Beauty Is Dangerous Quotes & Sayings
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Top Beauty Is Dangerous Quotes

Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold ... The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost. — J.R.R. Tolkien

Sometimes, I have to look twice at you just to see if you're actually real. That much beauty is dangerous. — Skyla Madi

There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal. — Pat Conroy

The pursuit of beauty is much more dangerous nonsense than the pursuit of truth or goodness, because it affords a stronger temptation to the ego. — Northrop Frye

Today, women have access to the technological capacity to do anything to our bodies in the struggle for "beauty", but we have yet to evolve a mentality beyond the old rules, to let them imagine that this combat among women is not inevitable. Surgeons can now do anything. We have not yet reached the age in which we can defend ourselves with an unwillingness to have "anything" done. This is a dangerous time. New possibilities for women quickly become new obligations. — Naomi Wolf

But, Foley, my lad, it isn't beauty per se that makes wire-walking Zen or makes it art. It's the extremity of the risks that are assumed by each exquisite gesture, each impossible somersault. Here's a more extreme version of the dangerous beauty bullfights used to possess before the matadors became preening cowards and stacked the desk against the beasts. We only rise above mediocrity when there's something at stake, and I mean something more consequential than money or reputation. The great value of a high-wire act is that it has no practical value. The fact that so much skill and effort and courage can be directed into something so ostensibly useless is what makes it useful. That's what affords it the power to lift us out of context and carry us-elsewhere. — Tom Robbins

I tremble because of the sufferings of those persecuted in different lands. I tremble thinking about the eternal destiny of their torturers. I tremble for Western Christians who don't help their persecuted brethren. In the depth of my heart, I would like to keep the beauty of my own vineyard and not be involved in such a huge fight. I would like so much to be somewhere in quietness and rest. But it is not possible ... The quietness and rest for which I long would be an escape from reality and dangerous for my soul ... The West sleeps and must be awakened to see the plight of the captive nations. — Richard Wurmbrand

Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pure flame, and even to exalt itself to mastery in the realm of beauty; pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion - to contemplate all these destinies, and many others like them, was to doubt if there is any other heroism at all but the heroism of weakness. In any case, what other heroism could be more in keeping with the times? — Thomas Mann

To restore you and myself, I return to my state of garden and shade, cool reality, I hardly exist and if I do exist it's with delicate care. Surrounding the shade is a teeming, sweaty heat. I'm alive. But I feel I've not yet reached my limits, bordering on what? Without limits, the adventure of a dangerous freedom. But I take the risk, I live taking it. I'm full of acacias swaying yellow, and I, who have barely begun my journey, begin it with a sense of tragedy, guessed what lost ocean my life steps will take me to. And crazily I latch onto the corners of myself, my hallucinations suffocate me with their beauty. I am before, I am almost, I am never. And all this I gained when I stopped loving you. — Clarice Lispector

But remember that if the struggle were to resort to violence, it will lose vision, beauty and imagination. Most dangerous of all, it will marginalize and eventually victimize women. And a political struggle that does not have women at the heart of it, above it, below it, and within it is no struggle at all. — Arundhati Roy

Anything that inspires addiction or obsession - substances, entertainment, beauty, secrecy - is dangerous in that it can lead to isolation, self-absorption, and disconnection, to paralyzed stasis: an immobility that gathers like a force. — Greg Carlisle

Culturally idolized beauty is not only foolproof, but potentially dangerous. — Francesca Lia Block

You know, the whole thing about perfectionism. The perfectionism is very dangerous. Because of course if your fidelity to perfectionism is too high, you never do anything. Because doing anything results in ... it's actually kind of tragic because you sacrifice how gorgeous and perfect it is in your head for what it really is. And there were a couple of years where I really struggled with that. — David Foster Wallace

It is dangerous for mortal beauty, or terrestrial virtue, to be examined by too strong a light. The torch of Truth shows much that we cannot, and all that we would not, see. — Samuel Johnson

