Art Prints Quotes & Sayings

Japanese things - laquers, netsuke, prints - conjure a picture of a place where sensations are always new, where art pours out of daily life, where everything exists in a dream of endless beautiful flow. — Edmund De Waal

I would begin by collecting lithographs and etchings. It's a way of coming in and benefiting from real quality art. Even younger artists make wonderful prints. Prints can become very valuable. That's how I began collecting. — Arne Glimcher

Today, because photography exercises such a profound influence upon the study of art, we tend to disregard the way in which prints continue to function as information. — Edward Lucie-Smith

'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted. — John Van Hamersveld

I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women. — Eliza Doolittle

If you view computer designers as artists, they're really into more of an art form that can be mass-produced, like records, or like prints, than they are into fine arts. They want something where they can express themselves to a large number of people through their medium, and their medium is technology and manufacturing. — Steve Jobs

In spite of the roaring of the young lions at the Union, and the screaming of the rabbits in the home of the vivisect, in spite of Keble College, and the tramways, and the sporting prints, Oxford still remains the most beautiful thing in England, and nowhere else are life and art so exquisitely blended, so perfectly made one. — Oscar Wilde

I just get the feeling that if Jesse Helms was in charge of art in America, you'd go into a museum and see nothing but prints of dogs playing cards. — Elayne Boosler

The decor bowled me over. Everywhere I looked, there was something more to see. Botanical prints, a cross section of pomegranates, a passionflower vine and its fruit. Stacks of thick books on art and design and a collection of glass paperweights filled the coffee table. It was enormously beautiful, a sensibility I'd never encountered anywhere, a relaxed luxury. I could feel my mother's contemptuous gaze falling on the cluttered surfaces, but I was tired of three white flowers in a glass vase. There was more to life than that. — Janet Fitch

Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all. — Gerhard Richter

I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity. — Cindy Sherman

I love prints of skulls and bones and have some taxidermy - a crow and a rabbit - to remind me of home. I like art and have a big portrait of Bjork. — Ellie Goulding

My eyes roved over the walls covered with my collages and prints of famous paintings. Magritte, Kandinsky, Kahlo. My origami shapes hung from fishing wire, dangling over my bed. They shivered in the slight breeze blowing through my open window. It was my own little escape pod, but none of it was enough tonight. — Heather Demetrios

My own interest in art was because of my mother. My father didn't like contemporary art, so he didn't give her large sums to spend. So, she began buying prints and drawings. During my school days, I remember sitting in on many of the early meetings. — David Rockefeller

Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs. — Alexey Brodovitch