Best Vladimir Nabokov Quotes & Sayings

There is only one real number: one. And love, apparently, is the best exponent of this singularity. — Vladimir Nabokov

We are liable to miss the best of life if we do not know how to tingle, if we do not learn to hoist ourselves just a little higher than we generally are in order to sample the rarest and ripest fruit of art which human thought has to offer. — Vladimir Nabokov

this summer is so much sadder than the other — Vladimir Nabokov

She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds. — Vladimir Nabokov

Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita. Repeat till the page is full, printer. — Vladimir Nabokov

And now, said Ada, Van is going to stop being vulgar - I
mean, stop forever! Because I had and have and shall always
have only one beau, only one beast, only one sorrow, only one joy. — Vladimir Nabokov

Q: What is the best thing men do? A: To be kind, to be proud, to be fearless. — Vladimir Nabokov

I am quite willing to admit that they are also a deception but right now I believe in them so much that I infect them with truth. — Vladimir Nabokov

No Leslie, I'm not dead. I have finished building a world, and this is my Sabbath rest. — Vladimir Nabokov

And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead. — Vladimir Nabokov

I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name since 1956, but of no human beings. — Vladimir Nabokov

There was a rhythm, an
alternation in the dripping that I found as teasing as a coin
trick. — Vladimir Nabokov

By this time I was in a state of excitement bordering on insanity; but I also had the cunning of the insane. — Vladimir Nabokov

In reading, one should notice and fondle details. There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected. If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie. We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge. — Vladimir Nabokov

Light in comparison with darkness is a void. — Vladimir Nabokov

In a livid wet dress, under the tumbling mist ... had run ecstatically up that ridge above Moulinet to be felled there by a thunderbolt. — Vladimir Nabokov

Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple - these are our faithful timekeepers; and reason corrects the feverish beat. — Vladimir Nabokov

The Russian writer Vladimir Nabokov once said: In a Democracy, portraits of a nation's leader should never exceed the size of a postage stamp. That won't happen so quickly in Russia. — Vladimir Sorokin

...beyond observing that some law of logic should fix the number of coincidences, in a given domain, after which they cease to be coincidences, and form, instead, the living organism of a new truth ("Tell me," says Osberg's little glitana to the Moors, El Motela and Ramera, "what is the precise minimum of hairs on a body that allows one to call it 'hairy'?") — Vladimir Nabokov

In the fatal course of the most painful ailments, sometimes [ ... ], sometimes there occur sweet mornings of perfect repose- and that not owning to some blessed pill or potion [ ... ] or at least without our knowing that the loving hand of despair slipped us the drug. — Vladimir Nabokov

Without any wind blowing, the sheer weight of a raindrop, shining in parasitic luxury on a cordate leaf, caused its tip to dip, and what looked like a globule of quicksilver performed a sudden glissando down the centre vein, and then, having shed its bright load, the relieved leaf unbent. Tip, leaf, dip, relief - the instant it all took to happen seemed to me not so much a fraction of time as a fissure in it, a missed heartbeat, which was refunded at once by a patter of rhymes: I say 'patter' intentionally, for when a gust of wind did come, the trees would briskly start to drip all together in as crude an imitation of the recent downpour as the stanza I was already muttering resembled the shock of wonder I had experienced when for a moment heart and leaf had been one. — Vladimir Nabokov

Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? The heart does not break, as it does in parting with dear objects. The humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. This already dead iventory will not be resurrected in one's memory.. — Vladimir Nabokov

A good laugh is the best pesticide. — Vladimir Nabokov

The best part of a writer's biography is not the record of his adventures but the story of his style. [Vogue, interview, 1969] — Vladimir Nabokov

I recall the scent of some kind of toilet powder - I believe she stole it from her mother's Spanish maid - a sweetish, lowly, musky perfume. It mingled with her own biscuity odor, and my senses were suddenly filled to the brim; a sudden commotion in a nearby bush prevented them from overflowing - and as we drew away from each other, and with aching veins attended to what was probably a prowling cat, there came from the
house her mother's voice calling her, with a rising frantic note - and Dr. Cooper ponderously limped out into the garden. But that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since - until at last, twenty-four years later, I broke her spell by incarnating her in another. — Vladimir Nabokov

Dostoevski's The Double is his best work though an obvious and shameless imitation of Gogol's Nose. — Vladimir Nabokov

Iph
Was a larvorium and a violet:
A grave in Reason's early spring. And yet
It missed the gist of the whole thing; it missed
What mostly interests the preterist;
For we die every day; oblivion thrives
Not on dry thighbones but on blood-ripe lives,
And our best yesterdays are now foul piles
Of crumpled names, phone numbers and foxed files.
I'm ready to become a floweret
Or a fat fly, but never, to forget. — Vladimir Nabokov

