Quotes & Sayings About Amber Light

I thought of many an autumn I had known: Seemly autumns approaching deliberately, with amplitude. I thought of wild asters, Michaelmas daisies, mushrooms, leaves idling down the air, two or three at a time, warblers twittering and glittering in every bush ('Confusing fall warblers,' Peterson calls them, and how right he is): the lingering yellow jackets feeding on broken apples; crickets; amber-dappled light; great geese barking down from the north; the seesaw noise that blue jays seem to make more often in the fall. Hoarfrost in the morning, cold stars at night. But slow; the whole thing coming slowly. The way it should be. — Elizabeth Enright

The day had begun sombrely in grey cloud and mist, but had ended in a pomp of scarlet and gold. Over the western hills beyond the harbour were amber deeps and crystalline shadows, with the fire of sunset below. The north was a mackerel sky of little, fiery golden clouds. The red light flamed on the white sails of a vessel gliding down the channel, bound to a Southern port in a land of palms. Beyond her, it smote upon and incarnadined the shining, white, grassless faces of the sand-dunes. — L.M. Montgomery

He was tall and trim, with the build of a young man proficient in warfare. His dark hair was straight and styled in a manner suggesting a desire for order in all things. As she strode onto the dais, she looked up at him, refusing to balk, even in the face of her king. His thick eyebrows raised a fraction. They framed eyes so pale a shade of brown they appeared amber in certain flashes of light, like those of a tiger. His profile was an artist's study in angles, and he remained motionless as he returned her watchful scrutiny. — Renee Ahdieh

It is a sad moment when the first phlox appears. It is the amber light indicating the end of the great burst of early summer and suggesting that we must now start looking forward to autumn. Not that I have any objection to autumn as a season, full of its own beauty; but I just cannot bear to see another summer go, and I recoil from what the first hint of autumn means. — Vita Sackville-West

In the realm of Ahura, there are two lands, one of light and one of dark. The land of light is where the mountain lay, and near its top is where the Zoroastrians dwell. They are the people of the land, and the chosen Twelve are their most powerful leaders and protectors. It is a beautiful sight, not like anything in mortal existence. The peak stretches up toward a sky of amber and blue. During certain hours, a purple hue explodes along the skyline, stretching out into the distance of one side of the mountain, extending farther than the eye can grasp. This is a constant. Never without light. — Jettie Necole

But that day it was raining, and since they couldn't very well sit on the rooftop in the rain to watch the flotilla parade, they stayed in the little room that led to the roof. It had just one tiny window through which the gray light of day filtered in. They sat on the floor, and Lorenzo's senses were aroused by the sound of the rain falling outside, the musky smell of his own body, and the fragrant scent of Caterina's hair. A single blonde strand wound down her slim neck.

They kissed, taking off their rain-washed summer clothes so that their bodies pressed, naked, against one another. Long, delicate lovemaking. Caresses, kisses, shivers, and sighs of delight.

Lorenzo would have gladly spend the rest of his life preserved in that single moment, as if in amber, abandoning reality to live in the memory of that one single day. — Riccardo Bruni

The ears were large, flaring forward, the eyes limpid amber, in which the pupil floated like a glittering jewel, changing color with shifts of the light: obsidian, emerald, ruby, opal, amethyst, diamond. — William S. Burroughs

If I said the light was casting an amber wash around the room, glowing and fading rhythmically like a mood lamp as the tree swayed gently in the breeze, I'd be having you on because I was completely unmoved by the ambience of the place. — Steven Hayward

It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife. — Emma Richler

We walked to another door with an amber light above it. This one led to a hall I hadn't seen before. It was less pristine than the others. There were whiteboards on the walls, scribbled with notes about cafeteria menus and security sweeps. There were even a few flyers taped up, advertising cars for sale or asking if anyone knew a good tutoring service for high school biochemistry. It looked so much more real than the place I'd been since I woke up, so much more human, that it almost made my chest hurt. The world still existed. I'd died and come back, and the whole time I was gone, the world continued. — Mira Grant

More than anything, it's my son's smile and love that makes me light up! — Amber Valletta

She sat there admiring the beauty of the light amber fluid in the clear bottle, the way the condensation on the Miller bottle ran down the black and gold label, like it was a fine piece of art. That was the problem with alcohol. It was so beautiful to look at, how could you resist it? And what kind of place could be more inviting and seductive than a truly elegant cocktail bar? — Fannie Flagg

