Art Exhibition Quotes & Sayings

I remember being an art student and going to the Whitney in 1974 to see the exhibition of Jim Nutt, the Chicago imagist. It was then I transferred to school in Chicago, all because of that show. — Jeff Koons

When I was fourteen, I had a massive poster on my wall of a giant pop-art mouth advertising a Swiss exhibition of abstract art. My friends and family mocked my pretention, but I loved that poster and the hope it offered of an exciting world of thought beyond the boundaries of stifling Solihull. But one day the poster fell off the wall and the dog pissed all over it, ruining it for ever, while my mother laughed. That poster is what the Alternative Comedy dream meant to me - the possibility of a better world. And now it is covered in dog's piss. — Stewart Lee

These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art. — Geoff Dyer

In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment. — Micha Bar-Am

In New York, Catholic groups have forced an art gallery to shut down an exhibition of a six-foot image of Jesus in chocolate. So, the Archbishop of New York was very upset. He said, 'It is appalling to make Jesus out of food! Now, if you'll excuse me, I have to go bake some communion wafers.' — Bill Maher

I've heard that almost all the people crowding around the big art openings barely look at the work on display and are just there to hobnob. Nothing wrong with that, except that none of them ever come back to look at the art - but they will tell everyone, and actually believe, that they have seen the exhibition. — Charles Saatchi

(Jean) Fautrier's exhibition (in Paris 1945,fh) made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me. — Jean Dubuffet

God, what a ghastly enterprise to be in, though
and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed. — David Foster Wallace

If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping.
I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da — Lemony Snicket

I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York. — Ben Shahn

Fifteen years ago, before we met, Daniela was a comer to Chicago's art scene. She had a studio in Bucktown, showed her work in half-dozen galleries, and had just lined up her first solo exhibition in New York. Then came life. Me. Charlie. A bout of crippling postpartum depression. Derailment. Now she teaches private art lessons to middle-grade students. — Blake Crouch

'The Art of the Brick' is an exhibition I've done where I've taken some works of art from art history and replicated them all out of Lego bricks. — Nathan Sawaya

I understand when there's no money for the arts in the government, but it should maybe pressure private companies to support more filmmakers. These exhibition and distribution companies are huge, and there might be incentives for them to invest more in Mexican cinema. — Alejandro Gonzalez Inarritu

Though I remember, sharply, last things. The last book she read. The last play (and film, and concert, and opera, and art exhibition) that we went to together. The last wine she drank, the last clothes she bought. The last weekend away. The last bed we slept in that wasn't ours. The last this, the last that. The last piece of my writing that made her laugh. The last words she wrote herself; the last time she signed her name. The last piece of music I played her when she came home. Her last complete sentence. Her last spoken word. — Julian Barnes

While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra. — Mark Edward

I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art. — Jerry Pinkney

The show business has all phases and grades of dignity, from the exhibition of a monkey to the exposition of that highest art in music or the drama which secures for the gifted artists a world-wide fame princes well might envy. — P.T. Barnum

In an exhibition wherein paintings of nudes were commonplace, that of Madame Gautreau in her black evening dress was considered scandalously erotic. -from The Greater Journey — David McCullough

It's a common observation that all science fiction novels say as much about the time of their composition as they do about the future. As they wrote Hard to Be a God, the Strugatsky brothers were working under considerable political pressure. Following Khrushchev's infamous visit to an exhibition of abstract art in 1962 ("dog shit" was one of his more printable responses) a wave of panicked ideological house-cleaning swept through the Soviet Union's artistic establishment. For SF writers, as Boris Strugatsky remembers, this resulted in a reminder that the only truly orthodox subject was "the collision of two worlds. — Arkady Strugatsky

My art collection is dominated by tribal art from Nigeria where I taught school, from New Guinea where we've travelled, and by Canadian Haida pieces. My own art is either on exhibition or owned by other people! — Robert Bateman

Apparently, a cleaner at Tate Britain ... threw out a bag of rubbish, accidentally we are told, that was part of an exhibition supposedly emphasizing 'the finite existence of art' ... The cleaner evidently had no time to question the relationship of his or her being to the rubbish bag, and reached the right conclusion. — Semir Zeki

I believe that an art exhibition can be engaging, fun and deeply intellectually satisfying and serious. These are not contradictory concepts in art. — Jeffrey Deitch

The apex of perfection in equestrian art is not an exhibition of a great deal of different airs and movements by the same horse, but rather the conservation of the horse's enjoyment, suppleness and finesse during the performance, which calls for comparison with the finest ballet, or performance of an orchestra, or seeing a play by Racine, so moving is the sight of perfectly unisoned movements. — Nuno Oliveira

Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all. — Gerhard Richter

I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. — Hans Ulrich Obrist

I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists." — Farah Diba

An exhibition is in many ways a series of conversations. Between the artist and viewer, curator and viewer, and between the works of art themselves. It clicks when an exhibition feels like it has answered some questions, and raised even more. — Thelma Golden

Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. — Hans Ulrich Obrist

I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. — Hans Ulrich Obrist

I believe that you always have to believe. It's the only way; after all we both believe that we will do this exhibition. But I can't believe in God, as such, he's either too big or too small for me, and always incomprehensible, unbelievable. — Gerhard Richter

That was a piece I did in 1963 with Konrad Lueg in a department store, in the furniture department. It was announced in some papers as an exhibition opening, but the people who came didn't know that it was to be a sort of Happening. I don't think it is quite right that it has become so famous anyhow. It was just a lot of fun, and the word itself, Capitalist Realism, hit just right. But it wasn't such a big deal. — Gerhard Richter

There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis. — Hans Haacke

I am not going to show you my art. I am going to share it with you. If I show it to you it becomes an exhibition, and in time it will be pushed so far into the back of your mind that it will be lost. But by sharing it with you, you will not only retain it forever, but I too will improve. — Ed Parker

There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best. — Lawrence Weiner

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits. — Robert Smithson

THE ART OF THE BRICK exhibition is accessible because it engages the child in all of us while simultaneously illuminating sophisticated and complex concepts. Everyone can relate to the medium since it is a toy that many children have at home. But my goal with this exhibition when it first debuted in 2007 was to elevate this simple plaything to a place it has never been before. — Nathan Sawaya

I do hear from people at my exhibition about seeing these things made from this toy from their childhood, and it brings them back. They'll go and buy a set of Lego from the gift shop because of that nostalgia and seeing it at the art exhibition. — Nathan Sawaya