Autumn Images And Quotes & Sayings

The outside world might have finally turned into autumn, but inside the Waverley house it still smelled of summer. It was lemon verbena day, so the house was filled with a sweet-tart that conjured images of picnic blankets and white clouds like true-love hearts. — Sarah Addison Allen

Go blind now, today:
eternity also is full of eyes -
in them
drowns what helped images down
the way they came,
in them
fades what took you out of language,
lifted you out with a gesture
which you allowed to happen like
the dance of the words made of
autumn and silk and nothingness. — Paul Celan

Autumn in the Highlands would be brief - a glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground. — Elizabeth Stuart

It was lemon verbena day, so the house was filled with a sweet-tart scent that conjured images of picnic blankets and white clouds shaped like true-love hearts. — Sarah Addison Allen

That autumn, I kept coming back to Hopper's images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as "our most poignant, ceaselessly replicated romantic image of American loneliness" ...
Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. — Olivia Laing

It was a clear autumn day Sunday in 1876; Vincent van Gogh, twenty-three years old, left the English boarding school where he was teaching to give a sermon at a small Methodist church in Richmond, a humble London suburb. Standing in front of the lectern, he felt like a lost soul emerging from the dark cave in which he had been buried.

The sermon, which survives among Vincent's collected letters, reiterates universal ideas and is not an outstanding example of the art of homiletics. Nevertheless, his words grew out of his tormented life and had an intense emotional charge. Preaching to the congregation, he was also preaching to himself -- and of himself. The images he used were the same as those that were to be given powerful expression in his pictures.

The text chosen for the sermon was Psalm 119:19, 'I am a stranger on the earth, hide not Thy commandments from me.' — Albert J. Lubin

Do you ever think about him? About the boy who infected you?"
Images flash in the darkness: a crown of auburn hair, like autumn leaves burning; the blur of a body, a shape running next to me; a dream-figure. "I try not to," I say.
"Why not?" Julian's voice is quiet.
I say, "Because it hurts. — Lauren Oliver

When autumn shadows throw their patterns across the land, they are not the images of fragile, dying leaves, not the bared arms of lofty elms, not shadows of a fading summer; but swinging shapes as of books upon a strap, of round and square boxes held under an arm, of hurrying little people heading towards the nearest school. — Djuna Barnes

It was a lovely autumn day with a blue sky: I made my way through a lead-coloured world, and I realized that my mother's accident was affecting me far more than I had thought it would. I could not really see why. It had wrenched her out of the framework, the role, the set of images in which I had imprisoned her: I recognized her in this patient in bed, but I did not recognize either the pity or the kind of disturbance that she aroused in me. — Simone De Beauvoir

Anne could not immediately fall into a quotation again. The sweet scenes of autumn were for a while put by - unless some tender sonnet, fraught with the apt analogy of the declining year, with declining happiness, and the images of youth and hope, and spring, all gone together, blessed her memory. — Jane Austen