Best Studio C Quotes & Sayings

I remember seeing a photograph of myself en pointe with my hand over my head and the other hand turned in under my breast curtseying. I took dance lessons at Miss Debbie's Dance Studio, and she put this picture of me in the storefront window. I was so unbelievably humiliated by the sight of myself. — Lisa Yuskavage

The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world. — Dave Grohl

Anna and I did not make love. I don't remember why. Maybe we didn't need to. She might have been afraid, although I doubt she was afraid of much. She'd been a midwife before she opened a studio; she'd held life in her hands, like a wire from a galvanic cell. Maybe death was too strong in me for an act so inspirited with life. Although I sometimes think that death is what gives lovemaking its desperate and terrible joy. — Norman Lock

As a studio, you have to have a niche. You have to provide a service and there has to be a reason for your being around. — John Vanderslice

I'm portable. I carry a laptop and a little recording studio on my back. — Abbie Cornish

The radical rightwing pegs Hollywood as a leftist town, which is completely wrong. There are a lot of actors, writers, and directors who talk a liberal agenda ... but all the studio bosses, for as long as there have been studios, have all been as far rightwing as you can possibly imagine. — Paul Haggis

I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on. — Evan Parker

I think indie films have more of a fresh, experimental vibe about them, whereas studio films know what they want and can basically get it. — Kodi Smit-McPhee

What would I say about "Heaven Without a Gun"? For me, to have this man, and our friendship [ with Andy Kim] grew really slowly and very consistently throughout the years before we decided to get into a studio together, I wasn't sure if he wanted to do songs that were pre-written or what. We didn't know what we were getting into. — Kevin Drew

There's something fun about the road because there's no 9 to 5. But I do find myself making the effort to take some time off. As much as I don't want to, I have to. I need to reset. I love weeks off, because I can go in the studio and just be creative again. — Hunter Hayes

The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one's own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound. — Linda Ronstadt

... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' "

Meisner sounds thrilled at the possibility of a hunt.

"That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention. — Sanford Meisner

I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself. — Andrew Neel

I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live. — Anthony Hamilton

I love to go into the studio on days when I'm not even doing anything. It's like my senior club. Some people go to senior centers, well I go to my senior center. — Robert Morse

If I don't stay creative and if I don't stay in the studio and keep writing and recording, I get kind of depressed. I can't quite remember what I'm supposed to be doing with myself. — Kenny Loggins

Writing on a contract for a major studio you get the very best. — Terry Southern

Some days I'll be like, "You know what? Why don't I go to my daughter's studio and make a song?!" And then I don't! I don't know if I would have all the time it takes to put into a song. — Tameka Cottle

I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. — Michael Pitt

Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose? — Eddie Van Halen

Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion. — Marilyn Monroe

How many leaps did Nijinksy take before he made the one that startled the world? He took thousands and thousands and it is that legend that gives us the courage, the energy, and arrogance to go back into the studio knowing that while there is so little time to be born to the instant, you will work again among the many that you may once more be born as one. That is a dancer's world. — Martha Graham

You can tell the difference between songs that were created in a garage and songs that were created in the studio. — Gary Cherone

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film. — Nicole Holofcener

I knew that I could be more creative onstage, to state my own case and deliver my own interpretation of the role much more aggressively than in the recording studio. — Kiri Te Kanawa

The good thing about the studio is that, when the movie comes out, they will put their marketing and their money behind it, which isn't necessarily true with indie movies, just by the nature of it being an independent film. — Jamie Linden

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen. — Joshua Rush

The painter locks himself out of his own studio. And then has to break in like a thief. — Jackson Pollock

The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly. — Eric Maisel