When, on a Sunday evening in May 1876, Anna throws herself under the freight train, she has existed more than four years since the beginning of the novel, but in the case of the Lyovins, during the same period, 1872 to 1876, hardly three years have elapsed. It is the best example of relativity in literature that is known to me. — Vladimir Nabokov

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov

Although I could never get used to the constant state of anxiety in which the guilty, the great, and the tenderhearted live, I felt I was doing my best in the way of mimicry. — Vladimir Nabokov

Vladimir Nabokov, contemning readers who "identified" with characters in fiction, remarked that the best readers identify with the artist. — Joseph Epstein

There is nothing so banal in the world,' said Ada 'than pitching stones at a hawfinch. — Vladimir Nabokov

All my best words are deserters and do not answer the trumpet call, and the remainder are cripples. — Vladimir Nabokov

For we die every day; oblivion thrives 520 Not on dry thighbones but on blood-ripe lives, And our best yesterdays are now foul piles Of crumpled names, phone numbers and foxed files. — Vladimir Nabokov

I loathe popular pulp, I loathe go-go gangs, I loathe jungle music, I loathe science fiction with its gals and goons, suspense and suspensories. I especially loathe vulgar movies - cripples raping nuns under tables, or naked-girl breasts squeezing against the tanned torsos of repulsive young males. And, really, I don't think I mock popular trash more often than do other authors who believe with me that a good laugh is the best pesticide. — Vladimir Nabokov

For the human brain can become the best torture house of all those it has invented, established and used in a millions of years, in millions of lands, on millions of howling creatures. — Vladimir Nabokov

I could see the corridor window, where the wires-six thin black wires-were doing their best to slant up, to ascend skyward, despite the lightning blows dealt them by one telegraph pole after another; but just as all six, in a triumphant swoop of pathetic elation, were about to reach the top of the window, a particularly vicious blow would bring them down, as low as they had ever been, and they would have to start all over again. — Vladimir Nabokov

Delvig's best poem is the one he dedicated to Pushkin, his schoolmate, in January 1815. A boy of sixteen, prophesying in exact detail literary immortality to a boy of fifteen, and doing it in a poem that is itself immortal - this is a combination of intuitive genius and actual destiny to which I can find no parallel in the history of world poetry. — Vladimir Nabokov

He was a noisy robust little man with a gleam of real talent concealed in the messy obscurity of his verse. But because he did his best to shock people with his monstrous mass of otiose words (he was the inventor of the "submental grunt" as he called it), his main output seems now so nugatory, so false, so old-fashioned (super-modern things have a queer knack of dating much faster than others) that his true value is only remembered by a few scholars who admire the magnificent translations of English poems made by him at the very outset of his literary career, - — Vladimir Nabokov

Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet
Age: five thousand three hundred days. — Vladimir Nabokov

The fire you rubbed left its brand on the most vulnerable, most vicious and tender point of my body. Now I have to pay for your rasping the red rash too strongly, too soon, as charred wood has to pay for burning. When I remain without your caresses, I lose all control of my nerves, nothing exists any more than the ecstasy of friction, the abiding effect of your sting, of your delicious poison. — Vladimir Nabokov

I now felt a new, pitiful tenderness toward the poem as one has for a fickle young creature who has been stolen and brutally enjoyed by a black giant but now again is safe in our hall and park, whistling with the stableboys, swimming with the tame seal. The — Vladimir Nabokov

'Pnin' by Vladimir Nabokov, which is a literally small book, fit right in my common law book. I would sit in class and read it. — Elizabeth Strout

I knew I had fallen in love with Lolita forever; but I also knew she would not be forever Lolita. — Vladimir Nabokov

...there were times when I knew how you felt, and it was hell to know it... — Vladimir Nabokov

Our best yesterdays are now foul piles of crumpled names. — Vladimir Nabokov

When that slow-motion, silent explosion of love takes place in me, unfolding its melting fringes and overwhelming me with the sense of something much vaster, much more enduring and powerful than the accumulation of matter or energy in any imaginable cosmos, then my mind cannot but pinch itself to see if it is really awake. I have to make a rapid inventory of the universe, just as a man in a dream tries to condone the absurdity of his position by making sure he is dreaming. I have to have all space and all time participate in my emotion, in my mortal love, so that the edge of its mortality is taken off, thus helping me to fight the utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence. — Vladimir Nabokov

