Art Journal Quotes & Sayings

A good journal entry- like a good song, or sketch, or photograph- ought to break up the habitual and life away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought to be a love letter to the world. — Anthony Doerr

In Allston, as generous as he was with his praise and encouragement, Sophia had come face-to-face with the male art establishment and its aesthetic. She had encountered it before when she was hustled out of Thomas Doughty's studio while a men's painting class was in session. More recently, at a gathering in the Reverend Channing's parlor, she had been stunned when the minister had quoted the influential British artist Henry Fuseli's sneering observation that there was "no fist" in women's painting - and then demanded Sophia's response. Flustered, Sophia had "sunk away into my shell," unable to speak, she confided in her journal. She had enough trouble summoning the confidence to paint each day, let alone defend women artists as a class. Channing's question struck to the heart of Sophia's ambivalence about taking the initiative to create original works of art. Virtually — Megan Marshall

While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another.
Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. — Marcel Proust

derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize?
let me get under your skin. i want to know what your fears taste like. i want to consume. — Taylor Rhodes

Journal what you love, what you hate, what's in your head, what's important. Journaling organizes your thoughts; allows you to see things in a concrete way that otherwise you might not see. Focus on what you think you need to find in your art. — Kay WalkingStick

Visual journals are created in a secret language of symbols. Intentional or not, they are private maps only their makers can follow. — Jennifer New

I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain. — Anais Nin

for instance, the theories and practices of art and photography with anthropological theory and practice (e.g. Edwards 1997a; da Silva and Pink 2004; Grimshaw and Ravetz 2004; Schneider and Wright 2005). The interdisciplinary focus in visual methods has also been represented in Theo van Leeuwen and Carey Jewitt's Handbook of Social Research (2000) and Chris Pole's Seeing is Believing (2004) both of which combine case studies in visual research from across disciplines. The idea that visual research as a field of interdisciplinary practice is also central to Advances in Visual Methodology (Pink 2012a) and is demonstrated by the work of the volume's contributors, as well as by the recent SAGE Handbook of Visual Research Methods (Margolis and Pauwels 2011). Likewise the interdisciplinary journal Visual Studies (formerly Visual Sociology) provides an excellent series of examples of visual research, practice, theory and methodology. — Sarah Pink

Documenting little details of your everyday life becomes a celebration of who you are. — Carolyn V. Hamilton

The art of investing is not about figuring out what has already happened. It's about anticipating the futureand creating the future that others will read about in The Wall Street Journal. — Joshua Rogers

Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect."

[I Stand With Charlie Hebdo, as We All Must (Wall Street Journal, January 7, 2015)] — Salman Rushdie

This imaginary gift is a journey for your imagination.
I send you ...
A luxury train ride. On this train are all the inspiring people you've ever wanted to meet or talk to. You glide from car to car, sitting or lying down on velvet lounge chairs, listening and asking questions. There is also a voluminous library on the train, with every book you've ever wanted to read or look at. Kind people bring you delicious tidbits to eat and nourishing liquids to drink. If you take a nap, time stands still until you return so you never miss anything. You receive a large journal filled with photographs, drawings and descriptions of your journey to take with you when you leave. You realize that you can board this train at any time. — SARK