Arms The Song Quotes & Sayings

Put your arms around my neck, sweetheart."
"Whatever for?"
He grasped her wrists and lifted her arms himself. "Because," he whispered, "we're going to dance."
...
"This will never work. I appreciate the thought. It's very sweet, but-"
"Shut up," he whispered.
The first notes of the next number drifted to them, and she realized it was the band's rendition of Montgomery's hit song, "I swear." Tears sprang to her eyes, for the instant she recognized the tune, she knew Ryan had requested it.
"Dance with me," he whispered.
"I feel foolish."
"Who'll see? Only me, and I'm our best bud, so I don't count. Besides, why should you feel foolish?"
"My legs are dangling. My feet will thump your shins."
"Those soft slippers won't hurt my shins," he assured her.
And with that, he swept her into a waltz.
-Ryan and Bethany (Phantom Waltz) — Catherine Anderson

When the laundry is for the dozen arms of children or the dozen legs, it's true, I think I'm due some appreciation. So comes a storm of trouble and lightning strikes joy. But when Christ is at the center, when dishes, laundry, work, is my song of thanks to Him, joy rains. Passionately serving Christ alone makes us the loving servant to all. — Ann Voskamp

Dear Jesse, as the moon lingers a moment over the bitterroots, before its descent into the invisible, my mind is filled with song. I find I am humming softly; not to the music, but something else; some place else; a place remembered; a field of grass where no one seemed to have been; except a deer; and the memory is strengthened by the feeling of you, dancing in my awkward arms. — Norman Maclean

It was like a song, one of those sweet, wrenching songs that makes the hair on your arms stand up. That makes you want to throw yourself on the floor and just bawl. Or fall backward and surrender to the music utterly. — L.J.Smith

Pretty words," Brooke said, dropping her arms so they laid limply at her sides. "But even the prettiest song can lose its intended meaning if it is repeated constantly. — Heather C. Myers

Head held high and lips parted, she breathed in the music, sending it through her torso and arms and legs the way the Tai Chi teacher told us to breath the air, transforming it into energy, motion.
Dancing is the body's song, and Bess sang. — Lynne Sharon Schwartz

I deal in lead! Roland called, and Eddie felt goose-bumps pebble his arms. — Stephen King

I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!
There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep. — Elizabeth Bishop

I looked into the wind, feeling the day alternately warm and cool and warm again on my face and arms as the breeze turned and returned across the bay. A small fleet of fishing canoes drifted past us on their way back to the fishermen's sandy refuge near the slum. I suddenly remembered the day in the rain, sailing in a canoe across the flooded forecourt of the Taj Mahal Hotel and beneath the booming, resonant dome of the Gateway Monument. I remembered Vinod's love song, and the rain that night as Karla came into my arms. — Gregory David Roberts

You remind me of a boy I used to know
Same Smile, same easy, laid-back style
And man, could he kiss
Blew my mind the very first time
His lips touched mine.
You remind me

You remind me of a boy I used to like.
Same eyes, strong arms, same open mind
And man, could he dance
Arms around me, lost in a trance
I'd hear his heart
You remind me

I'm scared of you
How did you find me?
Turn and walk away
'Cause you remind me

You remind me of a boy I used to love
Same laughter and tears, shared through the years
And man, how he felt

Made my bones more than melt
He touched my soul.
You remind me

I'm scared of you
How did you find me?
Turn and walk away
'Cause you remind me — Malorie Blackman

The Luidaeg sighed and put her arms around me, pulling me close. "Come here," she said. "I need to hold someone, and you need to be held. It's a fair trade. Just for a little while, and then we can go on being what we are." I thought about objecting, but dismissed the idea and nestled against her, enjoying the feeling of security given by knowing someone bigger and stronger than I was would stop anything from hurting me. That's all childhood is, after all: strong arms to hold back the dark, a story to keep the shadows dancing, and a candle to mark the long journey into day. A song to keep the flights of angels at bay. How many miles to Babylon? Sorry. I don't care. — Seanan McGuire

FALK. I feel myself like God's lost prodigal; I left Him for the world's delusive charms. With mild reproof He wooed me to His arms; And when I come, He lights the vaulted hall, Prepares a banquet for the son restored, And makes His noblest creature my reward. From this time forth I'll never leave that Light, - But stand its armed defender in the fight; Nothing shall part us, and our life shall prove A song of glory to triumphant love! — Henrik Ibsen

Somehow it felt familiar, an old story retold, the claws in my shoulder, my arms twisted behind my back, the drag down the street, Will assisting my father and thinking how much fun it was to hunt someone down. I knew it all. Each snarled command was a line from an old but faithless song. "Pipe down! I'm not going to hurt you! I just want to talk to you! This is for your own good! — Kaimana Wolff

She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.

Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.

I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.

Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.

many a man knocked at my door and asked for her and turned away in despair.

There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition — Rabindranath Tagore

This water was very different from any ordinary food. It was born from the walk under the stars, the song of the pulley, the effort of carrying him in my arms. It did the heart good, like a present. When I was a little boy, the lights of the Christmas tree, the music of the midnight mass, the sweetness of people's smiles, all formed part of the radiance of the Christmas gifts I received. — Antoine De Saint-Exupery

Prayer is a little like that. With simplicity of heart we allow ourselves to be gathered up into the arms of the Father and let him sing his love song over us. — Richard J. Foster

I continue moving with her in my arms until the end of the song, and then we let go of one another and go back to the table as if nothing happened. Something did, though, but I'm not sure whether to pursue it or run like hell. — Jessica Sorensen

Most deserve to be forgotten. The heroes will always be remembered. The best." "The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." He tapped the page he had been reading. "Who?" Ser Loras craned his head around to see. "Ten black pellets on a scarlet field. I do not know those arms." "They belonged to Criston Cole, who served the first Viserys and the second Aegon." Jaime closed the White Book. "They called him Kingmaker. — George R R Martin

When nations resort to arms, the human spirit is like a bird that cannot stand to hear its own song. — Phoenix Desmond

She was coming. I watched the slight figure grow out of the dusk between the trees, and the darkness in which I had walked of late fell away. The wood that had been so gloomy was a place of sunlight and song; had red roses sprung up around me I had felt no wonder. She came softly and slowly with bent head and hanging arms, not knowing that I was near. I went not to meet her - it was my fancy to have her come to me still - but when she raised her eyes and saw me I fell upon my knees. — Mary Johnston

There's not a season set aside for pondering and reveries. It will not les us hesitate or rest; it does not wish us to stand back and comment on its comeliness or devise a song for it. It has no time to listen to our song. It only asks us not to tire in our hard work. It wants to see us leathery, our necks and fore-arms burnt as black as chimney oak; it wants to leave us thinned and sinewy from work. It taxes us from dawn to dusk, and torments us at night; that is the taxing that the thrush complains about. Our great task each and every year is to defend ourselves against hunger and defeat with implements and tools. — Jim Crace

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped. — Pete Seeger

This is Lonesome Ridge, so we'd be the lonesome young," I pointed out. "Sounds like a song."
"Sounds like a heartache," he said, tightening his arms around me and resting his cheek on the top of my heard. "I don't want to be lonesome. I want to be with you. — Lucy Connors

You told me men don't do this."
"Do what?"
She walked around the counter, speaking animatedly. "Two years ago. We were at Firelight, having drinks. Cade and I had split up and you said that men don't mope around after a breakup. You said that men avoid issues, get drunk, and pick up a new girl to forget the old one - but that you don't brood."
Ford held out his hands in disbelief. "How do you remember that? And I'm not brooding."
She folded her arms across her chest and looked at him.
"I know you're my friend," he said. "But please, for once, can you just act like you have a penis?
Because I don't want to talk about this."
She shrugged. "Fine. We'll just sit here and listen to music." She reached for his phone again.
"Have you heard Taylor Swift's new song?"
"No."
"Well, you're going to - on endless repeat until you start talking. — Julie James

In the stillness of headstones,
Darkness is my blanket.
And forever is my song.
In the arms if stone angels, I'm not afraid.
Because finally and completely,
I belong. — Jordan Dane

I want to live where soul meets body
And let the sun wrap its arms around me
And bathe my skin in water cool and cleansing
And feel, feel what its like to be new
And I cannot guess what we'll discover
When we turn the dirt with our palms cupped like shovels
But I know our filthy hands can wash one another's
And not one speck will remain
And I do believe it's true
That there are roads left in both of our shoes
But if the silence takes you
Then I hope it takes me too
So brown eyes I hold you near
Cause you're the only song I want to hear — Death Cab For Cutie

Abbie Deal went happily about her work, one baby in her arms and the other at her skirts, courage her lode-star and love her guide, - a song upon her lips and a lantern in her hand. — Bess Streeter Aldrich

