All She Wrote Quotes & Sayings

There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me. — Queen Latifah

Well just meeting J. K. Rowling was amazing because she created all this world. And all the fans, we all get so obsessed with it and then you met the one person who made it all up. It was just so amazing. And I was just so amazed that that she wrote this book and all of the films have happened. — Evanna Lynch

Offstage, she fixed him in place with compliments and ironic bossiness, and he tended not to look at her at all when they spoke. He was the only one in the band she called by name, implying a permanence to his position that was professionally reassuring but personally debilitating. When they wrote together or when one presented the other with something prepared in private, with no audience to absorb the excess, he felt the room crowding with their other selves, lives unled and correspondences unwritten, happiness opted against, and he could not believe she did not see it, too. He sweated to ornament her fears and tall tales and fake portraits, and with the remnants of his energy he hid the rest of himself from her. The best of him was a child's drawing of her on an off day. — Arthur Phillips

Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare. — Virginia Woolf

As she watched all of this, Liesel was certain that these were the poorest souls alive. That's what she wrote about them ... Some looked appealingly at those who had come to observe their humiliation, this prelude to their deaths. Others pleaded for someone, anyone to step forward and catch them in their arms.
No one did. — Markus Zusak

I remember lying on the floor of my room, staring at a black-and-white television for most of the '80s - watching 'Diff'rent Strokes,' 'Facts of Life,' 'Silver Spoons,' Saturday morning cartoons, and 'Murder, She Wrote' while eating an insane amount of Stouffer's French bread pizza. I was sucked into it all. — Jim Rash

Our teacher made us write a story about what we want to be when we're big," Noah tells him.
"What did you write?"
"I wrote that I wanted to concentrate on being little first."
"That's a very good answer."
"Isn't it? I would rather be old than a grown-up. All grown-ups are angry, it's just children and old people who laugh."
"Did you write that?"
"Yes."
"What did your teacher say?"
"She said I hadn't understood the task."
"And what did you say?"
"I said she hadn't understood my answer. — Fredrik Backman

And I think of Emily Dickinson, and my favorite poem about death, and the line that reads "I could not see to see." This is the line Ms. Sylvia copied onto the board in her beautiful cursive, which spirals away like blindweed tendrils, and then she asked the class what it might mean. I didn't even have to think about it. I just knew. To see to see, which is not exactly what Dickinson wrote, means knowing how to look. How to look to understand. How to look without your eyes. And to die, is not to see at all. Of course, I didn't actually say this out loud. — Sarah Elizabeth Schantz

You know what Hans told me last week?" she says as I open the door of my fitting room. "He told me to write down a list of everything I wanted to say about that women-and then tear it up. He said I'd feel a sense of freedom."
"Oh right," I say interestedly. "So what happened?"
"I wrote it all down," says Laurel. "And then I mailed it to her! — Sophie Kinsella

That evening, Hope wrote a letter to her MP, Jack Crow. She found no difficulty at all in composing it, but quite a bit in writing it. She hadn't hand-written an entire page since primary school. In the end she found an app on her glasses that sampled her handwriting and turned it into a font that looked like her handwriting would if it had been regular, and printed it off. There was even an app for the printer that indented the paper a little, and an ink that looked like ballpoint ink. — Ken MacLeod

Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children's letters - sometimes very hastily - but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, "Dear Jim: I loved your card." Then I got a letter back from his mother and she said, "Jim loved your card so much he ate it." That to me was one of the highest compliments I've ever received. He didn't care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it. — Maurice Sendak

Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we're in touch with our heart and we're living our life from our heart, then we do feel like we found our home. — Roger Hodgson

Years ago someone wrote [about me]: 'She characterizes Molly Weasley as a mother who is only at home looking after the children.' I was deeply offended, because I until a year before that had also been such a mother who was at home all the time taking care of her child [ ... ] What has lesser status and is more difficult than raising a child? And what is more important? — J.K. Rowling

While the others chatted over their parcels Jean wrote her letter, and Jean could write delightful letters. She had a decided talent in that respect, and her correspondents all declared her letters to be things of beauty and joy forever. She — L.M. Montgomery

Life is amazingly simplified," she wrote in her journal, "now that the recalcitrant forsythia has at last decided to come and blurt out springtime in petalled fountains of yellow. In spite of reams of papers to be written, life has snitched a cocaine sniff of sun-worship and salt air, and all looks promising." She already adored New York. — Elizabeth Winder