The two lads were told to wash their hands. The recent thrill of adventure had been superseded by another sort of excitement. They locked themselves up. The tap ran unheeded. Both were in a manly state and moaning like doves. — Vladimir Nabokov

I was a daisy fresh girl and look what you've done to me. — Vladimir Nabokov

I really knew nothing about her, blinded as I was by that burning loveliness which replaces everything else and justifies everything — Vladimir Nabokov

A first-rate college library with a comfortable campus around it is a fine milieu for a writer. There is, of course, the problem of educating the young. I remember how once, between terms, not at Cornell, a student brought a transistor set with him into the reading room. He managed to state that one, he was playing "classical" music; that two, he was doing it "softly"; and that three, "there were not many readers around in summer." I was there, a one-man multitude. — Vladimir Nabokov

'I shall vomit,' said Hugh, 'if you persist in pestering me with all that odious rot.' — Vladimir Nabokov

My patient was one of those singular and unfortunate people who regard their heart ("a hollow, muscular organ," according to the gruesome definition in Webster's New Collegiate Dictionary, which Pnin's orphaned bag contained) with a queasy dread, a nervous repulsion, a sick hate, as if it were some strong slimy untouchable monster that one had to be parasitized with, alas. — Vladimir Nabokov

We all have such fateful objects
it may be a recurrent landscape in one case, a number in another
carefully chosen by the gods to attract events of specific significance for us: here shall John always stumble; there shall Jane's heart always break. — Vladimir Nabokov

We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night - every night, every night - the moment I feigned sleep. — Vladimir Nabokov

Now I shall spy on beauty as none has Spied on it yet. Now I shall cry out as None has cried out. Now I shall try what none Has tried. Now I shall do what none has done. — Vladimir Nabokov

And in the meantime the rain had become a voluptuous shower. — Vladimir Nabokov

beware of ideas... — Vladimir Nabokov

[ ... ] leaving for a day or two that hopeless sense of loss which makes beauty what it is: a distant lone tree against golden heavens; ripples of light on the inner curve of a bridge; a thing impossible to capture. — Vladimir Nabokov

I had once been splintered into a million beings and objects. Today I am one, tomorrow I shall splinter again. And thus everything in the world decants and modulates. That day I was on the crest of a wave. I knew that all my surroundings were notes of one and the same harmony, knew - secretly - the source and the inevitable resolution of the sounds assembled for an instant, and the new chord that would be engendered by each of the dispersing notes. My soul's musical ear knew and comprehended everything. — Vladimir Nabokov

But that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since."
"this then is my story. i have reread it. it has bits of marrow sticking to it, and blood, and beautiful bright-green flies. at this or that twist of it i feel my slippery self eluding me, gliding into deeper and darker waters than i care to probe. — Vladimir Nabokov

I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times. — Vladimir Nabokov

You see, we find comfort in telling ourselves that the world could not exist without us, that it exists only inasmuch as we ourselves exist, inasmuch as we can represent it to ourselves. Death, infinite space, galaxies, all this is frightening, exactly because it transcends the limits of our perception. — Vladimir Nabokov

Some people - and I am one of them - hate happy ends. We feel cheated. Harm is the norm. Doom should not jam. The avalanche stopping in its tracks a few feet above the cowering village behaves not only unnaturally but unethically. — Vladimir Nabokov

The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. — Vladimir Nabokov

Solitude was corrupting me. — Vladimir Nabokov

Spontaneous eloquence seems to me a miracle. — Vladimir Nabokov

How can I demonstrate [ ... ] that I have glimpsed somebody's future recollection? — Vladimir Nabokov

Whatever his secret was, I have learnt one secret too, and namely: that the soul is but a manner of being
not a constant state
that any soul may be yours, if you find and follow its undulations. The hereafter may be the full ability of consciously living in any chosen soul, in any number of souls, all of them unconscious of their interchangeable burden. — Vladimir Nabokov

He was powerless because he had no precise desire, and this tortured him because he was vainly seeking something to desire. He could not even make himself stretch out his hand to switch on the light. The simple transition from intention to action seemed an unimaginable miracle. — Vladimir Nabokov

A moment later I heard my sweetheart running up the stairs. My heart expanded with such force that it almost blotted me out. I hitched up the pants of my pajamas, flung the door open: and simultaneously Lolita arrived, in her Sunday frock, stamping, panting, and the she was in my arms, her innocent mouth melting under the ferocious pressure of dark male jaws, my palpitating darling! — Vladimir Nabokov

Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love - from my heart, from the tender nucleus of a personal matter- to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behaviour of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time. — Vladimir Nabokov