Quotes & Sayings About Black Nails

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was. — Charles Dickens

A receptionist is a lazy dame that can't do anything on earth, and wants to sit out front where everybody can watch her do it. She's the one in the black silk dress, cut low in the neck and high in the legs, just inside the gate, in front of that little one-position switchboard, that she gets a right number out of now and then, mostly then. You know, the one that tells you to have a seat, Mr Doakes will see you in just a few minutes. Then she goes on showing her legs and polishing her nails. If she sleeps with Doakes she gets twenty bucks a week, if not she gets twelve. In other words, nothing personal about it and I don't want to hurt your feelings, but by the looks of this card I'd say that was you.'
'It's quite all right. I sleep fine. — James M. Cain

She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. — John Green

Four tall stories were stacked haphazardly on top of each other, cresting in a black roofline against the cobalt night sky that made no sense, but leapt whimsically from flat to dangerously steep and back again. Trees with skeletal limbs, badly in need of a trim, scraped against slate, like oaken nails on the lid of a coffin. — Karen Marie Moning

Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands - hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands. — Cathleen Falsani

This town of Sheffield is very populous and large, the streets narrow, and the houses dark and black, occasioned by the continued smoke of the forges, which are always at work: Here they make all sorts of cutlery-ware, but especially that of edged-tools, knives, razors, axes, &. and nails — Daniel Defoe

He might be mortal, but he was a skilled adversary, a dangerous foe with espionage skills that far surpassed even Denae's.
As an ally, Henry was clever, shrewd, cunning, and brilliant. A perfect partner for the Kings.
"I'll take him to safety if he's such a danger here," Rhi told Usaeil.
The queen lifted a black brow. "You surprise me again."
"It's my new thing." Rhi looked down at her black nails with two small hearts painted in red - Big Apple Red - on each ring finger. — Donna Grant

Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl's eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren't bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings. "Your — Philip K. Dick

D'yer see it? This finger, laddie, could send ye to meet yer Maker!
Sgt. Deisenburger stared at the black and purple nail a few inches from his face. As an offensive weapon it rated quite highly, especially if it was ever used in the preparation of food. — Terry Pratchett

Neferre swallowed hard. "The elder used to tell stories of dark places in dark times," she said, picking the needle through with black nails, "when the winters were endless and the sun fell cold across the land. When beasts far worse than the crags prowled the shadows. And there were no humans. Only elvkarin and the night. We knew the bitter sting of winter's breath and it never ended as it ends now. We called it Isaria on Evile. A Time of Darkness. — Ash Gray

In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You'd been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more. — Maggie Nelson

I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. — Erich Maria Remarque

We're both so into it, neither of us hears the footsteps until a snarl breaks us apart. We turn to find Morpheus standing there with enough rage in his black eyes to send the Devil packing for heaven.
Jeb tugs his fingers from the rings in my belt but keeps a hand at my lower back. I touch my lips; they're throbbing and gluttonous, hungry for more.
"Wel, now, isn't that cozy?" Morpheus's voice isn't liquid this time. It grates like rusted nails along my eardrums. He peels off his gloves and slaps them against his palm, wings droopy and trailing the floor like a cape. "perhaps you might give Alyssa her lipstick back. We haven't time to find more before dinner." — A.G. Howard

I'm not lying, I was a killer Helen Burns. I stepped out on to that stage like I was the Great Esquimaux Curlew. When Jane Eyre came to look at my book
which happened to be Our Town
I handed it to her just right. When Miss Scatchard told me I never cleaned my nails, I was about as quiet and innocent as a Large-Billed Puffin. When she hit me a dozen times with a bunch of twigs, I was the Brown Pelican: I didn't bat an eye
and you try getting hit a dozen times with a bunch of twigs. And when I had to die, people were crying. Really. And you know why? Because I was the Black-Backed Gull, and so people cried like Helen Burns was their best friend. — Gary D. Schmidt

Today you are thirteen weeks old and already controversial. You should know that the mention of the name Pablo is alarming to a very few, highly insignificant people. From this palsied paction there is occasionally the slightest pause, and then, 'Oh, really. Pablo.' Then with a small, self-depreciating chuckle, they might tilt their heads playfully and say something like 'Aren't you afraid people will think he's Mexican?'
... I find it amusing when they balk at Pablo, as though we were naming you Jesus H. Christ and jamming our nails into your hands. They seem to feel your name is up for general discussion, like naming a local bridge or a stray cat.
Hmmm. Mr. Whiskers? I don't like Mr. Whiskers. I like the name Blackie.'
Aren't you afraid people will think he's black? — Suzanne Finnamore