Beauty is a dangerous property, tending to corrupt the mind of the wife, though it soon loses its influence over the husband. A figure agreeable and engaging, which inspires affection, without the ebriety of love, is a much safer choice. — Henry Home, Lord Kames

At eighteen the true narrative of life is yet to be
commenced. Before that time we sit listening to a tale, a marvelous fiction, delightful sometimes, and sad sometimes, almost always unreal. Before that time our world is heroic, its inhabitants half-divine or semi-demon; its scenes are dreamscenes; darker woods and stranger hills, brighter skies, more dangerous waters, sweeter flowers, more tempting fruits, wider plains, drearier deserts, sunnier fields than are found in nature, overspread our enchanted globe. What a moon we gaze on before that time! How the trembling of our hearts at her aspect bears
witness to its unutterable beauty! — Charlotte Bronte

Her who whose beauty is not like earthly beauty, dangerous to look upon, but like the morning star which is its emblem, bright and musical. — James Joyce

The music is a safe place to practice being human. In the span of one song I can feel it all, let it all come - joy and hope and terror and rage and love - and then let it pass. The song always ends. I survive every time. This is how I know I'm getting better: I become able to survive the beauty of music. I have accepted another one of life's dangerous invitations: the invitation to feel. — Glennon Doyle Melton

But what is this state? It is like a morning of spring, varied in its life and beauty, yet one and entire.
All the conflicts and contradictions of life are reconciled; knowledge, love and action harmonized; pleasure and pain become one in beauty, enjoyment and renunciation equal in goodness; the breach between the finite and the infinite fills with love and overflows; every moment carries its message of the eternal; the formless appears to us in the form of the flower, of the fruit; the boundless takes us up in his arms as a father and walks by our side as a friend.
While yet we have not attained the internal harmony, and the wholeness of our being, our life remains a life of habits. The world still appears to us as a machine, to be mastered where it is useful, to be guarded against where it is dangerous, and never to be known in its full fellowship with us, alike in its physical nature and in its spiritual life and beauty. — Rabindranath Tagore

The people of the heart - the painters, the poets, the musicians, the dancers, the actors - are all irrational. They create great beauty, they are great lovers, but they are absolutely unfit in a society that is arranged by the head. Your artists are thought by your society to be almost outcast, a little bit crazy, an insane type of people. Nobody wants his or her children to become musicians or painters or dancers. Everybody wants them to be doctors, engineers, scientists, because those professions pay. Painting, poetry, dance, are dangerous, risky - you may end up just a beggar on the street, playing on your flute. — Osho

Morning is the time to hide. They wake up, hale and hearty, their tongues hanging out for order, beauty and justice, baying for their due. Yes, from eight or nine till noon is the dangerous time. But towards noon things quiet down, the most implacable are sated, they go home, it might have been better but they've done a good job, there have been a few survivors but they'll give no more trouble, each man counts his rats. — Samuel Beckett

It was language I loved, not meaning. I liked poetry better when I wasn't sure what it meant. Eliot has said that the meaning of the poem is provided to keep the mind busy while the poem gets on with its work
like the bone thrown to the dog by the robber so he can get on with his work ... Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos. — P.K. Page

There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful. — Dave Hickey

When we stop believing in gods we can start believing in their stories, I retort. There are of course no such things as miracles, but if there were and so tomorrow we woke up to find no more believers on earth, no more devout Christians, Muslims, Hindus, Jews, why then, sure the beauty of the stories would be a thing we could focus on because they wouldn't be dangerous any more, they would become capable of compelling the only belief that leads to truth, that is, the willing, disbelieving of the reader in a well-told tale. — Salman Rushdie

Peter Geye has rendered the Minnesota north shore in all its stark, dangerous beauty, and it is the perfect backdrop for this deeply moving story of conflict and forgiveness. Safe from the Sea is a remarkable debut. — Ron Rash

