Architecture And People Quotes & Sayings
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Top Architecture And People Quotes

I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world. — Tadao Ando

The Italians are the most civilized people. And they're very warm. Basically, they're Jews with great architecture. — Fran Lebowitz

I think it modern society as a whole, but definitively in Brazil, spaces are so well divided and there are so many barriers, and so many divisions, so many lines and so many borderlines, basically telling you that you should be here but not here. This is my space and this is your space, and this is expressed very dramatically in architecture, we have a very kind of aggressive, almost medieval concept for architecture, which is basically keeping people out. So you get high walls, fences, and electric fences, and divisions like that. — Kleber Mendonca Filho

With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh. — Masato Otaka

Mr Norrell determined to establish himself in London with all possible haste. "You must get a house, Childermass," he said. "Get me a house that says to those that visit it that magic is a respectable profession - no less than Law and a great deal more so than Medicine."
Childermass inquired drily if Mr Norrell wished him to seek out architecture expressive of the proposition that magic was as respectable as the Church?
Mr Norrell (who knew there were such things as jokes in the world or people would not write about them in books, but who had never actually been introduced to a joke or shaken its hand) considered a while before replying at last that no, he did not think they could quite claim that. — Susanna Clarke

People who started businesses and contributed to patent applications were more likely than their peers to have leisure time hobbies that involved drawing, painting, architecture, sculpture, and literature. — Adam M. Grant

There is no piece of music that could relate to anything else but itself and its world. It is truly an independent. The one thing coplanar with music is the compositional aspect, the fact that you are composing something. Architecture is essentially a score, and what happens with it depends on the people who play it, enjoy it, use it, or hate it. — Rafael Vinoly

The people who carried the Catholic faith forward in history, who made the culture of beauty, music, art, and architecture rooted in the Christian understanding of God and humanity - these generations were taught, spiritually fed, and shaped by priests exactly like the men who minister to us in our local Church, men not so different from the one who wrote this book. — Paul Scalia

Architects in the past have tended to concentrate their attention on the building as a static object. I believe dynamics are more important: the dynamics of people, their interaction with spaces and environmental condition. — John Portman

Architecture is not created by individuals. The genius sketch ... is a myth. Architecture is made by a team of committed people who work together, and in fact, success usually has more to do with dumb determination than with genius. — Joshua Prince-Ramus

I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people. — Martha Graham

line. Creativity is a response to our environment. Greek painting was a response to the complex light (the Greek painter Apollodoros was the first to develop a technique for creating the illusion of depth), Greek architecture a response to the complex landscape, Greek philosophy a response to the complex, uncertain times. The problem with paradise is that it is perfect and therefore requires no response. This is why wealthy people and places often stagnate. Athens — Eric Weiner

Architecture is a service business. An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that. — Frank Gehry

I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves. — Anika Noni Rose

I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people. — Donna Karan

Architects mostly work for privileged people, people who have money and power, Power and money are invisible, so people hire us to visualize their power and money by making monumental architecture. I love to make monuments, too, but I thought perhaps we can use our experience and knowledge more for the general public, even for those who have lost their houses in natural disasters. — Shigeru Ban

Zhou," Biyu said, when Sabaa paused, "before the Jade Emperor, humans were just like the beasts in the field. We ate, lived and reproduced, but we were going nowhere. The universe is order in all its perfection, stagnant and unchanging. The wars set us free. Free to change, to learn, to adapt, to become more than we were. To do that, we sacrificed order for a measure of chaos, of challenge. It let some people, men and women, do evil, but even that inspired many more to do good. Medicines, writing, music, architecture, all the accomplishments of your Empire came at a high price, but it was worth paying. Tonight we reaffirm that fact. Without the power we grant the Jade Emperor from the realms we represent, we would lose all that we have gained. The universe would reassert its control. Over the years, order would take charge once more and progress would end. Given time, our race would slide back into the beasts we were once. It is something we could not survive. — G.R. Matthews

People kind of tend to mystify design and architecture by suggesting you need to train. — Marc Newson

The drama embraces and applies all the beauties and decorations of poetry. The sister arts attend and adorn it. Painting, architecture, and music are her handmaids. The costliest lights of a people's intellect burn at her show. All ages welcome her. — Robert Aris Willmott

Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience. — John C. Portman Jr.

