Art In Fiction Quotes & Sayings

It is the importance of this quality of generosity in fiction that requires a measure of childishness in the writer. People who have strong mental focus and a sense of purpose in their lives, people who have respect for all that grownups generally respect (earning a good living, the flag, the school system, those who are richer than oneself, those who are beloved and famous, such as movie stars), are unlikely ever to make it through the many revisions it takes to tell a story beautifully, without visible tricks, nor would they be able to tolerate the fame and fortune of those who tell stories stupidly, with hundreds of tricks, all of them old and boring to the discriminating mind. First, with his stubborn churlishness the good writer scoffs at what the grownups are praising, then, with his childish forgetfulness and indifference to what sensible people think, he goes back to his foolish pastime, the making of real art. — John Gardner

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction. — Alan Moore

Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us. — Joanna Scott

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated - as thoroughly integrated as mind and body or thought and action in a rational view of man. — Ayn Rand

I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words. — Vito Acconci

Kitsch parodies catharsis ... It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts ... — Theodor Adorno

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel. — Eudora Welty

Fiction is about telling a good story, first and foremost. But of course, everything I'm interested in or angry about leaks into my writing, from art to violence against women. — Lauren Beukes

To erase the possibility of empathy is to erase the possibility of understanding.
To erase the possibility of empathy is also to erase the possibility of art. Theater, fiction, horror stories, love stories. This is what art does. Good or bad, it imagines the insides, the heart of the other, whether that heart is full of light or trapped in darkness. — Amanda Palmer

The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted. — Gary Inbinder

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended. — John Green

To be interested in short stories, you have to be interested in fiction as an art form. — Deborah Eisenberg

Do you know how hard it is to paint kindness?" She leaned her hip against a desk in the corner of the room, still watching me. "It's the only part of a person I really want to capture. Everything else seems to get lost in layers of deception or defensiveness. But not kindness. You can't hide it. And people either are or they aren't. — Laura Anderson Kurk

I want to paint something that no one has ever painted before," he was saying. I almost laughed at that -- doesn't every artist? We are all touched, however lightly, by the finger of god, and long to be gods ourselves, bringing forth new creations, and yet, so very few achieve it. Michelangelo, Rembrandt, Titian. We stumble in their footsteps, and wait at the closed door. — Mary F. Burns

I'd love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I'd want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose. — Maureen Johnson

Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all the tricks and has nothing to say. — Raymond Chandler

I cannot recall having believed, even as a child, that the purpose of reading fiction was to learn about the place commonly called the real world. I seem to have sensed from the first that to read fiction was to make available for myself a new kind of space. In that space, a version of myself was free to move among places and personages the distinguishing features of which were the feelings they caused to arise in me rather than their seeming appearance, much less their possible resemblance to places or persons in the world where I sat reading. — Gerald Murnane

You can tell within a sentence if something is fiction or non-fiction. You can tell in the artifice of the language or the care of the construction the difference between art and life. — Ethan Canin

Jo told me once that she was an old woman everywhere but in her studio. "There I'm only myself," she'd said. Standing in the middle of masterpieces that only Jo had ever seen and touched, I knew what she meant. — Laura Anderson Kurk

Proust, who did not greatly admire Flaubert, except perhaps in his narrow sense as a stylist - or perhaps only did not care very much for his work - nevertheless owed him a great deal, without realizing how much. From Flaubert he obtained the art of expressing his characters indirectly, through a monologue interieur. This method of characterization is one of Flaubert's greatest contributions to the art of fiction and, as we have seen in Madame Bovary, it is very different from the direct method of characterization practised by Balzac and Stendhal. — Enid Starkie

He had had no experience in asking for a job with a big organization, and Mr. Dilling was making him aware of what a fine art it was
if you couldn't run a machine. A duel was under way. — Kurt Vonnegut

While still in Beijing Gao wrote a brief postscript for his seventeen-story collection in which he warns readers that his fiction does not set out to tell a story. There is no plot, as is found in most fiction, and anything of interest to be found in it is inherent in the language itself. More explicit is his proposal that the art of fiction is "the actualisation of language and not the imitation of reality in writing", and that its power to fascinate lies in the fact that, simply by using language, it is able to evoke genuine feeling. — Mabel Lee

The notion that the public accepts or rejects anything in modern art is merely romantic fiction. The game is completed and the trophies distributed long before the public knows what has happened. — Tom Wolfe

