Black Pen Quotes & Sayings

And somewhere, in a black California morning, some hour before dawn, amid the corridors, the galleries, the faces of dream, fragments of conversation she half-recalled, waking to pale fog against the windows of the master bedroom, she prized something free and dragged it back through the wall of sleep. Rolling over, fumbling through a bedside drawer, finding a Porsche pen, a present from an assistant grip, she inscribed her treasure on the glossy back of an Italian fashion magazine: — William Gibson

Now I see things differently. It took me some time, but I know the secret now. Freedman Town serves a good purpose
not for the people who live there, Lord knows; people stuck there by poverty, by prejudice, by laws that keep them from moving or working. Freedman Town's purpose is for the rest of the world. The world that sits, like Martha, with dark glasses on, staring from a distance, scared but safe. Create a pen like that, give people no choice but to live like animals, and then people get to point at them and say 'Will you look at those animals? That's what kind of people those people are.' And that idea drifts up and out of Freedman Town like chimney smoke, black gets to mean poor and poor to mean dangerous and all the words get murked together and become one dark idea, a cloud of smoke, the smokestack fumes drifting like filthy air across the rest of the nation. — Ben H. Winters

The men came to mind as mostly idle between nights of running wild or time in the pen, cooking moon and gathering around the spout, with ears chewed, fingers chopped, arms shot away, and no apologies grunted ever. The women came to mind bigger, closer, with their lonely eyes and homely yellow teeth, mouths clamped against smiles, working in the hot fields from can to can't, hands tattered rough as dry cobs, lips cracked all winter, a white dress for marrying, a black dress for burying, and Ree nodded yup. Yup. — Daniel Woodrell

He reached for the door handle. Fear nestled into his throat, but he did not stop. He pulled the handle, opened the door, and stepped out. It was dark. The streetlights in Soho were nearly worthless, like pen beams in a black hole. Lights drifting out from nearby windows provided more of an eerie kindle than real illumination. There were plastic garbage bags out on the street. Most had been torn open; the odor of spoiled food wafted through the air. The van slowly cruised toward him. A man stepped out from a doorway and approached without hesitation. The man wore a black turtleneck under a black overcoat. He pointed a gun at Myron. The van stopped, and the side door slid open. "Get in, asshole," the man with the gun said. Myron pointed at himself. "You talking to me?" "Now, asshole. Haul ass." "Is that a turtleneck or a dickey?" The man with the gun moved closer. "I said, now. — Harlan Coben

When I put my pen to a blank sheet, black isn't added but rather the white sheet is deprived of light. [] Thus I also grasped that the empty spaces are the most important aspect of a typeface. — Adrian Frutiger

Go to any Shinto temple in Japan and you'll see it: a simple stand from which hang hundreds of wooden postcard-size plaques with a colorful image on one side and, on the other, densely scribbled Japanese characters in black felt-tip pen, pleas to the gods for help or succor. — Hanya Yanagihara

Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture with ballpoint pen ink. I'm looking for that in-between state in an individual where the overarching definition is lost. Skin as geography is the terrain I expand by emphasizing the specificity of blackness, where an individual's subjectivity, various realities and experiences can be drawn onto the diverse topography of the epidermis. From there, the possibilities of portraying a fully-fledged person are endless. — Toyin Odutola

The worst part about being a prosecutor, in Matt Houlihan's opinion, 2as that even when you won, you didnt. The world was too black and white for that ... It was like securing the bull after he'd careened through the china shop - yes, you could pen him for a whole, but you still incurred the cost of the mess he'd left in his wake. — Jodi Picoult

All writers pen sad stories to garner sympathy, writing is after all for the abandoned of the society: the ink-leech, spewing black blood and sucking innocent souls. — Aporva Kala

I stabbed him," Flit said weakly, clutching at the tattered remains of Talon's shirt.
"With pens," Talon agreed.
"Is he dead?" Flit's eyes were huge, the pupils blown black, only a sliver of color showing around the edges. He was probably going into shock.
"I don't think so," Talon said. "It's pretty hard to die by pen. — Agatha Bird

Death turned to leave the room, but stopped when Hex began to write furiously. He went back and looked at the emerging paper.
+++ Dear Hogfather, For Hogswatch I Want
OH, NO. YOU CAN'T WRITE LETT ... Death paused, and then said, YOU CAN, CAN'T YOU.
+++ Yes. I Am Entitled +++
Death waited until the pen had stopped, and picked up the paper.
BUT YOU ARE A MACHINE. THINGS HAVE NO DESIRES. A DOORKNOB WANTS NOTHING, EVEN THOUGH IT IS A COMPLEX MACHINE.
+++ All Things Strive +++
YOU HAVE A POINT, said Death. He thought of tiny red petals in the black depths, and read to the end of the list.
I DON'T KNOW WHAT MOST OF THESE THINGS ARE. I DON'T THINK THE SACK WILL, EITHER.
+++ I Regret This +++
BUT WE WILL DO THE BEST WE CAN, said Death.
FRANKLY, I SHALL BE CLAD WHEN TONIGHT'S OVER. IT'S MUCH HARDER TO GIVE THAN TO RECEIVE. He rummaged in his sack. LET ME SEE ... HOW OLD ARE YOU? — Terry Pratchett