Emma took the revelation, on polygamy supposed she had all there was; but Joseph had wisdom enough to take care of it, and he had handed the revelation to Bishop Whitney, and he wrote it all off ... She went to the fireplace and put it in, and put a candle under it and burnt it, and she thought that was the end of it, and she will be damned as sure as she is a living woman. Joseph used to say that he would have her hereafter, if he had to go to hell for her, and he will have to go to hell for her as sure as he ever gets her. — Brigham Young

EMMA'S BLESSING
WRITTEN IN NAUVOO, ILLINOIS 1844
A blessing Emma wrote for herself, having asked Joseph for a blessing right before he left for Carthage. Not having time, he told her to write the best blessing she could, and he would sign it upon his return. He never returned.

"I desire with all my heart to honor and respect my husband...ever to live in his confidence and by acting in unison with him, retain the place which God has given me by his side. — Angela Eschler

Bloomsbury lost Fry, in 1934, and Lytton Strachey before him, in January 1932, to early deaths. The loss of Strachey
was compounded by Carrington's suicide just two months after, in March. Another old friend, Ka Cox, died of a heart attack in 1938. But the death, in 1937, of Woolf 's nephew Julian, in the Spanish Civil War, was perhaps the
bitterest blow. Vanessa found her sister her only comfort: 'I couldn't get on at all if it weren't for you' (VWB2 203). Julian, a radical thinker and aspiring writer, campaigned all his life against war, but he had to be dissuaded by his
family from joining the International Brigade to fight Franco. Instead he worked as an ambulance driver, a role that did not prevent his death from shrapnel wounds. Woolf 's Three Guineas, she wrote to his mother, was
written 'as an argument with him — Jane Goldman

You don't wear jewelry, do you? Besides your wedding ring, I mean?'

'Now often. If is not that I disapprove. I simply don't take the time to bother with it. I've been given a few trinkets over the years, but rarely wear them.' Thora looked down at her hand, the plain thin wedding band, the unadorned wrist, and a memory struck her. She said, 'Frank gave me a gift once - a find gold bracelet with a blue enamel heart dangling from it. He said it was to remind me that I was more than his helpmeet and housekeeper, but also an attractive woman. I was sure I'd break the delicate chain, and the heart clacked against the desk whenever I wrote in the ledger. So I put it back in its box, and there it has remained ever since.'

Nan said gently, 'We've all been given gifts, Thors, and ought not to hide them away. They remind us that we are blessed and loved. They give pleasure to those who see them - especially to the one who bestowed the gift in the first place. — Julie Klassen

Well, it would be helpful to not have to go through all of these in Braille," the man said. "I'm looking for the local wildlife guide and one other book." He held a paper out in front of him, and she took it. "The head librarian wrote the authors' names down for me," the man said, grinning. "I don't think she realized I couldn't read it." "That would be my boss," Julia sighed. "She's ... she's the kind of person who yells at deaf people. — Aubrey Rose

He smiled slowly, as if particularly pleased with her question, and she couldn't help smiling in return. He reached around her, his arms nearly embracing her, and wrote in the notebook on her lap, Very good. Yes, the root ball should be quite big, even so. "Should be?" His breath was warm against her ear. I confess. I've never attempted to transplant a fully grown tree. I shall do so, however, this afternoon. Would you like to watch? If someone had asked her a fortnight ago if she'd like to watch a tree being planted, she would've looked at the questioner quite pityingly. But right now, this moment, she was rather excited at the prospect. Perhaps too many viewings of Caliban's nude chest had addled her brain. In any case she gazed into his thickly lashed brown eyes and smiled brilliantly. "Yes, please." His grin was quick and all-encompassing and, she couldn't help but think, solely for her. — Elizabeth Hoyt

Koschei, Koschei," she whispered. "What would I have been if I had never seen the birds? I am no one; I am nothing. I am a blank paper on which you and your magic wrote a girl. Just the kind of girl you wanted, all hungry and hurt and needing. A machine for loving you. Nothing in me was not made by you. — Catherynne M Valente

She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones) — Neil Gaiman

Here Mrs. Wiggins, who had been slowing down gradually, came to a full stop. "Good land, Charles," she said, looking down at the rooster, "I can't remember all those big words. That was a real nice speech you wrote out for me, but I guess you'll just have to let me tell it in my own way." Charles — Walter R. Brooks

There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once. — Chimamanda Ngozi Adichie