Figuring I might entertain myself with heckling, I walked to the bar. I never made it through the door. Instead, I leaned against the doorway, crossed my arms, and enjoyed the spectacle of Raven, Bailey, and Sawyer singing horribly along with Steve Perry.
The three blondes sang their talentless hearts out with Sawyer on a stool in the middle. Bailey wasn't singing as much as yelling to the music. Sawyer was talking the song. Raven though was really trying to sound good. Unfortunately, her sexy voice didn't translate well into song.
The few people in the bar clapped when the song ended. Mainly because Bailey and Raven were hot.
Sawyer ran to the bar and ordered a beer. The bartender nodded and gave her a big glass of root beer. She winked at him and told Bailey to pay the man. The kid was going to rule the world one day. — Bijou Hunter

Demon pox, oh demon pox
Just how is it acquired?
One must go down to the bad part of town
Until one is very tired.
Demon pox, oh demon pox, I had it all along
Not the pox, you foolish blocks,
I mean this very song
For I was right, and you were wrong!"
"Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jem - "
Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear.
Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many things - amused, bitter, condescending, angry, pitying - but never giddy before.
Jem let him go. "All right, then."
Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned.
"Oh, God, weeks of pox jokes," said Jem. "We're in for it now. — Cassandra Clare

I couldn't help the way he made me feel. Couldn't help that his arms were my favorite place. Couldn't help that his mouth was my favorite flavor and his voice was my favorite song. — A.L. Jackson

Amelia was instantly distracted when she heard one of her favorite songs: What a Wonderful World made famous by Louis Armstrong. The woman singing did the song justice as she sang:
I see trees of gree, red roses, too.
I see them bloom, for me and you.
And I think to myself.
What a wonderful world!
Before she could blink an eye, Rick pulled her into his arms in a waltz position.
He gave her a wink and said flirtatiously, "May I have this dance, my love?"
As they danced to the rhythm of the music, Amelia said, "Don't ever stop flirting with me, no matter how old we get."
"Never! — Linda Weaver Clarke

As the young husband and wife lay in each other's arms, each contemplating past, present, and future, Clint recognized the music as the adagietto from Gustav Mahler's fifth symphony. It was one of the most famous movements in the entire symphonic repertoire, but it was also one of the most debated. Mahler ostensibly composed the adagietto as a love song to his wife, Alma, but when played at the much slower tempo preferred by many conductors, the music instead evokes a feeling of profound melancholy. After almost eighty years, musicologists and aficionados still couldn't agree whether the music was supposed to be happy or sad, whether it was an expression of intense love and devotion or of unmitigated despair. Clint was struck by the irony that this music would be playing at this moment in his life, and his mouth curled into an ambivalent smile. Was he happy? Was he sad? Would he ever again be certain? — William T. Prince

I love you," she whispered against his chest.
He hugged her tighter, and then drew in a deep breath. "And Iiiiiiiiiii-ee-iiii will always love yoooooooou," he sang, or rather butchered, the old Whitney Houston song.
Impossibly, Emilie burst out laughing. "Oh, God, that's horrible Derek." She pushed out of his arms, grasped one of the pillows from the edge of the bed, and planted it over his head. He continued to warble from under the cotton, and Emilie couldn't stop laughing.
Their playfulness quickly escalated into a pillow fight, and then a wrestling match, and of course she ended up underneath him.
Win-win in her book. — Laura Kaye

The song ended, but I kept my arms wrapped tight around her, not letting her move an inch. If she was having some internal battle again, she could do so in my arms.
"Watcha doing, wifey?" I joked, secretly enjoying the sound of that. — Karina Halle

I lean forward, pressing my lips to his, and it breaks me open. His hand leaves my face and traces notes up my arms, strikes chords on my throat and up into my hair. His mouth forms lyrics that expose my soul.

The kiss is like a song played only once. And forever. — Katherine Longshore

The wind has a language, I would I could learn!
Sometimes 'tis soothing, and sometimes 'tis stern,
Sometimes it comes like a low sweet song,
And all things grow calm, as the sound floats along,
And the forest is lull'd by the dreamy strain,
And slumber sinks down on the wandering main,
And its crystal arms are folded in rest,
And the tall ship sleeps on its heaving breast. — Letitia Elizabeth Landon

Though he was gone, Stairway to Heaven lingered in the gentle breeze. Sartre and Freya, while holding hands, began to sway back and forth until they found themselves wrapped in each other's arms. Starting in Gimli, everyone followed their lead. Soon, across the whole world, and like the last song at a high school homecoming in the late 70s, people slow danced with each other. — Dylan Callens

Hail O mighty, fathomless sleep, come on and hug me tight and sweet;
when I whisper those deepest pains, onto your ears mute and keen,
sing for me the sweetest song that would sound the profoundest of life!
Leave me upon your rocking arms, watched by spirits of placid nights!