One can use standard principles and textbooks in educating people for law, medicine, architecture, chemistry or almost any other profession - but not for the theater. For, in most professions, every practitioner uses the same tools and techniques, while the actor's chief instrument is himself. And since no two persons are alike, no universal rule is applicable to any two actors in exactly the same way. — Sanford Meisner

Architecture can't force people to connect, it can only plan the crossing points, remove barriers, and make the meeting places useful and attractive. — Denise Scott Brown

You cannot have good architecture merely by asking people's advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste, or desire for beauty. — John Ruskin

spaces that at first may appear to reflect a simple condition are much more complex when the actions of individuals and groups are factored in. These unique patterns of movement through space can and should guide the architecture we build to serve them. For space only becomes truly public when people recognize it and utilize it as such. Great public space cannot be built as much as curated; it is architecture's responsibility to craft space in response to specific needs and unique practices. . . . it is not the space itself that is meaningful; it is the way space facilitates diversity, interaction, and new negotiations that makes it meaningful [David Adjaye, "Djemaa El-Fnaa, Marrakech: Engaging with Complexity and Diversity"]. — Catie Marron

After a few short years (fifteen, to be exact - brief by his count, interminable by hers), surrounded by all this vegetative rampancy, she was feeling increasingly unsure of herself. She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. As a novelist she needed this. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
But here, on the sparsely populated island, human culture barely existed and then only as the
thinnest veneer. — Ruth Ozeki

Las Vegas suggests that the thirst for places, for cities and gardens and wilderness, is unslaked, that people will still seek out the experience of wandering about in the open air to examine the architecture, the spectacles, and the stuff for sale, will still hanker after surprises and strangers. That the city as a whole is one of the most pedestrian-unfriendly places in the world suggests something of the problems to be faced, but that its attraction is a pedestrian oasis suggests the possibility of recovering the spaces in which walking is viable. — Rebecca Solnit

I think I went to Italy initially for the art, architecture, food and history, but I stayed there because of the people in Cortona. — Frances Mayes

I believe I'm very normal. I'm hyper-normal. I'm more normal than anyone else I know. I think my thoughts, my indulgences, my desires, my pleasures may at first appear different, but that is only because they are more normal, not because they are more esoteric.
I believe I am bored when other people are bored, only faster. I am interested when others are interested, only more interested. But I also think I'm less, rather than more, intelligent than other people.
By indulging my interests through my life, and perhaps because of rather than despite many failures, I have been able to design my life. — Richard Saul Wurman

He'd discovered that he liked houses. Maybe mostly because they were understandable. They could be calculated and drawn on paper. They did not leak if they were made water tight, they did not collapse if they were properly supported. Houses were fair, they gave you what you deserved. Which, unfortunately, was more than one could say about people. — Fredrik Backman

If you are not a New Yorker, when you arrive there for the first time you have the impression you grew up there because you've seen it in so many films. It's been filmed from every single angle and by so many different filmmakers that you know the streets, the sidewalks, the architecture, the cabs, the temper of the people. — Deniz Gamze Erguven

In America access is always about architecture and never about human beings. Among Israelis and Palestinians, access was rarely about anything but people. While in the U.S. a wheelchair stands out as an explicitly separate experience from the mainstream, in the Israel and Arab worlds it is just another thing that can go wrong in a place where things go wrong all the time. — John Hockenberry

When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic. — Carlo Carra

Error processing is turning out to be one of the thorniest problems of modern computer science, and you can't afford to deal with it haphazardly. Some people have estimated that as much as 90 percent of a program's code is written for exceptional, error-processing cases or housekeeping, implying that only 10 percent is written for nominal cases (Shaw in Bentley 1982). With so much code dedicated to handling errors, a strategy for handling them consistently should be spelled out in the architecture. — Steve McConnell

