Best Narration Quotes & Sayings

I'm working 2 days a week right now, narration usually on Wed., and host on camera on Friday. — Robert Stack

Many men have been praised as vividly imaginative on the strength of their profuseness in indifferent drawing or cheap narration: - reports of very poor talk going on in distant orbs; or portraits of Lucifer coming down on his bad errands as a large ugly man with bat's wings and spurts of phosphorescence; or exaggerations of wantonness that seem to reflect life in a diseased dream. But these kinds of inspirations Lydgate regarded as rather vulgar and vinous compared with the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of Energy, capable of bathing even the ethereal atoms in its ideally illuminated space. — George Eliot

As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough. — Tony Verna

My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive. — Kangana Ranaut

The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices - to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all its own - for the children and the children yet unborn. And the pity of it is that these things cannot be confined to The Twilight Zone.
[closing narration: "The Monsters Are Due on Maple Street", Twilight Zone episode aired March 4, 1960 — Rod Serling

The admirers and followers of the Al Koran insist on the excellent moral precepts interspersed throughout that wild and absurd performance ... Would we know, whether the pretended prophet had really attained a just sentiment of morality, let us attend to his narration, and we shall soon find, that he bestows praise upon such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilised society. No steady rule of right conduct seems there to be attended to: and every action is blamed or praised, so far only as it is beneficial or harmful to the true believers. — David Hume

The strange thing about Christianity was that it adopted an entirely different method. It transformed the lives of men not by appealing to the human will, but by telling a story; not by exhortation, but by the narration of an event. — J. Gresham Machen

Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That's a supreme joy. And why the characters keep showing up. — Barry Hannah

This is the squalid, or moving, part of the story, and the scene changes. The people change, too. I'm still around, but from here on in, for reasons I'm not at liberty to disclose, I've disguised myself so cunningly that even the cleverest reader will fail to recognize me. — J.D. Salinger

Let the cut tell the story. Otherwise you have not got dramatic action, you've got narration. — David Mamet

THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled. — Seanan McGuire

Time is the nervous system of narration, whether factual or fictive. If it gets confused some of the minutiae of human nature are certain not to work, not to glow, not to strike home. — Glenway Wescott

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale

Should a traveler, returning from a far country, bring us an account of men wholly different from any with whom we were ever acquainted, men who were entirely divested of avarice, ambition, or revenge, who knew no pleasure but friendship, generosity, and public spirit, we should immediately, from these circumstances, detect the falsehood and prove him a liar with the same certainty as if he had stuffed his narration with stories of centaurs and dragons, miracles and prodigies. — David Hume

Bonhoeffer hears the narration that is the revealing of the boy's humanity by embracing the boy and taking him to his knee, giving him his person in the midst of his suffering, being close enough to hear the boy, awaiting the deep theological questions the boy has, which are tied to his very concrete lived experience, to the deep questions of childhood, questions Bonhoeffer himself remembers from his own childhood. — Andrew Root

The desire for narration keeps on reasserting itself, so that since modernism and fiction brought narration to an end, it is sought in memoirs. — Vivian Gornick

Effective stream-of-consciousness narration is the product of verbal precision, not just of literal documentation. It is decidedly not a matter of unedited free-association. — Albert Murray

Education is suffering from narration sickness. — Paulo Freire

This progressive effacement of human relationships is not without certain problems for the novel. How, in point of fact, would one handle the narration of those unbridled passions, stretching over many years, and at times making their effect felt on several generations? We're a long way from Wuthering Heights, to say the least. The novel form is not conceived for depicting indifference or nothingness; a flatter, more terse, and dreary discourse would need to be invented. — Michel Houellebecq

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few ... the late Theodore Sturgeon, the early Ray Bradbury ... and Richard Christian Matheson. A brilliant chip off the old block. — Stephen King

Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare ... As if it was the best way to tell the truth about characters or narration, instead of realism. — Arnaud Desplechin

I enjoy dramatic narration, of course, because I'm an actor and I started as an actor. But I love things that are a challenge, and I look forward to more work with that in the future. So there's always a sun coming up the following day for me. — Peter Cullen

The writer must face the fact that ordinary lives are what most people live most of the time, and that the novel as a narration of the fantastic and the adventurous is really an escapist plot; that aesthetically, the ordinary, the banal, is what you must deal with. — John Updike

The narration had lasted for the better part of an hour despite Markus's increasingly frequent and obvious glances at his Swiss watch, and left all the others in a strange combination of spellbound, bored, horrified, and bemused. — Neal Stephenson

In fact, our bodies are never the same--each minute, they undergo changes, even if imperceptible. Eisenstein (2001, 40-41) points out that we have many bodies, which influence our accounts of reality: 'Writing from the body, my body, my different bodies, I have different stories to tell. They are all all of a piece although they are also fragmentary as through each body experience has its own narration (13). — Barbara Sutton

When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer. — Paul Auster

WAKE
Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn't need more problems. But inexplicably, since she was eight years old, she has been pulled in to people's dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel's covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters. — Lisa McMann

But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers. — David Hume

History is principally the inaccurate narration of events which ought not to have happened. — Earnest Hooton

Another indulgence...by Mo Ali, is the most complex writing of the magazine. The narration and dialogue is obscure and tangential while remaining utterly modern..."
"...The opening piece...by Mo Ali, is a lyrical account of a surreal apocalypse and is some of the most beautiful writing of the issue." - Miranda Siemienowicz, HorrorScope — Miranda Siemienowicz

I have often perplexed myself over what I saw in Nelle Snyder's aged face at that moment. It was no look of paranoia. It was a look of waiting. Perpetual waiting. That look was to come back to me sixteen years later when I heard Rose's narration at the end of James Cameron's Titanic, with its line about survivors "waiting for an absolution that never came." Yet the waiting I saw in Nelle Snyder's face seemed larger even than a waiting for absolution. It seemed vaster even than Titanic herself. Call it the waiting of the Mother of all Perished Vessels. Or of a Ship of Honeymoon Dreams perchance, with a passenger list spanning all humanity, that once proudly sailed but was lost, aeons ago, and sank to a dark, unreachable abode where nothing whatsoever can be grasped about her except her perplexing power still to haunt us. — James Glaeg

He was ashamed of baiting the man, realizing that the absurdity of the story rested in the immaturity of the attitude combined with the sophisticated method of its narration. — F Scott Fitzgerald

Quite the narration in your head, even for a moment, and see for yourself that life is life, and not one minute of it is a retelling or a foretelling. Some things happen; some things don't. That's what makes it all worth seeing, no matter where it goes or how it ends. There is no spinmeister steering it all to a forgone conclusion. — Karen Maezen Miller

If I write nothing but fiction for some time I begin to get stupid, and to feel rather as if it had been a long meal of sweets; then history is a rest, for research or narration brings a different part of the mind into play. — Charlotte Mary Yonge

If the religious spirit be ever mentioned in any historical narration, we are sure to meet afterwards with a detail of the miseries which attend it. And no period of time can be happier or more prosperous, than those in which it is never regarded or heard of. — David Hume