I am tomorrow I wonder what the future holds. I hear rippling water that soothes me when things are not calm. I see the word success, big and bold. I want to see the world. I am Tomorrow I claim I already have what I know is yet to come. I feel apprehensive because change is something that I have to endure. I touch a black pen and make beautiful, vivid colors. I worry about inflation, war, revolution, a car, self-destruction, hate, hidden prejudices, my fate. I cry when I think I won't see my mom anymore. I AM TOMORROW I understand that tomorrow is not promised. I say live like you're trying to get your name on his list. I dream that I am happy, prosperous, and loved. I try to meet the world and greet them with a smile on my face. I hope that the weight on my shoulders will take off and fly like a dove. I am tomorrow — Ericka Davis

Some sheep were bleating away beside the track, pressed tight into a pen much too small. Foraged, no doubt, meaning stolen, some unlucky shepherd's livelihood vanished down the gullets and out the arses of Black Dow's army. Behind a screen of hides, not two strides from the flock, a woman was slaughtering 'em and three more doing the skinning and gutting and hanging the carcasses, all soaked to the armpits in blood and not caring much about it either. Two lads, probably just reached fighting age, were watching. Laughing at how stupid the sheep were, not to guess what was happening behind those hides. They didn't see that they were in the pen, and behind a screen of songs and stories and young men's dreams, war was waiting, soaked to the armpits and not caring. — Joe Abercrombie

Under the circle I write a long code in black pen that designates the year, the media batch, the parent tree, and the seed lot. I don't write my initials because we all learned each other's handwriting long ago, just as I can recognize the handwriting of each dead Norwegian forester whom I have never met. — Hope Jahren

For the Press has no band of critics who go the round of the churches and chapels, and are on the watch for a slip or defect in the preacher, to make a "feature" in their article: the clergy are practically the most irresponsible of all talkers. For this reason, at least, it is well that they do not always allow their discourses to be merely fugitive, but are often induced to fix them in that black and white in which they are open to the criticism of any man who has the courage and patience to treat them with thorough freedom of speech and pen. — Christopher Hitchens

And what a story. The first thing that drew me in was disbelief. What? Humanity sins but it's God's Son who pays the price? I tried to imagine Father saying to me, 'Piscine, a lion slipped into the llama pen today and killed two llamas. Yesterday another one killed a black buck. Last week two of them ate a camel. The situation has become intolerable. Something must be done. I have decided that the only way the lions can atone for their sins is if I feed them you.' ... 'Yes, Father, that would be the right and logical thing to do. Give me a moment to wash up'. What a downright weird story. What a peculiar psychology. — Yann Martel

BLOOM: As far as I'm concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they're called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.
INTERVIEWER: And someone else edits?
BLOOM: No one edits. I edit. I refuse to be edited. — Harold Bloom

... your writer of intensities must have very black ink, and a very big pen, with a very blunt nib. — Edgar Allan Poe

I draw rainbows whenever I see them, with my black ink pen. When I have collected enough, I thought I might make a book called Black-and-White Rainbows. — Jason Polan

Temptation was the color white. It was black ink, quivering at the point of a pen's nib. — Marie Rutkoski

He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt. — Cormac McCarthy

Clary widened her eyes, which was good for keeping herself from crying. "Isabelle, can I ask you something?"
"Sure," said Isabelle, wielding the eyeliner expertly.
"Is Alec gay?"
Isabelle's wrist jerked. The eyeliner skidded, inking a long line of black from the corner of Clary's eye to her hairline. "Oh hell," Isabelle said, putting the pen down. — Cassandra Clare

Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17 - , and go back to the time when my father kept the Admiral Benbow inn and the brown old seaman with the sabre cut first took up his lodging under our roof. I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow - a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cover and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards: — Robert Louis Stevenson

I changed my mind. Maybe I do want a black hole for a vagina. How bad could it be? I wouldn't need to carry a purse anymore. I could just shove things up my twat. 'Oh, you need a pen? Hold on, let me check in my vagina. What's that you say? Do I have a flashlight? Let me stick my hand up my vag and find out.' Let's go home. We could do a home birth in the bathtub. It might be a tight squeeze but I bet we could both fit in there. — Tara Sivec

There was power in the pen, I knew this for certain ... It was there all the time, just waiting for me. — Shay Youngblood

Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page. — Roman Payne

I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound. — Robin Hobb

Who am I? I'm the one you love to love and love to hate. I make you laugh, cry & cringe. You'll forever remember me or easily forget me. I'm past, present & future in black and white. I'm unique but always compared. You want me to take you away from your life if only for a little while. My pen knows no morals or boundaries. I'm a writer! — Eveli Acosta

