Quotes & Sayings About Being Innocent And Young

The power in any society is with those who get to impose the fantasy. It is no longer, as it was for centuries throughout Europe, the church that imposes its fantasy on the populace, nor is it the totalitarian superstate that imposes the fantasy, as it did for 12 years in Nazi Germany and for 69 years in the Soviet Union. Now the fantasy that prevails is the all-consuming, voraciously consumed popular culture, seemingly spawned by, of all things, freedom. The young especially live according to the beliefs that are thought up for them by the society's most unthinking people and by businesses least impeded by innocent ends. Ingeniously as their parents and teachers may attempt to protect the young from being drawn, to their detriment, into the moronic amusement park that is now universal, the preponderance of the power is not with them. — Philip Roth

Camus-boy, you're always going to be the same you, just older. It's not like there's a moment when you wake up and go, Shit, I'm grown-up, I don't feel like myself anymore.'
I don't tell him, but this is the scariest fucking thing I've ever heard in my life. Being grown-up should feel like a big transition. It can't be something that, despite my best efforts, I've been drifting closer and closer to every summer. It needs to be a shock. I need to know at what point to stop holding on. And that moment will suck, and probably every moment after that will suck, but at least I'll know that everything that came before really was valid. I really was young and innocent. I wasn't fooling myself. — Hannah Moskowitz

Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional. — Mia Wasikowska

During the war, the holders of power in all countries found it necessary to bribe the populations into cooperation by unusual concessions. Wage-earners were allowed a living wage, Hindus were told they were men and brothers, women were given the vote, and young people were allowed to enjoy those innocent pleasures of which the old, in the name of morality, always wish to rob them. The war being won, the victors set to work to deprive their tools of advantages temporarily conceded. — Bertrand Russell

One day, Oliver and Noah had descended into the kitchen at the usual dinner-hour, to banquet upon a small joint of mutton - a pound and a half of the worst end of the neck - when Charlotte being called out of the way, there ensued a brief interval of time, which Noah Claypole, being hungry and vicious, considered he could not possibly devote to a worthier purpose than aggravating and tantalising young Oliver Twist. Intent upon this innocent amusement, Noah put his feet on the table-cloth; and pulled Oliver's hair; and twitched his ears; and expressed his opinion that he was a 'sneak'; and furthermore announced his intention of coming to see him hanged, whenever that desirable event should take place; and entered upon various topics of petty annoyance, like a malicious and ill-conditioned charity-boy as he was. But, — Charles Dickens

Ruby Bates, one of the young white girls, was a remarkable person. She told me she had been driven into prostitution when she was thirteen. She had been working in a textile mill for a pittance. When she asked for a raise, the boss told her to make it up by going with the workers. She told me there was nothing else she could do ... Ruby Bates was a remarkable woman. Underneath it all - the poverty, the degradation - she was decent, pure. Here was an illiterate white girl, all of whose training had been clouded by the myths of white supremacy, who, in the struggle for the lives of these nine innocent boys, had come to see the role she was being forced to play. As a murderer. She turned against her oppressors ... I shall never forget her. — Studs Terkel

This might sound like a dream for a seventeen-year-old boy, and I won't deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, — Josh Waitzkin