Quotes & Sayings About Beauty In Old Things

I may be old-fashioned. But I believe there is such a thing as a search for beauty - a delight in the nice things in the world. And I don't think one should have to apologise for it. — Saul Leiter

The aesthetes of Des Esseintes' generation found diamonds common, rubies and emeralds depreciated, and turquoises vulgar. The old poetry was dead, though echoes of it lived on in the names of such gems as chrysoberyl and peridot and olivines and almandines and cymophanes and aquamarines. Beauty which has departed from things may live on in words. — Joan Evans

Music. A flower in a vase on the tray. A January rose, it wouldn't last long, all big and full-blown like that. He loved things like this, fragile, that wouldn't last. She touched its silver-mauve petals, a hundred layers like an old-fashioned petticoat. The Japanese would say that's their elegance, the brevity of their beauty. — Janet Fitch

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

J. Robertson McQuilkin ... was once approached by an elderly lady facing the trials of old age. Her body was in decline, her beauty being replaced by thinning hair, wrinkles and skin discoloration. She could no longer do the things she once could, and she felt herself to be a burden on others. "Robertson, why does God let us get old and weak? Why must I hurt so?" she asked.
After a few moments' thought McQuilkin replied, "I think God has planned the strength and beauty of youth to be physical. But the strength and beauty of age is spiritual. We gradually lose the strength and beauty that is temporary so we'll be sure to concentrate on the strength and beauty which is forever. It makes us more eager to leave behind the temporary, deteriorating part of us and be truly homesick for our eternal home. If we stayed young and strong and beautiful, we might never want to leave! — Philip Yancey

For attractive lips, speak words of kindness.
For lovely eyes, seek out the good in people.
For a slim figure, share your food with the hungry.
For beautiful hair, let a child run his fingers through it once a day.
For poise, walk with the knowledge you'll never walk alone.
...
We leave you a tradition with a future.
The tender loving care of human beings will never become obsolete.
People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.
Never throw out anybody.
Remember, if you ever need a helping hand, you'll find one at the end of your arm.
As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.
Your "good old days" are still ahead of you, may you have many of them. — Sam Levenson

Somewhere, deep within me, beyond the passion, beyond the beauty of the night, that little spark of Daily magic ignited in me again, began burning in a place that had gone dark and untended, that had yearned to be bright and warm. I felt it now, something old, something new, something complete. Perhaps it had been in there in me all along, the belief that there is a plan and a purpose, that God whispers into every life, some things that are beyond the scope of the mind, and can only be felt with the heart and the spirit.
Those dreams, the dreams that are dreamed *for* us, not by us, are the truest of all. — Lisa Wingate

We all have weak moments, moments where we lose faith, but it's our flaws, our weaknesses that make us human. Science now performs miracles like the gods of old, creating life from blood cells or bacteria, or a spark of metal. But they're perfect creatures and in that way they couldn't be less human. There are things machines will never do, they cannot possess faith, they cannot commune with God. They cannot appreciate beauty, they cannot create art. If they ever learn these things, they won't have to destroy us, they'll be us. — Sarah Connor

Still must the poet as of old,
In barren attic bleak and cold,
Starve, freeze, and fashion verses to
Such things as flowers and song and you;
Still as of old his being give
In Beauty's name, while she may live,
Beauty that may not die as long
As there are flowers and you and song. — Edna St. Vincent Millay

Where's the nobility in patching up a bunch of old tables and chairs? Corrosive to the soul, quite possibly. I've seen too many estates not to know that. Idolatry! Caring too much for objects can destroy you. Only - if you care for a thing enough, it takes on a life of its own, doesn't it? And isn't the whole point of things - beautiful things - that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another? Because, I mean - mending old things, preserving them, looking after them - on some level there's no rational grounds for it - ... fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn't be an object. It'd be a city, a color, a time of day. The nail where your fate is liable to catch and snag.
- Hobie, The Goldfinch by Donna Tartt — Donna Tartt

