Quotes & Sayings About Architecture And Water

Prologue When I began writing this story, I thought I had some idea of what it was about. I was wrong. In my life writing I've discovered that there are times when a story, like architecture, is carefully designed, erected, and furnished. Then there are tales that take their own way, and I find myself being dragged along after them like a white-knuckled water skier behind a speedboat. — Richard Paul Evans

With the balcony doors completely open and folded up, his small room acquired an infinite vista. Somewhere on the horizon, water finally worked up the courage to embrace the sky. — Clara Chow

Some bemoan the brutalism of socialist architecture, but was the blandness of capitalist architecture any better? One could drive for miles along a boulevard and see nothing but parking lots and the kudzu of strip malls catering to every need, from pet shops to water dispensaries to ethnic restaurants and every other imaginable category of mom-and-pop small business, each one an advertisement for the pursuit of happiness. — Viet Thanh Nguyen

Hoover Dam," Thalia said. "It's huge."
We stood at the river's edge, looking up at a curve of concrete that loomed between the cliffs. People were walking along the top of the dam. They were so tiny they looked like fleas.
The naiads had left with a lot of grumbling - not in words I could understand, but it was obvious they hated this dam blocking up their nice river. Our canoes floated back downstream, swirling in the wake from the dam's discharge vents.
"Seven hundred feet tall," I said. "Built in the 1930s."
"Five million cubic acres of water," Thalia said.
Graver sighed. "Largest construction project in the United States."
Zoe stared at us. "How do you know all that?"
"Annabeth," I said. "She liked architecture."
"She was nuts about monuments," Thalia said.
"Spouted facts all the time." Grover sniffled. "So annoying."
"I wish she were here," I said. — Rick Riordan

Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new film, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. — Jim Jarmusch

Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge. — Jo Nesbo

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to."
[MovieMaker Magazine #53 - Winter, January 22, 2004 ] — Jim Jarmusch

Many love stories are like the shells of hermit crabs, though others are more like chambered nautiluses, whose architecture grows with the inhabitant and whose abandoned smaller chambers are lighter than water and let them float in the sea. — Rebecca Solnit

Just as the Mediterranean separated France from the country Algiers, so did the Mississippi separate New Orleans proper from Algiers Point. The neighborhood had a strange mix. It looked seedier and more laid-back all at the same time. Many artists lived on the peninsula, with greenery everywhere and the most beautiful and exotic plants. The French influence was heavy in Algiers, as if the air above the water had carried as much ambience as it could across to the little neighborhood. There were more dilapidated buildings in the community, but Jackson and Buddy passed homes with completely manicured properties, too, and wild ferns growing out of baskets on the porches, as if they were a part of the architecture. Many of the buildings had rich, ornamental detail, wood trim hand-carved by craftsmen and artisans years ago. The community almost had the look of an ailing beach town on some forgotten coast. — Hunter Murphy

One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful. — Oksana Baiul

Great architecture has only two natural enemies: water and stupid men. — Richard Nickel

Why do so many Americans say they want their children to watch less TV, yet continue to expand the opportunities for them to watch it? More important, why do so many people no longer consider the physical world worth watching? The highway's edges may not be postcard perfect. But for a century, children's early understanding of how cities and nature fit together was gained from the backseat: the empty farmhouse at the edge of the subdivision; the variety of architecture, here and there; the woods and fields and water beyond the seamy edges
all that was and still is available to the eye. This was the landscape that we watched as children. It was our drive-by movie. — Richard Louv

He'd discovered that he liked houses. Maybe mostly because they were understandable. They could be calculated and drawn on paper. They did not leak if they were made water tight, they did not collapse if they were properly supported. Houses were fair, they gave you what you deserved. Which, unfortunately, was more than one could say about people. — Fredrik Backman

The architecture student from number eleven presses his face to the glass and looks at the way the light falls through the water, he thinks about a place where he worked in the spring, an office where they had a stack of empty watercooler bottles against the window, and how he would sit and watch the sun mazing its way through the layers of refraction, the beauty of it, he called it spontaneous maths and he wanted to build architecture like he that, he looks at the row of houses opposite and he pictures them built entirely of plastic and glass, he imagines how people's lives might change if their dwellings shook with endless reflections of light, he does not know if it's possible but he thinks it's a nice idea — Jon McGregor

In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air. — Amy Waldman

Permaculture offers a radical approach to food production and urban renewal, water, energy and pollution. It integrates ecology, landscape, organic gardening, architecture and agro-forestry in creating a rich and sustainable way of living. It uses appropriate technology giving high yields for low energy inputs, achieving a resource of great diversity and stability. The design principles are equally applicable to both urban and rural dwellers — Bill Mollison