Goodnight, world, sweet dreams folks, blessed are those who would sleep at peace! — Preeth Nambiar

The burden God places on each of us is to become who we are meant to be. We are most fully ourselves when Christ most fully lives in us and through us. The mother shines brightest with her child in her arms, the father when he forgives his wandering son, and the artist when he or she is drawing attention to grace, by showing the pinprick of light overcoming the darkness in the painting, or the story, or the song. The world knows darkness. Christ came into the world to show us light. I have seen it, have been blinded by it, invaded by it. I will tell its story. — Andrew Peterson

But what if you're wrong?
What if there's more?
What if there's hope you never dreamed of hoping for?
What if you jump?
And just close your eyes?
What if the arms that catch you, catch you by surprise?
What if He's more than enough?
What if it's love? — Nichole Nordeman

Let me take you in my arms, spilling down all my dreams into your eyes and draining down all my love into your heart. Let me make the whole universe sings the song that I wrote for you, where the sun craves to go down every morning and moon waits to raise again every night eagerly just to see us burn down the walls we have built around us, inside each other's arms. — Akshay Vasu

The South is a land that has known sorrows; it is a land that has broken the ashen crust and moistened it with tears; a land scarred and riven by the plowshare of war and billowed with the graves of her dead; but a land of legend, a land of song, a land of hallowed and heroic memories.
To that land every drop of my blood, every fiber of my being, every pulsation of my heart, is consecrated forever. I was born of her womb; I was nurtured at her.breast; and when my last hour shall come, I pray God that I may be pillowed upon her bosom and rocked to sleep within her tender and encircling arms. — Michael Andrew Grissom

And we'll let the world dance around us while you lie here in my arms. The beat of your heart is all the music I need to hear. I spent my whole life searching for this melody, so I'll listen while I hold you near. — Courtney Giardina

Jen watched as Sally and Jacque's eyes got wider and wider.
"Damn," Jen muttered under her breath just as strong arms came around her and she felt warm breath against her neck.
"I believe this is our song," Decebel purred in her ear. Jen swore at any moment she was going to be a puddle on the floor and Jacque would have to sop her up with some Bounty paper towels. Why she thought specifically of Bounty paper towels, she had no idea. She was trying really hard to focus on anything but Decebel's warmth against her.
To her complete mortification he began to move ... with the beat. Sally and Jacque's jaws dropped.
Jen mouthed, "Save me," to her two best friends, but evil traitors that they were, they both started dancing and completely ignored her plea. Oh, those two heifers are going down, she promised herself.
After a few moments, Jen decided she could either look goofy standing stiff while Decebel danced or she could throw caution to the wind and bring it. — Quinn Loftis

There are no true knights, no more than there are gods. If you can't protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, don't ever believe any different."
"You're awful."
"I'm honest. It's the world that's awful. Now fly away little bird, I'm sick of you peeping at me. — George R R Martin

if the trees are arms that hold up the sky, when we have cut the last trees, the sky will fall on top of us.
..old indios song — Lucia Giovannini

though. Our Azadian friends are always rather nonplussed by our lack of a flag or a symbol, and the Culture rep here - you'll meet him tonight if he remembers to turn up - thought it was a pity there was no Culture anthem for bands to play when our people come here, so he whistled them the first song that came into his head, and they've been playing that at receptions and ceremonies for the last eight years." "I thought I recognized one of the tunes they played," Gurgeh admitted. The drone pushed his arms up and made some more adjustments. "Yes, but the first song that came into the guy's head was 'Lick Me Out'; have you heard the lyrics?" "Ah." Gurgeh grinned. "That song. Yes, that could be awkward." "Damn right. If they find out they'll probably declare war. Usual Contact snafu. — Iain M. Banks

JAMIE'S SONG 'HEAVEN':

You hold me so tight that I can't breathe,
You make me feel light that I can't sleep.
Float from our bed, fly away,
Soaring like angels through the heavens and seas.

I wish that we hadn't taken so long,
To realise this is where we belong.
This is the life, that you and I
Have been dying for.

If heaven is this,
This place in your arms,
I'm not afraid of dying,
I want to die tonight.
If heaven is this,
Your lips when we kiss,
I'm not afraid of dying,
Let them kill me tonight.