To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition. — Tom Ford

Singing at the Edge of Need by Susan Laughter Meyers (fragment)
Three things I turned my back to: light,
the past, the trunk of an old tree.
One by one each unfastened itself.
To sit is to present when the roll is called.
I knew that. I wore my hat of straw, fringed
like fingers sifting a breeze. My hat
collecting a thousand thoughts ...
... I had no map
and few lessons yet to guide me.
I was a study of questions. O Grandmother,
I was small, sitting in the midst of wildness,
a child thrilling at the boss of thunder.
A rustle of leaves, moss tipping at me-
I was small, I was hunger, I was thirst-
wings flitting in a brush pile. O Grandmother,
I was small, kneeling in the midst of wonder,
quaking and singing at the edge of need. — Susan Laughter Meyers

Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'. — Pope John Paul II

Google is so strange. It promises everything, but everything isn't there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google....Sure, there's a certain charm to being able to look up and watch Eartha Kitt singing Old Fashioned Millionaire in 1957 at three in the morning or Hayley Mills singing a song about femininity from an old Disney film. But the charm is a kind of deception about a whole new way of feeling lonely, a semblance of plenitude but really a new level of Dante's inferno, a zombie-filled cemetery of spurious clues, beauty, pathos, pain, the faces of puppies, women and men from all over the world tied up and wanked over in site after site, a great sea of hidden shallows. More and more, the pressing human dilemma: how to walk a clean path between obscenities. — Ali Smith

We feel a private thrill, admit it, at the sight of beauty in flames. We wish to blast all the fine old things to oblivion and replace them with tasteless identical
structures. — Don DeLillo

The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty — Jack London

Bernard sank into a yet more hopeless misery.
"But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred. — Aldous Huxley

I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life. — John Musker

On my last birthday I was ninety-three years old. That is not young, of course. In fact, it is older than ninety. But age is a relative matter. If you continue to work and to absorb the beauty in the world about you, you find that age does not necessarily mean getting old. At least, not in the ordinary sense. I feel many things more intensely than ever before, and for me life grows more fascinating. — Pablo Casals

Late have I loved you, beauty so old and so new: late have I loved you. And see, you were within and I was in the external world and sought you there, and in my unlovely state I plunged into those lovely created things which you made. You were with me, and I was not with you. The lovely things kept me far from you, though if they did not have their existence in you, they had no existence at all. You called and cried out loud and shattered my deafness. You were radiant and resplendent, you put to flight my blindness. You were fragrant, and I drew in my breath and now pant after you. I tasted you, and I feel but hunger and thirst for you. You touched me, and I am set on fire to attain the peace which is yours. — Augustine Of Hippo

Around me the beautiful windows, connecting me to other lives and other times, to things done and also deliberately left undone, stood dark. Rose, I was sure, had acted out of love, yet for Iris her mother's absence had remained an unresolved sadness at the center of her life. I thought of what Rose had written about anger, about its power to corrupt, to make a space for evil. Maybe she was right. Maybe evil, that old-fashioned word, could be called other things, disharmony or dysfunction. Maybe Rose was right and evil wasn't attached top an individual as much as if was a force in the world, a seeing force, one that worked like a self-replicating virus, seeking to entangle, to ensnare, to undo beauty. [p.353] — Kim Edwards

Way for new, winter taking away the remnants of the old to clear room for the young growth. Life, in other words, in all its fierce beauty and stark routine. All things went to the soil eventually. It was the way of life. — Diana Palmer

It was frightening, this new clarity of vision: but I felt free at last to know darkness as the other side of light, and that both were needed for sight.
And with that thought - it was almost as though I felt it in truth - the shackles of my old imprisoned self fell away at last. No more did I long for a warm bed behind safe walls. My heart drank in the beauty and wonder and danger of the world, and I saw for the first time that life was not something to survive, but something - the only thing - to be savoured in all its diversity. Light and dark together, mingled in all things, giving depth and substance where either alone was a pale shadow. I felt from that moment I might begin to find all things new. — Elizabeth Kerner

The hill is like an old woman, all her human obligations met, who sits at work day after day, in a kind of rapt leisure, at an intricate embroidery. She has time for all things. Because she does not expect ever to be finished, she is endlessly patient with details. She perfects flower and leaf, feather and song, adorning the briefest life in great beauty as though it were meant to last forever. — Wendell Berry

