Black Coats Quotes & Sayings

Black was bestlooking ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls. — Ann Petry

I moved along ancient streets, enchanted by names that sounded like songs: Rua da Agonia, Avenida dos Amores, Travessa de Chico Diabo. Our visit to Salvador took place during a period when the local government, or someone acting in its name, was trying to renew the old city, and was closing down the thousands of brothels. But the project was only at midpoint. At the feet of those deserted and leprous churches embarrassed by their own evil-smelling alleys, fifteen-year-old black prostitutes still swarmed, ancient women selling African sweets crouched along the sidewalks with their steaming pots, and hordes of pimps danced amid trickles of sewage to the sound of transistor radios in nearby bars. The ancient palaces of the Portuguese settlers, surmounted by coats of arms now illegible, had become houses of ill-repute. — Umberto Eco

Is one of those summer evenings, when it look like night would never come, a magnificent evening, a powerful evening, rent finish paying, rations in the cupboard, twenty pounds in the bank, and a nice piece of skin waiting under the big clock in Piccadilly Tube Station. The sky blue, sun shining, the girls ain't have on no coats to hide the legs.
"Mummy, look at that black man!" A little child, holding on to the mother hand, look up at Sir Galahad.
"You mustn't say that, dear!" The mother chide the child. — Samuel Selvon

BAD PEOPLE
A man told me once that all the bad people
Were needed. Maybe not all, but your fingernails
You need; they are really claws, and we know
Claws. The sharks - what about them?
They make other fish swim faster. The hard-faced men
In black coats who chase you for hours
In dreams - that's the only way to get you
To the shore. Sometimes those hard women
Who abandon you get you to say, "You."
A lazy part of us is like a tumbleweed.
It doesn't move on its own. Sometimes it takes
A lot of Depression to get tumbleweeds moving.
Then they blow across three or four States.
This man told me that things work together.
Bad handwriting sometimes leads to new ideas;
And a careless god - who refuses to let people
Eat from the Tree of Knowledge - can lead
To books, and eventually to us. We write
Poems with lies in them, but they help a little. — Robert Bly

I always design my own hats to complete my fashion thought ... I like them slightly mad, like this huge black poppy. Right now I lift the bosom high on coats and dresses ... I am using so many high curved belts. — Oscar De La Renta

Look," Peter said.
To the north was a series of vast grassy plains, and there, just looking like specks at first, was a herd of horses, a species that in Neverland had never been tamed. They were beautiful, flashes of brown and black and tan, their coats gleaming. There was no reason for them to be running that Tiger Lily could see. It was likely that they just loved to run.
"That's what I want my life to be," Peter said, staring down at the horses.
Tiger Lily sank against him and watched the herd, and thought that was what she wanted too. — Jodi Lynn Anderson

And let's debunk one bit of writer myth while we're here: Doing a seventeenth revision on a project does not make a writer an artist or move him above the writer hoi polloi any more than dressing entirely in black or wearing tweed jackets with leather elbow patches or big, black drover coats. These are all affectations, and smack of dilettantism. Real writers, and real artists, finish books and move on to the next project. — Holly Lisle

It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired. — Ta-Nehisi Coates

They wept no animal's tears. They mourned in a great wickerwork of hard muscle and ragged breath. The hot smell of their coats, their black lips pulled back over ivory teeth, stiff sprays of white whiskers; their heavy hair plaited with silver and faience. Their thick hides shivered, as cattle will shiver away flies.
I sweated and tried not to clear my throat. — Carla Speed McNeil

The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all. — George R R Martin

There was something about being in the vicinity of Grahame Coats that always made Fat Charlie (a) speak in cliches and (b) begin to daydream about huge black helicopters first opening fire upon, then dropping buckets of flaming napalm onto the offices of the Grahame Coats agency. Fat Charlie would not be in the office in those daydreams. He would be sitting in a chair outside a little cafe on the other side of Aldwych, sipping a frothy coffee and occasionally cheering at an exceptionally well-flung bucket of napalm. — Neil Gaiman

I don't know, I'm sure," said Mrs. Burch. She had said that three times already. Her natural distrust of foreign-looking gentlemen with black moustaches, wearing large fur-lined coats was not to be easily overcome. — Agatha Christie

To the three men in gray coats and golden buttons just cresting the hill, the pantomime was a strange one. The speck of green merged with the gray, and the black with the flash of red, as they shot off toward north. — Katherine Rundell

I wandered through Kino parlors and peered through the windows of the magnificent sprawling Grant's Raw Bar filled with men in black coats scooping up piles of fresh oysters. — Patti Smith

You're going to pay the bill," said Grahame. "Then I'll escort you and the young lady out to the car. And we'll go back to my place, for a proper talk. Any funny business, and I shoot you both. Capiche? "
Fat Charlie capiched. He also capiched who had been driving the black Mercedes that afternoon and just how close he had already come to death that day. He was beginning to capiche how utterly cracked Grahame Coats was and how little chance Daisy and he had of getting out of this alive. — Neil Gaiman

People, even if they are so thoughtless as to be born black, do not come into this world merely to provide mink coats and diamonds for chattering, trivial, pale matrons, or genocidal opportunities for their unsexed, unloved, and, finally, despicable men - oh, pioneers!

There will be bloody holding actions all over the world, for years to come: but the Western party is over, and the white man's sun has set. Period. — James Baldwin

On westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century. — Graham Moore