Art Of War Love Quotes & Sayings

Behind every footballing tough guy there lurks a mincing aesthete with a love of art for art's sake, football for football's sake. A win without art is somehow less than a victory; less, almost, than a beautiful defeat. In football, the romantic and the pragmatist are ever at war in the same breast. Beauty, it must be understood here, is not Barcelona's aim but their method. And last night they were ready to use this method at every opportunity - quick-fire passing of wit and purpose in the danger areas, seeking always to produce an unlooked-for player in a position of threat. — Simon Barnes

Art is the war against what we do not choose to feel. It's the battle of color, words, sound, and shape, and it rages for or against love. — Tarryn Fisher

From the accession of Henry the Seventh to the breaking out of the civil wars, England enjoyed much greater exemption from war, foreign and domestic, than for a long period before, and during the controversy between the houses of York and Lancaster. These years of peace were favorable to commerce and the arts. Commerce and the arts augmented general and individual knowledge; and knowledge is the only fountain, both of the love and the principles of human liberty. — Daniel Webster

Walking away ends a battle in the heart of one,
and starts a war in the soul of another. — Jenim Dibie

Still, a prince should make himself feared in such a way that if he does not gain love, he at any rate avoids hatred; for fear and the absence of hatred may well go together, and will be always attained by one who abstains from interfering with the property of his citizens and subjects or with their women. — Niccolo Machiavelli

All war is based in deception (cfr. Sun Tzu, "The Art of War").
Definition of deception: "The practice of deliberately making somebody believe things that are not true. An act, a trick or device entended to deceive somebody".
Thus, all war is based in metaphor.
All war necessarily perfects itself in poetry.
Poetry (since indefinable) is the sense of seduction.
Therefore, all war is the storytelling of seduction, and seduction is the nature of war. — Pola Oloixarac

In the purer ages of the commonwealth, the use of arms was reserved for those ranks of citizens who had a country to love, a property to defend, and some share in enacting those laws which it was their interest, as well as duty, to maintain. But in proportion as the public freedom was lost in extent of conquest, war was gradually improved into an art, and degraded into a trade. — Edward Gibbon

Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys' clubs, girls' clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses - 120 war-horses - musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. "The whole of society," concludes the Japanese study, "was laid waste to its very foundations."2698 Lifton's history professor saw not even foundations left. "Such a weapon," he told the American psychiatrist, "has the power to make everything into nothing. — Richard Rhodes

Use art, be creative. No more war. No more children dying. A pawn that does not move in chess upsets the game. I know there is love in the world still and that is what i wish to surround myself with. Sacrifice your time and energy into something positive instead of the negative and you will see that change around you. — Lorin Morgan-Richards

The marine corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swabjockies, or flyboys, all of whom they despise. Why? Because those candyasses don't know how to be miserable.
The artist committing himself to his calling has to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not, he will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that marine: he has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier, or swabbie, or desk jockey, because this is war, baby, and war is hell. — Steven Pressfield

The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time. — Ali Smith

Art has no place in modern life. It will continue to exist as long as there is a mania for the romantic and so long as there are people who love beautiful lies and deception ... Every modern cultured man must wage war against art, as against opium ... Photograph and be photographed. — Alexander Rodchenko

War stories deal in death. War illuminates love, while love is the greatest expression of hope, without which any story rings untrue to life. And to deny hope in a story about such darkness is to create false art. — Richard Flanagan

The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity. — Gerard Van Der Leeuw

'The Art Student's War' is, at its core, a traditional American wartime love story. As such, it is timely and engrossing. By the end, all its principal characters 'have been to Hell and back.' — Floyd Skloot

I cannot help remembering a remark of De Casseres. It was over the wine in Mouquin's. Said he: The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie — Jack London

The "war" is being fought along the line between sin and righteousness in every family. It is being fought along the line between truth and falsehood in every school ... Between justice and injustice in every legislature ... Between integrity and corruption in every office ... Between love and hate in every ethnic group ... Between pride and humility in every sport ... Between the beautiful and the ugly in every art ... Between right doctrine and wrong doctrine in every church ... Between sloth and diligence between coffee breaks. It is not a waste to fight the battle for truth and faith and love on any of these fronts. — John Piper

Not till the end of the war will there be any time for art or love or magic again. Perhaps never again. — Mary Butts