It was the sea that made me begin thinking secretly about love more than anything else; you know, a love worth dying for, or a love that consumes you. To a man locked up in a steel ship all the time, the sea is too much like a woman. Things like her lulls and storms, or her caprice, or the beauty of her breast reflecting the setting sun, are all obvious. More than that, you're in a ship that mounts the sea and rides her and yet is constantly denied her. It's the old saw about miles and miles of lovely water and you can't quench your thirst. Nature surrounds a sailor with all these elements so like a woman and yet he is kept as far as a man can be from her warm, living body. That's where the problem begins, right there - I'm sure of it. — Yukio Mishima

Looking at things is never time wasted. If your children want to stand and stare, let them. When I was marvelling at the beauty of a painting or enjoying a great view it did not occur to me that the experience, however intense, would be of value many years later. But there it has remained, tucked away in hidden bits of my mind and now it comes, shouldering aside even the most passionate love affairs. — Diana Athill

So few things we need to know.
And the old wisdoms shudder in us and grow slack.
Like renunciation. Like the melancholy beauty
of giving it all up. Like walking steadfast
in the rhythms, winter light and summer dark.
And the time for cutting furrows and the dance — Robert Hass

We probably ought to be careful about deciding we're feeling offended; it can get old after a while. We become offended in all the ways God isn't. The seat of offendedness (like the seat of judgment) can be a real tricky spot to occupy. Before we know it, it can become a twenty-four-hour-a-day job. It becomes all we're known for, and when we're all caught up in all the things we're against, we forget the beauty of the things we're supposed to be for. We forget what the kingdom of God looks like and all the wonderfully odd characters taking up residence there. We forget to revel in dappled things. We forget we're dappled. — David Dark

What you need to drive out an old passion, is a new passion, a greater passion. What you need is an over-mastering positive passion. [ ... ] Just as Rachel was Jacob's over-mastering passion, the passion of his life, Jesus is our "Rachel". To the degree, that you see Jesus on the cross, loosing absolutely everything for you, He will become a beauty to you, He will become so beautiful in your eyes that you'll be able to change these things that control
you now, they'll loose their power.
Do you know how to work on your heart like that? It's only by rejoicing in and resting in what Jesus Christ has done for you. Then you can replace your idols. And if you really want to change and want to pound the Gospel more deeply into your heart - Jesus Christ must become your over-mastering positive passion. — Timothy Keller

When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, 'It's all in Plato' - meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.

[The New York Times interview, 2000] — Philip Pullman

I knew that there were at least three graves to find, graves that are inhabit. So I search, and search, and I find one of them. She lay in her Vampire sleep, so full of life and voluptuous beauty that I shudder as though I have come to do murder. Ah, I doubt not that in the old time, when such things were, many a man who set forth to do such a task as mine, found at the last his heart fail him, and then his nerve. So he delay, and delay, and delay, till the mere beauty and the fascination of the wanton Undead have hypnotize him. And he remain on and on, till sunset come, and the Vampire sleep be over. Then the beautiful eyes of the fair woman open and look love, and the voluptuous mouth present to a kiss, and the man is weak. And there remain one more victim in the Vampire fold. One more to swell the grim and grisly ranks of the Undead! ... — Bram Stoker

I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn't mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things. — J.J. Abrams

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time
back home to the escapes of Time and Memory. — Thomas Wolfe

. Only - if you care for a thing enough, it takes on a life of its own, doesn't it? And isn't the whole point of things - beautiful things - that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another? Because, I mean - mending old things, preserving them, looking after them - on some level there's no rational grounds for it - "
"There's no 'rational grounds' for anything I care about — Donna Tartt

The God of Imagination lived in fairytales. And the best fairytales made you fall in love. It was while flicking through "Sleeping Beauty" that I met my first love, Ivar. He was a six-year-old bello ragazzo with blond hair and eyebrows. He had bomb-blue eyes and his two front teeth were missing.
The road to Happily Ever After, however, was paved with political barbed wire. Three things stood in my way.
1. The object of my affection didn't know he was the object of my affection.
2. The object of my affection preferred Action Man to Princess Aurora.
3. The object of my affection was a boy and I wasn't allowed to love a boy. — Diriye Osman

I feel prematurely old. I'm actually having this major belated quarter-life crisis. I'm turning 30 in a couple of weeks. I've been thinking a lot about mortality. A lot about what I'm going to do with my life and how to enjoy it. One of the things I'm going to work on is being more spontaneous, letting go, embracing the beauty of come-what-may. — Chris Pine