I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with. — Bryan Cranston

There was nowhere for her to go. Not in the kitchen, not in the hallway, not in the bedroom. What she wanted was a little room of her own where she could go and jot down small things in her diary. Tatiana had no little room of her own. As a result she had no diary. Diaries, as she understood them from books, were supposed to be full of personal writings and filled with private words. Well, in Tatiana's world there were no private words. All private thoughts you kept in your head as you lay down next to another person, even if that other person happened to be your sister. Leo Tolstoy, one of her favorite writers, wrote a diary of his life as a young boy, an adolescent, a young man. That diary was meant to be read by thousands of people. That wasn't the kind of diary Tatiana wanted to keep. She wanted to keep one in which she could write down Alexander's name and no one would read it. She wanted to have a room where she could say his name out loud and no one would hear it. Alexander. — Paullina Simons

Uncle is gone, she wrote instead of all this. And somehow, in some way, I envy him. — Victoria Aveyard

My fellow Americans, good evening. My name is Becca Goldman and I weep with all of you.
I texted one word to Megan, 'Gag'
She wrote back: 'My name is Becca Goldman, and I sleep with all of you — Jeri Smith-Ready

I remember reading this thing that Elizabeth Taylor wrote. She had her first kiss in character. On a movie set. It really struck me. I don't know how or why, but I had this sense that if I wasn't really careful, that could be me: that my first kiss could be in somebody else's clothes. And my experiences could all belong to someone else. — Emma Watson

Cora had heard Michael recite the Declaration of Independence back on the Randall plantation many times, his voice drifting through the village like an angry phantom. She didn't understand the words, most of them at any rate, but 'created equal' was not lost on her. The white men who wrote it didn't understand it either, if 'all men' did not truly mean all men. — Colson Whitehead

I didn't believe all her stories," Martha wrote later. "I thought she was exaggerating and a bit hysterical." When Martha left her hotel she witnessed no violence, saw no one cowering in fear, felt no oppression. — Erik Larson

In the 'Life' of George Eliot, John Walter Cross gave an intriguing account of Eliot's creative method. "She told me that, in all her best writing, there was a 'not herself' which took possession of her, and that she felt her own personality to be merely the instrument through which this spirit, as it were, was acting," Cross wrote. — Rebecca Mead

Far away, where the swallows take refuge in winter, lived a king who had eleven sons and one daughter, Elise. The eleven brothers
they were all princes
used to go to school with stars on their breasts and swords at their sides. They wrote upon golden slates with diamond pencils, and could read just as well without a book as with one, so there was no mistake about their being princes. Their sister Elise sat upon a little footstool of looking-glass, and she has a picture-book which had cost the half of a kingdom. Oh, these children were very happy; but it was not to last thus forever. — Hans Christian Andersen

As a matter of fact, Janice wrote Preacher a letter in red ink on lace-trimmed paper in which she told him he was vile beyond all human beings and words, that she considered their engagement broken, that he could have back the stuffed squirrel he'd given her. Preacher, saying he wanted to act nice, stopped her the next time she passed our house, and said, well, hell, she could keep that old squirrel if she wanted to. Afterwards, he couldn't understand why Janice ran away bawling the way she did. — Truman Capote

Lots of people wrote to the magazine to say that Marilyn vos Savant was wrong, even when she explained very carefully why she was right. Of the letters she got about the problem, 92% said that she was wrong and lots of these were from mathematicians and scientists. Here are some of the things they said: 'I'm very concerned with the general public's lack of mathematical skills. Please help by confessing your error.' -Robert Sachs, Ph.D., George Mason University ... 'I am sure you will receive many letters from high school and college students. Perhaps you should keep a few addresses for future columns.' -W. Robert Smith, Ph.D., Georgia State University ... 'If all those Ph.D.'s were wrong, the country would be in very serious trouble.' -Everett Harman, Ph.D., U.S. Army Research Institute — Mark Haddon

Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where all is correct. But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion." Nothing follows a regular course. Her argument was that the crossing of the shadow of that sword may bring a more interesting existence to a woman, but you can bet it will be more perilous. — Elizabeth Gilbert

Maisie was next, and stepped up to vote. She wondered how many hands had trembled already today, holding their pencils over the ballots, with all the little boxes. Did most women take to their new, belated right with aplomb, or did they take their time, marveling over the beauty of it all, the silent speech that would be heard?
Or did they think, like she did, that there was a long queue behind her and she had to get to work.
She wrote a thick X, drew over it twice, and dropped the paper in the ballot box.
That's how you spell a shout. With an X. — Sarah Jane Stratford