The architecture student from number eleven presses his face to the glass and looks at the way the light falls through the water, he thinks about a place where he worked in the spring, an office where they had a stack of empty watercooler bottles against the window, and how he would sit and watch the sun mazing its way through the layers of refraction, the beauty of it, he called it spontaneous maths and he wanted to build architecture like he that, he looks at the row of houses opposite and he pictures them built entirely of plastic and glass, he imagines how people's lives might change if their dwellings shook with endless reflections of light, he does not know if it's possible but he thinks it's a nice idea — Jon McGregor

The slightest nudge can send a fruit pyramid collapsing into ruin. Perhaps this is why there is so little ancient architecture and art left in the world. Perhaps ancient fat people bumped into buildings and statues and made them fall. Perhaps this is the real reason Rome fell — Becky Siame

That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings. — Jim Woodring

It is no coincidence that precisely when things started going downhill with the gods, politics gained its bliss-making character. There would be no reason for objecting to this, since the gods, too were not exactly fair. But at least people saw temples instead of termite architecture. Bliss is drawing closer; it is no longer in the afterlife, it will come, though not momentarily, sooner or later in the here and now - in time.
The anarch thinks more primitively; he refuses to give up any of his happiness. "Make thyself happy" is his basic law. It his response to the "Know thyself" at the temple of Apollo in Delphi. These two maxims complement each other; we must know our happiness and our measure. — Ernst Junger

Architecture has its political Use; publick Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth ... Architecture aims at Eternity. — Christopher Wren

People wouldn't know this about me, but I adore ball gowns. I love their cut, their architecture and the thought of the hands of so many seamstresses working on them. — Patti Smith

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical. — Michael Ende

Seventy percent of US companies now use open-plan offices and hot desking in the hope that these free-form physical structures will provoke free-form thinking. This architectural determinism isn't entirely convincing - there's plenty of evidence that people find open workspaces noisy, distracting, and impersonal. Walking through several such workspaces recently, I couldn't help but notice how hard everyone was working to simulate privacy. Plugged into headphones, surrounded by stacks of books and temporary dividers, defensiveness was more evident than openness. Architecture alone won't change mindsets and tearing down physical walls won't demolish the mental silos that trap thinking. — Margaret Heffernan

Church growth experts tell us that most people seeking a new church care little about its doctrines. They're mostly interested in the facilities of the church, its nursery, and opportunities for friendship. . . .The experts tell us that today's church members will switch churches at a moment's notice if they think that their personal and relational needs will be better met elsewhere--even if the doctrine taught is at best, suspect. Thus some will opt for better facilities and architecture even at the expense of jeopardizing their own soul. — Erwin W. Lutzer

The architect's role is to fight for a better world, where he can produce an architecture that serves everyone and not just a group of privileged people. — Oscar Niemeyer

When most people looked at Josie Tyrell, they only saw a certain collection of bones, a selection of forms filling space. But Michael saw past the mouth and the eyes, the architecture of the body, her fleshly masquerade. Other boys were happy enough to enjoy the show, they just wanted to be entertained in the body's shadow theater. But Michael had to come backstage. He went down into the mines, into the dark, and brought up the gold, your new self, a better self. But what good was it if he was just going to leave her behind? — Janet Fitch

I could have had one life but insteads I had another because of this book my grandmother protected. What a miracle is that? I was taught to love beautiful things. I had a language in which to consider beauty. Later that extended to the opera, to the ballet, to architecture I saw, and even later still I came to realize that what I had seen in the paintings I could see in the fields or a river. I could see it in people. All of that I attribute to this book. — Ann Patchett

I truly believe that the great heroes that create the history of architecture are people who take risks and write to tell about it. — Peter Eisenman

