Being A Renaissance Man Quotes & Sayings

Breath is not aware of its history; it is just breath.
I wish I could be like that, or love could be like that. — David Levithan

The great Christian art did not die because all possible forms had been used up; it died because faith was being transformed into piety. Now, the same conquest of the outside world that brought in our modern individualism, so different from that of the Renaissance, is by way of relativizing the individual. It is plain to see that man's faculty of transformation, which began by a remaking of the natural world, has ended by calling man himself into question. — Andre Malraux

For axioms in philosophy are not axioms until they are proved upon our pulses. — John Keats

It was a lame excuse, and I knew that wasn't the reason he was canceling. If he wanted to avoid me, I would have preferred he made up something about how he and the other guardians had to up Moroi security or practice top-secret ninja moves. — Richelle Mead

In the early twelfth century century the Virgin had been the supreme protectress of civilisation. She had taught a race of tough and ruthless barbarians the virtues of tenderness and compassion. The great cathedrals of the Middle Ages were her dwelling places upon earth. In the Renaissance, while remaining the Queen of Heaven, she became also the human mother in whom everyone could recognise qualities of warmth and love and approachability ...
The stabilising, comprehensive religions of the world, the religions which penetrate to every part of a man's being
in Egypt, India or China
gave the female principle of creation at least as much importance as the male, and wouldn't have taken seriously a philosophy that failed to include them both ... It's a curious fact that the
all-male religions have produced no religious imagery
in most cases have positively forbidden it. The great religious art of the world is deeply involved with the female principle. — Kenneth Clark

Pearl introduces an original story, in a form which was to become one of the most frequent in mediaeval literature, the dream-vision. Authors like Chaucer and Langland use this form, in which the narrator describes another world - usually a heavenly paradise - which is compared with the earthly human world. In Pearl, the narrator sees his daughter who died in infancy, 'the ground of all my bliss'. She now has a kind of perfect knowledge, which her father can never comprehend. The whole poem underlines the divide between human comprehension and perfection; these lines show the gap between possible perfection and fallen humanity which, thematically, anticipate many literary examinations of man's fall, the most well known being Milton's late Renaissance epic, Paradise Lost. — Ronald Carter

Over half the world menstruates at one time or another, but you'd never know it. Isn't that strange? — Margaret Cho

I want the scripts Leonardo DiCaprio doesn't have time for. Joseph Gordon-Levitt isn't available? Call me. — Michael B. Jordan

We have given to thee, Adam, no fixed seat, no form of thy own, no gift peculiarly thine, that thou mayest feel as thine own, have as thine own, possess as thine own, the seat, the form, the gifts which thou thyself shalt desire. A limited nature in other creatures is confined within the laws written down by Us. In conformity with thy free judgment, in whose hands I have placed thee, thou art confined by no bounds; and thou will fix the limits of nature for thyself. I have placed thee at the centre of the world, that from there thou mayest more conveniently look around and see whatsoever is in the world. Neither heavenly nor earthly, neither mortal nor immortal have We made thee. Thou, like a judge appointed for being honourable, art the molder and maker of thyself. — Giovanni Pico Della Mirandola

One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too. — Walter Kaufmann

Yeah, I think speculation keeps things really interesting. — Adam Lambert

The traditional doctrine of man and not the measurement of skulls and footprints is the key for the understanding of that anthropos who, despite the rebellion of Promethean man against Heaven from the period of Renaissance and its aftermath, is still the inner man of every man, the reality which no human being can deny wherever and whenever he lives, the imprint of a theomorphic nature which no historical change and transformation can erase completely from the face of that creature called man. — Seyyed Hossein Nasr