I can remember her singing, the thrill of it," she said. "She was one of my first inspirations.The people around me provided all the inspiration I needed. Everything I wrote (at that time) came from that experience, what I observed happening around me. — Taylor Swift

Shug! I say. God wrote the bible, white folks had nothing to do with it.
How come he look just like them, then? she say. Only bigger? And a heap more hair. How come the bible just like everything else they make, all about them doing one thing and another, and all the colored folks doing is gitting cursed? (Walker 2000: 166) — Alice Walker

Dimity said, "I wrote him poetry!"
( ... ) "Dimity," Sophronia said, horrified by such an admission, "you didn't give him the poetry, did you?"
"Certainly not."
Sidheag tilted back in her chair, grinning. "Well, let's hear it."
"Oh, no. I don't think that's a good idea at all."
But Dimity was already dipping into her reticule and pulling out a scrap of paper. She gave it to Sidheag, who read it with a perfectly straight face, her tawny eyes dancing, and then passed it Sophronia.
"My love is like a red red rose
Occasionally he has a red red nose
He could keep me warm in the snows
I wager he has very nice toes."
Sophronia could think of nothing to say except, "Oh, Dimity. — Gail Carriger

Because she was a blank mural and you wrote all over her. — Jasmine Sandozz

I turn onto North Market Street to pass Thomas Wolfe's house. I'd planned to do my dissertation on Wolfe. My advisor argued against it. Wolfe is all but forgotten now, she said, which seemed all the more reason to do it, so he would not be forgotten, or only, as Wolfe himself wrote, by the wind grieved. The — Ron Rash

It was such a thrill. I found the roughest, toughest girls who love to party. They study and work all day in the Agricultural world and college and then they party. I met one girl at 3 am and she was so drunk and said 'l have to get up and cut a sheep's throat at 9 am.' I met another who was a wool classer. She said 'I can drink to 4 in the morning and class wool from 6 am. So I wrote Girls Out There about them. — Beccy Cole

We had a teacher called Fanny Menlove, and I remember once when she was out of the room Nancy went up to the blackboard and wrote it backward - Menlove Fanny - and we all fell around laughing. She got into big trouble, but she didn't seem to mind. She had no fear. — Peter FitzSimons

That's the point of miracles - to point us beyond our world to another world. They are clues that that other world is not in our imaginations but is actually out there, wherever "out there" actually is. Peggy Noonan once wrote that she thought miracles existed "in part as gifts and in part as clues that there is something beyond the flat world we see." If miracles exist at all, they exist not for their own sake but for us, to point us toward something beyond. To someone beyond. — Eric Metaxas

My older sister encouraged me from early on and bought me one of the first guitars I had. She listened to all of the crappy songs that I wrote when I was 8 years old and encouraged me to keep doing it. — Tracy Chapman

Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French. — Blanche Wiesen Cook

On January 18, 1915, six months into the First World War, as all Europe was convulsed by killing and dying, Virginia Woolf wrote in her journal, 'The future is dark, which is on the whole, the best thing the future can be, I think.' Dark, she seems to be saying, as in inscrutable, not as in terrible. We often mistake the one for the other. Or we transform the future's unknowability into something certain, the fulfillment of all our dread, the place beyond which there is no way forward. Be again and again, far stranger things happen than the end of the world. — Rebecca Solnit

But Ruth has not read all the letters I've written to her. She couldn't. Though I wrote them for her, I also wrote them for me, after all, and after she passed away, I placed another box beside the original. In this box are letters written with a shaking hand, letters marked only by my tears, not hers. They are letters written on what would have been yet another anniversary. Sometimes I think about reading them, just as she used to, but it hurts me to think that she never had the chance. — Nicholas Sparks

The screams echoing through Janet's class were hard to bear. She was attempting a lecture on the Treaty of Paris while Mrs. Pachenko walked between the rows of desks insisting upon calm, raising a finger to her lips and whispering to individual students to please sit all the way down in their desks. In the back of the of the room, several kids were cheering as one of them, a young man whose shirt bore a flaming skull, stood hunched atop his desk like a motocross biker, sliding it forward in small hops. Students appear enthusiastic and are communicating well together, I wrote on the evaluation form. — Alissa Nutting