And I know I'll go to heaven,
Because I made you smile.
Yes, I know I'll go to heaven,
Because you loved our life.
But if they banish me to hell,
You will pull me out again.
You belong in heaven,
And I belong with you. — Neha Yazmin

She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled - until then. Until she heard that noise of undiluted, unyielding joy.
Until she echoed it, tipping her head back to the clouds around them.
They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat.
And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart. — Sarah J. Maas

If with a sweeping heart I sow firstly this seeds,
If too dearly deeds I give arms long,
That will make tomorrow a better day to gift infancy's years the sunshine song,
For none cause, then has a better bottom than smiles of youth, — Mpho Leteng

Katie appeared as a ghost and cradled him in her arms and carried him, a frail dying version of her old husband, to heaven. The radio which was powered off suddenly comes on and played their song Follow Me. Nobody could see her only Ronan and he smiled and says "I knew you would come back for me love — Annette J. Dunlea

If all the skies were sunshine Our faces would be fain To feel once more upon them The cooling splash of rain. If all the world were music, Our hearts would often long For one sweet strain of silence, To break the endless song If life were always merry, Our souls would seek relief, And rest from weary laughter In the quiet arms of grief. — Henry Van Dyke

A word of consolation
may sweetly touch the ear.
Now and then a quiet song
will clear the mind of fear.
A simple act of kindness
can ease a load of care.
Stories told in memory
diminish all despair.
A whispered prayer of comfort
draws angel arms around.
Counting blessings, great and small,
helps gratitude abound.
These acts, all sympathetic,
will kindly play their part.
But seldom do they dry the tears
shed mutely in the heart. — Richelle E. Goodrich

It's sweet and everything, but it's like you're not even there sometimes. It's great that you can listen and be a shoulder to someone, but what about when someone doesn't need a shoulder? What if they need the arms or something like that? You can't just sit there and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things."
"Like what?" I asked. My mouth was dry.
"I don't know. Like take their hands when the slow song comes up for a change. Or be the one who asks someone for a date. Or tell people what you need. Or what you want. — Stephen Chbosky

I don't need to critique things, or have an opinion, or pose, with John - we just go around being alive, and pointing at things. We're just, simply, in the world. It had never occurred to me what a wonderful thing this was. Or perhaps it did, a long time ago - but I had forgotten. I am full of how great life is. I am so happy to be alive. That point of life is joy - to make it, to receive it. That the Earth is a treasure box of people and places and song, and that every day you can plunge your arms in and find a new, ridiculous, perfect delight. — Caitlin Moran

Mary's Song

Blue homespun and the bend of my breast
keep warm this small hot naked star
fallen to my arms. (Rest...
you who have had so far
to come.) Now nearness satisfies
the body of God sweetly. Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves' voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.
Older than eternity, now he
is new. Now native to earth as I am, nailed
to my poor planet, caught that I might be free,
blind in my womb to know my darkness ended,
brought to this birth
for me to be new-born,
and for him to see me mended
I must seen him torn. — Luci Shaw

Her happiness floated like waves of ocean along the coast of her life. She found lyrics of her life in his arms but she never sung her song. — Santosh Kalwar

Let me be the only one to keep you from the cold
Now the floor of hell is laid, the stars are bright as gold
They light for you, they shine for you
They burn for all to see
Come into these arms again and set your spirit free — Annie Lennox

Long past sunset an old blind woman sat on a camp-stool with her back to the stone wall of the Union of London and Smith's Bank, clasping a brown mongrel tight in her arms and singing out loud, not for coppers, no, from the depths of her gay wild heart - her sinful, tanned heart - for the child who fetches her is the fruit of sin, and should have been in bed, curtained, asleep, instead of hearing in the lamplight her mother's wild song, where she sits against the Bank, singing not for coppers, with her dog against her breast. — Virginia Woolf

This water was indeed a different thing from ordinary nourishment. Its sweetness was born of the walk under the stars, the song of the pulley, the effort of my arms. It was good for the heart, like a present. — Antoine De Saint-Exupery

There are always meaningful songs for somebody. People are doing their courting, people are finding their wives, people are making babies, people are washing their dishes, people are getting through the day, with songs that we may find insignificant. But their significance is affirmed by others. There's always someone affirming the significance of a song by taking a woman into his arms or by getting through the night. That's what dignifies the song. Songs don't dignify human activity. Human activity dignifies the song. — Leonard Cohen

In the absence of organized religion, faith abounds, in the form of song and art and food and strong arms. — Elizabeth Alexander