The ideal form for a poem, essay, or fiction, is that which the ideal writer would evolve spontaneously. One in whom the powers of expression fully responded to the state of feeling, would unconsciously use that variety in the mode of presenting his thoughts, which Art demands. — Herbert Spencer

I feel like a sailor, or better, like an explorer of the immense universe of art. The artist is a discoverer in search of the keys that open the door to emotions and feelings . Art is the place where rationality, fantasy, truth and fiction mix up in a detonating mixture. — Augusto De Luca

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction! — Ray Bradbury

And if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us break her and bully her, as well as honour and love her, for so her youth is renewed and her sovereignty assured. — Virginia Woolf

I've started doing book reviews for Barnes & Noble! They saw that I did a lot of book reviews on the site, and they figured that it might not be a bad thing if they got me to do some for them as well. I gave them five categories I'd be interested in reviewing, from art to fiction to music. — David Bowie

Derailed. In exile. Deeply ashamed, despised. Yet she had so little pride, she was grateful most days simply to be alive.
There is Minimalist art; there are minimalist lives. — Joyce Carol Oates

What cannot be borne in reality, becomes a source of pleasure when it is transposed into the visual and somatic fiction of the dramatic spectacle. — Claude Calame

In writing, there is art. And in art there is craft ... — Susi Moore

At some point you have to set aside snobbery and what you think is culture and recognize that any random episode of Friends is probably better, more uplifting for the human spirit, than ninety-nine percent of the poetry or drama or fiction or history every published. Think of that. Of course yes, Tolstoy and of course yes Keats and blah blah and yes indeed of course yes. But we're living in an age that has a tremendous richness of invention. And some of the most inventive people get no recognition at all. They get tons of money but not recognition as artists. Which is probably much healthier for them and better for their art. — Nicholson Baker

Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing ... — Ellen Glasgow

Lucifer endears himself to us only as the Lord of Lies, for in this role he is most convincing as a character, which is to say, as a fiction that has been so fully realized that he misguides us with a false feeling of our own reality because we are the ones who made him: he is subordinate to us, especially in the art of lying. For the acephalics among us who have said that the Devil's greatest trick was convincing the world that he did not exist, it must be said back: if he did not exist, then neither would we. — Thomas Ligotti

At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. — Gary Inbinder

Ome INSIDE is home shining brightly above all homes in physical world. — Christina Westover

What about my patterns of denial, you ask? Well, you will soon read that once I found myself in repose, in Bordirtoun, for an extended period, certain truths about my character began to assert themselves. Truths I had long ignored, and soon, I would find myself deeper, embedded. You will find that I am similarly skilled at this Pong-ian art of denial. After all, I was the one who came halfway around the world, assuming that my father was telling the truth, knowing full well that he was a world-class liar and cheat. — Leland Cheuk

For me the purest and truest art in the world is science fiction. — C.J. Cherryh

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

Pimping is an art, Whoreson. There are very few pimps in this world who can really take the title of being a pimp. Just because a man gets his money from a whore, that don't make him no true pimp. Real pimps are really rare. — Donald Goines

Oh, I'm real. I'm the story of Sheresa. I write a little bit of the fiction of me every day. You see what I'm talking about? Then once you have the boundaries of history and fiction secure, where does everything else fall? Somewhere in between the two. History holds up one side of our lives and fiction the other. Mother, father. Birth, death, and in between, that's where you find religion. That's where you find art, science, engineering. It's where things get made from belief and memory. — Samantha Hunt

The fiction is like the art, in making stuff out of nothing, in creating a hyper-reality to have an experience. If it's strong enough, and your spell is strong enough, then you become, like, ultra-magnetic and then everything comes to you. — Watkin Tudor Jones

Science fiction is the fiction of ideas. Ideas excite me, and as soon as I get excited, the adrenaline gets going and the next thing I know I'm borrowing energy from the ideas themselves. Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible. — Ray Bradbury

Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion. — Nancy Kress

I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters. — Marc Jacobs

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form. — George Hickenlooper

Though Marcus' essay extends over 13 pages of small text, at its core is a very simple premise: Contemporary American fiction has lost its innovative edge and its interest in language as art, and Jonathan Franzen is largely, if not exclusively, to blame. — Jess Row

His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband. — Chew Kok Chang

Fiction, maybe art in general, is a tentative, uncertain enterprise; it's not science, it's an exploration, but you never find much in the way of answers. — Tim O'Brien