Incalculable failed experiments." She wrote, "Those who are ill-prepared to endure the battle for survival should perhaps never have attempted living in the first place. The only unforgivable crime is to cut short the experiment of one's own life before its natural end. To do so is a weakness and a pity - for the experiment of life will cut itself off soon enough, in all our cases, and one may just as well have the courage and the curiosity to stay in the battle until one's eventual and inevitable demise. Anything less than a fight for endurance is — Elizabeth Gilbert

Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so ... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did. — Colleen Hoover

I know you," she said. "You're Stephen King. You write those scary stories. That's all right, some people like them, but not me. I like uplifting stories, like that Shawshank Redemption." "I wrote that too," I said. "No you didn't," she said, and went on her way. The — Stephen King

And that love letter you wrote," Rowan added helpfully. "Signing it with another chap's name." Emma Smallwood's eyes widened, and she turned to look at him, brows high. Henry felt his neck heat. His cravat seemed suddenly far too tight. "That's right," Phillip nodded as the memory returned to him. "Pugsworth, was it not?" Julian grinned at Miss Smallwood, clearly enjoying himself. "Did you really think this Pugsworth fellow in love with you?" Heaven help him, Henry hoped she wouldn't burst into disillusioned tears. Not all these years later. And not over Milton Pugsworth. But Miss Smallwood remained her imperturbable self. "Goodness no," she said. "For all his faults, Mr. Pugsworth spelled exceptionally well and had the neatest hand I ever saw. Your brother, on the other hand, never did learn to spell. And I recognized his sloppy scratchings the moment I saw them." Phillip gave her a long look of amused approval. "Bravo, Emma. — Julie Klassen

My mother was addicted to being rich, to servants and unlimited charge accounts, to giving lavish dinner parties, to taking frequent first-class trips to Europe. So one might say she was tormented by withdrawal symptoms all through the Great Depression. She was acculturated! Acculturated persons are those who find that they are no longer treated as the sort of people they thought they were, because the outside world has changed. An economic misfortune or a new technology, or being conquered by another country or political faction, can do that to people quicker than you can say "Jack Robinson." As Trout wrote in his "An American Family Marooned on the Planet Pluto": "Nothing wrecks any kind of love more effectively than the discovery that your previously acceptable behavior has become ridiculous." He said in conversation at the 2001 clambake: "If I hadn't learned how to live without a culture and a society, acculturation would have broken my heart a thousand times." *** — Kurt Vonnegut Jr.

Georgia took once a creative-writing course, and what the instructor told her was: Too many things. Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think.
Eventually she wrote a story that was about her grandfather killing chickens, and the instructor seemed to be pleased with it. Georgia herself thought that it was a fake. She made a long list of all the things that had been left out and handed it in as an appendix to the story. The instructor said that she expected too much, of herself and of the process, and that she was wearing him out.
The course was not a total loss, because Georgia and the instructor ended up living together. — Alice Munro

The next minute he realized what had happened to him, but not before she'd caught him staring.
For a decade, I was fixated by her beauty. I wrote an entire article on the evolutionary significance of beauty as a rebuke to myself, that I, who understood the concepts so well, nevertheless could not escape the magnetic pull of one particular woman's beauty.
She knew. With surgical precision, she had peeled back his layers of defenses, until his heart lay bare before her, all its shame and yearning exposed.
He could have lived with this if only he'd kept his secret whole and buried. But she knew. She knew. — Sherry Thomas

There is no right to punish. There is only the power to punish,' she wrote. 'A man is punished for his crime because the State is stronger than he; the great crime of War is not punished because beyond the individual there is mankind, and beyond mankind there is nothing at all. — Benjamin Moser

This one's for Aura.
You all know who that is by now. The only girl I've ever loved. I wrote her a song, but she's the only one who's ever heard it, or ever will. — Jeri Smith-Ready

I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.
But now you are talking as if love were a consolation. Simone Weil warned otherwise. 'Love is not consolation,' she wrote. 'It is light.'
All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light. — Maggie Nelson

I prefer to not say anything, she wrote, there's no point adding to the pain, or adding our own little mysteries to it. As if the pain itself were not enough of a mystery, as if the pain were not the (mysterious) answer to all mysteries. — Roberto Bolano

My wife is my first reader, my first line of defence I suppose. So she says, "Oh well, oh yes, it's all true." At the same time, I could have written much more about us, but I didn't want to go any further. I did cut things out. There are certain things that I wrote about her that are so gushing with praise and admiration that when I looked at those passages I realised they would be ridiculous to anybody else. — Paul Auster