His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song.
I love you, Kami told him, and cut. — Sarah Rees Brennan

SONG You bound strong sandals on my feet, You gave me bread and wine, And sent me under sun and stars, For all the world was mine. Oh, take the sandals off my feet, You know not what you do, For all my world is in your arms, My sun and stars are you. — Sara Teasdale

How can it be described? How can any of it be described? The trip and the story of the trip are two different things. The narrator is the one who has stayed home, but then, afterward, presses her mouth upon the traveler's mouth, in order to make the mouth work, to make the mouth say, say, say. One cannot go to a place and speak of it; one cannot both see and say, not really. One can go, and upon returning make a lot of hand motions and indications with the arms. The mouth itself, working at the speed of light, at the eye's instructions, is necessarily struck still; so fast, so much to report, it hangs open and dumb as a gutted bell. All that unsayable life! That's where the narrator comes in. The narrator comes with her kisses and mimicry and tidying up. The narrator comes and makes a slow, fake song of the mouth's eager devastation. — Lorrie Moore

I'm a little left of center, for sure, with Angels & Airwaves. But even when I get really weird, it's not that weird. It's not like some obscure Sonic Youth record or something. We don't take it quite that far. But what we do like are crescendos, and we do like when a song catches you off guard and it gives you the chills up and down your arms. — Tom DeLonge

She began to sing, but I could not make out the words. It must have been a love song, to judge from the slightly pained expression on her face, and the way she tightly gripped the microphone. I noticed a flash of white skin on her neck. As she reached the climax of the song, her eyes half closed and her shoulders thrown back, a shudder passed through her body. She moved her arm across her chest to cradle her heart, as though consoling it, afraid it might burst. I wondered what would happen if I held her tight in my arms, in a lovers' embrace, melting into one another, bone on bone ... her heart would be crushed. The membrane would split, the veins tear free, the heart itself explode into bits of flesh, and then my desire would contain hers - it was all so painful and yet so utterly beautiful to imagine. — Yoko Ogawa

It was, as the song said, 'call to arms music,' and seemed to have little to do with Scotland and New Year. It was fighting music. Stevie didn't want to fight anyone. But it was also beautiful music. — Irvine Welsh

I knew you were the one when I realized your smile was my heaven, your laugh my favorite song, and your arms my home. — Steve Maraboli

I don't know,' I cried without being heard, 'I do not know, If nobody comes, then nobody comes. I've done nobody any harm, nobody's done me any harm, but nobody will help me. A pack of nobodies. Yet that isn't all true. Only, that nobody helps me - a pack of nobodies would be rather fine, on the other hand. I'd love to go on an excursion - why not? - with a pack of nobodies. Into the mountains, of course, where else? How these nobodies jostle each other, all these lifted arms linked together, these numberless feet treading so close! Of course they are all in dress suits. We go so gaily, the wind blows through us and the gaps in our company. Our throats swell and are free in the mountains! It's a wonder that we don't burst into song. — Franz Kafka

Where you go, I go,
What you see, I see,
I know I'd never be me without the security,
Are your loving arms keeping me from harm
Put your hands in my hand & we'll stand. — Adele

Thus unto winter's chill embrace I turn
Who once the summer's sun did blithely bide
'Neath solemn visage cold and fair and stern
In her cool breast my hot heart to confide.
Denied the warmth and wit of summer's sun
Or springtime's strength, and bright, melodious song
I dreamed not to complete what I'd begun
Nor dared to haste the laggard hours along.
But now with spring and summer sun at rest
Laid bare before bright winter's pale charms
I would for love of her lay down my quest
And take my ease in Winter-Lady's arms.
Before her beauty fair 'neath snow-swept sky
All other seasons blanch and fade, and die.
- The Lost Knight's Lament, "Winter's Lady" (Forthcoming) — D. Alexander Neill

Holding you in my arms always feels like holding a musical instrument that I love the most, moving my fingers on your skin feels like playing it. And my soul closes its eyes and starts singing along with the music I start creating. — Akshay Vasu

Tristan's hand pressed against my back and I felt myself move closer until my head was resting against his warm chest. I closed my eyes and felt its steady rising and falling. I breathed in deeply and wrapped my arms more securely around his neck. The world was suddenly simply cinnamon and sandalwood. I couldn't remember ever feeling quite so content.
All too soon, the song ended. I nearly moaned as Tristan stepped back and caught my arm. "Maybe we should head out."
Maybe people shouldn't move when other people are feeling so...
Oh, whatever. — Renee Carter

That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again. — Sarah J. Maas