A Zentangle Art Kit To make your own little art kit you will need: Zentangle squares cut from black and white paper A Micron 01 and 05 Pen A Sakura White Gel Pen A White Pencil A Soft Lead Pencil A Box to house all your treasures. All you have to do is gather your materials and put them in a box. You can decorate the box as you like. Maybe you would like to draw Zentangles all over it. I like to carry my kit in my purse and so a box is quite cumbersome. I use a small plastic pouch. It very easily houses all my Zentangle squares, pencils and pens. — Mahe Zehra Husain

My pen is my sword, my faith is my shield, my love is my armour. — Jason J. Black

I clench my teeth and push forward. My pen grinds out the first and eldest word: an Ink-borne lance of black fire, scratched into a sheet of ice.
-The Penitent God — S.G. Night

I'm the death investigator," the man said in a dry voice. He was wearing gray chinos, plain black walking sneakers, a tucked-in white short-sleeved polo shirt with a pen inserted on the placket, and a gray windbreaker. His head was slightly over-large and his hair was thinning. If he was going for the look of 'quietly angry engineer who will one day explode,' or 'DI by day, super-villain by night,' he had succeeded. — Nina Post

What? Do you dare smile and suggest for a moment that just because of the Absence between us I cannot make myself vivid to you? Ho! Silly boy! Don't you know that the plainest sort of black ink throbs more than some blood - and the touch of the softest hand is a harsh caress compared to the touch of a reasonably shrewd pen? Here - now, I say - this very moment: Lift this letter of mine to your face, and swear - if you're honestly able to - that you can't smell the rose in my hair! — Eleanor Hallowell Abbott

A plane flies overhead and inside it is a writer who has spent most of his life as a law clerk, even though he's always known deep down that he's a writer. For the first time, he's worked out what he wants to write, what the truth really is. He begs a napkin and a pen off the air hostess and he writes down the most beautiful sentence ever written, as the engine catches fire outside and the plane starts its plummet to the ground. It doesn't matter to him. It's the only sentence he's ever written and it is the last and no part of him cares. The sentence falls through the air with singed, black edges and comes to rest in a tree, in a park, miles away. One day, around ten years from now, an old widow of an astronaut will find it when a strong breeze finally blows it from its hiding place. She will read it and she will weep. — Pleasefindthis

I shot him a smile and spun back around to face my computer screen, unable to process what the hell had just happened. That was when I noticed a small Post-It-note pressed against my Dell monitor. Scribbled across the neon pink sticky was a note from Jesse:
Evie, what are you so afraid of?
-Jesse
What was I afraid of? I was afraid of everything.
I was afraid of letting people in.
I was afraid of falling.
But most of all, I was afraid of myself. I was my own worst enemy.
I grabbed a blank Post-It note from the container on my desk and pulled a black pen out of my coat pocket. I allowed my hand to move freely, not thinking of my response. Only then, after I placed the pen down on my desk did I read what I'd written.
Reality. — Nicole Sobon

Once the man vacates the room, Genova motions toward the table between us. "Gun."
I hold up my hands. "I don't have one."
His brow furrows. "You came unarmed?"
"I never carry a gun," I say, "but that doesn't mean I'm unarmed."
Everything's a weapon if you look at it the right way.
"Knives, then."
"None of those, either."
"Then what do you got?"
"Not much." I consider it for a moment. "Some spare change, a peppermint, my wallet ... oh, and I've got a pen in my pocket."
He looks at me with disbelief. "A pen."
Reaching into my pocket, I pull out a simple black ballpoint ink pen.
Probably cost a dollar.
"You gonna kill somebody with that?" he asks.
I shrug, setting it on the table. "You never know. — J.M. Darhower

The important things in life always happened by accident. At fifteen she didn't know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you'd stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever. — Nicholas Evans

I call myself Mandarb." He could not stop the guffaw that burst out of him. Those tilted eyes regarded him with heat. "I will teach you something, farmboy." Her voice remained level. Barely. "In the Old Tongue, Mandarb means 'blade.' It is a name worthy of a Hunter of the Horn!"
He managed to get his laughter under control, and hardly wheezed at all as he pointed to the rope pen between the masts. "You see that black stallion? His name is Mandarb."
The heat went out of her eyes, and spots of color bloomed on her cheeks. "Oh. — Robert Jordan

Baby, I love you. Pen ... More then I love the color black. More than I love cigarettes, more than I love books. Even music."
"More than food. More than art or stories. More than words ... — Francesca Lia Block

One page a day, seven a week, thirty or thirty-one to the month. Fishing in his pocket for a tip, he came up with his pen, a thick black fountain pen. Fountain: it seemed less flowing, less forthcoming than that, in shape more like a bullet or a bomb. ("Novelty") — John Crowley

The mere physical man is like the ant crawling on the paper, who observes black lettering and attributes its production to the pen and nothing more. — Al-Ghazali

He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy. — Robin Hobb