She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness. — Ruth Ozeki

Even if the chance of impacting global change is slight and we don't know our chances of success, our ethical obligation is not simply to advance architecture, but to find ways to advance society and expand people's networks
one local intervention at a time. — Graham Owen

most popular are - Promethazine, Diphenhydramine and Doxylamine. I have found that people either love them or hate them for sleep. Many people don't like them as they still feel groggy the next day. The benefits over Benzodiazepines is that anti-histamines in general, actually improve your sleep architecture. For example, a rarely used anti-histamine called Cyproheptadine actually increases Slow Wave Sleep. Apart from improved sleep quality, the other main benefit of anti-histamines is a lack of addictive qualities and proven long term safety. Anti-histamines are almost unique in their lack of adverse health impact among most medicines. Furthermore, I have never heard any incidence of 'addiction' to anti-histamines. — Benjamin Kramer

As a minimum, the following areas should be considered: The stakeholders. The budget. The future direction and current culture of the organisation. The baseline Architecture Landscape. The current processes used for change and operation of IT. The skills and capabilities of the people within the enterprise. — Kevin Lindley

Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on. — Kurt Vonnegut

A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky. — Gilbert K. Chesterton

Sustainability is now a big baggy sack in which people throw all kinds of old ideas, hot air and dodgy activities in order to be able to greenwash their products and feel good. — Kevin McCloud

Do you know how hard and expensive architecture school is? People drop out to go to med school because it's easier. — Andrea Laurence

People need foundation myths, some imprint of year zero, a bolt that secures the scaffolding that in turn holds fast the entire architecture of reality, of time: memory-chambers and oblivion-cellars, walls between eras, hallways that sweep us on towards the end-days and the coming whatever-it-is. We see things shroudedly, as through a veil, an over-pixellated screen. When the shapeless plasma takes on form and resolution, like a fish approaching us through murky waters or an image looming into view from noxious liquid in a darkroom, when it begins to coalesce into a figure that's discernible, if ciphered, we can say: This is it, stirring, looming even if it isn't really, if it's all just ink-blots. — Tom McCarthy

The show is called 'The Office,' and while it focuses on the people, the architecture of the space is very important. — Brian Baumgartner

Of course I believe imaginative architecture can make a difference to people's lives, but I wish it was possible to divert some of the effort we put into ambitious museums and galleries into the basic architectural building blocks of society. — Zaha Hadid

It seems reasonable to say that people make good choices in contexts in which they have experience, god information, and prompt feedback - say, choosing among ice cream flavors. People know whether they like chocolate, vanilla, coffee, licorice, or something else. They do less well in contexts in which they are inexperienced and poorly informed, and in which feedback is slow or infrequent - say, in choosing between fruit and ice cream (where the long-term effects are slow and feedback is poor) or in choosing among medical treatments or investment options. If you are given fifty prescription drug plans, with multiple and varying features, you might benefit from a little help. So long as people are not choosing perfectly, some changes in the choice architecture could make their lives go better (as judged by their own preferences, not those of some bureaucrat). — Cass R. Sunstein

The crystal ball has a question mark in its center. There are some fundamental choices to be made. We will either choose to continue to wage a hopeless war to preserve the existing architecture for copyright by upping the stakes and using better weapons to make sure that people respect it. If we do this, public support for copyright will continue to weaken, pushing creativity underground and producing a generation that is alienated from the copyright concept. — Lawrence Lessig

Good buildings come from good people, and all problems are solved by good design. — Stephen Gardiner

The fundamental belief in the authenticity of photographs explains why photographs of people no longer living and of vanished architecture are so melancholy. — Beaumont Newhall

You are a victim of your own neural architecture which doesn't permit you to imagine anything outside of three dimensions. Even two dimensions. People know they can't visualise four or five dimensions, but they think they can close their eyes and see two dimensions. But they can't. — Leonard Susskind

There's certain things in life that I love. One is architecture. And music, culture, food, people. New Orleans has all of that. — Lenny Kravitz

