Art Solomon Quotes & Sayings

All day long I add up columns of figures and make everything balanced. I come home. I sit down. I look at a Kandinsky and it's wonderful. — Solomon R. Guggenheim

modern humanist education believes in teaching students to think for themselves. It is good to know what Aristotle, Solomon and Aquinas thought about politics, art and economics; yet since the supreme source of meaning and authority lies within ourselves, it is far more important to know what you think about these matters. — Yuval Noah Harari

There is a line that I always loved from Lucretius. He said, "The sublime is the art of exchanging easier for more difficult pleasures." The presumption of that formulation is that the more difficult pleasures are actually better than the easier pleasures. That is why one makes the exchange. — Andrew Solomon

There is beautiful you are."
"No," said Marged, between a sigh and a sob.
"Yes," said Owen.
"No," said Marged, not so certain.
"Behold," Owen said, from Solomon. "thou art fair. Thou hast dove's eyes."
"Dove's eyes are small." Marged said.
"Yours are so big they are my whole world," said Owen. — Richard Llewellyn

There is no such thing as reproduction, only acts of production. — Andrew Solomon

Make haste, Beloved, be thou like an hart On mountains spicy sweet; And I, on those High Places where thou art, Will follow on hinds' feet; As close behind the hart, there leaps the roe, So where thou goest, I will surely go. That, as perhaps you know, is the last verse of the Song of Songs, which is Solomon's. But for Grace and Glory it was the beginning of a new song altogether. — Hannah Hurnard

High-class kitsch may well be "perfect" in its form and and composition: the academic painters were often masters of their craft. Thus, the accusation that a work of kitsch is based not on lack of for or aesthetic merit but on the presence of a particularly provocative emotional content. (The best art, by contrast, eschews emotional content altogether.) — Robert C. Solomon

Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exhausted lode. — Abigail Solomon-Godeau

Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the rituals of the arriviste. Inasmuch as one of those rituals consists of the establishment of suitable ancestry, a search for distinguished bloodlines, it inevitably happens that photographic history and criticism are more concern with notions of tradition and continuity than with those of rupture and change. — Abigail Solomon-Godeau

As Solomon himself had remarked, 'We can be sure of talent, we can only pray for genius.' But it was a reasonable hope that in such concentrated society some interesting reactions would take place.
Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests. So far, the conflict had produced worthwhile results in sculpture, music, literary criticism and film making. It was still too early to see if the group working on historical research would fulfil the hopes of its instigators, who were frankly hoping to restore mankind's pride in its own achievements.
Painting still languished which supported the views of those who considered that static, two dimensional forms of art had no further possibilities. It was noticeable, though a satisfactory explanation for this had not yet been produced that time played an essential part in the colony's achievements. — Arthur C. Clarke