She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky. — Millard Kaufman

I loved them in the way one loves at any age - if it's real at all - obsessively, painfully, with wild exaltation, with guilt, with conflict; I wrote poems to and about them; I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening, don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world - and in a way, I suppose they were." She had spoken rapidly, on the defensive ... if he thought she didn't know what she was talking about! "Love opens the doors into everything, as far as I can see, including and perhaps most of all, the door into one's own secret, and often terrible and frightening, real self. — May Sarton

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ... ' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ... — David Mitchell

The teacher always used me as an example to the class of good English and good storytelling because we all had to write the same stories. But she used to make me go out front - which I hated - and read my story to the class and I would get huge applause. Not because of who I was but because they truly enjoyed the stories I wrote. — Michael Jackson

My eye is still used to searching for her in a crowd. My breath is still used to catching when I see her and the light is angled just right. My body is still used to hers moving next to mine. So the distance - anything short of contact - is a constant rejection. We were together for six months, and in each of those months my desire found new ways to be fueled by her. It's over can't kill that. All of the songs I wrote in my head were for her, and now I can't stop them from playing. This null soundtrack. I'm tired, she'd said, and I told her that I was tired, too, and that I wanted to take some time for us, too. And then she'd said, No, I'm tired of you, and I slipped into the surreal-but-true universe where we were over and I wasn't over it. She was no longer any kind of here that I could get to — David Levithan

See, the thing is I didn't think that that song would get much attention because it's such a personal song to me. I just wrote it about my childhood, and I didn't know how that would read on an album. But it's been everybody's favorite song. I didn't tell my mom. It was a total secret. So I wrote it in secret and then decided to record it secretly, so she had no idea that the song was recorded. My producers sent me the track and I synched it up to all my baby videos and I played it for her one Christmas Eve, and she bawled her eyes out. She didn't even think that it was my song. She didn't think there was any way for me to record a song without her knowing. — Taylor Swift

The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person
in this case, female
has created the "right" value
i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion). — Joanna Russ

20. The day she graduated from college, Keegan told her mother that she was especially proud of her Yale Daily News article "Even Artichokes Have Doubts," which went on to be adapted for the New York Times and discussed on NPR. When The Opposite of Loneliness was first published in April 2014, columnist Nicholas Kristof wrote, "Keegan was right to prod us all to reflect on what we seek from life, to ask these questions, to recognize the importance of passions as well as paychecks - even if there are no easy answers." As Keegan reminds other young people that "we can do something really cool to this world" (p. 200), what points does she emphasize? What counterarguments might she have considered more specifically? Do you share her concern about where so many top young graduates take their first jobs? Do you worry that you need to compromise your own dreams for practical concerns? Why or why not? — Marina Keegan

I never hear about dear Mike. I wrote Ellen Greene and asked about him and she replyed and never mentioned Mike but told me all about her roomatism. As if I cared about her roomatism. — L.M. Montgomery

She wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson ... " "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway - a really dishonest man, the closet-everything. Not Thomas Wolfe - all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it. — Truman Capote

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic ... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards ... he hardly said two words to me all day. — Jane Badler

Will and George were doing well in business, and Joe was writing letters home in rhymed verse and making as smart an attack on all the accepted verities as was healthful.

Samuel wrote to Joe, sayings, "I would be disappointed if you had not become an atheist, and I read pleasantly that you have, in your age and wisdom, accepted agnosticism the way you'd take a cookie on a full stomach. But I would ask you with all my understanding heart not to try to convert your mother. Your last letter only made her think you are not well. Your mother does not believe there are many ills uncurable by good strong soup. She puts your brave attack on the structure of our civilization down to a stomach ache. It worries her. Her faith is a mountain, and you, my son, haven't even got a shovel yet. — John Steinbeck

His name was Anderson and he had little gift for communication. Like most technicians, he had a
terror and a contempt for speculation. The inductive leap was not for him. He dug a step and pulled himself up one single step, the way a man climbs the last shoulder of a mountain. He had great contempt, born of fear, for the Hamiltons, for they all half believed they had wings - and they got some bad falls that way.
Anderson never fell, never slipped back, never flew. His steps moved slowly, slowly upward, and in the end, it is said, he found what he wanted - color film. He married Una, perhaps, because she had little humor, and this reassured him. Una wrote bleak letters without joy but also without self-pity. She was well and she hoped her family was well. — John Steinbeck

I got Mary pregnant and man that's all she wrote. And for my 19th birthday, I got a union card and a factory coat. — Bruce Springsteen