In the internal decoration, if not in the external architecture of their residences, the English are supreme. The Italians have but little sentiment beyond marbles and colors. In France, meliora probant, deteriora sequuntur
the people are too much a race of gadabouts to maintain those household proprieties of which, indeed, they have a delicate appreciation, or at least the elements of a proper sense. The Chinese and most of the Eastern races have a warm but inappropriate fancy. The Scotch are poor decorists. The Dutch have, perhaps, an indeterminate idea that a curtain is not a cabbage. In Spain, they are all curtains
a nation of hangmen. The Russians do not furnish. The Hottentots and Kickapoos are very well in their way. The Yankees alone are preposterous. — Edgar Allan Poe

Architecture is a political act, by nature. It has to do with the relationships between people and how they decide to change their conditions of living. — Lebbeus Woods

If the king is in the palace, nobody looks at the walls. It is when he is gone, and the house is filled with grooms and gazers, that we turn from the people, to find relief in the majestic men that are suggested by the pictures and the architecture. — Ralph Waldo Emerson

People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming. — Rem Koolhaas

Good information architecture enables people to find and do what they came for. Great information architecture takes find out of the equation: the site behaves as the visitor expects. Poor or missing information architecture neuters content, design, and programming and devalues the site for its owners as well as the audience it was created to serve. It's like a film with no director. The actors may be good, the sets may be lovely, but audiences will leave soon after the opening credits. — Jeffrey Zeldman

The work of art shows people new directions and thinks of the future. The house thinks of the present. — Adolf Loos

She doesn't have any terrific talent for acting, but that's how it appears to go. People don't do what they have a talent for but what the preoccupation leads to. If they're good at auto-repairing they have to sing Don Giovanni; if they can sing they have to be architects; and if they have a gift for architecture they wish to become school superintendents or abstract painters or anything else. Anything! It's a spite. It's having to prove full and ultimate self-sufficiency or some such monster dream that you don't need anyone else to do these things for you. — Saul Bellow

The character of the architectural forms and spaces which all people habitually encounter are powerful agencies in determining the nature of their thoughts, their emotions and their actions, however unconscious of this they may be. — Hugh Ferriss

It was all here for me, just as it has all been here for you, the best and the worst of Western Civilization, if you cared to pay attention: music, finance, government, architecture, law and sculpture and painting, history and medicine and athletics and every sort of science, and books, books, books, and teachers and role models.
People so smart you can't believe it, and people so dumb you can't believe it. People so nice you can't believe it, and people so mean you can't believe it. — Kurt Vonnegut Jr.

People are moving into modes of participation and self-generation, which apply to everything from museums and television to architecture. — Jake Barton

Creative people in particular traditionally have strained relations with systems, structures, standards, and other perceived constraints on their creative freedom. Nowhere is this clearer than in big organizations where people often complain that "the systems" kill creativity, longingly thinking back to the halcyon days when the company was young and less bureaucratic. Going back to the unstructured start-up days is not an option, however. Established companies require a different kind of innovation: they need a culture in which creativity is part of the corporate ecosystem. The key to building a creative culture is not to declare war on systems, processes, and policies, but to embrace and redesign them so they support and actively enhance innovative behavior. Managers, in other words, have to fight systems with systems, creating an architecture of innovation in their teams and departments. The primary aim is to help people behave more like innovators. — Paddy Miller

A house can have integrity, just like a person,' said Roark, 'and just as seldom. — Ayn Rand

Architecture is, to a certain extent, a sensual gratification. It addresses itself to the eye, and affords the best scope for the parade of barbaric pomp and splendour. It is the form in which the revenues of a semi-civilized people are most likely to be lavished. The most gaudy and ostentatious specimens of it, and sometimes the most stupendous, have been reared by such hands. It is one of the first steps in the great march of civilization. — William H. Prescott

My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people. — Richard Rogers

The only plan I've come up with is writing. I can write, because writing - unlike choreography, architecture, or conquering kingdoms - is a thing you can do when you're lonely and poor, and have no infrastructure, i.e., a ballet troupe or some cannons. Poor people can write. It's one of the few things poverty, and lack of connections, cannot stop you doing. — Caitlin Moran

I think people care. If not, why do so many people spend money going on vacations to see architecture? They go to the Parthenon, to Chartres, to the Sydney Opera House. They go to Bilbao ... Something compels them, and yet we live surrounded by everything but great architecture. — Frank Gehry

