was long and thick and full; thicker and fuller than he had ever seen it. It reminded him of a lion's mane. Her skin was a sickly pale grey with disturbing red boils the size of grapefruit and weeping puss-filled black blotches where others had burst. Spider webs of blue veins were visible under the skin all over her body. — Joseph M. Chiron

I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had. — Suzanne Vega

Lynetta bared her wickedly sharp pointed canines and hissed. Her long black hair hung wildly to her hips, tangled and teased by the breeze. She was petite like me but as strong as a male body builder. Her grip on Dominic remained iron tight. Her soul-less black eyes, vacant and without a care, really ate away at my heart. I surveyed the yard for any kind of weapon I could use against the vampire. My heart surged when I spied a colorful whirligig attached to a wooden stake embedded in my mother's pampered pansy garden nearby. Without a second's hesitation, I dashed for it and yanked it out. Running at the vampire, I screamed at the top of my lungs, "Death to the blood sucky vampire!" which gave me some courage. It wasn't every day I had to beat one vampire off of another when they didn't even really exist! — Terry Spear

The old women in black at early Mass in winter
are a problem for him. He could tell by their eyes
they have seen Christ. They make the kernel
of his being and the clarity around it
seem meager, as though he needs girders
to hold up his unusable soul. But he chooses
against the Lord. He will not abandon his life.
Not his childhood, not the ninety-two bridges
across the two rivers of his youth. Nor the mills
along the banks where he became a young man
as he worked. The mills are eaten away, and eaten
again by the sun and its rusting. He needs them
even though they are gone, to measure against.
The silver is worn down to the brass underneath
and is the better for it. He will gauge
by the smell of concrete sidewalks after night rain.
He is like an old ferry dragged on to the shore,
a home in its smashed grandeur, with the giant beams
and joists. Like a wooden ocean out of control.
A beached heart. A cauldron of cooling melt. — Jack Gilbert

I know a rock in a highland's ravine,
On which only eagles might ever be seen,
But a black wooden cross o'er a precipice reigns,
It rots and it ages from tempests and rains.
And many years have gone without any hints,
From times when it was seen from faraway hills.
And its every arm is raised up to the sky,
As if catching clouds or going to fly.
Oh, if I were able to rise there and stay,
Then how I'd cry there and how I'd pray;
And then I would throw off real life's chains
And live as a brother of tempests and rains! — Mikhail Lermontov

In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You'd been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more. — Maggie Nelson

The shiny black nose of a fox appears through her door before the rest of it steps tentatively across the wooden floor to where she's cooking. A pile of children's clothes lie discarded in a corner of the room. The fox knows what she is cooking and holds back a shudder. There are some things even foxes know better than to eat. — Amy Kuivalainen

The horse was panting, hanging its head. I hugged its head to my breast and saw that there were tears in its large eyes. I noticed a round black wound on its belly. "Why did not you tell me?" I whispered, crying. "My dearest, I did it for you," the horse said and became very small, like a wooden toy. I left him and felt wonderfully light and happy. — Bruno Schulz

Lock looked down at the green wooden floor between his black boots. "I can't blame you for what you feel, my lady. But I can't help what I feel, either." "I'm so sorry." Kat put a hand on his knee to comfort him. Then she pulled it away quickly. "Oh, I didn't think. Did that hurt you just now? Me touching you without Deep being here?" "A little." Lock gave her a sad smile and put her hand back on his knee. "But it's worth it." "That's sweet." He looked so dejected and his feelings of sadness and loss were so overwhelming, Kat felt like she was going to cry if they sat that way much longer. — Evangeline Anderson

Herding them all toward the basement, their father paused at the dining-room window, pulled back the curtain and shone the beam through the window and out into the darkness until it caught the yawning base of the doomed tree. After only a quick glimpse, a glimpse that was like a gulp of foul air, Jacob pulled at his mother's hand to draw her to safety. But Michael lingered, and even Annie squirmed out of her father's arms to stand by the window, her two hands on the painted sill. The roots reared out of the black ground, the trunk leaned and then straightened, the long branches swung this way and that. Their mother patted Jacob's hand to soothe him. On their way through the kitchen she took a bottle of milk from the refrigerator and the remaining paper cups from their picnic. They followed their father's flashlight down the wooden steps. It was a tunnel of light and it seemed to draw — Alice McDermott

More than the choking heat, more than the blinding flames that rise up into the night sky, more than the endlessly leaping colours that change shape with every moment, more than all of these is the transforming power of fire. Fire takes solid wooden beams and reduces them to charcoal. It licks at everything with a scarlet tongue and leaves it black. It spreads like the folds of a golden robe over human bodies and what is left is gray and chalky: ash, blown up and up by every breath of wind only to fall like dust on the ground. When it is burning most fiercely, it seems that it might go on forever and devour everything in its path. It does not cower and withdraw in front of princes. Palace and hovel alike are good fuel and nothing more. It is unstoppable. And when it has moved, what remains is desolation. — Adele Geras

She got out and shut the door without looking back, picking her way through the snow to the black wooden door in the college wall. At least she hadn't told him not to follow. He watched as she carefully brushed the snow off the latch with her rolled umbrella before touching it with her suede gloves. She left the door half open behind her. He followed. When he reached the door he saw she had paused on the garden path leading to her hall and was doing something in the snow with the tip of her umbrella. Still not looking back, she moved on without waiting for him. When he reached the spot he saw that she had written 'I love you' in the snow. It was that night, he believed ever after, that she became pregnant. — Alan Judd

Rolfe unlocked the door, muttering, "This had better be worth my time," and stalked into the awaiting dimness beyond. Then stopped dead.
Even in the watery light, Dorian could perfectly see the woman sitting at Rolfe's desk, her black clothes dirty, weapons gleaming, and her feet propped on the dark wooden surface.
Aelin Galathynius, her hands laced behind her head, grinned at them all and said, "I like this office far better thank your old one Rolfe. — Sarah J. Maas