Today is a black day. Tomorrow it may be white. You may look beautiful one day, and not the next. It is not only a matter of other people's perceptions, it's about our own perceptions. We constantly change. Every day our hair grows, our nails grow, we grow older. Everything ends. — Chloe Thurlow

Hell, she knows why you chew your nails, why your eyes are blue one day, black the next. And all you want to do then is curl yourself with her, snug like a worm, lay your pumping head down in her lap. Have her caress you, be kind. No words because both of you are bodies, wrapping and unwrapping, there's eloquence in your embracings. Eyes closed, you realize everything you've ever wanted to say is right there. — Kirsty Gunn

Hand-barrow - a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. — Robert Louis Stevenson

Still falls the rain - dark as the world of man, black as our loss - blind as the nineteen hundred and forty nails upon the Cross. — Edith Sitwell

Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17 - , and go back to the time when my father kept the Admiral Benbow inn and the brown old seaman with the sabre cut first took up his lodging under our roof. I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow - a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cover and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards: — Robert Louis Stevenson

I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping. — Ismail Kadare

Sometimes I'm a black. Not everyone realizes blackness has to be conferred upon you again and again. It's like getting your nails done. Or being pantsed. People assume I'm cool. — Laura Yes Yes

Jace snorted so loudly that she turned on him with a frown. He wiggled his mud-caked fingers at her. His nails were black crescents. Filthy inside and out. — Cassandra Clare

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

She watched his pale, square hands on the map, the short almost stubby fingers, with their neatly trimmed nails and a sparse scattering of fine black hairs on the bottom section of each finger. Appalled, she felt a stirring of desire. You're pathetic as an adolescent, she savagely chided herself. Like a teenager who fancies the first teacher who says anything nice about your work. Grow up, Jordan! — Val McDermid

To me, goth is like really hard black lipstick, black nails, black clothes. — Shawna Thompson

No story is more beautiful than the Gospel, even though it is a story full of pain and nails and hate and blood and sin and murder and betrayal and forsakenness and unimaginable agony and death. It is the story of what happens to the most beautiful thing, Perfect Love, when it enters our world: it comes to a Cross, to the crossroad between good and evil. All our most beautiful stories are like the Gospel: they are tragedies first, and then comedies; they are crosses and then crowns. They are crosses because they are conflicts between good and evil. That is the fundamental plot of every great story. To say "that story is beautiful" means "that story resembles the Gospel." If you are bored by the Gospel, that puts no black eye on the Gospel, but on you. Most likely, it means you have never listened to it. You must have heard it, but hearing is far from the same thing as listening ... — Peter Kreeft

Ah, this delicious night air,' she said, luxuriously sniffing in the coolness. 'Night air and gardening are the great tonics. There is nothing so stimulating as bare contact with rich mother earth. You are never so fresh as when you have been grubbing in the soil - black hands, black nails, and boots covered with mud.' She gave her great jovial laugh.

'I'm a glutton for air and earth,' she said. 'Positively I look forward to death, for then I shall be buried and have the kind earth all round me. No leaden caskets for me - I have given explicit directions. But what shall I do about air? Well, I suppose one can't have everything.'

("Mrs. Amworth") — E.F. Benson

May walked slowly around the body, studying it. Putrefaction had been halted in its advance, but the corpse's skin had turned green and black, producing an acrid odour. He found it hard to imagine that this man had recently been walking around, eating in restaurants, watching TV. He was someone's lover, someone's son, but there was almost nothing human left. Without a head his trunk bore an unsettling similarity to something you would find in a meat locker. How would his loved ones feel if they could see him like this? 'Get anything else?' 'It's tricky because the usual decay process has been interrupted by the relatively sterile storage of the body. Usually, after two to three days you get staining on the abdomen. The discolouration spreads, veins grow dark, the skin blisters after a week, tissue starts softening and nails fall off at around the three-week stage, and finally the face becomes unrecognisable as the skin liquefies - — Christopher Fowler

Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence. — Siegfried Sassoon

The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On — Bram Stoker

Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn't until two. May as well sleep in. If you can. Our — Suzanne Collins

The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil. — Anne Lamott

She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black."
"Aubergine," he declared and cracked the opening wider.
"I love a man who can make colors sound dirty." She grinned.
"Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit."
"I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!"
He didn't really, but he got the gist. "So you want nighttime for daytime."
"Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia. — Damon Suede

It's odd to see a black person painting his nails in Miami, especially in the hip-hop community. — SpaceGhostPurrp

Waves tossed themselves against the shore, dragging grit and sand between their nails as they were slowly pulled back out to sea. — Holly Black

Wing your eyeliner. Paint your nails black. Chin up. You got this. You fucking own this. — Unknown