Without asking, he moved behind her and brushed her hair over her shoulder. Drawing the necklace around her neck, he fastened the clasp. The amber felt cool against her sweltering skin. Lifting it, she rotated the pendant, watching as it caught the light. "It's lovely." Before she could change her mind, she dug into her pocket and shoved the rest of the coins into his hand. — Amber Argyle

No end of blessings from heaven and earth. As we climb up out of the Moab valley and reach the high tableland stretching northward, traces of snow flying across the road, the sun emerges clear of the overcast, burning free on the very edge of the horizon. For a few minutes the whole region from the canyon of the Colorado to the Book Cliffs - crag, mesa, turret, dome, canyon wall, plain, swale and dune - glows with a vivid amber light against the darkness on the east. At the same time I see a mountain peak rising clear of the clouds, old Tukuhnikivats fierce as the Matterhorn, snowy as Everest, invincible. "Ferris, stop this car. Let's go back." But he only steps harder on the gas. "No," he says, "you've got a train to catch." He sees me craning my neck to stare backward. "Don't worry," he adds, "it'll all still be here next spring." The — Edward Abbey

Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours ]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it. — Chris Pine

Morning came in through the blinds cutting everything into ribbons. — Amber Dawn

To Selene (Moon)

Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night.
With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride:
Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline.
Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon:
Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light.
Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life:
Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end.
Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil;
Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light,
Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise. — Orpheus

Lo- don't move," he says, seriously, his eyes like honey in the basement light- warm and amber and shining. "i'm still working."
"I had an itch."
"Let me know next time, and I'll scratch it for you. Before the terrible itching incident ruined everything, I was about to start on the dark shadow of your elbow crease. Now I'll have to re-create that perfect, dark, little cityscape from memory. — Kate Ellison

Respect the man of noble races other than your own, who carries out, in a different place, a combat parallel to yours
to ours. He is your ally. He is our ally, be he at the other end of the world.
Love all living things whose humble task is not opposed in any way to yours, to ours: men with simple hearts, honest, without vanity and malice, and all the animals, because they are beautiful, without exception and without exception indifferent to whatever "idea" there may be. Love them, and you will see the eternal in the glance of their eyes of jet, amber, or emerald. Love also the trees, the plants, the water that runs though the meadow and on to the sea without knowing where it goes; love the mountain, the desert, the forest, the immense sky, full of light or full of clouds; because all these exceed man and reveal the eternal to you. — Savitri Devi

We may be only one of millions of advanced civilizations. Unfortunately, space being spacious, the average distance between any two of these civilizations is reckoned to be at least two hundred light-years, which is a great deal more than merely saying it makes it sound. It means for a start that even if these beings know we are here and are somehow able to see us in their telescopes, they're watching light that left Earth two hundred years ago. So, they're not seeing you and me. They're watching the French Revolution and Thomas Jefferson and people in silk stockings and powdered wigs
people who don't know what an atom is, or a gene, and who make their electricity by rubbing a rod of amber with a piece of fur and think that's quite a trick. Any message we receive from them is likely to begin "Dear Sire," and congratulate us on the handsomness of our horses and our mastery of whale oil. Two hundred light-years is a distance so far beyond us as to be, well, just beyond us. — Bill Bryson

While the darkness of the interior concealed her body, the streetlight behind them illuminated the pale oval of her face, gilding her cheeks in shades of amber and ghostly blue. The effect was . . . arresting. Vermeer had used natural light to paint women in this way, faces emerging from the shadows, forcing the viewer's eye to focus on what was most important: the look of grace. The mouth firmed in determination. The eyes poised to behold a revelation. — Meredith Duran

Cold air rises from the ground as the sun goes down. The eye-burning clarity of the light intensifies. The southern rim of the sky glows to a deeper blue, to pale violet, to purple, then thins to grey. Slowly the wind falls, and the still air begins to freeze. The solid eastern ridge is black; it has a bloom on it like the dust on the skin of a grape. The west flares briefly. The long, cold amber of the afterglow casts clear black lunar shadows. There is an animal mystery in the light that sets upon the fields like a frozen muscle that will flex and wake at sunrise. — J.A. Baker