In French culture, the best way of buying time or getting off the hook entirely in a thorny personal situation is to claim that it's complicated. The French did not invent love, but they did invent romance, so they've had more time than any other culture on earth to refine the nuances of its language. — Mark Zero

I wish I had devoted all of my time writing to literature.
Those essays in the 60's, they were insolent, you know, like a young persons work. I wouldn't mind if the essays, at some point, evaporated.
I think fiction .. I think literature .. I think narrative, is what lasts.
I do believe that there is such a thing as truth. But I prefer the mode in which truth appears in art or literature. In literature a truth is something who's opposite is also true. — Susan Sontag

No one in Cattaraugus had much idea of what an artist' colony might be. "Art" itself was viewed with suspicion, scorn. There was the sense, as people like my mother conveyed it, of a fraud, a hustle. "Art" was putting something over on someone, the way politicians did. "Art" was a sorry excuse for not being productive, useful. "Art" was vanity, pretension. — Lauren Kelly

Writer's block comes from the feeling that one is doing the
wrong thing or doing the right thing badly. Fiction written for
the wrong reason may fail to satisfy the motive behind it and
thus may block the writer, as I've said; but there is no wrong
motive for writing fiction. At least in some instances, good
fiction has come from the writer's wish to be loved, his wish
to take revenge, his wish to work out his psychological woes,
his wish for money, and so on. No motive is too low for art;
finally it's the art, not the motive, that we judge. — John Gardner

In this choice, as I look back over more than half a century, I can only follow - and trust - the same sort of instinct that one follows in the art of fiction. — Mary Augusta Ward

It's a powerful moment, when you discover a vocabulary exists for something you'd thought incommunicably unique. Personally, I felt it reading Joseph Conrad's "Lord Jim." I have friends who've found themselves described in everything from science fiction to detective novels. This self-recognition through others is not simply a by-product of art - it's the whole point. — Phil Klay

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. — Tim Reed

In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter. — Azar Nafisi

See, the institutions and specialist, experts, you see. Yes, yes,
experts, indeed. See, they would have us believe that there is an order
to art. An explanation. Humans are odd creatures in that way. Always
searching for a formula. Yes, a formula to create an expected norm for
unexplainable greatness. A cook book you might say. Yes, a recipe
book for life, love, and art. However, my dear, let me tell you. Yes,
there is no such thing. Every individual is unique in their own design,
as intended by God himself. We classify, yes, always must we classify,
for if not, then we would be lost, yes lost now wouldn't we?
Classification, order, expectations, but alas, we forget. For what is art,
if not the out word expression of an artist. It is the soul of the artisan
and if his expectations are met, than who are we to judge whether his
work be art or not? — Cristina Marrero

But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative - the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory - it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we're to say anything important, we require an art less facile, and editors willing to seek it. — Michael Copperman

Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And it plays with some fascinating possibilities in human development, and some disconcerting ideas about human consciousness. What else can I say? Thanks for giving me the privilege of reading this. — Neal Asher

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone - intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art. — David Foster Wallace

Daemonic compulsiveness can kill as easily as it can save.
The true novelist must be at once driven and indifferent. Van
Gogh never sold a painting in his life. Poe came close with
poetry and fiction, selling very little. Drivenness only helps if
it forces the writer not to suicide but to the making of splendid
works of art, allowing him indifference to whether or not the
novel sells, whether or not it's appreciated. Drivenness is trouble
for both the novelist and his friends; but no novelist, I
think, can succeed without it. Along with the peasant in the
novelist, there must be a man with a whip. — John Gardner

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Fiction seeks to represent human experience as it is lived and as it reverberates in our hopes, fears, dreams, and memories. So much of our lives are internal. The art of fiction has claimed - more than anything else - this internal ground as its own. — Varley O'Connor

I was a man who stood in symbolic relations to the art and culture of my age ... The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy,intellectual daring; I made art a philosophy, and philosophy an art: I altered the minds of men and the colour of things: there was nothing I said or did that did not make people wonder ... I treated Art as the supreme reality, and life as mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram. — Oscar Wilde

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself. — Flannery O'Connor

I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you're a good storyteller then the lie is more true than reality, and if you're a bad one, the truth is worse than a half lie. — Jean Rouch

Henry James hated epilogues and refused to use them in his fiction. He said that life granted us no "epilogues", so why should art or literature? — Dan Simmons