If only people realized Corbusier is pure nineteenth century, Manchester school utilitarian, and that's why they like him. — Evelyn Waugh

We need houses as we need clothes, architecture stimulates fashion. It's like hunger and thirst - you need them both. — Karl Lagerfeld

I believe that artistic activities change people. You do effect change. I see architecture as a political, social and cultural act - that is its primary role. — Thom Mayne

Why do so many Americans say they want their children to watch less TV, yet continue to expand the opportunities for them to watch it? More important, why do so many people no longer consider the physical world worth watching? The highway's edges may not be postcard perfect. But for a century, children's early understanding of how cities and nature fit together was gained from the backseat: the empty farmhouse at the edge of the subdivision; the variety of architecture, here and there; the woods and fields and water beyond the seamy edges
all that was and still is available to the eye. This was the landscape that we watched as children. It was our drive-by movie. — Richard Louv

The first is that seemingly small features of social situations can have massive effects on people's behavior; nudges are everywhere, even if we do not see them. Choice architecture, both good and bad, is pervasive and unavoidable, and it greatly affects our decisions. The second claim is that libertarian paternalism is not an oxymoron. Choice architects can preserve freedom of choice while also nudging people in directions that will improve their lives. — Richard H. Thaler

When Moses was alive, these pyramids were a thousand years old. Here began the history of architecture. Here people learned to measure time by a calendar, to plot the stars by astronomy and chart the earth by geometry. And here they developed that most awesome of all ideas - the idea of eternity. — Walter Cronkite

I see the last two millennia as laid out in columns, like a reverse ledger sheet. It's as if I'm standing at the top of the twenty-first century looking downwards to 2000. Future centuries float as a gauzy sheet stretching over to the left. I also see people, architecture and events laid out chronologically in the columns. When I think of the year 1805, I see Trafalgar, women in the clothes of that era, famous people who lived then, the building, etc. The sixth to tenth centuries are very green, the Middle Ages are dark with vibrant splashes of red and blue and the sixteenth and seventeenth centuries are brown with rich, lush colours in the furniture and clothing. — Claudia Hammond

Perhaps there never was a monument more characteristic of an age and people than the Alhambra; a rugged fortress without, a voluptuous palace within; war frowning from its battlements; poetry breathing throughout the fairy architecture of its halls. — Washington Irving

Gregorian chant, Romanesque architecture, the Iliad , the invention of geometry were not, for the people through whom they were brought into being and made available to us, occasions for the manifestation of personality. — Simone Weil

Sometimes it takes a crisis for people to agree that what is obvious and should have been done years ago, can no longer be postponed ... We must create a new international financial architecture for the global age. — Gordon Brown

I found myself starting architecture with a deep social, Jewish, liberal conscience, and the belief that architecture is for the people. It was a do-gooder base; I was born and raised that way. I was for blacks, whites, Italians, Poles, whatever. — Frank Gehry

It is ridiculous to lay down to people where a thing should stand, design everything for them from the lavatory pan to the ashtray. On the contrary, I like people to move their furniture so that it suits them (not me!), and it's quite natural (and I approve) when they bring the old pictures and mementos they have come to love into a new interior, irrespective of whether they are good taste or bad. — Adolf Loos

I don't think architecture should be considered as an art form in the first instance. Whenever I say that, it makes people really angry. But this is a very political profession in the Grecian sense. I believe there have to be reasons for every building, and that the ideas should not be self-referential. — James Polshek

I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines. — William Devane

Bad architecture is in the end as much a failure of psychology as of design. It is an example expressed through materials of the same tendencies which in other domains will lead us to marry the wrong people, choose inappropriate jobs and book unsuccessful holidays: the tendency not to understand who we are and what will satisfy us. — Alain De Botton

I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city. — Toyo Ito

One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful. — Oksana Baiul

Architecture has always been a very idealistic profession. It's about making the world a better place, and it works over the generations because people go on vacation and they look for it. — Frank Gehry