Look at that mallard as he floats on the lake; see his elevated head glittering with emerald green, his amber eyes glancing in the light! Even at this distance, he has marked you, and suspects that you bear no goodwill towards him, for he sees that you have a gun, and he has many a time been frightened by its report, or that of some other. The wary bird draws his feet under his body, springs upon then, opens his wings, and with loud quacks bids you farewell. — John James Audubon

I rushed off to Whitehall and assumed Aidan would head back to Astor. But when I turned around briefly, I saw Aidan uncoiling her black scarf from around her neck. She held each end of the scarf above her head, the silk capturing the wind, arching above her like a parachute. Aidan released one end, kiting the scarf. The wind swirled around her for a moment before Aidan let go completely. She was an excellent student. The light silk caught a thermal and rose, sailing above the water. A dark black bird against the blue sky. — Amber Dermont

I'd like to be a light meter."
"A what?"
"A light meter. Like a photographer uses. Tinks had one this morning." Aidan snapped an imaginary photo of me. "I'd like to be able to measure and know for certain whether people were giving off light or taking light away."
"You're strange," I said. "But I think I like that about you. — Amber Dermont

The amber light came on. — Jose Saramago

She shot him a look.

"What?" he asked.

"Where's my journal? I want to jot this down for posterity."

Huh?

He lifted a confused brow and she smirked, ornery light glinting in her amber brow.

"You just spoke, like what? A whole four sentences? Not to mention there were a few adjectives thrown in there. That must be some sort of record. It should be memorialized accordingly, don't you think? She batted her lashed.

Jesus, the woman was too much. — Julie Ann Walker

THERE ARE FEW THINGS as beautiful as a glass bottle filled with deep amber whiskey. Liquor shines when the light hits it, reminiscent of precious things like jewels and gold. But whiskey is better than some lifeless bracelet or coronet. Whiskey is a living thing capable of any emotion that you are. It's love and deep laughter and brotherhood of the type that bonds nations together. Whiskey is your friend when nobody else comes around. And whiskey is solace that holds you tighter than most lovers can. I thought all that while looking at my sealed bottle. And I knew for a fact that it was all true. True the way a lover's pillow talk is true. True the way a mother's dreams for her napping infant are true. But the whiskey mind couldn't think its way out of the problems I had. So I took Mr. Seagram's, put him in his box, and placed him up on the shelf where he belonged. — Walter Mosley

The light is amber, the air still; the daylilies have folded in on themselves. Soon, the hooded blue of dusk will fall, followed by the darkness of night and the sky writing of the stars, indecipherable to us mortals, despite our attempts to force narrative upon them. — Elizabeth Berg

Grunthor's hand came to rest on her back as she teetered on her fibrous perch. She was almost on eye level with him, and within those amber eyes, remarkable in their humanity above the rest of the monstrous face, there was a distinct look of sympathy. "The door is gone, miss; Oi'm sorry. We 'ave to press on, we can't go back." Rhapsody whirled around and glared down at Achmed, her eyes blazing green in the light of the torch. "What do you mean, we can't go back? We have to go back - you have to let me out. — Elizabeth Haydon

Henry shuffled the jewelled insect back out of his pocket. It amber heart warmed light through the pit again. "Back in the lab, of course, as father dear tries to copy it with nonmagical parts. My mother told me to keep this one to remind me of what I am."
"And what is that?"
The bee illuminated both itself and Henry: its translucent wings, Henry's wickedly cut eyebrows.
"Something more. — Maggie Stiefvater

Any sensible ruler would have killed off Leonard, and Lord Vetinari was extremely sensible and often wondered why he had not done so. He'd decided that it was because, imprisoned in the priceless, inquiring amber of Leonard's massive mind, underneath that bright investigative genius was a kind of willful innocence that might in lesser men be called stupidity. It was the seat and soul of that force which, down the millennia, had caused mankind to stick its fingers in the electric light socket of the Universe and play with the switch to see what happened - and then be very surprised when it did. — Terry Pratchett

Winter had long since come. It was freezing cold. Torn-up sounds and forms appeared with no evident connection from the frosty mist, stood, moved, vanished. Not the sun we are accustomed to on earth, but the crimson ball of some other substitute sun hung in the forest. From it, strainedly and slowly, as in a dream or a fairy tale, rays of amber yellow light, thick as honey, spread and on their way congealed in the air and froze to the trees. — Boris Pasternak

Swimmer of noonday, lean for the perfect dive
To the dead Mother's face, whose subtile down
You had not seen take amber light alive. — Allen Tate