And I had just kissed my ex-girlfriend, who had cried, while my current girlfriend was in jail. So far, it had not been my best day. — Mark Zero

In the end, the discipline of verification is what separates journalism from entertainment, propaganda, fiction, or art. — Bill Kovach

Everybody should read fiction ... I don't think serious fiction is written for a few people. I think we live in a stupid culture that won't educate its people to read these things. It would be a much more interesting place if it would. And it's not just that mechanics and plumbers don't read literary fiction, it's that doctors and lawyers don't read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn't trust art. — Percival Everett

By denying people's sense of visual beauty in painting and sculpture , melody in music , meter and rhyme in poetry , plot and narrative and character in fiction , the elite arts wrote off the vast majority of their audience . They purposely excluded people who approach art in part for pleasure and edification in favour of social one-upmanship and an ever-narrowing, in-crowd elite. — Steven Pinker

When you're used to being in dangerous situations, you develop a sixth sense about your surroundings, about where possible enemies might be lurking, how many steps it will take to reach the next corner on a dead run, the best hiding places if bullets start to fly... — Mark Zero

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann. — Vladimir Nabokov

If you write literary fiction that's set partly in the future, you're apparently a sci-fi writer ... I think of it as being more of a story about what remains after we lose everything and the importance of art in our lives. — Emily St. John Mandel

I had a conversation with a biologist in an art gallery, and he persuaded me that it was possible to grow a dress from microbes. It was the craziest thing I had ever heard, but I'm a bit of a science fiction fan and I thought it sounded like an interesting challenge. — Suzanne Lee

There is a very simple statement to be made about all these stories: they do not really come off intellectually as problems, and they do not come off artistically as fiction. They are too contrived, and too little aware of what goes on in the world. They try to be honest, but honesty is an art. The poor writer is dishonest without knowing it, and the fairly good one can be dishonest because he doesn't know what to be honest about. He thinks a complicated murder scheme which baffled the lazy reader, who won't be bothered itemizing the details, will also baffle the police, whose business is with details. — Raymond Chandler

Ambivalence and contradiction energize nearly every figure Michaelangelo carved, from the adolescent Madonna of the Stairs onward...But the four allegories atop the sarcophagi raise them to a symphonic crescendo. Each is a battleground of conflicting emotions and motives, in which will and paralysis battle for supremacy. — Eric Scigliano

Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction? — Virginia Woolf

The secret of genius is to suffer no fiction to exist for us; to realize all that we know; in the high refinement of modern life,in arts, in sciences, in books, in men, to exact good faith, reality, and a purpose; and first, last, midst, and without end, to honor every truth by use. — Ralph Waldo Emerson

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel. — Edward Bulwer-Lytton, 1st Baron Lytton

I was joking earlier when I said that all writers are manic depressives, but it's a joke with a lot of truth behind it. For fiction writers and poets, too, there's something wrong with you and you do this art as a way of correcting it or addressing it in some way. — T.C. Boyle

No. I cannot expect you to believe it. Take it as a lie
or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it? — H.G.Wells

What fiction and art can do, particularly narrative art, is construct consciousness - in a sense, we have to do it for the first time, every time. — Aleksandar Hemon

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

Poetry is not mainstream, but then neither is serious fiction, really. But I don't think there's a lot to worry about in this particular 'problem'. Why does art have to be mainstream to be significant? — Jonathan Galassi

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

Gossip is not adopted by the bored. It is an art of discourse adopted by those who have experienced absolutely nothing thrilling in their lives; they have never really fallen in love or casually spoken to a complete stranger, and they never dreamt of doing anything extraordinary. They are a group of people with dull lives and souls. — Kanza Javed

Technically and logically speaking, actual Victorian science fiction writers cannot be dubbed 'steampunks.' Although they utilized many of the same tropes and touchstones employed later by twenty-first-century writers of steampunk, in their contemporary hands these devices represented state-of-the-art speculation. — Paul Di Filippo

Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure. — Eudora Welty

Of all the hardships and deprivations a people can suffer, I am not sure if the deprivations of art and culture are not the most devastating. As meat and rice are food for the body, art and culture are food for the soul. Starve the body and the person dies; starve the soul and the spirit dies. — Gerard De Marigny

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion
— Thomas Mann

An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings. — Cynthia Ozick

Dull late-afternoon light glittered on the hanging copper pots in the kitchen where the old painter sat with his wine, smoking cigarette, a letter angrily crumpled on the table in front of him. — Stephanie Cowell