Is the prey complicit in its own demise? Are we not seduced in some small way by the beauty, the grace, even the dangerous soul of the predator? — Lisa Unger

She seemed beautiful to me. Is that strange? I suppose it is. But there is a compelling beauty in the sight of someone seemingly so small and yet so dangerous. — Katherine Applegate

Leave off driving your composers. It might prove to be as dangerous as it is generally unnecessary. After all, composing cannot be turned out like spinning or sewing. Some respected colleagues (Bach, Mozart, Schubert) have spoilt the world terribly. But if we can't imitate them in the beauty of their writing, we should certainly beware of seeking to match the speed of their writing. It would also be unjust to put all the blame on idleness alone. Many factors combine to make writing harder for us (my contemporaries), and especially me. If, incidentally, they would use us poets for some other purpose, they would see that we are thoroughly and naturally industrious dispositions ... I have no time: otherwise I should love to chat on the difficulty of composing and how irresponsible publishers are. — Johannes Brahms

Here in This New Place Is Your Memory"
For P. Smith
Here in this new place it is reasonable to own
a dog or to tell somebody you've been needing
them less. A tree is always on a journey
toward becoming a better tree, limbs waving like eager sails
on an anchored ship. It is sad when you understand that nothing
else can come along. It is worse when you care
a little less. What you love requires a prioritized list, thus
that nothing is equal but to itself. And you are equal to a dangerous
ivory moon. Here there is sacrifice on the doorstep
of beauty. Here there is an altar made of sand. It dismantles
no less than itself to please the sea. — Wendy Xu

Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality. — Oscar Wilde

Moral beauty, so Gerard Manley Hopkins said, is dangerous. If such individuals could take his advice to meet it, then let it alone, things would be easier. But it is just which they can not do. — R.D. Laing

The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty. — E. M. Forster

Religious and philosophical beliefs are, indeed, as dangerous as fire, and nothing can take from them that beauty of danger. But there is only one way of really guarding ourselves against the excessive danger of them, and that is to be steeped in philosophy and soaked in religion. — Gilbert K. Chesterton

And a wandering beauty is a blade out of its scabbard.You know how dangerous, gentlemen of threescore?May you know it yet ten more. — John Crowe Ransom

It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with. — Stephen Fry

Wherever forests have not been mowed down, wherever the animal is recessed in their quiet protection, wherever the earth is not bereft of four-footed life - that to the white man is an 'unbroken wilderness.'
But for us there was no wilderness, nature was not dangerous but hospitable, not forbidding but friendly. Our faith sought the harmony of man with his surroundings; the other sought the dominance of surroundings.
For us, the world was full of beauty; for the other, it was a place to be endured until he went to another world.
But we were wise. We knew that man's heart, away from nature, becomes hard. — Chief Luther Standing Bear

No one can genuinely love the world, which is too large to love entire. To love all the world at once is ... dangerous self-delusion. Loving the world is like loving the idea of love, which is perilous because, feeling virtuous about this grand affection, you are freed from the struggles and the duties that come with loving people as individuals, with loving one place-home-above all others.
I embrace the world on a scale that allows genuine love-the small places like a town, a neighborhood, a street-and I love life, because of what the beauty of this world and of this life portend. — Dean Koontz

The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go. — Patti Smith

If TV sitcoms idealized the American suburbs of the 1960s, the works of the artistic elite disparaged them ceaselessly, then and now. The songs of Pete Seeger, novels like Revolutionary Road, the stories of John Cheever, movies like Pleasantville and American Beauty, television series like Mad Men: in all of them, that long-ago land of lawns and houses is depicted as a country of stultifying conformity and cultural emptiness, sexual hypocrisy, alcoholism, and spiritual despair. Privilege murders the senses there, the creatives tell us. Gender roles strangle freedom. Family life turns the heart of adventure to ashes. There's bigotry and gossip and dangerous liaisons behind every closed door. Oh, the soul, the human soul! In the suburbs of fiction, she is forever dying. But — Andrew Klavan