Bramble had taken another pencil from Delphinium, and Azalea's napkin, and wrote something new.
You're afraid of the King. Admit it.
Azalea grimaced at her untouched food, burning in humiliation as Lord Bradford took the napkin and read it. This time, he looked to be discreetly writing something back beneath the table.
Fairweller blinked at the King for a moment, in which Lord Bradford handed Bramble her napkin. She opened it and turned a rosy pink.
My lady, it read,who isn't?
Bramble pursed her lips and kicked Lord Bradford beneath the table-hard. His face twitched befre regaining its solemn expression.Azalea buried her face in her hands.
"All we ask is for you to consider it. That is all," said Fairweller.
"Oh." Lord Bradford's voice was slightly strangled. "Yes. Thank you."
Bramble threw the pencil-smudged napkin onto her plate. "I'm done," she said. "May we go to our room now? — Heather Dixon

Mowrer and his family made it safely to Tokyo. His wife, Lillian, recalled her great sorrow at having to leave Berlin. "Nowhere have I had such lovely friends as in Germany," she wrote. "Looking back on it all is like seeing someone you love go mad - and do horrible things. — Erik Larson

side. When she tries to explain her passion for it he reminds her how Anthony Trollope wrote all his books after a hard day's work at the Post Office. — Marcia Willett

Time, though you've probably lived all your life believing the contrary, is not money. If you run out of money, there are many ways to scrounge up more. If you run out of time - well, that's all she wrote. — Jay Conrad Levinson

You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately. — David Levithan

Sometimes, what people choose to write down on paper is more important than what they say.
Caleb didn't know what Sarah meant. But I knew. I wrote in my journal every night. And when I read what I had written, I could see myself there, clearer than when I looked in the mirror. I could see all of us: Papa, who couldn't always say the things he felt; Caleb, who said everything; and Sarah, who didn't know that she had changed us all. — Patricia MacLachlan

They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find. — Keith Ridgway

I'm the one who often makes the 'Murder, She Wrote' reference, and ABC hates that, they don't want me to do that. And I say that having never actually watched 'Murder, She Wrote'. I think people have been trying to compare it to crime shows that are on right now, and all I can do is listen. I don't watch a lot of TV. — Nathan Fillion

Irony is the disparity between what you expect will happen, and what does happen. So raining on your wedding day isn't ironic, it's just crappy. It would have been ironic if she had lived in a place like Seattle, and traveled to the desert of Mexico for a wedding and it ended up raining there, but not in Seattle. Alanis always gets the last laugh though. We all sit here, saying her song isn't ironic, but in fact, that's pretty ironic that she wrote a song called Ironic that wasn't really ironic. Those Canadians are pretty crafty. — Mo Rocca

TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years. And sure, everyone wants to be Bruce Willis or George Clooney - they want to be in film for the range of characters you get to play. — Christopher Meloni

How strange and unnatural destiny is. I married a man eight years younger than myself, and according to the law of nature I should have been the first to die, with Him at my side. Instead, it was my destiny to witness His death.'
In speaking of Giuseppe, she always wrote Him, with a capital letter. Her style was prolix, repetitive, but with a certain academic nobility; and her handwriting was elongated, fine, even elegant. (However, in her final decline, her letters grew shorter and her written words, all shaky and twisted, groped across the page, uncertain of their direction.) — Elsa Morante

But a day later, it was 'Prof Tim says low fat is a fraud,' when he was eating a tub of yoghurt at his desk for breakfast. He let that slide too. Until the following morning, when he and a packet of Simba salt-and-vinegar crisps walked out of the morning parade, and Mbali said, 'Prof Tim says it's the carbs that make you fat, you know,' and he couldn't take it any more and snapped: 'Prof Tim who?' And so she told him. Everything. About this Prof Tim Noakes who once got the whole fokken world eating pasta, and then he did an about face and said, no, carbs are what's making everyone obese, and he wrote a book of recipes, and now he was Mbali's big hero, 'Because it takes a great man to admit that he was wrong', and she had already lost so much weight and she had so much more energy, and it wasn't all that hard, she didn't miss the carbs because now she ate cauliflower rice and cauliflower mash and flax seed bread. Flax seed bread, for fuck's sake. — Deon Meyer

