Andre Maurois Climates Quotes & Sayings

I have never belonged to a tribe. It gives me a different perspective. Perhaps if I did, I too would feel ill at ease in Les Marauds. But I have always been different. Perhaps that's why I find it easier to cross the narrow boundaries between one tribe and the next. To belong so often means to exclude; to think in terms of us and them - to little words that, juxtaposed, so often lead to conflict. — Joanne Harris

More and more it seems to me that the philosopher, being of necessity a man of tomorrow and the day after tomorrow, has always found himself, and had to find himself, in contradiction to his today: his enemy was ever the ideal of today. So far all these extraordinary furtherers of men whom one calls philosophers, though they themselves have rarely felt like friends of wisdom but rather like disagreeable fools and dangerous question marks, have found their task, their hard, unwanted, inescapable task, but eventually also the greatness of their task, in being the bad conscience of their time. — Friedrich Nietzsche

I was nothing more to him than a prison sentence, trapping him inside my walls and persecuting him for a crime he was tricked into committing. — Nikki Kelly

Leave footprints of love and kindness on the seashore of humanity. — Debasish Mridha

If the directions say to do it, we do it," said Maggie. "That's what everyone says. If you don't listen to the Monkey, he doesn't meet with you."
"Let's hope the directions don't tell us to shoot a man in Reno just to watch him die," I muttered, and pulled out onto the street. — Mira Grant

You obeyed, once, because you thought it would make you safe. He showed you - again and again, unrelentingly, he would not let you pretend otherwise - that if obedience did not make one safe from the Guardians or the nodes or the lynchings or the breeding or the disrespect, then what was the point? The game was too rigged to bother playing. — N.K. Jemisin

Here's the most startling irony I know in film history: Antonioni, who is often denigrated by left-wing critics as a formalist and aesthete gives us radical realism through the long take, and what he gives us
this is his metaphysical wager
is real outside the film, off the set, beyond the camera and underneath the surface of everyday life. — Frank Lentricchia