Best Street Art Quotes & Sayings

The Westway, the old strip club on Clarkson Street, is still there, but today it's owned by a hipster restaurant entrepreneur who caters to the ironic cultural lifestylers, more fashion world than art, people who are "cool" because they live in New York. — Kim Gordon

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

Hippodamus, son of Euryphon, a native of Miletus, invented the art of planning and laid out the street plan of Piraeus. — Aristotle.

I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street. — Claes Oldenburg

When you walk down the street and see something in a crazy spot, there's something powerful about that. The street will always be an important part of getting art out there for me. — Shepard Fairey

So I find every pleasant spot In which we two were wont to meet, The field, the chamber, and the street, For all is dark where thou art not — Alfred Lord Tennyson

Perhaps there lives some dreamy boy, untaught
In schools, some graduate of the field or street,
Who shall become a master of art,
An admiral sailing the high seas of thought
Fearless and first, and steering with his fleet
For lands not yet laid down in any chart. — Henry Wadsworth Longfellow

Nas' Illmatic blew my mind when I first heard it. The poetry was done on such a high level that in a way, it validated our existence, our culture. He used the language of the street at the time and made it art. Art tends to be validating. — Erik Parker

We called them the Nine-to-Fivers. They lived in accordance with nature, waking and sleeping with the cycle of the sun. Mealtimes, business hours, the world conformed to their schedule. The best markets, the A-list concerts, the street fairs, the banner festivities were on Saturdays and Sundays. They sold out movies, art openings, ceramics classes. They had evenings to waste. The watched the Super Bowl, they watched the Oscars, they made reservations for dinner because they ate dinner at a normal time. They brunched, ruthlessly, and read the Sunday Times on Sundays. They moved in crowds that reinforced their citizenship: crowded museums, crowded subways, crowded bars, the city teeming with extras for the movie they starred in.

They were dining, shopping, consuming, unwinding, expanding while we were working, diminishing, being absorbed into their scenery. That is why we -- the Industry People -- got so greedy when the Nine-to-Fivers went to bed. — Stephanie Danler

I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy. — Philippe Petit

I sing your restless longing for the statue, your fear of the feelings that await you in the street. I sing the small sea siren who sings to you, riding her bicycle of corals and conches. But above all I sing a common thought that joins us in the dark and golden hours. The light that blinds our eyes is not art. Rather it is love, friendship, crossed swords. — Federico Garcia Lorca

I hate the idea of street art. With music, I just needed my brain and my voice, which didn't cost anything. — M.I.A.

Believe that severity, violence, slavery, danger in the street and in the heart, secrecy, stoicism, tempter's art and devilry of every kind, - that everything wicked, terrible, tyrannical, predatory, and serpentine in man, serves as well for the elevation of the human species as its opposite — Friedrich Nietzsche

"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them. — Aleksandra Mir

Out of perverseness, I jumped on the subway and went down to a sound stage on Fourth Street to watch the shooting of Kay Doubleday's big strip scene in Mad Dog Coll, a gangster film that can still, to my embarrassment, be seen occasionally on late-night TV... Kay Doubleday was in my class at Lee Strasberg's; it was in the interest of art, I told myself, to watch her prance down a ramp, singing and stripping her heart out. — Brooke Hayward

The one thing you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. The moment that you feel that just possibly you are walking down the street naked ... that's the moment you may be starting to get it right. — Neil Gaiman

Part of what I do and what I want to do is I want to bring art into the everyday life. If you can take ordinary just walking in the street and you're confronted by something, that might change your day - it might inspire you. — Kenny Scharf

Understand that this art has been created by few soldiers in Vietnam to escape or reach: and this is the spirit I'd like parkour to keep. You have to make the difference between what is useful and what is not in emergency situations. Then you'll know what is parkour and what is not. So if you do acrobatics things on the street with no other goal than showing off, please don't say it's parkour. Acrobatics existed long time ago before parkour. — David Belle

To understand Occupy Wall Street, you have to understand artists. Art is freedom - freedom of expression - and its message has resonated through society for centuries. — Peter M. Brant

I think that street art is illegal and it has to stay illegal. — Invader

Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko ... all believed in the social role of art ... Their works were like hinged doors, connecting activity with activity. Art with engineering; music with painting; poetry with design; fine art with propaganda; photographs with typography; diagrams with action; the studio with the street ... — John Berger

Melbourne, where I grew up, is one of the street art capitals of the world. Something about discovering freshly painted walls always fills me with optimism; it's autonomous and democratic, and reminds me that maybe people are paying attention after all. — Penelope Mitchell

Kempo is for the street first; everything else is secondary. — William Kwai Sun Chow

To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage. — Witold Gombrowicz

As I sit here on a snowy morning watching the flakes gently fall outside my window, I look at the 300-year-old building across the street and the beautifully carved angels on its facade. There was a time people would create, just to give something beautiful to the world which we are so blessed to live in and a time when people understood the work of all of the arts. — Kytka Hilmar-Jezek

Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are. — Nathaniel Hawthorne

We are bored in the city, to still discover mysteries on the signs along the street, latest state of humor and poetry, requires getting damned tired...

Gilles Ivain (aka Ivan Chtcheglov) — Tom McDonough

In our fast-forward culture, we have lost the art of eating well. Food is often little more than fuel to pour down the hatch while doing other stuff - surfing the Web, driving, walking along the street. Dining al desko is now the norm in many workplaces. All of this speed takes a toll. Obesity, eating disorders and poor nutrition are rife. — Carl Honore

I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women. — Eliza Doolittle

Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity. — Mark Jenkins

Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream. For I am by no means confining you to fiction. If you would please me - and there are thousands like me - you would write books of travel and adventure, and research and scholarship, and history and biography, and criticism and philosophy and science. By so doing you will certainly profit the art of fiction. For books have a way of influencing each other. Fiction will be much the better for standing cheek by jowl with poetry and philosophy. — Virginia Woolf

I have always felt that a lot of the most interesting work, not just mine but other people's, falls into [the] nether area, somewhere between the worlds of documentary and photojournalism (two very vague words) and the world of art. I think a lot of street photography falls into this nether area. — Alex Webb