The street lamps and illuminated signs were all extinguished, and on impulse everybody looked into the sky. The frogs and crickets fell quiet to the count of five before they began to sing again. The smaller stars were spread across the darkness in a fine white powder, and the brighter ones pierced the air like nail points. In Andrew Brady's yearbook she wrote: The thing I will always remember about you is the time we were watching the film strip in Miss Applebome's class, and the lights were out, and you sat behind me scratching my back with your fingers. — Kevin Brockmeier

I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well. — Richie Havens

You were right the first time, Cathy. It was a stupid, silly story.
Ridiculous! Only insane people would die for the sake of love. I'll
bet you a hundred to one a woman wrote that junky romantic trash!"
Just a minute ago I'd despised that author for bringing about such a
miserable ending, then there I went, rushing to the defense. "T. M.
Ellis could very well have been a man! Though I doubt any woman writer
in the nineteenth century had much chance of being published, unless
she used her initials, or a man's name. And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love? And it seems to me, that Raymond was far more
mushy-minded than Lily! — V.C. Andrews

Well, Thanksgiving we'll all gather at my house for dinner and we usually do Christmas at Beau's house. My mom is still feisty and kicking. She's 92. I saw her last night and she published a book at 90. It's a wonderful book called "You Caught Me Kissing" and it's basically love-poems that she wrote for my dad. It's more than that, it's a wonderful book. — Jeff Bridges

She wrote she heard them hammering nails all day long and that it was like living next to a coffin maker after a plague. When — Joe Hill

Jeanne sensed herself becoming more depressed after tweeting. She felt lonely after all of her thoughts had left her and were now staring at her on the Internet. Jeanne sometimes felt fearful of posting her thoughts on twitter. After posting a thought to twitter she sometimes thought, "No, I should have saved that." Jeanne felt unsure as to why she would need to save her thoughts. Maybe she needed to somehow save up all of her thoughts like carnival tickets, and she would be able to one day trade them in for one big, good thing. She could possible trade them in for a giant stuffed animal with a disproportionately large head that is not a trademarked character but very similar looking to a trademarked character.

She thought that if she ever wrote a novel it would be made up of every thought she has ever had. She would title it "One Big Good Thing" even if it were small and bad. — Gabby Bess

But here's the thing Ona. Howard wrote that song for you.' Quinn had never been more sure of anything. 'I think he wrote all his songs for you, Ona, for young and lovely you.'
'Now you're talking foolish.'
'He wrote them for you, and you refused them because he didn't know how to give them to you.' How could he, living his shadow of a life, floundering in the sludge of grief and failure?
'Have you been drinking?'
'Listen to me,' he said. 'You 're the glittering girl with the cherry-wood hair. You're the angel's breath and sunlight.'
'Oh, for heaven's sake.' She sat up crossly, her tufted hair seeming to quiver. 'Quinn Porter,' she said, 'I never took you for a romantic.'
'Howard Stanhope loved you,' he declared. 'I thought you should know.'
'Well, all right.'
'I thought you should know, Ona.'
'Thank you.'
'People should know these things — Monica Wood

At times I feel as if I had lived all this before and that I have already written these very words, but I know it was not I: it was another woman, who kept her notebooks so that one day I could use them. I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously ... That's why my Grandmother Clara wrote in her notebooks, in order to see things in their true dimension and to defy her own poor memory. — Isabel Allende

I wrote stories from the time I was a little girl, but I didn't want to be a writer. I wanted to be an actress. I didn't realize then that it's the same impulse. It's make-believe. It's performance. The only difference being that a writer can do it all alone. I was struck a few years ago when a friend of ours - an actress - was having dinner here with us and a couple of other writers. It suddenly occurred to me that she was the only person in the room who couldn't plan what she was going to do. She had to wait for someone to ask her, which is a strange way to live. — Joan Didion

Nadya Zelenin and her mother had returned from a performance of Eugene Onegin at the theatre. Going into her room, the girl swiftly threw off her dress and let her hair down. Then she quickly sat at the table in her petticoat and white bodice to write a letter like Tatyana's.
'I love you,' she wrote, 'but you don't love me, you don't love me!'
Having written this, she laughed.
She was only sixteen and had never loved anyone yet. She knew that Gorny (an army officer) and Gruzdyov (a student) were both in love with her, but now, after the opera, she wanted to doubt their love. To be unloved and miserable: what an attractive idea! There was something beautiful, touching and romantic about A loving B when B wasn't interested in A. Onegin was attractive in not loving at all, while Tatyana was enchanting because she loved greatly. Had they loved equally and been happy they might have seemed boring.
("After The Theatre") — Anton Chekhov

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes